Shepherd Press (Click for full list of titles)
Shepherd Press is a publishing company committed to providing God's people with solid biblical books and materials.
View Rights PortalShepherd Press is a publishing company committed to providing God's people with solid biblical books and materials.
View Rights PortalOur purpose is “to make Christian literature available to all nations, so that people may come to faith and maturity in the Lord Jesus Christ.”
View Rights PortalDie überwiegende Mehrzahl der hier vereinigten 56 Geschichten bilden die Zaubermärchen, die novellenartigen und die Schwankmärchen, nicht zu vergessen die in Bengalen beliebten Schwanjungfraumärchen.
“There is no Planet B!” More and more young people are worried about the future of Planet Earth. Climate change is heating not only the planet but also people’s emotions. But what exactly is climate? And why are the changes threatening the lives of both polar bears and us humans. In simple language but with solid science, the authors explain the most important aspects of climate, from the greenhouse effect to the Gulf Stream. Current developments are described as well, and the scientific background is supplemented by gripping reports. The book also offers a glimpse of the future: what will happen if we go on in the same way as now? How can climate change be halted? This makes for riveting reading – and not just for young activists.
How much CO₂ is emitted by one serving of spaghetti bolognese? About 1.5 kilograms! This example shows what the meat industry and food logistics mean for the eco-balance of our food. But is it enough to switch to meat-free and dairy-free alternatives or local specialities? Dr. Malte Rubach takes a closer look and reviews our food regime and its impact on our climate. We live in a society influenced by technology and the rising consumption of resources. Rubach argues for a sensible attitude to food and shows what we can still eat with a clear conscience.
"Rescue” has two fundamentally different “existential” dimensions. One is aimed at “saving” individual lives that are in danger. Firefighters, for instance, rescue people from fires, while the sea rescue services rescue shipwrecked people from the Mediterranean. The second dimension of “rescue”, on the other hand, concerns systems – think of the bailing out of banks, the euro or the climate disaster – and so points to a larger context that creates the conditions for “life” to even be possible, or at least to be preserved. The complex subject of this stringent essay is just to what extent politics enable or prevent “rescue attempts”, to what extent it understands its actions as “rescue actions”, and how decisively the “narrative”, i.e. the “talk of rescue”, ultimately dominates our entire understanding of politics.
We all die at the end offers a survey of contemporary end-of-the-world fiction, spanning literature, children's fiction, video games, theatre and film. It draws on eco-critical philosophy and narrative theory to show ways in which the climate crisis is reorienting storytelling in the face of foreseeable human extinction. In the process, it argues that such stories have a role to play in helping us come to terms with the severity and scale of the crisis that we face.
How can humor be used to engage with and help people suffering from mental illness? This practical handbook explains the concept of humor in psychiatric treatment and sets out the case for employing it. The author outlines how nurses can assess who might benefit from the use of humor and for whom it would be out of place, and provides a toolkit of humorous interventions for daily nursing practice. Target Group: Practicing nurses, psychiatric nurses, care clowns
As the international order begins to crumble, this incisive book asks what the rise of the Asian superstates means for the future. The Western-dominated world we have known for the past three hundred years is coming to an end. As America withdraws from its role as enforcer of the international order, other countries are moving in to fill the void. Among them are two rising Asian 'superstates'. Accounting for almost half of the world's population, China and India have the potential to wield enormous economic and political power. China is already vying with the US for the top spot in the global economy, and on some measures has surpassed it. By the middle of the century India may be number two. How will these countries navigate their growing roles on the world stage? What are the implications for commerce, international law and the fight against climate change? Vince Cable has followed China and India for decades, first as a professional economist and later as a senior government minister. In Eclipsing the West he draws on the latest data and a lifetime of political and economic experience to offer a compelling account of what the rise of the Asian superstates means for the future.
Scotland's past and future collide in this engaging journey through climate change, fossil capitalism and the struggle for a sustainable world. Scotland's history and future are entangled with climate change and the story of the modern world. This small country on the fringes of northern Europe pioneered fossil capitalism and played a key role in its spread across the planet. It is a living museum of the crisis of the west, of deindustrialisation, stagnation and the struggle to build a better future from the ashes. Journalist and sociologist Dominic Hinde travels from the treeless Highlands to the lowland cities, struggling to balance memories with aspiration. Through this journey he finds that his own sensory turmoil, shaped by recovery from a near fatal accident, mirrors the disarray of the fossil fuel transition - an uncertain passage between what was and what must be. Part memoir, part environmental history, part travelogue, this is a compelling narrative of connections - to place, energy and the possibility of renewal. Through the lens of one country, it asks a vital question: can the lessons of the past help us build a more sustainable future?
Georgien ist das Land der Märchen und Legenden, die Georgier sind für ihre Erzählfreudigkeit bekannt. Die Märchen, die durch die Verbindung von europäischen und orientalischen Motiven faszinieren, erzählen von der Sehnsucht des Volkes nach einem glücklichen Leben in Freiheit und Gerechtigkeit. Wir begegnen Helden von größter Kühnheit: Sie geben Tote dem Leben zurück, bezwingen grausame Drachen, wissen die Geliebte in fernsten landen zu finden, und der Tschonspieler betört, Orpheus gleich, mit zauberischen Melodien selbst den Herrscher über Leben und Tod, den schrecklichen Wächter des Baumes der Unsterblichkeit ... Dieser Band stellt die schönsten georgischen Märchen vor.
Is gender implicated in how art does its work in the world created by global capital? Is a global imperative exclusive to capital's planetary expansion or also witnessed in oppositional practices in art and curating? And what is new in the gendered paradigms of art after the fall of the Berlin Wall? Angela Dimitrakaki addresses these questions in an insightful and highly original analysis of travel as artistic labour, the sexualisation of migration as a relationship between Eastern and Western Europe, the rise of female collectives, masculinity and globalisation's 'bad boys', the emergence of a gendered economic subject that has dethroned postmodernism, and the need for a renewed materialist feminism. This is a theoretically astute overview of developments in art and its contexts since the 1990s and the first study to attempt a critical refocusing of feminist politics in art history in the wake of globalisation. It will be essential reading in art history, gender, feminist and globalisation studies, curatorial theory, cultural studies and beyond. ;
‘We will not stop demonstrating,’ writes Franziska Wessel in a guest column in the Berliner Zeitung. Franziska is pursuing a goal. Decisive measures must finally be taken to protect the climate. While that is not happening she spends every Friday on the streets, gives interviews and puts pressure on politicians. But climate change isn’t the only thing threatening our future. There is so much suffering, injustice and destruction in the world. Something must be done about it. And as a climate activist, Franziska knows exactly how to be active. Together with her father, the journalist and author, Günther Wessel, she explains: How do I start a petition? How do I organise a campaign? How does lobbying work? So that everyone knows how they can make things happen.
Charkiw 1993. Sowjetische Kriegsveteranen und neureiche biznesmeny lauschen im Konzertsaal einem amerikanischen Erweckungsprediger. In ehemaligen Komsomolbüros der ostukrainischen Metropole residieren Werbeleute. Das Jugendradio bringt in Kooperation mit London ein Feature über die »irische Volksmusikgruppe Depeche Mode« und die Rolle der Mundharmonika beim Kampf gegen kapitalistische Unterdrückung. Durch diese hybride Szenerie irren drei Freunde – Dog Pawlow, Wasja Kommunist und der Ich-Erzähler Zhadan, neunzehn Jahre alt und arbeitslos –, um ihren Kumpel Sascha Zündkerze zu finden. Sie müssen ihm mitteilen, daß sich sein Stiefvater erschossen hat. Ihre Suche führt sie auf ein verfallendes Fabrikgelände, wo sie eine Molotow-Büste klauen, ins Roma-Viertel zu einem befreundeten Dealer und schließlich per Nahverkehrszug ins Pionierlager »Chemiker«, wo Zündkerze als Betreuer arbeitet. Depeche Mode, Zhadans erster Roman, führt mitten hinein in die Anarchie der postsowjetischen Umbruchszeit und entfaltet ihre enorme ästhetische Produktivkraft.