Tourism, Hospitality & Leisure
Textbooks, research and professional titles in Tourism, Hospitality and Leisure
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Toubkal
Toubkal is a publishing house established in Morocco, Casablanca, created in 1985.They have more than 500 titles.
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Humanities & Social SciencesApril 2011Working-class organisations and popular tourism, 1840–1970
by Susan Barton, Jeffrey Richards
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Humanities & Social SciencesApril 2011Working-class organisations and popular tourism, 1840–1970
by Susan Barton
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Literature & Literary StudiesMarch 2000Three Renaissance Travel Plays
by Paul Edmondson, Tony Parr, Martin White
This volume brings together three little-known plays that convey vividly the fascination in early seventeenth-century England with travel and exploration.. Three dramas of wandering and adventure which explore the great diversity of responses in the period to the lures of tourism and colonial expansion and to challenges posed by the encounter with exotic places and peoples.. Intellectually distinguished edition now available in paperback for the first time.. This collection presents modernised texts with an extensive commentary and a full introduction to set the plays in their historical and cultural context. ;
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Art treatments & subjectsJanuary 2010Understanding heritage in practice
by Susie West
Written by an interdisciplinary team of scholars, this authoritative text explores how heritage is delivered and consumed in a global world, and the ever-increasing ways in which heritage is actively valued. New international case studies see heritage as social action, as performance, and as a vehicle for innovations in tourism, challenging the notion that only official heritage practices can successfully select and interpret our links with the past. Aimed primarily at students in heritage studies and professionals in heritage industries, this book is one of three in the Understanding Global Heritage series.
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Humanities & Social SciencesJanuary 2017Frontiers of the Caribbean
by Philip Nanton, Gurminder Bhambra
This book argues that the Caribbean frontier, usually assumed to have been eclipsed after colonial conquest, remains a powerful but unrecognised element of Caribbean island culture. Combining analytical and creative genres of writing, it explores historical and contemporary patterns of frontier change through a case study of the little-known Eastern Caribbean multi-island state of St Vincent and the Grenadines. Modern frontier traits are located in the wandering woodcutter, the squatter on government land and the mountainside ganja grower. But the frontier is also identified as part of global production that has shaped island tourism, the financial sector and patterns of migration.
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June 2007Studying and working in France
A student guide
by Russell Cousins, Russell Cousins, Ron Hallmark, Ian Pickup
Replacing the highly-acclaimed first edition, this second, newly-researched, fully-revised, expanded and updated edition now includes details of 29 major University centres and their Institutions of Higher Education. It takes full advantage of the recent technological revolution, highlighting a whole range of internet sites for job opportunities, course registration, accommodation, tourism and leisure. The practical help and advice are based on the authors' many years of experience as year abroad tutors at the University of Birmingham. Whether spending a few weeks on a vacation course or a half- or a full year in academic study, or as an English assistant or on a work experience placement, the visiting student and, doubtless many a parent, will draw considerable comfort from the information and advice contained within these pages. ;
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The ArtsAugust 2017Soaking up the rays
Light therapy and visual culture in Britain, c. 1890–1940
by Tania Woloshyn
Soaking up the rays forges a new path for exploring Britain's fickle love of the light by investigating the beginnings of light therapy in the country from c.1890-1940. Despite rapidly becoming a leading treatment for tuberculosis, rickets and other infections and skin diseases, light therapy was a contentious medical practice. Bodily exposure to light, whether for therapeutic or aesthetic ends, persists as a contested subject to this day: recommended to counter skin conditions as well as Seasonal Affective Disorder and depression; closely linked to notions of beauty, happiness and well-being, fuelling tourism abroad and the tanning industry at home; and yet with repeated health warnings that it is a dangerous carcinogen. By analysing archival photographs, illustrated medical texts, advertisements, lamps, and goggles and their visual representation of how light acted upon the body, Woloshyn assesses their complicated contribution to the founding of light therapy.
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July 2015Laurent Cantet
by Martin O'Shaughnessy
Laurent Cantet is of one France's leading contemporary directors. In a series of important films, including Human Resources, Time Out, Heading South, The Class and Foxfire, he takes stock of the modern world from the workplace, through the schoolroom and the oppressive small town to the world of international sex tourism. His films drive the hidden forces that weigh on individuals and groups into view but also show characters who are capable of reflection and reaction. If the films make their protagonists rethink their place in the world, they also challenge the positions of the viewer and the director. This is what makes them so worthy of study. Combining a fine eye for detail with broad contextual awareness, this book gives an account of all Cantet's works, from the early short films to the major works. Martin O'Shaughnessy is a leading international writer on French cinema,especially in film and politics.
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The ArtsJanuary 2018Laurent Cantet
by Martin O'Shaughnessy, Diana Holmes, Robert Ingram
Laurent Cantet is of one France's leading contemporary directors. In a series of important films, including Human Resources, Time Out, Heading South, The Class and Foxfire, he takes stock of the modern world from the workplace, through the schoolroom and the oppressive small town to the world of international sex tourism. His films drive the hidden forces that weigh on individuals and groups into view but also show characters who are capable of reflection and reaction. If the films make their protagonists rethink their place in the world, they also challenge the positions of the viewer and the director. This is what makes them so worthy of study. Combining a fine eye for detail with broad contextual awareness, this book gives an account of all Cantet's works, from the early short films to the major works. Martin O'Shaughnessy is a leading international writer on French cinema, especially in film and politics.
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Humanities & Social SciencesFebruary 2011Holiday camps in twentieth-century Britain
Packaging pleasure
by Sandra Trudgen Dawson, Jeffrey Richards
This book is the story of two holiday camp chains established in the 1930s that provided thousands with packaged pleasure. Warner and Butlin's commercial camps emerged at the intersection of cultural shifts that politicised working-class leisure and consumption. Entertainment fostered in the post-war camps provided a forum for popular pleasure that reinforced the idea of a 'national' culture grown from the common experience of war. Butlin and Warner, the big commercial chains of the 50s and 60s, are enmeshed in our social and cultural history. Dawson uncovers the significance of the holiday camps to the political, economic, social, and cultural history of twentieth-century Britain, drawing on an impressive variety of sources, from government documents to trade journals, advertising, photographs, oral histories, literature, films and songs. This unique volume will be of interest to academics and specialists of British social history, popular culture and tourism studies whilst remaining accessible to enthusiasts. ;
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The ArtsSeptember 2017Soaking up the rays
Light therapy and visual culture in Britain, c. 1890–1940
by Tania Anne Woloshyn
There is an Open Access edition of this book with a CC-BY-NC-ND license. Soaking up the rays forges a new path for exploring Britain's fickle love of the light by investigating the beginnings of light therapy in the country from c. 1890-1940. Despite rapidly becoming a leading treatment for tuberculosis, rickets and other infections and skin diseases, light therapy was a contentious medical practice. Bodily exposure to light, whether for therapeutic or aesthetic ends, persists as a contested subject to this day: recommended to counter skin conditions as well as Seasonal Affective Disorder and depression; closely linked to notions of beauty, happiness and well-being, fuelling tourism abroad and the tanning industry at home; and yet with repeated health warnings that it is a dangerous carcinogen. By analysing archival photographs, illustrated medical texts, advertisements, lamps, and goggles and their visual representation of how light acted upon the body, Woloshyn assesses their complicated contribution to the founding of light therapy.
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Humanities & Social SciencesJune 2025Taking travel home
The souvenir culture of British women tourists, 1750–1830
by Emma Gleadhill
In the late eighteenth-century, elite British women had an unprecedented opportunity to travel. Taking travel home uncovers the souvenir culture these women developed around the texts and objects they brought back with them to realise their ambitions in the arenas of connoisseurship, friendship and science. Key characters include forty-three-year-old Hester Piozzi (Thrale), who honeymooned in Italy; thirty-one-year-old Anna Miller, who accompanied her husband on a Grand Tour; Dorothy Richardson, who undertook various tours of England from the ages of twelve to fifty-two; and the sisters Katherine and Martha Wilmot, who travelled to Russia in their late twenties. The supreme tourist of the book, the political salon hostess Lady Elizabeth Holland, travelled to many countries with her husband, including Paris, where she met Napoleon, and Spain during the Peninsular War. Using a methodology informed by literary and design theory, art history, material culture studies and tourism studies, the book examines a wide range of objects, from painted fans "of the ruins of Rome for a sequin apiece" and the Pope's "bless'd beads", to lava from Vesuvius and pieces of Stonehenge. It argues that the rise of the souvenir is representative of female agency, as women used their souvenirs to form spaces in which they could create and control their own travel narratives.
