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      • Left Bank Literary

        Left Bank Literary is a Sydney-based literary agency specialising in quality fiction and non-fiction.    Our name references the creative environment that blossomed in 'the city of light' nearly a century ago. These writers were a vital force in an era of rising conservatism and facism. We have created Left Bank Literary to provide a home for the fertile ideas of our clients and to ensure literature continues to contribute to the most important conversations of the world.

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      • Japan Book Bank

        Japan Book Bank enables you to find the titles Rights Availability and the direct contact information for the buyers and agents around the world.

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        June 2016

        »Was ist ein Einbruch in eine Bank gegen die Gründung einer Bank?«

        Das Brecht-Brevier zur Wirtschaftskrise

        by Bertolt Brecht, Tom Kindt

        Sieben Jahre Wirtschaftskrise. Sieben Jahre Beruhigungsrhetorik und Durchhalteparolen aus Politik, Wissenschaft und Wirtschaft. Höchste Zeit für einen neuen Blick auf die Erschütterungen, die Banken und Börsen, Währungen und Gesellschaften seit 2008 an den Rand des Abgrunds drängen. »Was ist ein Einbruch in eine Bank gegen die Gründung einer Bank?« zeigt, dass Bertolt Brechts Werk einen solchen Blick auf die Wirtschaftskrise bereithält. In sechs Lektionen versammelt das Brevier literarische, aphoristische und publizistische Texte Brechts, die – obgleich vor mehr als einem halben Jahrhundert entstanden – wie Analysen und Kommentare zu den ökonomischen Turbulenzen der Gegenwart erscheinen.

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        Literature & Literary Studies
        September 2020

        The early Spenser, 1554–80

        'Minde on honour fixed'

        by Jean R. Brink, Joshua Samuel Reid

        Brink's provocative biography shows that Spenser was not the would-be court poet whom Karl Marx's described as 'Elizabeth's arse-kissing poet'. In this readable and informative account, Spenser is depicted as the protégé of a circle of London clergymen, who expected him to take holy orders. Brink shows that the young Spenser was known to Alexander Nowell, author of Nowell's Catechism and Dean of St. Paul's. Significantly revising the received biography, Brink argues that that it was Harvey alone who orchestrated Familiar Letters (1580). He used this correspondence to further his career and invented the portrait of Spenser as his admiring disciple. Contextualising Spenser's life by comparisons with Shakespeare and Sir Walter Ralegh, Brink shows that Spenser shared with Sir Philip Sidney an allegiance to the early modern chivalric code. His departure for Ireland was a high point, not an exile.

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        December 1986

        Das Leben des Flavius Josephus

        Aus seinen eigenen Aufzeichnungen zusammengestellt und übersetzt von Emanuel bin Gorion

        by Emanuel Bin Gorion

        Emanuel Bin Gorion, geboren 1903 in Breslau, lebte ab 1936 in Israel. Er verfasste als Schriftsteller Texte sowohl auf Deutsch als auch auf Hebräisch. Emanuel Bin Gorion verstarb 1987.

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        August 1997

        Der Indianer darf nicht sterben

        Wirbelstürme und andere Katastrophen

        by Banks, Lynne R

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        1994

        Houdini

        Der entfesselte Hamster

        by Banks, Lynne R

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        November 1996

        Der Indianer kommt zurück

        Zauber, Tricks und Katastrophen

        by Banks, Lynne R

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        October 1997

        Schwarze Rätsel - dunkle Spuren

        Das Geheimnis des Zauberschränkchens

        by Banks, Lynne R

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        The Arts
        January 2019

        Carol Reed

        by Peter William Evans

        Carol Reed is one of the truly outstanding directors of British cinema, and one whose work is long overdue for reconsideration. This major study ranges over Reed's entire career, combining observation of general trends and patterns with detailed analysis of twenty films, both acknowledged masterpieces and lesser-known works. Evans avoids a simplistic auteurist approach, placing the films in their autobiographical, socio-political and cultural contexts and relating these to the analysis of Reed's art. The critical approach combines psychoanalysis, gender theory, and the analysis of form. Archival research is also relied on to clarify Reed's relations with his creative team, financial backers and others. Films examined include Bank Holiday, A Girl Must Live, Odd Man Out, The Fallen Idol, The Third Man, Night Train to Munich, The Way Ahead, Outcast of the Islands, Trapeze and Oliver!.

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        Humanities & Social Sciences
        February 2001

        Women, scholarship and criticism c.1790–1900

        Gender and knowledge

        by Joan Bellamy, Anne Laurence, Gill Perry, Susan Williams

        Brings together the varied artistic, critical and cultural productions by women scholars, critics and artists between 1790-1900, many of whom are little known in the canonical histories of the period. Questions the concepts of 'scholarship', 'criticism' and 'artist' across the different disciplines. Women discussed include authors (Mary Wollstonecraft Shelley, Sydney Morgan and Anna Jameson) actresses ( Elizabeth Siddons, Dorothy Jordan, and Mary Robinson) critics ( Margaret Oliphant and Mary Cowden Clarke) historians (Agnes Strickland, Lucy Aikin, Mary Anne Everett Green, Elizabeth Cooper and Lucy Toulmin Smith) as well as the writers and readers of Women's magazines, educationalists and translators. Makes a significant and original contribution to the development of gender studies by extending the frontiers of existing knowledge and research. ;

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        The Arts
        April 2011

        Sydney Box

        by Andrew Spicer

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