Agence Deborah Druba
AGENCE DEBORAH DRUBA is an international rights agency based in Paris.
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June 2003Bleiben oder Gehen?
Wenn Untreue Ihre Beziehung bedroht
by Then, Debbie / Deutsch Münch, Bettina
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July 1997Eisenbahnen und Eisenbahnunternehmer in der Industriellen Revolution
Ein preußisch/deutsch-englischer Vergleich
by Then, Volker
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September 2008Kleine Entdecker – Warum schläft der Bär im Winter?
Überlebensstrategien der Tiere
by Kim, Gyeong-Hwa / Illustriert von Jeong, So-Yeong
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April 1985Musik als Kommunikationsmedium.
Soziologische Medientheorien und Musiksoziologie.
by Rotter, Frank
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January 1993Die Welt des Islam
Neunundzwanzig Vorschläge, das Unvertraute zur verstehen
by Herausgegeben von Rotter, Gernot
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February 2006Den Göttern kommt das große Kotzen
Illustriert von Robert Crumb
by Bukowski, Charles / Illustrator Crumb, Robert; Übersetzer Weissner, Carl
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June 2008Eine Karte so groß wie der Kontinent
Reisen in Europa
by Cees Nooteboom, Susanne Schaber, Helga Beuningen, Rosemarie Still
Der vorliegende Band bietet eine Auswahl seiner besten, zum Teil erstmals veröffentlichten Reisegeschichten aus Europa. Ein Meister der Nebenrouten, ein Spezialist für die unsichtbaren Gärten jenseits der hohen Mauern, ein Kenner der Räume, die hinter fest verschlossenen Türen warten – Cees Nooteboom führt mit Leidenschaft und Brillanz, sachkundig, leichtfüßig und selbstironisch durch Landschaften und Städte eines Kontinents.
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The ArtsNovember 2007So exotic, so homemade
Surrealism, Englishness and documentary photography
by Ian Walker, John Taylor
In his previous book City Gorged with Dreams (2002), Ian Walker challenged established ideas about Surrealist photography by emphasising the key role played by documentary photographs in Parisian Surrealism. Now Walker turns his attention to the arrival of Surrealism in England in 1936. Examining for the first time the surprising relationship between Surrealism and English documentary photography and film, the book shows that some of the most interesting work of the period was made in the ambiguous spaces between them. One of the key themes in this book is the relationship between the 'homely' and the 'exotic', in the innovative mix of poetry and ethnography in Mass-Observation for example, or the shadowed England constructed in the work of Bill Brandt. Based on extensive archival research, interviews and visits to sites where the photographs were made, this book is rich in detailed analysis yet written in an accessible and often witty style. ;
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