All Things Women
Find your focus and strengths in times of crisis.
View Rights PortalTattoos in crime and detective narratives examines representations of the tattoo and tattooing in literature, television and film, from two periods of tattoo renaissance (1851-1914, and c1955 to present). It makes an original contribution to understandings of crime and detective genre and the ways in which tattoos act as a mimetic device that marks and remarks these narratives in complex ways. With a focus on tattooing as a bodily narrative, the book incorporates the critical perspectives of posthumanism, spatiality, postcolonialism, embodiment and gender studies. The grouped essays examine the first tattoo renaissance, the rebirth of the tattoo in contemporary culture through literature, children's literature, film and television. The collection has a broad appeal, and will be of interest to all literature and media scholars, but in particular those with an interest in crime and detective narratives and skin studies.
Screening Sherlock is the first book-length academic study of the film and television career of the most famous detective in fiction. Chapman explores the contexts, adaptation strategies and critical reception of Sherlock Holmes (and Dr Watson) on film and television in Britain and the United States. The book includes case studies of such famous Holmes impersonators as William Gillette, Basil Rathbone, Peter Cushing, Jeremy Brett and Benedict Cumberbatch, as well as charting a path through many lesser-known productions. From early cinema to the Hollywood studio system, and from heritage drama to contemporary postmodern television, Screening Sherlock is an indispensible work for all aficionados of Arthur Conan Doyle's consulting detective of Baker Street.
Sara Paretsky is known for her influential V.I. Warshawski series, which transformed the masculine hard-boiled detective formula into a vehicle for feminist values. But Paretsky does more than this. Her novels also illustrate the extent to which detective fiction acts as a literature of trauma, allowing Paretsky to address the politics of agency in ways that go beyond the personal, for trauma always has a social and a political dimension. Paretsky's work also exploits the way detective fiction mirrors the writing of history. Here, Paretsky uses the form to expose the partiality of historical accounts - whether they be personal, institutional, or national - that authorise 'forgetting' of a particularly insidious kind. Significantly, all these issues are explored within the framework of the traditional hard-boiled detective novel. As a result, Paretsky's achievement forces us to acknowledge the deeply subversive potential of detective fiction.
This book analyses how three artists - Adrian Piper, Nancy Spero and Mary Kelly - worked with the visual dimensions of language in the 1960s and 1970s. These artists used text and images of writing to challenge female stereotypes, addressing viewers and asking them to participate in the project of imagining women beyond familiar words and images of subordination. The book explores this dimension of their work through the concept of 'the other woman', a utopian wish to reach women and correspond with them across similarities and differences. To make the artwork's aspirations more concrete, it places the artists in correspondence with three writers - Angela Davis, Valerie Solanas, and Laura Mulvey - who also addressed the limited range of images through which women are allowed to become visible.
Sexually transgressive, politically astute and determined to claim educational and employment rights equal to those enjoyed by men, the new woman took centre stage in the cultural landscape of late-Victorian Britain. By comparing the fictional representations with the lived experience of the new woman, Ledger's book makes a major contribution to an understanding of the 'woman question' at the fin de siecle. She alights on such disparate figures as Eleanor Marx, Gertrude Dix, Dracula, Oscar Wilde, Olive Schreiner and Radclyffe Hall. Focusing mainly on the last two decades of the nineteenth century, the book's later chapters project forward into the twentieth century, considering the relationship between new woman fiction and early modernism as well as the socio-sexual inheritance of the 'second generation' new woman writers. ;
The long-awaited fourth edition of this best-selling manual continues to offer up-to-date guidance both to newcomers and to the more experienced, on how to make best use of the labyrinth of genealogical sources in England and Wales. It takes into account recent, and even some future, changes to the civil registration system, and incorporates many of the vast sources newly available on the internet. There is also a substantial bibliography for those who discover that their ancestors migrated from other countries. New appendices provide research into underregistration of birth and death, and hitherto unpublished details from the 1915 and 1939 National Registers. The family tree detective remains an indispensible source of information on how to locate births, marriages and deaths, and alternative strategies if those searches fail. Dr Colin D. Rogers is a Fellow of the Society of Genealogists, a member of AGRA (the Association of Genealogists and Researchers in Archives), and was for thirty years the Hon. General Editor of the Lancashire Parish Register Society. He runs a consultancy helping banks and solicitors to identify and locate beneficiaries. ;
An illuminating look at the world of cleanfluencers that asks why the burden of housework still falls on women. Housework is good for you. Housework sparks joy. Housework is beautiful. Housework is glamorous. Housework is key to a happy family. Housework shows that you care. Housework is women's work. Social media is flooded with images of the perfect home. TikTok and Instagram 'cleanfluencers' produce endless photos and videos of women cleaning, tidying and putting things right. Figures such as Marie Kondo and Mrs Hinch have placed housework, with its promise of a life of love and contentment, at the centre of self-care and positive thinking. And yet housework remains one of the world's most unequal institutions. Women, especially poorer women and women of colour, do most low-paid and unpaid domestic labour. In The return of the housewife, Emma Casey asks why these inequalities matter and why they persist after a century of dramatic advances in women's rights. She offers a powerful call to challenge the prevailing myths around housework and the 'naturally competent' woman homemaker.
The master detective is after a cunning thief who steals colourful, random objects like Leonardo da Vinci’s paintbrush or antique sugar bowls. During a visit to Grandpa Pots, she uncovers the secret of Ghost Island and solves the puzzle of the floating teapot in Mr Goldrand’s junk shop. Only the nasty blackmailing letters from the mysterious “Magpie” present her with a seemingly insoluble mystery. Someone is testing the powers of the great investigator to their very limit…Will she be able to crack even this case? 15 original detective stories told in masterly fashion by the Spiegel bestselling author Andreas H. Schmachtl.
Recent years have seen a rennaissance of scholarly interest in the fin-de-siecle fiction of the New Woman. New Woman Strategies offers a new approach to the subject by focusing on the discursive strategies and revisionist aesthetics of the genre in the writings of three of its key exponents: Sarah Grand, Olive Schreiner and Mona Caird. ;
What's going on in London? A mass breakout of prisoners, an attack on a hotel and a bank robbery - all that happens within a short while. Sherlock Holmes draws a rapid deduction: This cannot be an accident. He already has a theory what and most of all who is behind it. Remains to find out how his arch enemy managed to do that. But Sherlock is on his tracks because the thieves and their leader have left their fingerprints ...
1922: Hulda Gold is a midwife and she is smart, fearless and extremely popular in the neighbourhood since the fate of her female patients is extremely close to her heart. Especially as she encounters not only new life, but also death. In the notorious Bülowbogen, one of the city's many slums, Hulda looks after a pregnant woman. The young woman is devastated because her neighbour was found dead in the Landwehrkanal; allegedly a tragic accident. But why is the opaque detective commissioner Karl North so interested in the case? And why is Hulda so attracted to him? She investigates and gets deeper and deeper into the abysses of a city where shadow and light are so close together.
Over fifty years after Jamaican and Trinidadian independence, Imagining Caribbean womanhood examines the links between beauty and politics in the Anglophone Caribbean, providing a first cultural history of Caribbean beauty competitions, spanning from Kingston to London. It traces the origins and transformation of female beauty contests in the British Caribbean from 1929 to 1970, through the development of cultural nationalism, race-conscious politics and decolonisation. The beauty contest, a seemingly marginal phenomenon, is used to illuminate the persistence of racial supremacy, the advance of consumer culture and the negotiation of race and nation through the idealised performance of cultured, modern beauty. Modern Caribbean femininity was intended to be politically functional but also commercially viable and subtly eroticised.
This book about the Thatcher government and the City of London tells the compelling human story of the people and processes that made Britain's 1980s financial revolution. Fusing insider testimony with new archival discoveries, it examines high stakes and networked solutions, and uncovers new objectives that drove reforms. In so doing it demystifies a major shift in capitalism. This has implications for our understandings of government and capitalism, from the way we think about the origins of subsequent financial crises to today's growing inequalities. Survival Capitalism offers new insights into the last major restructuring of the City, disrupts myths surrounding the logics of the market, and pays attention to people and processes at a time when the City of London again faces major change as Britain seeks to find its place outside the European Union in the wake of Brexit.
John Ford's tragedy, first printed in 1633, is the first major English play to take as its theme a subject still rarely handled: fulfilled incest between brother and sister. This Revels Plays edition is a scholarly, modern-spelling edition of one of the most studied and performed of all plays of the period. White's critical introduction explores the textual and theatrical histories of the play, exploring closely its relationship to the particular stage and audience for which it was written. This Revels edition allows the modern reader to become, in Ford's words, an 'actor that but reads'.
»Post, Post, Post«. Dieser Stoßseufzer, notiert im Kalender unter dem Datum vom Sonntag, dem 4. März 1990, kommt nicht von ungefähr: Christa Wolf war eine ungeheuer produktive Korrespondentin. Ihre Briefe an Verwandte und Freunde, Kollegen, Lektoren, Politiker, Journalisten geben faszinierende Einblicke in ihre Gedankenwelt, ihre Schreibwerkstatt, ihr gesellschaftliches Engagement. Ob sie an Günter Grass oder Max Frisch schreibt, von Joachim Gauck Einsicht in ihre Stasi-Akte fordert oder sich mit Freundinnen wie Sarah Kirsch und Maxie Wander austauscht, wir sind Zeuge von Freundschaften und Zerwürfnissen, Auseinandersetzungen und von Bestätigung, von der Selbstfindung einer der wichtigsten Autorinnen des 20. Jahrhunderts. Nicht zuletzt beeindruckt ihr Umgang mit der Flut von Leserbriefen, die sie mit zunehmendem schriftstellerischen Erfolg erreicht und auf die sie geduldig und kundig – und manchmal auch mit der gebotenen Direktheit – eingeht.
From the author of The Family Tree Detective, this guide provides the amateur genealogist or family historian with the skills to research the distribution and history of a surname. Colin Rogers uses a sample of 100 names, many of them common, to follow the migration of people through the centuries. Each of the 100 names is mapped since the Doomsday book in 1086. For those whose name is not among the sample, the book shows how to find out where namesakes live now, how they moved around the country through time, and how the name originated from a placename, a nickname or an occupation. Colin Rogers finishes this work by showing how the distribution of surnames can be studied irrespective of the size of the surrounding population, and reaches some interesting conclusions about which names are more reliable guides to migration since the 14th century. ;