OB STARE is a Spanish publisher specialized in conscious maternity, early childhood education and development that supports knowledge and freedom of choice. We publish inspirational books for a new way of looking, including empowerment, gender equality, self-love and sexual diversity.
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"BOOK TIME Co., Ltd. was founded on 10TH March 2003 as a distributor for all our products including those of our partners'. BOOK TIME Co., Ltd. creates and produces children and adult books that have been shaping the Thai publishing culture since 1981 as then Suk-kha-pab-jai Publishing Limited Partnership. We started our business from publishing Health books and Dharma books. We decided to step up to Limited Company in 1982 to extend the scope of our work and to create many more product categories."
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Ein Schwabe in Rom: Der erfolgreiche Produzent Montgomery Cassini-Stahl dreht »Jud Süß«, eine Neuverfilmung des antisemitischen Machwerks, mit der er den historischen Jud Süß Oppenheimer ehren will. Mitten in den Dreharbeiten bricht der Titelheld am Morgen nach der Liebesnacht mit einer jungen Frau vor dem Pantheon tot zusammen. Erzählt wird in Rückblenden – von der Kindheit des Jungen mit dem exotischen Namen im Stuttgarter Vorort Degerloch, vom Tod des Bruders, vom Leben in Rom. Schließlich ist aus dem Außenseiter der große Filmproduzent Cassini-Stahl geworden, der sein bisher größtes Projekt verwirklicht und dabei selbst in die Rolle des Jud Süß schlüpfen muß. Montgomery ist ein Roman über den Ausbruch aus spießiger Enge, die Suche nach einer anderen Wahrheit und die Doppelbödigkeit der Dinge. Vor dem glitzernden Hintergrund der römischen Cinecittà dringt der Filmproduzent Montgomery Cassini-Stahl in die Tiefen deutscher Vergangenheit ein und wird mit den Schlüsselerlebnissen des eigenen Lebens konfrontiert.
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This book is about the relationship between societies and their security forces at times of great political and societal change. It uses the experiences of Croatia, Serbia and Montenegro to examine the control, management and reform of armed forces, police and intelligence agencies in the aftermath of conflict and authoritarianism. The book assesses the theory and practice of security sector reform programmes in the context of Europe and the Western Balkans, the relationship between security sector reform and normative international policy more generally, and the broader dynamics of post-conflict and post-authoritarian transformation. In so doing it addresses two underlying questions. First, how and in what ways does reform in the security sector interrelate with processes of domestic political and societal transformation, particularly democratisation. Second, how and in what ways do these processes relate and respond to internationally-driven efforts to promote a particular type of security sector reform as a component of wider peacebuilding and democracy promotion strategies.
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Works of travel have been the subject of increasingly sophisticated studies in recent years. This book undermines the conviction with which nineteenth-century British writers talked about darkest Africa. It places the works of travel within the rapidly developing dynamic of Victorian imperialism. Images of Abyssinia and the means of communicating those images changed in response to social developments in Britain. As bourgeois values became increasingly important in the nineteenth century and technology advanced, the distance between the consumer and the product were justified by the scorn of African ways of eating. The book argues that the ambiguities and ambivalence of the travellers are revealed in their relation to a range of objects and commodities mentioned in narratives. For instance, beads occupy the dual role of currency and commodity. The book deals with Henry Morton Stanley's expedition to relieve Emin Pasha, and attempts to prove that racial representations are in large part determined by the cultural conditions of the traveller's society. By looking at Joseph Conrad's Heart of Darkness, it argues that the text is best read as what it purports to be: a kind of travel narrative. Only when it is seen as such and is regarded in the context of the fin de siecle can one begin to appreciate both the extent and the limitations of Conrad's innovativeness.
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