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NATIONAL AUTONOMOUS UNIVERSITY OF MEXICO
UNAM is the largest publishing house in the Spanish-speaking world. Its production averages 1200 printed titles and 500 electronic titles per year. It publishes literature, and state-of-the-art research in Spanish for all sciences and humanities. It translates the most within Mexican publishing industry, and it has been the publishing house of the most outstanding academic writers in Modern Mexico.
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Humanities & Social SciencesMarch 2003The autobiography of a nation
The 1951 Festival of Britain
by Becky E. Conekin, Christopher Breward, Bill Sherman
The first full-length study on the 1951 Festival of Britain. An examination of how Britain and Britishness were portrayed in the 1951's Festival's exhibitions and events. Covers the Festival's history and historiography, its purpose, its representations of the future and the past, the role of London and the 'local', the British Empire and finally its legacy. ;
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July 2025Intimate afterlives of empire
Memory and decolonisation in autobiography
by Astrid Rasch
Through close readings of almost twenty autobiographies written after the break-up of the British Empire, the book examines how individuals engage with the changing narrative landscape brought about by decolonisation. It considers the autobiographies less for what they may teach us about the moment remembered and more as windows on the act of remembering. This adds a crucial dimension to our understanding of the legacies of colonialism and how the ongoing process of decolonisation is reflected on the level of the individual. It argues that autobiographers are at once influenced by and seek to influence the cultural memory of empire and its legacies, and the authors' own position in both. Situated at the intersection of imperial/decolonisation history, memory studies, and life writing studies, the book uncovers this intimate afterlife of empire.
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The ArtsMay 2009Auto/biography and identity
by Kate Dorney, Maggie B. Gale, Viv Gardner, Maggie B. Gale
This groundbreaking book shows how female performers - one of the first groups of professional women - used and still use autobiography and performance as both a means of expression and control of their private and public selves, the 'face and the mask'. It looks at how a range of women in the theatre - actors, managers, writers and live artists - have done this on the page and on the stage from the late eighteenth-century to the present day, testing the boundaries between gender, theatre and autobiographical form. This paperback edition facilitates connections - between texts and performances, past and present practitioners, professional and private selves, individuals and communities, all of which have in some way renegotiated identity through autobiography and the creative act. 'Auto/biography and identity' is a landmark in theatre history and performance analysis, in gender and cultural theory, and autobiographical studies. ;
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Literature & Literary StudiesNovember 1998Auto/biographical discourses
Criticism, theory, practice
by Laura Marcus
In the forefront of the large and growing interest in life-writings. A comprehensive account of the criticism and theory of autobiography. The book makes complex debates accessible to a wide readership. ;
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Literature & Literary StudiesDecember 1995The Auto/biographical
by Elizabeth Stanley
This feminist literary study discusses postmodern ideas about the self, particularly about the way in which selves are constructed by biography and autobiography. The author particularly examines the manner in which women write about themselves. ;
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Literature & Literary StudiesJune 2025Critical games
On play and seriousness in academia, literature and life
by Tim Beasley-Murray
Critical Games is about the games we play (whether we know it or not), the ways we play them (for fun, but also to win, and to gain approval from others), and what happens when they get out of hand. The book interrogates the theory of play and gaming, with a particular focus on the games played by literary authors and literary critics. Drawing on (often self-critical) autobiography, as well as readings in texts across a range of languages, Tim Beasley-Murray plays with academic conventions to highlight what is at stake in them, turning to the Game of Literature, from Kafka to Carrère, to seek models and warnings of the outcomes of taking games too seriously, or not taking them seriously enough.
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FictionJune 2019This Man and Music
By Anthony Burgess
by Christine Lee Gengaro, Andrew Biswell
This man and music asks two central questions: what can literature contribute to the art of composition, and how can music influence the writer? Anthony Burgess, famed novelist, journalist, and composer, answers these questions and many more. As a person uniquely qualified to look at the interconnectivity of music and literature from both sides, Burgess provides fascinating insights, drawing on his deep knowledge of both disciplines. The book contains eleven interconnected essays that touch on philosophical conundrums of art and adaptation, questions of meaning, and the author's own personal experience. It is a must-read for fans of Burgess who want to understand how music influenced the author's craft of writing. Part autobiography and part literary and musical analysis, This man and music is a unique artefact in the stunning output of a prolific artist.
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The ArtsOctober 2009Journeyman
An autobiography
by Ewan Maccoll, Peggy Seeger
This new edition of Journeyman, Ewan MacColl's vivid and entertaining autobiography, has been re-edited from the original manuscript, and includes a new introduction by Peggy Seeger, for whom he wrote the unforgettable 'The First Time Ever I Saw Your Face'. MacColl, a singer, songwriter, actor, playwright and broadcaster, begins this fascinating account with his working class Salford childhood, traces the founding and life of Theatre Workshop, one of Britain's most innovative theatre companies, then moves on to his work with folksingers, the Radio Ballads and his ascent into old age. Ewan MacColl and Peggy Seeger were among the main leaders of the UK folksong revival. Journeyman documents their struggle to secure the integrity of that revival as the popular media appropriated and re-created traditional music for commercial gain. An entertaining and thought-provoking slice of British history, it will appeal to those interested in the histories of folk music, theatre, radio, left-wing politics and the Manchester area. ;
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The ArtsSeptember 2009Journeyman
An autobiography
by Ewan Maccoll, Peggy Seeger, Peggy Seeger
This new edition of Journeyman, Ewan MacColl's vivid and entertaining autobiography, has been re-edited from the original manuscript, and includes a new introduction by Peggy Seeger, for whom he wrote the unforgettable 'The First Time Ever I Saw Your Face'. MacColl, a singer, songwriter, actor, playwright and broadcaster, begins this fascinating account with his working class Salford childhood, traces the founding and life of Theatre Workshop, one of Britain's most innovative theatre companies, then moves on to his work with folksingers, the Radio Ballads and his ascent into old age. Ewan MacColl and Peggy Seeger were among the main leaders of the UK folksong revival. Journeyman documents their struggle to secure the integrity of that revival as the popular media appropriated and re-created traditional music for commercial gain. An entertaining and thought-provoking slice of British history, it will appeal to those interested in the histories of folk music, theatre, radio, left-wing politics and the Manchester area. ;
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Literature & Literary StudiesJuly 2010Harriet Martineau
Authorship, society and empire
by Ella Dzelzainis, Cora Kaplan
Harriet Martineau responds to the strong revival of interest in her life and writing, exploring Martineau's controversial views through her innovative use of popular cultural forms-journalism, travel writing, didactic fiction, novels, translation, autobiography and history. This is the first collection of essays to revisit and reassess Martineau's leading place in Victorian culture and in the development of nineteenth-century liberalism. Distinguished contributors-including Isobel Armstrong, Lauren Goodlad, Catherine Hall, Deborah Logan and Linda Peterson-offer critical analyses of her trailblazing career as a professional 'woman of letters'. The essays collected here move from personal to global concerns in Martineau's oeuvre. The opening essays centre on her bold self-fashioning as a writer, while the second section focuses on the domestic complexities of laissez-faire liberalism in her economic and social vision. Finally, the volume analyses her provocative writings on race, Empire and history - from Atlantic slavery to the Indian Mutiny - demonstrating the international breadth and impact of a remarkable career. ;
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The ArtsOctober 2006William Holman Hunt
Painter, painting, paint
by Carol Jacobi
This is a fundamental reassessment of the work of William Holman Hunt, and the first critical text to reproduce his pictures in colour and set him on an international stage. Introducing a new critique of the autobiography and drawing on hundreds of private letters, drawings and paintings, the author depicts a radical man of his times, deeply troubled by the pivotal concerns of the materialist age - the isolation of the individual, the collapse of faith and the status of art - and seeking solutions through a systematic testing of the extremes of painting. A close examination of the pictures, including neglected later works, combined with recent scientific research relate the physical act of painting, and the paint, back to the body of the artist. Lavishly illustrated and engagingly written, this book answers the longstanding lack of any monograph on Hunt and will make compelling reading for undergraduate and graduate students of History of Art, Victorian Studies, English Literature and Religious Studies, as well as curators, conservators and the artist's many admirers. ;
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Literature & Literary StudiesMarch 2013Sigmund Freud's The Interpretation of Dreams
by Laura Marcus
Freud's The Interpretation of Dreams, published in 1900, has been one of the most influential texts of the modern era, fundamentally changing the ways in which people have thought about their waking lives as well as their dreams. This book, more than any other in Freud's massive oeuvre, has shaped a vast amount of work in linguistics and semiotics, literary studies, film theory, psychology, philosophical hermeneutics and the history of ideas. This influence is reflected in the editor's introduction, which includes a substantial discussion of the theory and practice of representation, and the six essays specially commissioned for this volume. The contributors are renowned for their knowledge of Freudian theory and for their interdisciplinary expertise in a wide range of fields. They examine, for example, the relationship of Freud's text to theories of interpretation, autobiography and literary production. The book as a whole gives a clear sense both of the context of Freud's text and of its influence throughout the twentieth century. This volume is an ideal introduction to Freud's work for students and teachers of English and other literatures, philosophy and social and cultural studies, as well as the wider audience concerned with psychoanalysis and its cultural ramifications. ;
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Literature & Literary StudiesNovember 2021Encountering The Book of Margery Kempe
by Laura Kalas, Laura Varnam, David Matthews, Anke Bernau, James Paz
This innovative critical volume brings the study of Margery Kempe into the twenty-first century. Structured around four categories of 'encounter' - textual, internal, external and performative - the volume offers a capacious exploration of The Book of Margery Kempe, characterised by multiple complementary and dissonant approaches. It employs a multiplicity of scholarly and critical lenses, including the intertextual history of medieval women's literary culture, medical humanities, history of science, digital humanities, literary criticism, oral history, the global Middle Ages, archival research and creative re-imagining. Revealing several new discoveries about Margery Kempe and her Book in its global contexts, and offering multiple ways of reading the Book in the modern world, it will be an essential companion for years to come.
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Literature & Literary StudiesApril 2023Encountering The Book of Margery Kempe
by Laura Kalas, Laura Varnam
This innovative critical volume brings the study of Margery Kempe into the twenty-first century. Structured around four categories of 'encounter' - textual, internal, external and performative - the volume offers a capacious exploration of The Book of Margery Kempe, characterised by multiple complementary and dissonant approaches. It employs a multiplicity of scholarly and critical lenses, including the intertextual history of medieval women's literary culture, medical humanities, history of science, digital humanities, literary criticism, oral history, the global Middle Ages, archival research and creative re-imagining. Revealing several new discoveries about Margery Kempe and her Book in its global contexts, and offering multiple ways of reading the Book in the modern world, it will be an essential companion for years to come.
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January 1996Autobiographie
Übersetzung der Originalausgabe von "Autobiography of a Yogi" aus dem Jahr 1946
by Yogananda, Paramahansa / Englisch Hartogs, Marie Th; Englisch Rahn-Huber, Ursula
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August 1984Autobiographie
1872-1914. Deutsch von Harry Kahn
by Bertrand Russell, Harry Kahn
Bertrand Russell, geboren 1872 in Wales, studierte Mathematik in Cambridge. In seinen schriftstellerischen Tätigkeiten widmete er sich zunächst der Mathematik, später wandte er sich vermehrt philosophischen Themen zu. 1950 erhielt er den Nobelpreis für Literatur. Bertrand Russell verstarb 1970 in Wales.
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May 1984
Autobiographie II
1914-1944. Aus dem Englischen von Julia Kirchner
by Bertrand Russell, Julia Kirchner
Bertrand Russell, geboren 1872 in Wales, studierte Mathematik in Cambridge. In seinen schriftstellerischen Tätigkeiten widmete er sich zunächst der Mathematik, später wandte er sich vermehrt philosophischen Themen zu. 1950 erhielt er den Nobelpreis für Literatur. Bertrand Russell verstarb 1970 in Wales.
