Frankfurt Rights

Your Search Results

      Filter your results
      Filter your results
      • Events
      • Category
      • Seller
      • Publication Year
      • Original Language
      • Rights Available in Language
      • Publish Status
      • Publication Country or region
      • Rights Available in Territory
      • Offer Type
      • Permission selling companies
      • More
      View items

      • Clare Painter Associates Ltd

        Licensing digital rights can be complicated and time-consuming. For 15 years our digital licensing agency, founded by pioneering digital publisher David Attwooll (as Attwooll Associates), has guided publishers through rapid and complex digital change. Clare and her small team of digital rights experts take a personal approach to each publisher, recommending specific licences and digital business models. We attend the book fairs in London and Frankfurt each year, and deal regularly with over 50 e-vendors across all sectors of the market: professional, academic, educational, and consumer.

        View Rights Portal

      • Animals

        Animals

        View Rights Portal
      Search more members
      • Trusted Partner
        Painting Dublin, 1886–1949
        The Arts
        December 2020

        Painting Dublin, 1886–1949

        by Kathryn Milligan

        More
      • Trusted Partner
        Politics and painting at the Venice Biennale, 1948–64
        The Arts
        September 2007

        Politics and painting at the Venice Biennale, 1948–64

        Italy and the Idea of Europe

        by Nancy Jachec, Marsha Meskimmon, Shearer West, Tim Barringer

        Although cultural exchanges were named within the Council of Europe in the mid- 1950s as being second only in importance to the military as a tool for ensuring a stable and integrated Western Europe in the aftermath of the Second World War, European-led initiatives have generally been overlooked in the historiography of art of the immediate post-war period. Popularly remembered as the era of the United States' cultural 'triumph', American Abstract Expressionism in particular is commonly identified as the cultural 'weapon' by which that nation conquered Western European culture. Using the Venice Biennale as a case study, this book challenges the idea that there was an American cultural conquest in the 1950s through the fine arts, arguing instead that Western Europe retained a strong sense of world cultural leadership in the immediate post-war years. An institutional history that combines political and diplomatic with art history, and is informed by extensive archival research, it argues that Italian political and cultural figures actively promoted the 'Idea of Europe' - the Council of Europe's cultural initiative of 1955 designed to promote the idea of a homogeneous post-war European culture - at the Biennale in the form of gesture painting as an international style, as the emblem of a culturally united Western Europe, and as the repository of universal humanist values for the international community. Scholarly but accessible, this book will be of interest not only to researchers and to students of international cultural relations during the Cold War, but to general, interested readers, too. ;

        More
      • Trusted Partner
        Cultural identities and the aesthetics of Britishness
        Humanities & Social Sciences
        March 2017

        Cultural identities and the aesthetics of Britishness

        by Dana Arnold

        Considers how notions of Britishness were constructed and promoted through architecture, landscape, painting, sculpture and literature. Maps important moments in the self-conscious evolution of the idea of 'nation' against a broad cultural historical framework. An important addition to the field of postcolonial studies as it looks at how British identity creation affected those living in England - most study in this area has thus far focused on the effect of such identity creation upon the colonial subject. Broad appeal due to wide subject matter covered. Examines just how 'constructed' a national identity is - past and present.

        More
      • Trusted Partner
        Images of the army
        The Arts
        March 2017

        Images of the army

        The military in British art, 1815-1914

        by J. W. M. Hichberger

        In an age when engraving and photography were making artistic images available to a much wider public, artists were able to influence public attitudes more powerfully than ever before. This book examines works of art on military themes in relation to ruling-class ideologies about the army, war and the empire. The first part of the book is devoted to a chronological survey of battle painting, integrated with a study of contemporary military and political history. The chapters link the debate over the status and importance of battle painting to contemporary debates over the role of the army and its function at home and abroad. The second part discusses the intersection of ideologies about the army and military art, but is concerned with an examination of genre representations of soldiers. Another important theme which runs through the book is the relation of English to French military art. During the first eighty years of the period under review France was the cynosure of military artists, the school against which British critics measured their own, and the place from which innovations were imported and modified. In every generation after Waterloo battle painters visited France and often trained there. The book shows that military art, or the 'absence' of it, was one of the ways in which nationalist commentators articulated Britain's moral superiority. The final theme which underlies much of the book is the shifts which took place in the perception of heroes and hero-worship.

        More
      • Trusted Partner
        Things. My 200 Picture Book
        Children's & YA

        Things. My 200 Picture Book

        by Magdalena Skala

        The very smallest children can identify and name objects from their homes in this award-winning, large-format board book. Magdalena Skala’s fantastic illustrations use bright colours and clear forms to depict the most important objects from the nursery, kitchen, garden, lounge, bathroom – in short from children’s everyday worlds: a great start into the world of words – and books! Magdalena Skala was awarded the 2019 Meefisch Prize and the Marktheidenfeld Prize for picture book illustration for THINGS. MY 200-PICTURE BOOK.

        More
      • Trusted Partner
        Dog politics
        Humanities & Social Sciences
        January 2024

        Dog politics

        Species stories and the animal sciences

        by Mariam Motamedi Fraser

        Do dogs belong with humans? Scientific accounts of dogs' 'species story,' in which contemporary dog-human relations are naturalised with reference to dogs' evolutionary becoming, suggest that they do. Dog politics dissects this story. This book offers a rich empirical analysis and critique of the development and consolidation of dogs' species story in science, asking what evidence exists to support it, and what practical consequences, for dogs, follow from it. It explores how this story is woven into broader scientific shifts in understandings of species, animals, and animal behaviours, and how such shifts were informed by and informed transformative political events, including slavery and colonialism, the Second World War and its aftermath, and the emergence of anti-racist movements in the twentieth and twenty-first centuries. The book pays particular attention to how species-thinking bears on 'race,' racism, and individuals.

        More
      • Trusted Partner
        Popular imperialism and the military, 1850-1950
        Humanities & Social Sciences
        March 2017

        Popular imperialism and the military, 1850-1950

        by John M. MacKenzie

        Colonial war played a vital part in transforming the reputation of the military and placing it on a standing equal to that of the navy. The book is concerned with the interactive culture of colonial warfare, with the representation of the military in popular media at home, and how these images affected attitudes towards war itself and wider intellectual and institutional forces. It sets out to relate the changing image of the military to these fundamental facts. For the dominant people they were an atavistic form of war, shorn of guilt by Social Darwinian and racial ideas, and rendered less dangerous by the increasing technological gap between Europe and the world. Attempts to justify and understand war were naturally important to dominant people, for the extension of imperial power was seldom a peaceful process. The entertainment value of war in the British imperial experience does seem to have taken new and more intensive forms from roughly the middle of the nineteenth century. Themes such as the delusive seduction of martial music, the sketch of the music hall song, powerful mythic texts of popular imperialism, and heroic myths of empire are discussed extensively. The first important British war correspondent was William Howard Russell (1820-1907) of The Times, in the Crimea. The 1870s saw a dramatic change in the representation of the officer in British battle painting. Up to that point it was the officer's courage, tactical wisdom and social prestige that were put on display.

        More
      • Trusted Partner
        80 Picture Cards for Coaching, Training, and Psychotherapie
        Psychology

        80 Picture Cards for Coaching, Training, and Psychotherapie

        Initiating Learning- and Change Processes

        by Evelin Fräntzel, Dieter Johannsen

        People think and remember in images, images influence our feelings and our perception, they shape our interpersonal communication and interaction. Coaches, supervisors,trainers, consultants, and therapists can use picture cards as a creative method to initiate learning and change processes among their clients. The card set can be used when working with groups and teams as well as in individual settings. Using the picture cards and the detailed exercise descriptions, processes ofprofessional and personal reorientation and further development of clients can be effectively supported. The enclosed booklet gives numerous suggestions for the use of the picture cards in practice.   For: • coaches• supervisors• consultants• group leaders• psychotherapists• psychologists• teachers, educators, personnel developers

        More
      • Trusted Partner
        How Animals Hammer, Drill and Strike
        2020

        How Animals Hammer, Drill and Strike

        Tool Use in the Animal Kingdom

        by Peter-René Becker

        From insects to fish as well as birds and primates: the use of tools is amazingly widespread in the animal kingdom. It’s a misnomer to presume that humans are distinguished by tool use and conscious capacity. So where is culture initiated? The biologist Peter-René Becker has evaluated numerous studies and cites plenty of evidence for the use of the hammer and anvil, lances, bait or sponges. Animals also use “tools as social implements”. Ultimately, the depth of man’s conscience singles him out from other animals.

        More
      • Trusted Partner
        The Anglo-Saxon landscape
        Humanities & Social Sciences
        April 2009

        The Anglo-Saxon landscape

        The kingdom of the Hwicce

        by Della Hooke

        The landscape of pre-Conquest England can often be reconstructed in minute detail. Yet this is one of the first attempts at such a project. Here the evidence is examined for the West Midlands - the counties of Worcestershire, Warwickshire and Gloucestershire, much of which formed the Anglo-Saxon kingdom of the Hwicce. Della Hooke reveals the intimate local landscape through the medium of place names, contemporary documents and archaeological evidence. Her detailed picture brings the Anglo-Saxon countryside very much to life. The patterns which emerge in this period go far to explain the nature of later medieval patterns of settlement and field systems, and provide the key to understanding territorial organisation in the region. ;

        More
      • Trusted Partner
        At home with the poor
        Humanities & Social Sciences
        June 2024

        At home with the poor

        Consumer behaviour and material culture in England, c. 1650-1850

        by Joseph Harley

        This book opens the doors to the homes of the forgotten poor and traces the goods they owned before, during and after the industrial revolution (c. 1650-1850). Using a vast and diverse range of sources, it gets to the very heart of what it meant to be 'poor' by examining the homes of the impoverished and mapping how numerous household goods became more widespread. As the book argues, poverty did not necessarily equate to owning very little and living in squalor. In fact, its novel findings show that most of the poor strove to improve their domestic spheres and that their demand for goods was so great that it was a driving force of the industrial revolution.

        More
      • Trusted Partner
        Family Romance
        Biography & True Stories
        November 2024

        Family Romance

        by Jean Strouse

        More
      • Trusted Partner
        The return of the housewife
        Humanities & Social Sciences
        April 2025

        The return of the housewife

        Why women are still cleaning up

        by Emma Casey

        An illuminating look at the world of cleanfluencers that asks why the burden of housework still falls on women. Housework is good for you. Housework sparks joy. Housework is beautiful. Housework is glamorous. Housework is key to a happy family. Housework shows that you care. Housework is women's work. Social media is flooded with images of the perfect home. TikTok and Instagram 'cleanfluencers' produce endless photos and videos of women cleaning, tidying and putting things right. Figures such as Marie Kondo and Mrs Hinch have placed housework, with its promise of a life of love and contentment, at the centre of self-care and positive thinking. And yet housework remains one of the world's most unequal institutions. Women, especially poorer women and women of colour, do most low-paid and unpaid domestic labour. In The return of the housewife, Emma Casey asks why these inequalities matter and why they persist after a century of dramatic advances in women's rights. She offers a powerful call to challenge the prevailing myths around housework and the 'naturally competent' woman homemaker.

        More
      • Trusted Partner
        Fragonard's playful paintings
        The Arts
        February 2007

        Fragonard's playful paintings

        Visual games in rococo art

        by Jennifer Milam, Marsha Meskimmon, Shearer West, Tim Barringer

        Fragonard's playful paintings is the first critical analysis of the function of play as an artistic concept and visual experience in Rococo art. The art of Jean-Honoré Fragonard embodies the pervasive culture of play in eighteenth-century France. His interactive paintings and drawings invite beholders to engage in a visual game of interpretation through subject, form and theme. This book not only examines Fragonard's art through close analyses of individual works, but also considers the role of the viewer within a variety of contexts related to social behaviour, philosophy, literature and aesthetics. More than any other artist from the period, Fragonard produced images of play that evidence the ludic impulses of ancien-régime thought and expose the underlying significance of eighteenth-century frivolity. Focused on bringing students and specialists closer to works of art, the book addresses what we see in order to understand better how paintings about play can stimulate playful ideas through dynamic exchanges between artist, image and beholder. ;

        More
      • Trusted Partner
        Art as worldmaking
        The Arts
        November 2018

        Art as worldmaking

        Critical essays on realism and naturalism

        by Malcolm Baker, Andrew Hemingway, Andrew Hemingway, Briony Fer, Joshua Shannon, Adrian Rifkin, Malcolm Baker, Martina Droth, Caroline Arscott, Anne Wagner, Martin Powers, Neil McWilliam, Celeste Brusati, T.J. Clark, Rebecca Zurier, Steve Edwards, Tamar Garb, Lisa Tickner, Alistair Rider, Thomas Crow, Gail Day

        Art as worldmaking is a response to Alex Potts's provocative 2013 book Experiments in modern realism. Twenty essays by leading scholars test Potts's recasting of realism through examinations of art produced in different media and periods, ranging from eighth-century Chinese garden aesthetics to video work by the contemporary Russian collective Radek Community. While the book does not neglect avatars of pictorial realism such as Menzel and Eakins, or the question of nineteenth-century realism's historical antecedents, it is contemporary in orientation in that many contributors are particularly concerned with the questions that sculpture, photography and non-traditional media pose for realism as an aesthetic norm. It will be essential reading for students of art history concerned with art's truth value or more broadly with conceptual problems of representation and the intersections of art and politics.

        More
      • Trusted Partner
        Death in modern theatre
        The Arts
        June 2025

        Death in modern theatre

        Stages of mortality

        by Adrian Curtin

        Death in modern theatre offers a unique account of modern Western theatre, focusing on the ways in which dramatists and theatre-makers have explored historically informed ideas about death and dying in their work. It investigates the opportunities theatre affords to reflect on the end of life in a compelling and socially meaningful fashion. In a series of interrelated, mostly chronological, micronarratives beginning in the late nineteenth century and ending in the early twenty-first century, this book considers how and why death and dying are represented at certain historical moments using dramaturgy and aesthetics that challenge audiences' conceptions, sensibilities, and sense-making faculties. It includes a mix of well-known and lesser-known plays from an international range of dramatists and theatre-makers, and offers original interpretations through close reading and performance analysis.

        More
      • Trusted Partner
        European Film Noir
        The Arts
        January 2019

        European Film Noir

        by Andrew Spicer

        European Film Noir is the first book to bring together specialist discussions of film noir in specific European national cinemas. Written by leading scholars, this groundbreaking study provides an authoritative understanding of an important aspect of European cinema and of film noir itself, for too long considered as a solely American form. The Introduction reviews the problems of defining film noir, its key characteristics and discusses its significance to the development of European film, the relationship of specific national films noirs to each other, to American noir and to historical and social change. Eight chapters then discuss film noir in France, Germany, Britain and Spain, analysing both earlier developments and the evolution of neo-noir through to the present. A further chapter explores film noir in Italian cinema where its presence is not so well defined. Each piece provides a critical overview of the most significant films in relation to their industrial and social contexts. European Film Noir is an important contribution to the study of European cinema that will have a broad appeal to undergraduates, cinéastes, film teachers and researchers.

        More
      • Trusted Partner
        Realist film theory and cinema
        The Arts
        January 2019

        Realist film theory and cinema

        The nineteenth-century Lukácsian and intuitionist realist traditions

        by Ian Aitken

        'Realist film theory and cinema' embraces studies of cinematic realism and 19th century tradition, the realist film theories of Lukács, Grierson, Bazin and Kracauer, and the relationship of realist film theory to the general field of film theory and philosophy. This is the first book to attempt a rigorous and systematic application of realist film theory to the analysis of particular films. The book suggests new ways forward for a new series of studies in cinematic realism, and for a new form of film theory based on realism. It stresses the importance of the question of realism both in film studies and in contemporary life. Aitken's work will be of interest to scholars and advanced students of film studies, literary studies, media studies, cultural studies and philosophy.

        More

      Subscribe to our

      newsletter

      Powered by:

      (c) Copyright 2025 - Frankfurt Rights. All Right Reserved