Your Search Results
-
Promoted Content
-
Promoted Content
Literature & Literary StudiesApril 2020Interweaving myths in Shakespeare and his contemporaries
by Janice Valls-Russell, Agnès Lafont, Charlotte Coffin
This volume proposes new insights into the uses of classical mythology by Shakespeare and his contemporaries, focusing on interweaving processes in early modern appropriations of myth. Its 11 essays show how early modern writing intertwines diverse myths and plays with variant versions of individual myths that derive from multiple classical sources, as well as medieval, Tudor and early modern retellings and translations. Works discussed include poems and plays by William Shakespeare, Christopher Marlowe and others. Essays concentrate on specific plays including The Merchant of Venice and Dido Queen of Carthage, tracing interactions between myths, chronicles, the Bible and contemporary genres. Mythological figures are considered to demonstrate how the weaving together of sources deconstructs gendered representations. New meanings emerge from these readings, which open up methodological perspectives on multi-textuality, artistic appropriation and cultural hybridity.
-
Trusted Partner
Literature & Literary StudiesOctober 2023Reading David Foster Wallace between philosophy and literature
by Allard den Dulk, Pia Masiero, Adriano Ardovino
-
Trusted Partner
January 1967Probleme der Philosophie
by Bertrand Russell, Eberhard Bubser, Eberhard Bubser
"In diesem Buch, einer der frühen Schriften des englischen Philosophen, wird der Versuch unternommen, die unmittelbare Erfahrung mit dem Weltbild der Physik zu vereinen. Für Russell sind Substanz, Materie und die Gegenstände keine Realitäten, sondern logische Konstruktionen. Dieser Gesichtspunkt bestimmt seine Erkenntnistheorie wie seine Kritik an den traditionellen philosophischen Fragestellungen. Wichtig geworden sind die in den Probleme der Philosophie vorgetragenen Gedanken für die Entwicklung des logischen Positivismus; der Autor fragt nach den Möglichkeiten des Philosophierens in einem Zeitalter, das die Metaphysik verabschiedet hat und dessen Wissensstand entscheidend von der Naturforschung geprägt ist."
-
Trusted Partner
May 1984Autobiographie II
1914-1944. Aus dem Englischen von Julia Kirchner
by Bertrand Russell, Julia Kirchner
Bertrand Russell, geboren 1872 in Wales, studierte Mathematik in Cambridge. In seinen schriftstellerischen Tätigkeiten widmete er sich zunächst der Mathematik, später wandte er sich vermehrt philosophischen Themen zu. 1950 erhielt er den Nobelpreis für Literatur. Bertrand Russell verstarb 1970 in Wales.
-
Trusted Partner
August 1984
Autobiographie
1872-1914. Deutsch von Harry Kahn
by Bertrand Russell, Harry Kahn
Bertrand Russell, geboren 1872 in Wales, studierte Mathematik in Cambridge. In seinen schriftstellerischen Tätigkeiten widmete er sich zunächst der Mathematik, später wandte er sich vermehrt philosophischen Themen zu. 1950 erhielt er den Nobelpreis für Literatur. Bertrand Russell verstarb 1970 in Wales.
-
Trusted Partner
September 2015Etta und Otto und Russell und James
Roman
by Hooper, Emma / Übersetzt von Grabinger, Michaela
-
Trusted Partner
-
Trusted Partner
December 2022OCEAN - Insel des Grauens
Thriller
by Preston, Douglas Child, Lincoln
Aus dem amerikanischen Englisch von Frauke Czwikla
-
Trusted Partner
December 2024Poison - Schwestern der Vergeltung
Ein neuer Fall für Special Agent Pendergast. Thriller
by Preston, Douglas Child, Lincoln
Aus dem amerikanischen Englisch von Frauke Czwikla
-
Trusted Partner
December 2023Death - Das Kabinett des Dr. Leng
Ein neuer Fall für Special Agent Pendergast. Thriller
by Preston, Douglas Child, Lincoln
Aus dem amerikanischen Englisch von Frauke Czwikla
-
Trusted Partner
July 2025Death - Das Kabinett des Dr. Leng
Ein neuer Fall für Special Agent Pendergast. Thriller
by Preston, Douglas Child, Lincoln
Aus dem amerikanischen Englisch von Frauke Czwikla
-
Trusted Partner
-
Trusted Partner
-
Trusted Partner
Humanities & Social SciencesJuly 2021Post-everything
An intellectual history of post-concepts
by Herman Paul, Adriaan van Veldhuizen
Postmodern, postcolonial and post-truth are broadly used terms. But where do they come from? When and why did the habit of interpreting the world in post-terms emerge? And who exactly were the 'post boys' responsible for this? Post-everything examines why post-Christian, post-industrial and post-bourgeois were terms that resonated, not only among academics, but also in the popular press. It delves into the historical roots of postmodern and poststructuralist, while also subjecting more recent post-constructions (posthumanist, postfeminist) to critical scrutiny. This study is the first to offer a comprehensive history of post-concepts. In tracing how these concepts found their way into a broad range of genres and disciplines, Post-everything contributes to a rapprochement between the history of the humanities and the history of the social sciences.
-
Trusted Partner
Literature & Literary StudiesOctober 2017Interweaving myths in Shakespeare and his contemporaries
by Charlotte Coffin, Agnès Lafont, Janice Valls-Russell
-
Trusted Partner
Literature & Literary StudiesSeptember 2016Love, history and emotion in Chaucer and Shakespeare
by Andrew Johnston, Anke Bernau, Russell West-Pavlov, Elisabeth Kempf
-
Trusted Partner
Literature & Literary StudiesJanuary 2026
Shakespeare, memory, and modern Irish literature
by Nicholas Taylor-Collins
-
Trusted Partner
July 1999Bertrand Russell und Lady Ottoline Morrell
Eine Liebe wider die Philosophie
by Voss, Ursula
-
Trusted Partner
Literature & Literary StudiesSeptember 2025Shakespeare the Reviser
A Lover's Complaint
by Marina Tarlinskaya
The project researches the difference between a revision vs. a rewriting. The book explores the English poems and plays of the Early New English period, from the sixteenth to the beginning of seventeenth century, with over 50 entries examined. The main material is the poem A Lover's Complaint; the play Double Falsehood by Lewis Theobald; the revised and rewritten post-Restoration plays such as Richard II (revised by Lewis Theobald), and The Fatal Secret (rewritten Webster's The Duchess of Malfi) by Lewis Theobald. An example of authorial revision is Sonnets 2 and 138.
