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      • Residenz Verlag GmbH

        Residenz Verlag, founded in 1956 and located in Salzburg and Vienna, is one of the most renowned publishers in Austria. Residenz Verlag stands for an ambitious literature program and dedicated non-fiction books. In the area of non-fiction, Residenz Verlag publishes on the topics of politics, sustainability, contemporary history, and arts as well as biographies.In fiction, the focus is on new discoveries from the German-speaking world, the continuous support of renowned Austrian writers’ oeuvre, and selected translations from (South-)Eastern and Northern European languages as well as from English. The authors’ list includes Thomas Bernhard, Peter Henisch, Walter Kappacher, Christine Nöstlinger, Alek Popov, Clemens Setz, Tanja Maljartschuk.

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      • Arkan for Studies, Research and Publishing

        Arkan is an independent research center established in Egypt in February 2017, aiming to drive scientific research movement forward, promote its various tools in Social Science and Humanities, and support their active individuals and institutions.Arkan is one of the most promising emerging research centers and publishers in Egypt and the Middle East and has a staff of nearly 100 people. It cooperates with individuals, institutions and entities as a scientific, cultural, awareness-raising research center in a way that never exceeds the center's vision, mission, work fields and general objectives.Arkan entered into many interactions with eminent thinkers and academics not to mention international business partners. Further, it is a member of the Egyptian Publishers’ Association and Arab Publishers’ Association and it is to become one of the main actors in the various cultural and scientific forums and book fairs throughout the world in the years to come.To find out more, visit our website: https://www.arkan-srp.com/?lang=en

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      • Trusted Partner
        Cinema - Italy
        The Arts
        January 2019

        Cinema - Italy

        by Stefania Parigi, Des O'Rawe

        A journey to the Italian cinema that overturns established views and opens up new perspectives and interpretations. Its itinerary is organized in four stages. The first is an analysis of the theories of Cesare Zavattini on neorealism which overturns widely accepted positions both on Zavattini and on neorealism. The second confronts a key film of the post-war Italian cinema, Roberto Rossellini's Paisà, by examining the nature of its realism. The third is dedicated to Luchino Visconti: to questions of the use of language exemplified in his La terra trema, the use of settings, costume and light as agents of meaning in his Il Gattopardo and Vaghe stelle dell'Orsa. The final voyage of the film is to the physical and symbolic construction of heaven and earth in the work of Pasolini. Particular attention is given to the representation of the body in his last four films: the grotesque and mythical bodies in popular tradition in his Trilogia di vita and the tortured bodies destroyed by the mass media in Salò.

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        Borderline bodies in art and visual culture
        The Arts
        June 2026

        Borderline bodies in art and visual culture

        Unsettling identity and place since 1800

        by Keren Hammerschlag, Natasha Ruiz-Gómez, Tania Anne Cleaves

        Borderline bodies offers original interpretations of visual representations of human bodies as bounded and unbounded, fortified and permeable, mobile and static-subject to borders and able to traverse and challenge them. It also takes as its focus images and objects that might be considered 'borderline' because they sit at the intersection of disciplines or sit outside accepted notions of what constitutes serious 'art.' By mapping the ways human bodies traverse borders and straddle-even dismantle-categories, this volume's essays approach afresh the relationship of bodies to traditional modes of representation, especially in art and medicine, and encourage us to think anew about how we understand the relationship between human corporeality, identity and place. Critical transdisciplinary and transnational analyses of objects and images from a range of geographies shed new light on the themes of: bodies and identity; typologies of the body; racialised bodies; 'normal' and 'abnormal' bodies; encounters between bodies; bodies in transition; bodies and mobility; and the bounded and unbounded human body. The outcome is a fresh approach to depictions of the human body produced for the purposes of artistic and medical education, aesthetic edification, and scientific and professional advancement, which disrupts assumptions about the normative human body perpetuated through Western image-making traditions.

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        Edmund Spenser and the romance of space
        Literature & Literary Studies
        August 2022

        Edmund Spenser and the romance of space

        by Tamsin Badcoe

        Edmund Spenser and the romance of space advances the exploration of literary space into new areas, firstly by taking advantage of recent interdisciplinary interests in the spatial qualities of early modern thought and culture, and secondly by reading literature concerning the art of cosmography and navigation alongside imaginative literature with the purpose of identifying shared modes and preoccupations. The book looks to the work of cultural and historical geographers in order to gauge the roles that aesthetic subjectivity and the imagination play in the development of geographical knowledge: contexts ultimately employed by the study to achieve a better understanding of the place of Ireland in Spenser's writing. The study also engages with recent ecocritical approaches to literary environments, such as coastlines, wetlands, and islands, thus framing fresh readings of Spenser's handling of mixed genres.

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        Caribbean eco-aesthetics
        The Arts
        February 2026

        Caribbean eco-aesthetics

        Strategies of survival through contemporary art

        by Kate Keohane, Daniella Rose King, Giulia Smith

        This edited volume reframes the Caribbean as a paradigm of ecological resilience and creativity by bringing together the voices of contemporary artists and scholars who are at the forefront of environmental activism in the region and across its diasporas. While dominant narratives percolating from the environmental sciences to the mainstream press present the Caribbean as a frontier of planetary disaster, the contributors to this volume show how the region offers radical models for overcoming the environmental challenges of the present. At the heart of this argument lies the history of the Caribbean as a centre for grassroots forms of anti-colonial and anti-capitalist resistance founded upon nature-centred cosmologies and practices. Caribbean Eco-Aesthetics shows how contemporary artists are mobilising this radical heritage in a bid to unlock alternative planetary futures.

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      • Concerning the Spiritual in Art
        The Arts
        March 1905

        Concerning the Spiritual in Art

        by Wassily Kandinsky

        A pioneering work in the movement to free art from its traditional bonds to material reality, this book is one of the most important documents in the history of modern art. Written by the famous nonobjective painter Wassily Kandinsky (1866–1944), it explains Kandinsky's own theory of painting and crystallizes the ideas that were influencing many other modern artists of the period. Along with his own groundbreaking paintings, this book had a tremendous impact on the development of modern art. Kandinsky's ideas are presented in two parts. The first part, called "About General Aesthetic," issues a call for a spiritual revolution in painting that will let artists express their own inner lives in abstract, non-material terms. Just as musicians do not depend upon the material world for their music, so artists should not have to depend upon the material world for their art. In the second part, "About Painting," Kandinsky discusses the psychology of colors, the language of form and color, and the responsibilities of the artist. An Introduction by the translator, Michael T. H. Sadler, offers additional explanation of Kandinsky's art and theories, while a new Preface by Richard Stratton discusses Kandinsky's career as a whole and the impact of the book. Making the book even more valuable are nine woodcuts by Kandinsky himself that appear at the chapter headings. This English translation of Über das Geistige in der Kunst was a significant contribution to the understanding of nonobjectivism in art. It continues to be a stimulating and necessary reading experience for every artist, art student, and art patron concerned with the direction of 20th-century painting.

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        Art as worldmaking
        The Arts
        November 2018

        Art as worldmaking

        Critical essays on realism and naturalism

        by Malcolm Baker, Andrew Hemingway, Andrew Hemingway, Briony Fer, Joshua Shannon, Adrian Rifkin, Malcolm Baker, Martina Droth, Caroline Arscott, Anne Wagner, Martin Powers, Neil McWilliam, Celeste Brusati, T.J. Clark, Rebecca Zurier, Steve Edwards, Tamar Garb, Lisa Tickner, Alistair Rider, Thomas Crow, Gail Day

        Art as worldmaking is a response to Alex Potts's provocative 2013 book Experiments in modern realism. Twenty essays by leading scholars test Potts's recasting of realism through examinations of art produced in different media and periods, ranging from eighth-century Chinese garden aesthetics to video work by the contemporary Russian collective Radek Community. While the book does not neglect avatars of pictorial realism such as Menzel and Eakins, or the question of nineteenth-century realism's historical antecedents, it is contemporary in orientation in that many contributors are particularly concerned with the questions that sculpture, photography and non-traditional media pose for realism as an aesthetic norm. It will be essential reading for students of art history concerned with art's truth value or more broadly with conceptual problems of representation and the intersections of art and politics.

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        Contemporary art and ecological transformation in East and Southeast Asia
        The Arts
        March 2026

        Contemporary art and ecological transformation in East and Southeast Asia

        by Meiqin Wang

        This anthology, presenting new research from fourteen scholars, delves into the interplay between contemporary art and ecological concerns in East and Southeast Asia. Focused on the concept of artistic remediation, the book unravels the diverse capacities of art to combat systemic anthropogenic destruction to the environment and ecology. At its core, the book articulates the ongoing ecological transformation in art and art history that embraces a paradigm shift in human-nature relationships, emphasizing interconnectedness of all life forms of the Earth. Bridging art studies, activism, and environmental studies, the book examines how artistic practices in the region have engaged with ecocritical reflection, biodiversity advocacy, sustainable practices, and environmental justice, among others. Providing a platform for critical and timely analysis of artistic interventions in the face of existential crises, the book acknowledges diverse voices of scholars who have situated their scholarship in the cultural and artistic specificities of various societies, locales, and communities in the region.

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        Empirical art
        Humanities & Social Sciences
        July 2025

        Empirical art

        Filmmaking for fieldwork in practice

        by Andy Lawrence, Martha-Cecilia Dietrich

        Empirical art: Filmmaking for fieldwork in practice is an insightful exploration of what the craft of filmmaking brings to social science research. Providing creative avenues on how to narrate encounters, relationships, and experiences during fieldwork, this comprehensive volume offers a rich tapestry of theoretical explorations and explorative methodologies. Skilfully connecting the worlds of ethnography, art and cinema, the contributors in this book act as a compass for filmmakers and researchers venturing to use a camera and microphone to relate and narrate their research collaborations and fieldsites. Drawing from the authors' extensive experience in disciplines like social anthropology, environmental humanities, and political science, "Empirical Art" breaks down the intricate process of crafting ethnographic films that departs from the researcher's subjectivity. Covering aspects of filmmaking from conceptualisation to production and distribution, readers are equipped with a treasure trove of collaborative techniques, innovative approaches, and ethical considerations necessary to generate and examine storytelling practices in contemporary fields of study. The authors discuss the significance of the multiple roles that technologies of filmmaking play in reflecting on cultural practices, social dynamics, and (beyond) human storytelling and their transformative potentials. Whether a seasoned filmmaker, an aspiring ethnographer, or an academic seeking new dimensions for their research, Empirical Art serves as a guide to integrating visual storytelling, cinema craft and empirical research.

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        Art history
        The Arts
        March 2006

        Art history

        A critical introduction to its methods

        by Michael Hatt, Charlotte Klonk

        Art History: A critical introduction to its methods provides a lively and stimulating introduction to methodological debates within art history. Offering a lucid account of approaches from Hegel to post-colonialism, the book provides a sense of art history's own history as a discipline from its emergence in the late-eighteenth century to contemporary debates. By explaining the underlying philosophical and political assumptions behind each method, along with clear examples of how these are brought to bear on visual and historical analysis, the authors show that an adherence to a certain method is, in effect, a commitment to a set of beliefs and values. The book makes a strong case for the vitality of the discipline and its methodological centrality to new fields such as visual culture. This book will be of enormous value to undergraduate and graduate students, and also makes its own contributions to ongoing scholarly debates about theory and method. ;

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        The rise of the modern art market in London
        Art: Financial Aspects

        The rise of the modern art market in London

        1850–1939

        by Edited by Pamela Fletcher and Anne Helmreich

        Now available in paperback for the first time, this study of the modern London art market establishes the central importance of London for the development of the modern retail market in fine art. Leading experts track the emergence and development of the structures and practices that have come to characterize the commercial art system, including the commercial art gallery, the professional dealer, the exhibition cycle and its accompanying rhetoric of press coverage and publicity, and an international network for the circulation of goods. This new commercial system involved a massive transformation of the experience of viewing art; of the relationships between artists, dealers, collectors, art objects and audiences; and of the very criteria of aesthetic value itself. Its history is thus a vital part of the history of modern art, and this anthology will be of interest to art historians as well as scholars of Victorian Studies, Museum Studies, and Social History.

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        Art and citizenship in conflict
        The Arts
        October 2025

        Art and citizenship in conflict

        British women war artists, 1939–45

        by Lucy Curzon

        Art and Citizenship in Conflict examines the work of women war artists in order to highlight the complexity of citizenship and gender in Britain during the Second World War. Evelyn Dunbar, Mary Kessell, Ethel Gabain, Stella Schmolle, and Laura Knight, among others, were commissioned by the War Artists' Advisory Committee (WAAC) to document the millions of women who took up sometimes unconventional roles-in agriculture, the auxiliary services, and manufacturing, among others-to support the British war effort. Indeed, their prints, drawings, and paintings were part of a broader scheme to uphold morale and promote much-needed citizen involvement on the home front. While there is growing interest, the importance of their remit in the history of the Second World War and the quality of their artistry have nonetheless not yet secured them a significant place in scholarship. Art and Citizenship in Conflict seeks to amend this gap while also broadening approaches to the study of war itself.

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        The machinic city
        Humanities & Social Sciences
        August 2024

        The machinic city

        Media, performance and participation

        by Marcos P. Dias

        As human and machine agency become increasingly intermingled and digital media is overlaid onto the urban landscape, The machinic city argues that performance art can help us to understand contemporary urban living. Dias analyses interventions from performance artists such as Blast Theory, Rafael Lozano-Hemmer and Rimini Protokoll, which draw from a rich history of avant-garde art movements to create spaces for deliberation and reflection on urban life, and speculation on its future. While cities are increasingly controlled by autonomous processes mediated by technical machines, Dias analyses the performative potential of the aesthetic machine, as it assembles with media, capitalist, human and urban machines. The aesthetic machine of performance art in urban space is examined through its different components - design, city and technology actants. This unveils the unpredictable nature and emerging potential of performance art as it unfolds in the machinic city.

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        Essays in later medieval French literature
        Literature & Literary Studies
        February 2010

        Essays in later medieval French literature

        The legacy of Jane H. M. Taylor

        by Mike Thompson, Rebecca Dixon

        Over the course of a career spanning five decades, Jane Taylor has shown a commitment to the rehabilitation of the more neglected aspects of later medieval French literature. This volume brings together original contributions from scholars who have worked alongside Taylor and directly or indirectly benefitted from her example. The chapters demonstrate their authors' link to this legacy, and concomitantly underline the vibrancy and breadth of approach which is the hallmark of current later medieval studies. The essays in the collection centre on a number of key issues in the field: notions of literary self-consciousness and what it means to come after an avatar; issues of intertextuality and the appeal to past models in the creation of a new literary aesthetic (or a new literary criticism); and interdisciplinary questions of translation, reworking, and continuation. Essays in later medieval French literature seeks not only to illustrate the buoyant state of later medieval French literary studies but also, in so doing, to show how in broader terms responding to the legacy of an illustrious predecessor has not pejorative but positive consequences. ;

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        Surrealist women artists and mental illness
        The Arts
        March 2026

        Surrealist women artists and mental illness

        by Jenny Anger

        Female mental illness has been a prominent and complicated theme in surrealist cultural traditions, including the idealization of women with mental illness in works such as André Breton's Nadja (1928). Art historians have examined this tendency before, but to date there has been no comprehensive study of the lived reality of women surrealist artists with mental illness. How did women's experience and their work intersect with this romanticized vision? Was the masculine dream of feminized, "mad" genius prohibitive or productive for these women artists? After establishing the ideological field within which these women worked, the book turns to case studies of well-known and some lesser-known artists, including Ángeles Santos, Leonora Carrington, Dora Maar, Claude Cahun, Frida Kahlo, Meret Oppenheim, Sonja Sekula, and Unica Zürn. This collection of essays contains a wide range of responses, revealing surrealism's generative as well as restrictive force.

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        Passages
        Humanities & Social Sciences
        June 2024

        Passages

        On Geo-Analysis and the aesthetics of precarity

        by Sam Okoth Opondo, Michael J. Shapiro

        Passages: On geo-analysis and the aesthetics of precarity is a multi-genre and transdisciplinary text addressing themes such as colonialism, nuclear zones of abandonment, migration control regimes, transnational domestic work, the biocolonial hostilities of the hospitality industry, legal precarities behind the international criminal justice regime, the shadow-worlds of the African soccerscape, and immunity regimes related to the COVID-19 pandemic. This book invites inquiry into today's apocalyptic narratives, humanitarian reason, and international criminal justice regimes, as well as the precarity generated by citizen time and 'consulate time'. The aesthetic breaks emerging from the book's image-text montage draw attention to the ethics of encounter and passage that challenges colonial, domestic, and nation-statist sovereignty regimes of inattention.

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        Women in Italy 1350–1650
        Humanities & Social Sciences
        February 2006

        Women in Italy 1350–1650

        Ideals and realities

        by Mary Rogers, Paola Tinagli

        This enlightening book aims to fill the gap in the literature on women's lives from the mid-fourteenth to the mid-seventeenth century, a time in which Italian urban societies saw much debate on the nature of women and on their roles, education and behaviour. Indeed these were debates which would in subsequent years resonate throughout Europe as a whole. Using a broad range of contemporary source material, most of which has never been translated before, this book illuminates the ideals and realities informing the lives of women within the context of civic and courtly culture. The text is divided into three sections: contemporary views on the nature of women, and ethical and aesthetic ideals seen as suitable to them; life cycles from birth to death, punctuated by the rites of passage of betrothal, marriage and widowhood; women's roles in the convent, the court, the workplace, and in cultural life. Through their exploration of these themes, Rogers and Tinagli demonstrate that there was no single 'Renaissance woman'. The realities of women¹s experiences were rich and various, and their voices speak of diverse possibilities for emotionally rich and socially useful lives. This will be essential reading for students and teachers of society and culture during the Italian Renaissance, as well as gender historians working on early modern Europe. ;

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        The political aesthetics of the Armenian avant-garde
        Politics & government
        February 2017

        The political aesthetics of the Armenian avant-garde

        The journey of the ‘painterly real', 1987–2004

        by Series edited by Amelia Jones, Marsha Meskimmon, Angela Harutyunyan

        This book addresses late-Soviet and post-Soviet art in Armenia in the context of turbulent transformations from the late 1980s to 2004. It explores the emergence of 'contemporary art' in Armenia from within and in opposition to the practices, aesthetics and institutions of Socialist Realism and National Modernism. This historical study outlines the politics (liberal democracy), aesthetics (autonomous art secured by the gesture of the individual artist), and ethics (ideals of absolute freedom and radical individualism) of contemporary art in Armenia and points towards its limitations. Through the historical investigation, a theory of post-Soviet art historiography is developed, one that is based on a dialectic of rupture and continuity in relation to the Soviet past. As the first English-language study on contemporary art in Armenia, the book is of prime interest for artists, scholars, curators and critics interested in post-Soviet art and culture and in global art historiography.

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        Voltairine de Cleyre’s transnational anarchism
        Humanities & Social Sciences
        May 2026

        Voltairine de Cleyre’s transnational anarchism

        by Rita Filanti

        Despite a growing interest in her life and work, Voltairine de Cleyre's contribution to anarchist studies, women studies, and American literature is still mostly unacknowledged. Described by Emma Goldman as 'the most gifted and brilliant anarchist woman America ever produced', de Cleyre authored poems, prose sketches, lectures and translations which radiate with her vision of the world, meticulous use of language, and iconoclastic vigor. Drawing on her copious correspondence with family members, friends and comrades, this monograph provides novel insight into the most significant events of her life while investigating the aesthetic concern characterizing all of her writing. Constantly shifting across languages, she established cosmopolitan networks within immigrant communities at home and beyond the ocean, always believing, until her untimely death, in universal solidarity and the ultimate non-existence of national, ethnic and linguistic barriers.

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