Created in 1989 by Azeddine GUERFI, operating in the field of publishing and distribution of books. It has 1500 titles in extracurricular, university, professional training, literature, history, children's books and art-books.
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All the methods at a glance – a must for all musicians! For the first time, the editor and renowned authors of this publication clearly and vividly present a wide selection of body-oriented approaches for improving musicians’ health. The rigorous, clearly structured presentation of all the relevant methods provides the perfect decision-making tool: Which method is suitable for me? Are there any specific aspects to consider when applying a method to musicians? How is each method applied in practice? Target Group: Physiotherapists and other physical therapists; music teachers, professional musicians, music students
From a little before ten years of age Brian McFarlane became addicted to stories told on the screen, and the mere fact that he had difficulty in getting to see the films he wanted - or any for that matter - only made them seem more alluring. But it wasn't just seeing the films that mattered: he also wanted, and quite soon needed, to be writing about them and these obsessions have been part of his life for the next sixty-odd years. Real and reel is a light-hearted and but deeply felt account of a lifetime's addiction. It is one particular writer and critic's story, but it will strike sparks among many others. Though many other interests have kept Brian McFarlane's life lively, nothing else has exerted such a long-standing grip on the author's imagination as film. Editor of the Encyclopaedia of British Cinema, co-editor of Manchester University Press's British Film Makers series, and author of over a dozen critical works on film and adaptation, Brian McFarlane's autobiographical Real and reel can also be read as a biography of the subject of Film Studies itself. ;
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The long-awaited fourth edition of this best-selling manual continues to offer up-to-date guidance both to newcomers and to the more experienced, on how to make best use of the labyrinth of genealogical sources in England and Wales. It takes into account recent, and even some future, changes to the civil registration system, and incorporates many of the vast sources newly available on the internet. There is also a substantial bibliography for those who discover that their ancestors migrated from other countries. New appendices provide research into underregistration of birth and death, and hitherto unpublished details from the 1915 and 1939 National Registers. The family tree detective remains an indispensible source of information on how to locate births, marriages and deaths, and alternative strategies if those searches fail. Dr Colin D. Rogers is a Fellow of the Society of Genealogists, a member of AGRA (the Association of Genealogists and Researchers in Archives), and was for thirty years the Hon. General Editor of the Lancashire Parish Register Society. He runs a consultancy helping banks and solicitors to identify and locate beneficiaries. ;
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Selbst guten Kennern von Hildesheimers Leben und Werk war und ist weitgehend unbekannt, was genau ihn beschäftigte, bevor er 1950, scheinbar aus purem Zufall, zu schreiben begann und umgehend literarische Erfolge feierte. Hildesheimers Briefe an die Eltern, eine erstklassige Quelle, erhellen nicht nur das Dunkel dieser Frühzeit, sondern auch seine weitere, bislang weitgehend unbekannte Entwicklung. Beginnend mit einer Schiffsreise des angehenden Studenten nach London 1937 und endend mit dem Tod der Mutter 1962, bieten die erhalten gebliebenen 507 Briefe ein so aufschlussreiches wie aufregendes Tagebuch in Briefform über einen Zeitraum von 25 Jahren. Wichtige Stationen sind das Studium in England, der Aufenthalt in Palästina während des Weltkriegs, die Tätigkeit als Dolmetscher bei den Nürnberger Prozessen und der Weg ins Rampenlicht der deutschen Literaturszene als Autor und Übersetzer. In diesen Briefen spiegelt sich aber auch eine Epoche großer politischer Umwälzungen sowie tiefgreifender Entwicklungen in der internationalen Kultur und Kunst, die Hildesheimer als bildender Künstler aufmerksam verfolgte und denen er wichtige Impulse für sein schriftstellerisches Werk verdankte. Volker Jehle, einer der besten Kenner von Hildesheimers Werk, Editor und Monograph des Autors, hat sämtliche erhaltenen Briefe chronologisch geordnet und die ihnen zugrunde liegenden biographischen Fakten und Ereignisse in akribischer Recherche ermittelt.
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This edition breaks with the usual practice by presenting the 1601 quarto version of Ben Jonson's play, set in Florence, instead of the revised 1616 version, set in London. Robert S. Miola presents a meticulously edited and modernised version of the play as originally acted by the Lord Chamberlain's Men (with Shakespeare in the cast) in 1598. Miola explores the relevance of the Italian setting, particularly the potent, variegated, and fascinating body of myth and legend that constituted Italy for English audiences in 1598. The editor also illuminates the dramatic context of the play, while paying detailed attention to the social, political, and religious contexts. ;
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T for Tessa – Secret Business (Vol. 3) Fast fashion with a clear conscience? - Tessa and the Fashion MafiaChaos Queen Tessa's comfortable life has finally come to an end since she became a secret agent (by mistake) of the internationally operating secret service R.I.N.G. Now she's out to put a stop to the masterminds of organized crime.Cool, stylish, and exciting, T for Tessa combines classic chick-lit elements with trendy agent plotting. In each volume, there is a new thrilling case to keep readers on their toes.What happens in Volume 3:Tessa joins the school newspaper because she wants to prove to her crush Timo, the editor-in-chief, that she is a damn cool eighth grader. Wouldn't it be laughable if Tessa didn't make a top investigative journalist with her newly acquired agent skills? She wants to research how well recycling clothes works: Customers can return their used clothing, and stores like Fashionista refurbish the clothes and donate them to neighborhood projects. With the help of a GPS tracker sewn into a used sweater, they track the sweater to the Suez Canal ... but this does not fit the promises of Fashionista at all. The problem of old clothes imports seems to be even bigger than Tessa suspects. And then Tessa and the Girl Group receive a tip that calls for RING's intervention ...• Chick-lit with trendy agent plot in international settings: Charlie's Angels meets Austin Powers• Exciting and humorous entertainment for readers aged 11 and up, unmistakably humorous and entertaining à la Frauke Scheunemann• Special topic: fast fashion & greenwashing, narrated with coolness, humor and a touch of romance
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Competitive price and format. Compacted and up-to-date version of the earlier Revels Plays edition by the same editor, taking account of more recent critical works. A key Renaissance text. ;
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This book examines the extent and nature of Irish social and cultural difference. It is a collection of twenty-three short essays written in a clear and accessible manner by human scientists who are international experts in their area. The topics covered include the nature of Irish nationalism and capitalism, the Irish political elite, the differences and similarities of the Irish family, the upsurge in immigration, Northern Ireland, the Irish diaspora, the Irish language, sport, music and many other topics. The book will be bought by those who have an academic and personal interest in Irish Studies. It will be attractive to those who are not familiar with the theories and methods of the human sciences and how they can shine a light on the transformations that have taken place in Ireland. Tom Inglis, the editor of the collection, is a sociologist who has written extensively on Irish culture and society.
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This book examines the extent and nature of Irish social and cultural difference. It is a collection of twenty-three short essays written in a clear and accessible manner by human scientists who are international experts in their area. The essays cover topics covered include the nature of Irish nationalism and capitalism, the Irish political elite, the differences and similarities of the Irish family, the upsurge in immigration, Northern Ireland, the Irish diaspora, the Irish language, sport, music and many other topics. The book will be bought by those who have an academic and personal interest in Irish Studies. It will be attractive to those who are not familiar with the theories and methods of the human sciences and how they can shine a light on the transformations that have taken place in Ireland. Tom Inglis, the editor of the collection, is a sociologist who has written extensively on Irish culture and society. ;
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Chinua Achebe has long been regarded as Africa's foremost writer. In this major new study, Jago Morrison offers a comprehensive reassessment of his work as an author, broadcaster, editor and political thinker. With new, historically contextualised readings of all of his major works, this is the first study to view Achebe's oeuvre in its entirety, from Things Fall Apart and the early novels, through the revolutionary Ahiara Declaration - previously attributed to Emeka Ojukwu - to the revealing final works The Education of a British Educated Child and There Was a Country. Contesting previous interpretations which align Achebe too easily with this or that nationalist programme, the book reveals Achebe as a much more troubled figure than critics have habitually assumed. Authoritative and wide-ranging, this book will be essential reading for scholars and students of Achebe's work in the twenty-first century. ;
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Generally acknowledged to be the most powerful of Beaumont and Fletcher's plays and frequently performed by the best actors of the seventeenth and early eighteenth century, The Maid's Tragedy (1610-11) disappeared from the stage (except in a much-altered and very successful Victorian adaptation) until recent years, when major companies have rediscovered its appeal. In this fully annotated edition, the editor has given careful attention to the sense of the lines, the stage action and the verse. Many new emendations of textual errors, as well as improvements in stage directions and lineation, are either introduced or proposed. The introduction explores Beaumont and Fletcher's use of the three known sources (two of them previously neglected) for incidents in the play, gives the fullest available account of its stage history, and provides a sympathetic interpretation of the play as a romantic tragedy. ;
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These essays by senior scholars in medieval studies celebrate the career of J.J. Anderson, editor, critic, and co-founder of the Manchester Medieval Literature and Culture series, who taught in medieval studies at the University of Manchester for forty years. The essays are rooted in medieval literature but frequently range beyond the confines of the Middle Ages. They reflect the breadth of Anderson's own scholarly interests, especially in drama and Arthurian literature. There is a particular focus on Sir Gawain and the Green Knight and Pearl, poems which preoccupied him throughout his scholarly life. There are also new reconsiderations of La?amon's Brut, Mirk's Festial, the Passion plays, and the manuscripts of the Pore Caitif. Moving beyond the traditional purview of medieval literature, several contributors trace the afterlives of medieval themes in later literature. These essays include a consideration of the twinned trajectories of the medieval heroes Robin Hood and King Arthur from medieval literature to modern television, a comparison of La?amon's Brut and Tennyson's Idylls of the King, and a recreation of the Bishop Blase procession which took place in industrial Bradford. Contributors are Rosamund Allen, Ralph Elliott, Alexandra Johnston, Stephen Knight, Peter Meredith, Susan Powell, Gillian Rudd, Alan Shelston, and Kalpen Trivedi. ;
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Available for the first time in English translation, this collection of songs is a powerful memorial to the victims of the Holocaust. In June 1945, before the full devastation of the Holocaust had emerged, a team of researchers embarked on a remarkable project. While documenting the experiences of Jewish refugees, they began to collect songs composed and sung in the Nazi camps and ghettos. The resulting book, Mima'amakim (Out of the depths), was published in a short run of 500 copies. Today, only a handful survive. Out of the depths: The first collection of Holocaust songs presents the contents of this extraordinary document for a new generation of readers. Based on a copy of Mima'amakim discovered in 2013, it contains not only the songs' melodies and lyrics, the latter in a new translation by Joseph Toltz, but also short biographies of the composers, drawn from painstaking original research. Introductory essays provide historical and musicological background, deepening our knowledge of this terrible event and the creative means by which the Jewish people responded to and endured it. Described by the original editor, Yehuda Eismann, as a 'memorial stone for Polish Jewry', the songbook is a timeless document of a people's despair, hope and strength.
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The long-awaited prequel to Chronicles of the revolution covers the first twenty years (1377-97) of Richard II's reign. This richly-documented period offers exceptional opportunities and challenges to students, and the editor has selected material from a wide range of sources: well-known English chronicles, foreign chronicles and legal, administrative and financial records. These are arranged chronologically to form a coherent narrative of the reign. Clear and lively commentary and notes enable readers to make the fullest use of each document. The introduction describes the complex domestic and international situation which confronted the young king and offers guidance on the strengths and weaknesses of the reign's leading chronicles. The dramatic and diverse politics of the reign of Richard II make this the ideal special subject and an accessible, affordable, student-friendly documentary history of Richard II's reign has long been needed. This book is designed to fill that gap.
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After pharmacy studies have ended, the fascinating world of the pharmacy awaits – simultaneously varied and challenging. This is no problem with this well-established standard work to hand! The 7th edition, with a new editor and new structure, goes through the various stages of pharmacy operation. Beginning with the social mandate to supply medicines and then considering the organisational and economic orientation of a pharmacy, one delves ever deeper into its inner workings. In every area, the appropriate specific information can be found about pharmaceutical law and practice – whether this concerns the back office, over-the-counter medicines, dispensary and dispensing, or the supply of care homes, or preparation of cytotoxic drugs. In addition to the important topic “Dispensing of drugs and medical devices on prescription”, particular attention is paid to the principal activity in the pharmacy – giving advice on self-medication. The contents are based on the regulations for registration of pharmacists and the guidelines of the Federal Chamber of Pharmacists for the practical training of pharmacy interns in the pharmacy. The Practice of Pharmacy safely navigates the user through the practical training year and is the ideal preparation for the 3rd State Examination! Returnees, pharmacies that provide training and pharmacists of many years’ experience, will also benefit from this textbook and reference work.
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The films of Thorold Dickinson (1903-1984), now being rediscovered, engage with major issues including national identity, the post-colonial world, and political violence - and they also show a rare mastery of style, a thrilling eroticism, a preoccupation with the psychology of betrayal. But the director of Gaslight, The Next of Kin and The Queen of Spades was also an editor, documentarist, trade unionist, film producer (for the British Army and the UN), pioneering academic and controversialist. His adventurous and truly global involvement in film took him to Paris in the heyday of silent cinema in the 1920s, to Stalin's USSR in 1937, to the Spanish Civil War, to Africa, India, Israel and America. This book gives a lively, multi-angled account of Dickinson's works, life and times, conveying a sense of his own voice and fascinating character. It includes a richly detailed introduction, a film-by-film discussion of Dickinson with Scorsese, vivid personal memoirs of the director, a dossier of Dickinson's original writings and interviews from 1924 to 1973 (some never previously published), critical essays on all the feature films, and a ground-breaking reference section. The book draws on extensive archival research and close consultation with those who knew Dickinson well. Contributors include: Martin Scorsese, Gavin Millar, Lutz Becker, Charles Barr, Laura Marcus, Kevin Jackson, Kevin Gough-Yates, Ian Christie, Gregory Dart, Hillel Tryster, Janet Moat. ;
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