Spicy Fish Cultural Production Ltd.
Established in 2006 by publishing Fleurs des lettres (字花), a literary bimonthly in Chinese, Spicy Fish is a 15 year-old literary arts non-profit organization based in Hong Kong.
View Rights PortalEstablished in 2006 by publishing Fleurs des lettres (字花), a literary bimonthly in Chinese, Spicy Fish is a 15 year-old literary arts non-profit organization based in Hong Kong.
View Rights PortalFischer Sauerländer GmbH mit den Imprints Fischer Sauerländer, Fischer Sauerländer Duden, Fischer KJB und Rotfuchs
View Rights PortalTerence Fisher is best known as the director who made most of the classic Hammer horrors - including The Curse of Frankenstein, Dracula and The Devil Rides Out. But there is more to Terence Fisher than Hammer horror. In a busy twenty-five-year career, he directed fifty films, not just horrors but also thrillers, comedies, melodramas and science-fiction. This book offers an appreciation of all of Fisher's films and also gives a sense of his place in British film history. Looking at Fisher's career as a whole not only underlines his importance as a film-maker but also casts a new, interesting light on the areas in which he worked - Gainsborough melodrama, the 1950s B film, 1960s science-fiction and, of course, Hammer, one of the most successful independent film companies in the history of British cinema.
Tony Garnett is the first book-length study of one of the most respected and prolific producers working in British television. From ground-breaking dramas from the 1960s such as Up the Junction and Cathy Come Home to the 'must see' series in the 1990s and 2000s such as This Life and The Cops, Garnett has produced some of the most important and influential British television drama. This book charts Garnett's career from his early days as an actor to his position as executive producer and head of World Productions. Drawing on personal interviews, archival research, contextual analysis and selected case studies, Tony Garnett examines the ways in which Garnett has helped to define the role of the producer in British television drama. Arguing that Garnett was both a key creative and political influence on the work he produced and an enabler of the work of others, the book traces his often combative relationships with broadcasting institutions (especially the BBC). Additionally, the study discusses the films he made for the cinema and considers some of the ways in which Garnett's experiments in film technology 16 mm in the 1960s, digital video in the 1990s have shaped his creative output. Tony Garnett will be of interest to all levels of researchers and students of British television drama, media and film. ;
Tony Richardson was a key figure in British cinema of the 1950s and 1960s. Having established himself in the theatre with the first production of John Osborne's landmark play Look Back in Anger, he became a central director in the New Wave, bringing greater realism to British cinema. He went on to make some of the most significant films of the 1960s including the multi Oscar-winning Tom Jones. This detailed and authoritative account of Richardson's career provides a reassessment of his achievements. As well as looking at his best known films, it considers neglected works such as Ned Kelly and Joseph Andrews, illustrating how Richardson remained a champion of the socially marginalised. In mapping out his life and work, from the English Stage Company to his final films in America, Shail re-establishes Richardson's at the front rank of British film directors, confirming his contribution to a period of dynamic change in British culture. ;
An imaginative investigation into a historical crime that sheds new light on Jewish history. In 1734 a pedlar turned smuggler named Jacob Harris slit the throats of three people in a pub in Sussex. This triple-murder, for which he was hanged and gibbeted, remains the most violent crime ever committed by a British Jew. Yet today it is all but forgotten. In The Jewish pedlar, Tony Kushner goes in search of the enigmatic Harris. Digging into a remarkable range of sources, from law records and newspaper reports to ballads and folktales, he follows the traces of Harris's legend across three hundred years of British history. In doing so, he reconstructs the world of Jewish pedlars and criminals across many continents. The lives these figures eked out at the margins of society paint a picture of persistent antisemitism - but also of remarkable integration. Intellectually bold and deeply humane, The Jewish pedlar takes a new, grassroots approach to the history of Jews in the modern world, shedding light on everyday lives from the Enlightenment to the Holocaust and beyond.
An illuminating study of one of the best-selling, most widely studied black authors today. Explains Morrison's relation to the American civil rights and Black Consciousness movements. Places Morrison in a political and historical context . ;
Aus dem Englischen von Charlotte Breuer und Norbert Möllemann
Aus dem Englischen von Charlotte Breuer und Norbert Möllemann
Africa was a key focus of Britain's foreign policy under Tony Blair. Military intervention in Sierra Leone, increases in aid and debt relief, and grand initiatives such as the Commission for Africa established the continent as a place in which Britain could 'do good'. Britain and Africa under Blair: in pursuit of the good state critically explores Britain's fascination with Africa. It argues that, under New Labour, Africa represented an area of policy that appeared to transcend politics. Gradually, it came to embody an ideal state activity around which politicians, officials and the wider public could coalesce, leaving behind more contentious domestic and international issues. Building on the story of Britain and Africa under Blair, the book, now available in paperback, draws wider conclusions about the role of 'good' and idealism in foreign policy. In particular, it discusses how international relationships provide opportunities to create and pursue ideals, and why they are essential for the well-being of political communities. It argues that state actors project the idea of 'good' onto idealised, distant objects, in order to restore a sense of the 'good state'. The book makes a distinctive and original contribution to debates about the role of ethics in international relations, and will be of particular interest to academics, policy-makers and students of international relations, Africa and British foreign policy, as well as anyone interested in ethics in international affairs. ;
Revolutionary lives of the Red and Black Atlantic brings to light the life histories of a wide range of radical figures whose political activity in relation to the black liberation struggle was profoundly shaped by the global impact and legacy of the Russian Revolution of October 1917. The volume introduces new perspectives on the intellectual trajectories of well-known figures and critical activists including C. L. R. James, Paul Robeson, Walter Rodney and Grace P. Campbell. This biographical approach brings a vivid and distinctive lens to bear on how racialised social and political worlds were negotiated and experienced by these revolutionary figures, and on historic black radical engagements with left political movements, in the wake of the Russian Revolution.
The Russian Revolution of 1917 was not just a world-historical event in its own right, but also struck powerful blows against racism and imperialism, and so inspired many black radicals internationally. This edited collection explores the implications of the creation of the Soviet Union and the Communist International for black and colonial liberation struggles across the African diaspora. It examines the critical intellectual influence of Marxism and Bolshevism on the current of revolutionary 'black internationalism' and analyses how 'Red October' was viewed within the contested articulations of different struggles against racism and colonialism. Challenging European-centred understandings of the Russian Revolution and the global left, The Red and the Black offers new insights on the relations between Communism, various lefts and anti-colonialisms across the Black Atlantic - including Garveyism and various other strands of Pan-Africanism. The volume makes a major and original intellectual contribution by making the relations between the Russian Revolution and the Black Atlantic central to debates on questions relating to racism, resistance and social change.