Franz Steiner Verlag / Berliner Wissenschafts-Verlag
Academic publishing house (ancient history of economics, history of science/medicine, geography, musicology, philosophy of law). Berliner Wissenschaft-Verlag is an imprint.
View Rights PortalAcademic publishing house (ancient history of economics, history of science/medicine, geography, musicology, philosophy of law). Berliner Wissenschaft-Verlag is an imprint.
View Rights PortalTransnational solidarity excavates the forgotten histories of solidarity that were vital to radical political imaginaries during the 'long' 1960s. It decentres the conventional Western focus of this critical historical moment by foregrounding transnational solidarity with, and across, anticolonial and anti-imperialist liberation struggles. The book traces the ways in which solidarity was conceived, imagined and enacted in the border crossings - of nation, race and class - made by grassroots activists. This diverse collection draws links between exiled revolutionaries in Uruguay, post-colonial immigrants in Britain, and Greek communist refugees in East Germany who campaigned for their respective causes from afar while identifying and linking up with wider liberation struggles. Meanwhile, Arab immigrants in France, Pakistani volunteers and Iraqi artists found myriad ways to express solidarity with the Palestinian cause. Neglected archives also reveal Tricontinental Cuban-based genealogies of artistic militancy, as well as transnational activist networks against Portuguese colonial rule in Africa. Bringing together original research with contributions from veteran activists and artists, this interdisciplinary volume explores how transnational solidarity was expressed in and carried through the itineraries of migrants and revolutionaries, film and print cultures, art and sport, political campaigns and armed struggle. It presents a novel perspective on radical politics of the global sixties which remains crucial to understanding anti-racist solidarity today. With a foreword by Vijay Prashad.
The John Rylands Library houses one of the finest collections of rare books, manuscripts and archives in the world. The collections span five millennia, have a global reach and cover a wide range of subjects, including art and archaeology; economic, social, political, religious and military history; literature, drama and music; science and medicine; theology and philosophy; travel and exploration. For over a century, the Bulletin of the John Rylands Library has published research that complements the Library's special collections. An electronic edition of this issue is freely available under a Creative Commons (CC BY-NC-ND) licence.
The John Rylands Library houses one of the finest collections of rare books, manuscripts and archives in the world. The collections span five millennia, have a global reach and cover a wide range of subjects, including art and archaeology; economic, social, political, religious and military history; literature, drama and music; science and medicine; theology and philosophy; travel and exploration. For over a century, the Bulletin of the John Rylands Library has published research that complements the Library's special collections.
For nearly half a century Anne Lake Prescott has been a force and an inspiration in Renaissance studies. A force, because of her unique blend of learning and wit and an inspiration through her tireless encouragement of younger scholars and students. Her passion has always been the invisible bridge across the Channel: the complex of relations, literary and political, between Britain and France. The essays in this long-awaited collection range from Edmund Spenser to John Donne, from Clément Marot to Pierre de Ronsard. Prescott has a particular fondness for King David, who appears several times; and the reader will encounter chessmen, bishops, male lesbian voices and Roman whores. Always Prescott's immense erudition is accompanied by a sly and gentle wit that invites readers to share her amusement. Reading her is a joyful education.
For nearly half a century Anne Lake Prescott has been a force and an inspiration in Renaissance studies. A force, because of her unique blend of learning and wit and an inspiration through her tireless encouragement of younger scholars and students. Her passion has always been the invisible bridge across the Channel: the complex of relations, literary and political, between Britain and France. The essays in this long-awaited collection range from Edmund Spenser to John Donne, from Clément Marot to Pierre de Ronsard. Prescott has a particular fondness for King David, who appears several times; and the reader will encounter chessmen, bishops, male lesbian voices and Roman whores. Always Prescott's immense erudition is accompanied by a sly and gentle wit that invites readers to share her amusement. Reading her is a joyful education.
Über die Folgen der Globalisierung für die Kultur wird in den letzten Jahren heftig gestritten. Prophezeien die einen eine Homogenisierung der Weltkultur, verheißen die anderen kulturelle Desintegration bzw. Fragmentierung allerorten. Doch ein Blick auf die Kulturgeschichte der letzen Jahrhunderte lehrt, dass diese beunruhigenden Diagnosen nur zum Teil zutreffen. Viel wahrscheinlicher ist indes, so der Kulturhistoriker Peter Burke, dass eine neue kulturelle Ordnung entsteht, sich neue Formen kultureller Rekonfiguration herauskristallisieren werden, wobei Bausteine des Alten in ein neues Muster eingefügt werden. Burke untersucht daher in diesem Buch den kulturellen Austausch in vergleichender und historischer Perspektive. Er erkundet die Vielfalt der Konzepte, mit denen dieser Austausch beschrieben und analysiert wurde, und befasst sich mit seinen Kontexten und Konsequenzen. Sein Hauptaugenmerk gilt dabei drei möglichen Szenarien einer Reaktion auf kulturellen »Import« bzw. kulturelle »Invasionen«: Akzeptanz, Abwehr und Segregation.
The John Rylands Library houses one of the finest collections of rare books, manuscripts and archives in the world. The collections span five millennia, have a global reach and cover a wide range of subjects, including art and archaeology; economic, social, political, religious and military history; literature, drama and music; science and medicine; theology and philosophy; travel and exploration. For over a century, the Bulletin of the John Rylands Library has published research that complements the Library's special collections. An electronic edition of this issue is freely available under a Creative Commons (CC BY-NC-ND) licence.
The John Rylands Library houses one of the finest collections of rare books, manuscripts and archives in the world. The collections span five millennia and cover a wide range of subjects, including art and archaeology; economic, social, political, religious and military history; literature, drama and music; science and medicine; theology and philosophy; travel and exploration. For over a century, the Bulletin of the John Rylands Library has published research that complements the Library's special collections. The editors invite the submission of articles in these fields and welcome discussion of in-progress projects.
The names Edmund Spenser and John Donne are typically associated with different ages in English poetry, the former with the sixteenth century and the Elizabethan Golden Age, the latter with the 'metaphysical' poets of the seventeenth century. This collection of essays, part of The Manchester Spenser series, brings together leading Spenser and Donne scholars to challenge this dichotomous view and to engage critically with both poets, not only at the sites of direct allusion, imitation, or parody, but also in terms of common preoccupations and continuities of thought, informed by the literary and historical contexts of the politically and intellectually turbulent turn of the century. Juxtaposing these two poets, so apparently unlike one another, for comparison rather than contrast changes our understanding of each poet individually and moves towards a more holistic, relational view of their poetics.
Nach seinen sprachphilosophischen Arbeiten ('Sprechakte', stw 458; 'Ausdruck und Bedeutung', stw 349) hat John R. Searle mit 'Intentionalität' eine Untersuchung zu einem Kernstück der Philosophie des Geistes vorgelegt, die in einem engen thematischen Zusammenhang mit den früheren Arbeiten steht. Intentionalität ist nach Searles Auffassung die Basis sprachlicher Bedeutung. In seiner Theorie der Intentionalität geht es um die begrifflichen Eigenschaften intentionaler Zustände (auf die Frage nach ihrem ontologischen Status geht er ausführlicher ein in 'Geist, Hirn und Wissenschaft', stw 591). Zwei Aspekte stehen dabei im Vordergrund der Untersuchung: die Logik der Repräsentation und der Kausalität intentionaler Zustände. Doch Searle entwickelt in dieser Arbeit nicht nur eine Theorie der Intentionalität und des Zusammenhangs zwischen sprachlichem und geistigem Inhalt. In einem vornehmlich kritischen Teil setzt er sich ausführlich mit konkurrierenden Auffassungen aus dem Bereich der analytischen Philosophie auseinander, insbesondere mit derzeit sehr einflußreichen 'nicht-deskriptivistischen' Theorien des Bezugs, wie sie von S. Kripke, H. Putnam, K. Donnellan, T. Burge und D. Kaplan vertreten und angeregt wurden.