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David and Charles Ltd
David and Charles is an independent publisher of non-fiction books, predominantly in art, craft and creative categories. Our titles feature industry-leading authors and award-winning editorial and design, commissioned for commercial success in all markets. Category focus on practical how-to books in art, crochet, knitting, general crafts, patchwork & quilting, sewing and wellbeing. Cornerstone titles which are highly illustrated, project, technique and trend orientated.
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September 2006Owen Noone
Roman
by Cowie, Douglas / Englisch Wasel, Ulrike; Englisch Timmermann, Klaus
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The ArtsMay 2005Andrew Davies
by Sarah Cardwell, Jonathan Bignell, Sarah Cardwell, Steven Peacock
One of Britain's foremost TV practitioners, Andrew Davies is the creator of programmes such as 'A Very Peculiar Practice', 'To Serve Them All My Days', 'Pride and Prejudice', 'Othello' and 'The Way We Live Now'. Although best known for his adaptations of the work of writers such as Jane Austen and George Eliot, he has written numerous original drama series, single plays, films, stage plays and books. This volume offers a critical appraisal of Davies's work, and assesses his contribution to British television. Cardwell also explores the conventional notions of authorship and auteurism which are challenged by Davies's work. Can we identify Davies as the author of the varied texts attributed to him? If so, does an awareness of his authorial role aid our interpretation and evaluation of those texts? How does the phenomenon of adaptation affect the issue of authorship? How important is 'the author' to television? This book will appeal to both an academic readership, and to the many people who have taken pleasure in Davies's work. ;
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Humanities & Social SciencesJuly 1999Witchcraft, magic and culture 1736–1951
by Owen Davies
The only serious study of witchcraft and magic from 1736 to 1951 Brings together matters ranging from upper class spiritualism to rural witchcraft in an exciting and intellecually stimulating way Essential reading for all social historians and all h. . . . ;
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October 1984Soziale Intentionen und Reformen des Robert Owen in der Frühzeit der Industrialisierung.
Analyse seines Wirkens als Unternehmer, Sozialreformer, Genossenschafter, Frühsozialist, Erzieher und Wissenschaftler.
by Elsässer, Markus
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September 2021Jesse Owens
Little People, Big Dreams. Deutsche Ausgabe | Kinderbuch ab 4 Jahre
by María Isabel Sánchez Vegara, Anna Katharina Jansen, Silke Kleemann
Jesse war das jüngste der zehn Kinder seiner Familie. Obwohl er der schnellste Läufer an seiner Schule war, konnte er nicht mit den anderen Kindern trainieren. Er musste arbeiten, um seine Familie zu unterstützen. Doch Jesse gab nie auf und wurde einer der größten Leichtathleten. Er brach zahlreiche Rekorde und gewann sogar bei den Olympischen Spielen. Little People, Big Dreams erzählt von den beeindruckenden Lebensgeschichten großer Menschen: Jede dieser Persönlichkeiten, ob Künstlerin, Pilotin oder Wissenschaftler, hat Unvorstellbares erreicht. Dabei begann alles, als sie noch klein waren: mit großen Träumen.
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Humanities & Social SciencesOctober 2022Bankruptcy, bubbles and bailouts
by Aeron Davis, Karel Williams
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July 2000Kunstraub im Westen 1940-1945
Alfred Rosenberg und der "Sonderstab Musik"
by Vries, Willem de
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Humanities & Social SciencesApril 2020Early modern war narratives and the Revolt in the Low Countries
by Raymond Fagel, Leonor Álvarez Francés, William G. Naphy, Beatriz Santiago Belmonte
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The ArtsMarch 2013Space and being in contemporary French cinema
by James S. Williams
This book brings together for the first time five French directors who have established themselves as among the most exciting and significant working today: Bruno Dumont, Robert Guédiguian, Laurent Cantet, Abdellatif Kechiche, and Claire Denis. Whatever their chosen habitats or shifting terrains, each of these highly distinctive auteurs has developed unique strategies of representation and framing that reflect a profound investment in the geophysical world. The book proposes that we think about cinematographic space in its many different forms simultaneously (screenspace, landscape, narrative space, soundscape, spectatorial space). Through a series of close and original readings of selected films, it posits a new 'space of the cinematic subject'. Accessible and wide-ranging, this volume opens up new areas of critical enquiry in the expanding interdisciplinary field of space studies. It will be of immediate interest to students and researchers working not only in film studies and film philosophy, but also in French/Francophone studies, postcolonial studies, gender and cultural studies. Listen to James S. Williams speaking about his book http://bit.ly/13xCGZN. (Copy and paste the link into your browser) ;
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Literature & Literary StudiesJanuary 2004Theatre and religion
Lancastrian Shakespeare
by Richard Dutton, Alison Findlay, Richard Wilson
This important collection of essays focuses on the place of Roman Catholicism in early modern England, bringing new perspectives to bear on whether Shakespeare himself was Catholic. In the Introduction, Richard Wilson reviews the history of the debate over Shakespeare's religion, while Arthur Marotti and Peter Milward offer current perspectives on the subject. Eamon Duffy offers a historian's view of the nature of Elizabethan Catholicism, complemented by Frank Brownlow's study of Elizabeth's most brutal enforcer of religious policy, Richard Topcliffe. Two key Catholic controversialists are addressed by Donna Hamilton (Richard Vestegan) and Jean-Christophe Mayer (Robert Parsons). Robert Miola opens up the neglected field of Jesuit drama in the period, whilst Sonia Fielitz specifically proposes a new, Jesuit source-text for Timon of Athens. Carol Enos (As You Like It), Margaret Jones-Davies (Cymbeline), Gerard Kilroy (Hamlet) and Randall Martin (Henry VI 3) read individual plays in the light of these questions, while Gary Taylor's essay fittingly investigates the possible influence of religious conflicts on the publication of the Shakespeare First Folio. Theatre and religion: Lancastrian Shakespeare as a whole represents a major intervention in this fiercely contested current debate. ;
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June 1983Innovationen
Über den Prozeßcharakter von Literatur und Kultur
by Raymond Williams, H. Gustav Klaus, H. Gustav Klaus, H. Gustav Klaus
In Großbritannien haben die Arbeiten des unorthodoxen marxistischen Kultur- und Literaturwissenschaftlers Raymond Williams eine lebhafte Resonanz gefunden; hierzulande ist er noch nicht zureichend beachtet worden. Die vom Herausgeber gemeinsam mit Raymond Williams im Blick auf eine kontinentale Leserschaft getroffene Auswahl aus seinen Arbeiten vereinigt theoretisch-begriffliche Untersuchungen und materiale Analysen, die sich in exemplarischer Weise mit zentralen Fragen der Literatur- und Kulturgeschichte befassen.
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Literature & Literary StudiesOctober 2009The four funerals in Beowulf
by Gale Owen-Crocker
It is well known that the old English poem Beowulf begins and ends with funerals and includes the third as a digression part way through. Now, for the first time, a fourth funeral (hitherto disguised as poetic imagery) is identified from archaeological evidence. A detailed analysis of the four funerals establishes their thematic and structural importance, revealing them as pillars around which the poem is built. The poet is revealed as a literate antiquarian of considerable structural skill; one who explores feminist issues, plays with numbers and enjoys a pun; who establishes an ideal then probes its darker side. The author's unique knowledge of Anglo-Saxon culture provides constant surprises and enlightenment. This book will be invaluable to all students of the poem for its fresh and detailed reading, its identification of a coherent structure and its establishment of the integrity of the surviving texts. ;
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Literature & Literary StudiesJanuary 2014Court and civic society in the Burgundian Low Countries c.1420–1530
by Andrew Brown, Graeme Small
This volume is the first ever attempt to unite and translate some of the key texts which informed Johan Huizinga's famous study of the Burgundian court, The Waning of the Middle Ages, a work which has never gone out of print. It combines these texts with sources that Huizinga did not consider, those that illuminate the wider civic world that the Burgundian court inhabited and the dynamic interaction between court and city. Through these sources, and an introduction offering new perspectives on recent historiography, the book tests whether Huizinga's controversial vision of the period still stands. Covering subjects including ceremonial events, such as the spectacles and gargantuan banquets that made the Burgundian dukes the talk of Europe, the workings of the court, and jousting, archery and rhetoric competitions, the book will appeal to students of late medieval and early modern Europe and to those with wider interests in court culture, ritual and ceremony.
