Kontexte, Blickwinkel, Sichtachsen und Perspektivwechsel Was wir machen Das Internet sollte Zugang zu Wissen organisieren und ist ein Werkzeug zum Austausch von Ideen, Visionen und Lösungen. – Suug Productions kreiert Projekte mit Sinn – und dem Anspruch, die Welt durch neue und ungewöhnliche Kontexte, Blickwinkel, Sichtachsen und Perspektivwechsel zu einem etwas reizvolleren Ort zu machen.
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HBG represents educational, spiritually empowering and life-affirming works from small and independent publishers. Dedicated to alternativeperspectivesand self-healing, self-empowerment, enlightenment, inspiration, and joy, our consciousness-expanding, self-help and educational books contribute to greater awareness for our readers. Through new science, sacred teachings, transmitted wisdom, humor, real-life stories and more, each book offers its own unique gift and guidance. Our topics include Alternative Healing, Body-Mind-Spirit, Business Entrepreneurship, Children's Literature, Consciousness Studies, Health and Wellness, Nature, Parenting, Psychology, Relationships/Communication, Self-Help and more.
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Intoxicating? Intoxicating drugs are as old as mankind itself. Whether herbal or produced synthetically in a laboratory, their variety is almost limitless. And every year, more substances are added to the list. Niels Eckstein, who is a Professor of Drug Regulatory Affairs and Pharmacology and a long-standing expert in the narcotics scene, explores the abysses of the darknet and dealer hell, provides insider information, conducts interviews with dealers and producers, and offers profound insights into the bizarre, parallel world of intoxicating substances. At the same time, the author takes a thorough look at the chemistry of the different substance classes and the neurobiological basis of addiction. He also covers production and assesses the danger and addiction potential of designer drugs, BTM, NPS, medicinal drugs and doping substances. This book outlines the political and sociopolitical dimensions of the use of psychoactive substances, classifies them legally, describes risks, approaches, and help strategies, highlights routes out of drug problems and alternatives to drug prohibition, and comments on the opioid crisis in the United States and the „war on drugs.“ “I don‘t care how it‘s regulated: if he wants it and can pay for it, he gets it. If I get caught, I‘ll go to jail for a few years, whether it‘s for a kilo of coke, meph or testo, it doesn‘t matter.“ – In an interview with a dealer
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„Ich glaube, ich habe bisher noch kein Formel1 Buch gelesen, welches die Thematik so realitätsnah rübergebracht hat wie dieses. Aber was will man auch erwarten, wenn ein echter Formel1 Fan eine F1 Sportsromance schreibt?“ – naddlslibrary, „Für alle F1-Girlies ein absolutes Muss – aber keine Sorge, auch für alle, die einfach eine gute Sports Romance lieben, absolut empfehlenswert.“ - miris.era „Crushing Souls ist für mich ein absolutes Highlight, es ist eine schöne gefühlvolle Sports Romance mit einem besonderen Setting. Für mich fühlte es sich wie ein Rennwochenende an, ein bisschen Gänsehaut, ein bisschen Nervenkitzel und ganz viel Liebe.“ - mrs.kyara..rs3 „Crushing Souls“ hat wirklich alles, was eine gute Geschichte braucht. Schon von der ersten Seite an ist man gefesselt und wird direkt ins Geschehen hineingeworfen“ - c0zylibrary „Auch als Nicht-Formel 1-Fan ist das Buch einfach wundervoll und ich konnte der Geschichte von Fiona und Duncan sehr viel abgewinnen. Caros Schreibstil macht das Buch zu einem Erlebnis und die Geschichte zu einem absoluten Herzensbuch.“ – chaptersofdecember „Ich habe mich in diesem Buch einfach unglaublich wohlgefühlt. Jedes neue Detail für mich in diesem Sport aufgesogen. Mich mit Duncans erstem großen Erfolg mitgefreut, sodass mein Herz fast vor Stolz geplatz ist.“ – buecherwiezucker
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Works of travel have been the subject of increasingly sophisticated studies in recent years. This book undermines the conviction with which nineteenth-century British writers talked about darkest Africa. It places the works of travel within the rapidly developing dynamic of Victorian imperialism. Images of Abyssinia and the means of communicating those images changed in response to social developments in Britain. As bourgeois values became increasingly important in the nineteenth century and technology advanced, the distance between the consumer and the product were justified by the scorn of African ways of eating. The book argues that the ambiguities and ambivalence of the travellers are revealed in their relation to a range of objects and commodities mentioned in narratives. For instance, beads occupy the dual role of currency and commodity. The book deals with Henry Morton Stanley's expedition to relieve Emin Pasha, and attempts to prove that racial representations are in large part determined by the cultural conditions of the traveller's society. By looking at Joseph Conrad's Heart of Darkness, it argues that the text is best read as what it purports to be: a kind of travel narrative. Only when it is seen as such and is regarded in the context of the fin de siecle can one begin to appreciate both the extent and the limitations of Conrad's innovativeness.
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A girl torn between two brothers. Regardless of which one she falls in love with it will be disastrous for the other. Christopher and Adrian have sworn that no girl will ever come between them again, because there is a sleeping monster inside Adrian, just waiting to hurt his brother. But then Jessa comes to High Moor Grange… Jessa would do anything to find her sister Alice, who has been registered as missing for five years. High Moor Grange is the first clue she has been given after all this time – but apart from a ruin shrouded in mist, all she finds there are the owners of this dilapidated manor house. Jessa suspects that they both know more about Alice’s disappearance than they admit. Christopher wants nothing more than to be rid of her, and constantly gets on her nerves with his arrogance – and even his warm-hearted brother Adrian seems to be harbouring some secrets. Jessica knows that she ought to stay away from the twin brothers, because instead of finding answers at High Moor Grange, she finds herself in danger of losing her heart in a battle against a 200-year-old curse. Dark, irresistible and deeply romantic – a modern Beauty and the Beast story by the queen of emotions!
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His world is that of the Royals – full of scandals and secrets. Falling in love with him was never part of her plan. Their paths cross at the royal stud farm... Greta just wants to get away: away from her school and away from the friends who have so endlessly disappointed her. The holiday job at the royal stud farm comes at just the right time for her. She might not have any interest in horses – and even less in princes and princesses – but the royal family’s palace still makes her heart beat faster. But on the very first day she quarrels with Edward, the horse trainer. He guesses that she is hiding a secret and wants to do whatever it takes to bring it out in the open. When, shortly afterwards, Prince Tristan appears at the stud farm, Greta’s life is completely turned upside down. She notices all too late that she is in the process of falling in love – and specifically with the boy that she actually wants to stay away from. Humorous and romantic, glamorous and exciting: ‘Royal Horses’ is the perfect love story for all readers from 12 to 99 years-old. Greta and Edward‘s story continues! Volume 2, ‘Crown Dream’ will be out in autumn 2020.
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Heart of Darkness (1899) is a novella by Polish-British novelist Joseph Conrad, about a voyage up the Congo River into the Congo Free State, in the heart of Africa, by the story's narrator Charles Marlow. Marlow tells his story to friends aboard a boat anchored on the River Thames, London, England. This setting provides the frame for Marlow's story of his obsession with the ivory trader Kurtz, which enables Conrad to create a parallel between London and Africa as places of darkness.
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The WHO’s International Classification of Functioning, Disability and Health (ICF) is the accepted common framework for understanding and documenting functioning and disability. The ICF Core Sets selected for this book have now been developed to facilitate the standardized use of the ICF in real-life clinical practice and thus improve quality of care. By using this collection of clear checklists, definitions, and forms, clinicians will quickly and easily be able to assess clients with a range of typical health conditions at different stages and in a variety of health care contexts. This manual describes how and why the ICF Core Sets have been developed and shows, step-by-step, how to apply the ICF Core Sets in clinical practice. Target Group: For practitioners working in various health care contexts but also for students and teachers.
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Concrete guidance on harm reduction treatment (HaRT) with substance-using patients:• Written by experts from the field• Details a unique evidence-based approach• Includes example scripts• Provides case studies• Includes downloadable handouts Harm reduction approaches are effective alternatives to abstinence-based treatment for people who are not ready, willing, or able to stop using substances. This volume outlines the scientific basis and historical development of these approaches, and reviews why abstinence-based approaches often do not work. The authors then share their expertise about harm reduction treatment (HaRT), an empirically based approach co-developed with community members impacted by substance-related harm – a first of its kind. The reader learns in detail about the pragmatic mindset and compassionate heartset of HaRT and the three treatment components: measurement and tracking of patient-preferred substance-related metrics, harm-reduction goal setting and achievement, and discussion of safer-use strategies. In addition, the book provides example scripts for use in daily practice.
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This book traces an early history of performance art from the former Czechoslovakia, which emerged in the 1960s and 1970s in the context of the Prague Spring and the subsequent policy of Normalization that brought on cultural censorship, prosecution, and state violence against artists. The book draws on Czech and Slovak scholarship as well as primary research in archives, interviews, and fieldwork to dispel misreadings of visual and cultural idioms in pre-existing Anglophone scholarship about the region. Although the former Soviet Bloc is often equated with repression and lack of experimental art in public spaces, performance artists within the former Socialist Czechoslovakia often used public, semi-public and clandestine spheres to create their performances. By analysing both works of established artists such as Aktual, Alex Mlynárcik, Petr Stembera, Jan Mlcoch, as well as under-theorised practitioners including Luba Lauffová, Karel Miler, Temporary Society of Intense Living, and Crusaders School of Pure Humour with no Joke, this book analyses how performance can survive and sometimes even thrive on the background of a politically oppressive regime. Cermak tells a unique story of localised resistance to a monolithic public sphere through artistic intervention, a closely knit community, artistic exchange, and agonistic reframing of socialism as a philosophy rather than state ideology.
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This anthology, presenting new research from fourteen scholars, delves into the interplay between contemporary art and ecological concerns in East and Southeast Asia. Focused on the concept of artistic remediation, the book unravels the diverse capacities of art to combat systemic anthropogenic destruction to the environment and ecology. At its core, the book articulates the ongoing ecological transformation in art and art history that embraces a paradigm shift in human-nature relationships, emphasizing interconnectedness of all life forms of the Earth. Bridging art studies, activism, and environmental studies, the book examines how artistic practices in the region have engaged with ecocritical reflection, biodiversity advocacy, sustainable practices, and environmental justice, among others. Providing a platform for critical and timely analysis of artistic interventions in the face of existential crises, the book acknowledges diverse voices of scholars who have situated their scholarship in the cultural and artistic specificities of various societies, locales, and communities in the region.
