Daniel Goleman - Foreign Audio
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View Rights PortalFounded in 1996 as an affiliate of Southern Publishing & Media Co.Ltd.(SPM),Guangdong Petrel Electronic & Audio-Visual Publishing House (PEPH) has now become an all-media publisher specializing in online publishing, as well as creating, publishing and distributing audio-visual products, electronic reading materials, and books,etc. PEPH has designed and produced lots of electronic &audio-visual publications and hundreds of books related to social,science,education,language,science and technology, culture,art,among which several series of books were oriented toward international copyright exchanges. Till now, PEPH has already established cooperative relationships with publishers from South-East Asia and North America, totally exporting more than 200 titles.
View Rights PortalThis fascinating collection looks at the career and films of Luc Besson, one of the most acclaimed figures in international cinema. Contributions have been assembled from all over the world, and their different approaches reflect this geographical diversity. Films covered range from Besson's first feature, La Dernier Combat, to the international blockbusters The Fifth Element and Joan of Arc. The essays range from looking at costume design to musical scores, and the final chapter offers a transcript of a previously unpublished interview with the man himself. He is the only French director to have crossed over successfully during the 1990s into the blockbuster spectacular we associate with Hollywood cinema and yet this is only the second book in English on this major international director. The films of Luc Besson will make fascinating reading for anyone interested in the career and films of the 'master of spectacle'.
As an instigator of debate and a defender of tradition, a man of letters and a popular hack, a writer of erotica and a spokesman for bishops, an urbane metropolitan and a celebrant of local custom, the various textual performances of Thomas Nashe have elicited, and continue to provoke, a range of contradictory reactions. Nashe's often incongruous authorial characteristics suggest that, as a 'King of Pages', he not only courted controversy but also deliberately cultivated a variety of public personae, acquiring a reputation more slippery than the herrings he celebrated in print. Collectively, the essays in this book illustrate how Nashe excelled at textual performance but his personae became a contested site as readers actively participated and engaged in the reception of Nashe's public image and his works.
Dante beyond influence is the first study to conceptualise and historicise the hermeneutic turn in Dante reception history and Victorian cultural history, charting its development across intellectual realms, agents and forms of readerly and writerly engagement. Unearthing previously unseen manuscript and print evidence, the book conducts a material and book-historical inquiry into the formation and popularisation of the critical and scholarly discourse on Dante through Victorian periodicals, mass-publishing, traditional and Extramural higher education. The book demonstrates that the transformation of Dante from object of amateur interest (dantophilia) to subject of systematic interpretive endeavours (dantismo) reflected paradigmatic changes in Victorian intellectual and socio-cultural history.
This book addresses the question of political legitimacy in the European Union from the much neglected angle of political responsibility. It develops an original communitarian approach to legitimacy based on Alasdair MacIntyre's ethics of virtues and practices, that can be contrasted with prevalent liberal-egalitarian and neo-republican approaches. Tsakatika argues that a 'responsibility deficit', quite distinct from the often discussed 'democratic deficit', can be diagnosed in the European Union. This is documented in chapters that provide in-depth analysis of accountability, transparency and the difficulties associated with identifying responsibility in European governance. Closing this gap requires going beyond institutional engineering. It calls for gradual convergence towards certain core social and political practices and for the flourishing of the virtues of political responsibility in Europe's nascent political community. Throughout the book, normative political theory is brought to bear on concrete dilemmas of institutional choice faced by the EU during the recent constitutional debates. 'Political responsibility and the European Union' will be of interest to specialists and postgraduate students of political theory, constitutional law and European Union Studies. ;
Is deafness a disability to be prevented or the uniting trait of a cultural community to be preserved? Combining the history of eugenics and genetics with deaf and disability history, this book traces how American heredity researchers moved from trying to eradicate deafness to embracing it as a valuable cultural diversity. It looks at how deafness came to be seen as a hereditary phenomenon at all, how eugenics became part of progressive reform at schools for the deaf, and how, from the 1950s on, more sociocultural approaches to disability and minority led to new cooperative projects between professionals and local signing deaf communities. Analysing the transformative effects of exchange between researchers and objects of research, this book offers new insight to changing ideas about medical ethics, reproductive rights, the meaning of scientific progress and cultural diversity.
Why is a subject regarded as off-limits and how does one handle it? What is better kept to yourself and what is essential that you say to the person affected? Countless people are ashamed of their diseases and do not dare to talk about them in public. But how can you find out what is meant, even though it is not openly stated? This calls for sensitivity and professional expertise! Only if someone has sufficient background knowledge about a disease and its possible treatments can emerging worries and anxieties be confronted, preconceptions dispelled and existing myths refuted. This book sheds clear and concise light on 50 supposedly taboo subjects, as well as providing appropriate phrases for difficult consultations in the pharmacy!
World Stages, local audiences argues that the forms of intimacy and identification that come from being part of the public of a local performance, provide a potential model for rethinking our roles as world citizens. Using his own experience of recent theatrical practice in Vancouver as a starting point, Dickinson maps the spaces of connection and contestation, the flows of sentiment and social responsibility, produced by different communities in response to global sports spectacles. He also analyses how such topics are taken up in the work of playwrights, conceptual, installation, and performance artists like Ai Weiwei, and Rebecca Belmore. In so doing, Dickinson makes an original contribution to the emerging discourse on live art and 'livability' by examining not only the geographical and historical affiliations between different sites of performance, but also the - at times - radical new social bonds created by audiences witness to those performances. ;
Die Moderne ist der unaufhörliche Versuch, die Kluft zwischen gelebten Wirklichkeiten und erträumten Möglichkeiten zu überwinden. Ihre Geschichte nimmt sich aus wie ein gigantisches ›Guinnesbuch der Rekorde‹. Immer schneller, immer weiter, immer mehr – so lautet die Devise in allen Lebensbereichen. Peter Gross analysiert die Verheißungen und Wiedersprüche des Fortschrittsgedankens in einer offenen Gesellschaft, die keine ernstzunehmenden Feinde mehr hat. Er beschreibt die individuellen und gesellschaftlichen Folgen des unendlichen Begehrens nach ›Mehr‹. Er fragt, ob die abendländische Fortschrittslektion angesichts schwindender Ressourcen und knapper werdender Verteilungsspielräume relativiert werden muß. Er stellt zur Diskussion, ob die Anerkennung von Unterschieden, ob Differenzakzeptanz die Gegenformel sein könnte zur transpolitischen Programmatik einer endlosen Ausfaltung immer neuer Möglichkeiten und Teilhabehoffnungen. Peter Gross, Dr. rer. pol., geb. 1941, 1979-1989 Professor für Sozialstruktur im internationalen Vergleich an der Universität Bamberg, seit 1989 Professor für Soziologie an der Hochschule St. Gallen (Schweiz).
Bei Pogromen gegen Juden wurden in Polen nach dem Zweiten Weltkrieg mehr als 1500 Menschen getötet. Woher kam dieser Haß? Wieso nahm der Antisemitismus derart aggressive Formen an? Jan T. Gross zeigt, wie sich der traditionelle katholische Antisemitismus durch die deutsche Besatzung radikalisierte und nach der Befreiung durch die Rote Armee fortbestand, vor allem im Glauben an einen »jüdischen Bolschewismus«. Der Autor schildert die Auseinandersetzungen innerhalb der polnischen Gesellschaft um das Verhältnis zu den Juden, er zeigt detailliert, wie es 1945 und 1946 zu den großen Pogromen von Rzeszów, Krakau und Kielce kam. Diese waren keine Erscheinungen am Rande der Gesellschaft, sondern sie fanden mit Unterstützung der Bevölkerung statt. Gross sieht im polnischen Antisemitismus ein Zeichen der »Angst«: die Angst vor den Rückkehrern und nicht zuletzt die Angst, den Besitz der jüdischen Nachbarn wieder zu verlieren, den man sich unter den Deutschen angeeignet hatte.
Lunney explores Marlowe's engagement with the traditions of the popular stage in the 1580s and early 1590s and offers a new approach to his major plays in terms of staging and audience response, as well as providing a new account of English drama in these important but largely neglected years. ;