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        Literature & Literary Studies
        July 2024

        Relics, dreams, voyages

        World baroque

        by Peter Davidson

        Relics, Dreams,Voyages is a closely focused sequence of studies of worldwide connections in all the arts in the baroque period. Drawing on original research in libraries, collections, and archives in five countries, and in as many languages, this book draws many astonishing, unfamiliar and beautiful texts, things and events, into a cartography of the secret and strange patterns of baroque cultures worldwide. The visual arts are examined across a wide temporal and geographical span, and many subversive iconographies are decoded: at the French and English courts, in remote Scotland, in Nagasaki, in Valladolid. This books offers a new, extraordinary cultural geography of the baroque world, opening doors to many rich and strange cultural artefacts, from 'China to Peru.'

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        Literature & Literary Studies
        March 2018

        The universal Baroque

        by Peter Davidson

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        Humanities & Social Sciences
        January 2025

        The Strand

        A biography

        by Geoff Browell, Eileen Chanin

        The first history of one of London's most extraordinary streets. Running along the Thames's northern shore and spanning three-quarters of a mile from Trafalgar Square to Temple Bar, the Strand has been a witness to London's growth and change from the earliest years of the city's existence. In The Strand: A biography, Geoff Browell and Eileen Chanin uncover the deep history of this remarkable street. Tracing its origins in the Roman era, they reveal how it grew in importance as authority shifted from church to aristocracy, then to commerce, media and law. Over time, everything that mattered converged on the Strand: tradition and ceremony clashed with rebellion and destitution. By 1910, the street was known as the 'centre of the world'. Drawing on remarkable archival discoveries, Browell and Chanin present the most complete and compelling history of the Strand ever written. Filled with surprising, untold stories, The Strand: A biography is a must-read for lovers of one of the world's greatest cities.

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        Humanities & Social Sciences
        November 2023

        Intimacy and mobility in an era of hardening borders

        Gender, reproduction, regulation

        by Haldis Haukanes, Frances Pine

        This book is a collection of articles by anthropologists and social scientists concerned with gendered labour, care, intimacy and sexuality, in relation to mobility and the hardening of borders in Europe. Interrogating the relation between physical, geopolitical borders and ideological, conceptual boundaries, it offers a range of vivid and original ethnographic case studies that will capture the imagination of anyone interested in gendered migration, policies of inclusion and exclusion, and regulation of reproduction and intimacy. The book presents ethnographic and phenomenological discussions of people's changing lives as they cross borders, how people transgress and reshape moral boundaries of proper gender and kinship behaviour, and moral economies of intimacy and sexuality. It also focuses on migrants' navigation of social and financial services in their destination countries, putting questions about rights and limitations on citizenship at the core.

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        July 2019

        Arts, Portraits and Representation in the Reformation Era

        Proceedings of the Fourth Reformation Research Consortium Conference

        by Vandenhoeck & Ruprecht

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        Humanities & Social Sciences
        February 2018

        How to save politics in a post-truth era

        by Ilan Zvi Baron

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        Art & design styles: Baroque
        October 2016

        The matter of miracles

        Neapolitan baroque architecture and sanctity

        by Series edited by Amelia Jones, Helen Hills, Marsha Meskimmon

        This book investigates baroque architecture through the lens of San Gennaro's miraculously liquefying blood in Naples. This vantage point allows a bracing and thoroughly original rethink of the power of baroque relics and reliquaries. It shows how a focus on miracles produces original interpretations of architecture, sanctity and place which will engage architectural historians everywhere. The matter of the baroque miracle extends into a rigorous engagement with natural history, telluric philosophy, new materialism, theory and philosophy. The study will transform our understanding of baroque art and architecture, sanctity and Naples. Bristling with new archival materials and historical insights, this study lifts the baroque from its previous marginalisation to engage fiercely with materiality and potentiality and thus unleash baroque art and architecture as productive and transformational.

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        Humanities & Social Sciences
        June 2003

        The Stalin Years

        The Soviet Union, 1929–53 (second edition)

        by Helen Skelton

        The collapse of the USSR, the end of the Cold War and the opening of the Soviet archives have transformed both what is known about the events of the Stalin period and the historian's perspective. Published 50 years after his death, this revised and expanded second edition looks at the entire period of Stalin's rule and includes chapters on ideology, politics, economic development, social change, the nationalities, culture and external relations (including World War II) and the Great Terror. The interpretation stresses the connnection between internal and external policy and the influence of ideology on both. Mawdsley includes many primary resources, which provide insights into the Stalin era. Some of these are important theoretical or propaganda documents which are re-published here together for the first time in many years. Others are secret items from the Russian archives that have only become available since late 1980s.

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        Humanities & Social Sciences
        April 2004

        The Victorians since 1901

        Histories, representations and revisions

        by Miles Taylor, Michael Wolff

        Over a century after the death of Queen Victoria, historians are busy re-appraising her age and achievements. However, our understanding of the Victorian era is itself a part of history, shaped by changing political, cultural and intellectual fashions. From widespread reaction against Victorian values led by the Bloomsbury set, through to the rehabilitation of Victorian literature and architecture in the 1950s and 1960s, down to the present enthusiasm for film and television adaptations of Charles Dickens and George Eliot, our image of the Victorians has changed a great deal. The Victorians since 1901 provides a much-needed survey of these trends in modern historiography. Bringing together a group of international scholars from the disciplines of history, English literature, art history and cultural studies, it identifies and assesses the principal influences on twentieth-century attitudes towards the Victorians. Developments in academia, popular culture, public history and the internet are covered in this important and stimulating collection, and the final chapters anticipate future global trends in interpretations of the Victorian era, making an essential volume for students of Victorian Studies. ;

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        Humanities & Social Sciences
        July 2022

        The looking machine

        Essays on cinema, anthropology and documentary filmmaking

        by David MacDougall

        This new collection of essays presents the latest thoughts of one of the world's leading ethnographic filmmakers and writers on cinema. It will provide essential reading for students in cinema studies, filmmaking, and visual anthropology. The dozen wide-ranging essays give unique insights into the history of documentary, how films evoke space, time and physical sensations, and the intellectual and emotional links between filmmakers and their subjects. In an era of reality television, historical re-enactments, and designer packaging, MacDougall defends the principles that inspired the earliest practitioners of documentary cinema. He urges us to consider how the form can more accurately reflect the realities of our everyday lives. Building on his own practice in filmmaking, he argues that this means resisting the pressures for self-censorship and the inherent ethnocentrism of our own society and those we film.

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