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Humanities & Social SciencesFebruary 2017Curating empire
Museums and the British imperial experience
by Sarah Longair, John McAleer
Curating empire explores the diverse roles played by museums and their curators in moulding and representing the British imperial experience. This collection demonstrates how individuals, their curatorial practices, and intellectual and political agendas influenced the development of a variety of museums across the globe. Taken together, these contributions suggest that museums are not just sites for accessing history but need to be considered as historical sites of significance in themselves. Individual essays examine the work of curators in museums in Britain and the colonies, the historical display and interpretation of empire in Britain, and the establishment of 'museum networks' in the British imperial context. Curating empire sheds new light on the relationship between museums, as repositories for objects and cultural institutions for conveying knowledge, and the politics of culture and the formation of identities throughout the British Empire.
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The ArtsAugust 2010Art, museums and touch
by Fiona Candlin, Amelia Jones, Marsha Meskimmon
Art, museums and touch examines conceptions and uses of touch within arts museums and art history. Candlin deftly weaves archival material and contemporary museology together with government policy and art practice to question the foundations of modern art history, museums as sites of visual learning, and the association of touch with female identity and sexuality. This remarkable study presents a challenging riposte to museology and art history that privileges visual experience. Candlin demonstrates that touch was, and still is, crucially important to museums and art history. At the same time she contests the recent characterisation of touch as an accessible and inclusive way of engaging with museum collections, and argues against prevalent ideas of touch as an unmediated and uncomplicated mode of learning. An original and wide-ranging enquiry, this book is essential reading for scholars and students of museum studies, art history, visual culture, disability, and for anyone interested in the cultural construction of the senses. ;
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Biography & True StoriesFebruary 2025Unburied
The true story of Hannah Beswick, the Manchester Mummy
by Hannah Priest
The macabre tale of an eighteenth-century woman immortalised in folklore as the 'Manchester Mummy'. In 1835, the Manchester Natural History Society opened the doors of its museum. Taking pride of place in its collection were three mummies: one was Egyptian, one was Peruvian and one was a woman from Cheetham Hill. This is the first time the true story of Hannah Beswick, the so-called 'Manchester Mummy', has been told. Over the years, explanations for the Manchester Mummy have ranged from the chilling - Hannah's fear of being buried alive - to the downright bizarre - the legend of her buried gold - but the truth is more complex. Exploring this fascinating episode from museum history, Unburied sheds light on the Victorian turn to the macabre and changing attitudes to the display of human remains. It debunks the legends and asks what Hannah Beswick can tell us about death and dying, mummies and museums.
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Teaching, Language & ReferenceAugust 2022Dividing the spoils
Perspectives on military collections and the British empire
by Henrietta Lidchi, Stuart Allan
At a time of heightened international interest in the colonial dimensions of museum collections, Dividing the Spoils provides new perspectives on the motivations and circumstances whereby collections were appropriated and acquired during colonial military service. Combining approaches from the fields of material anthropology, imperial and military history, this book argues for a deeper examination of these collections within a range of intercultural histories that include alliance, diplomacy, curiosity and enquiry, as well as expropriation and cultural hegemony. As museums across Europe reckon with the post-colonial legacies of their collections, Dividing the Spoils explores how the amassing of objects was understood and governed in British military culture, and considers how objects functioned in museum collections thereafter, suggesting new avenues for sustained investigation in a controversial, contested field.
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October 2006Heimat und Exil
Emigration der deutschen Juden nach 1933
by Stiftung Jüdisches Museum Berlin, Stiftung Haus der Geschichte der Bundesrepublik Deutschland
Flucht, Vertreibung und Neuanfang der deutschen Juden nach 1933 sind das Thema einer großen Ausstellung des Jüdischen Museums Berlin in Kooperation mit dem Haus der Geschichte in Bonn. Erstmals wird der erzwungene Exodus der deutschen Juden in weltweit über hundert Länder in einer Gesamtschau vor Augen geführt. Der reich illustrierte Begleitband ist wie die Ausstellung biographisch ausgerichtet. Dokumentiert werden vielfältige Flucht- und Lebenswege, die von Deutschland aus bis nach Shanghai oder in die Dominikanische Republik führten und, nach 1945, in einzelnen Fällen auch wieder zurück. Wo konnten die Emigranten unter welchen Bedingungen Zuflucht finden? Wie hat sich ihr Leben in den Zufluchtsländern gestaltet? Unterschiedliche Facetten der Exilerfahrung sowie der emotionalen und geographischen Verortung von »Heimat« werden in den Blick genommen. Zudem wird in einem gesonderten Teil jedes der über hundert Transit- und Aufnahmeländer aus der Perspektive der Emigranten vorgestellt – dieser historische Atlas eröffnet einen einzigartigen Zugang zu der vor über siebzig Jahren sich begründenden deutsch-jüdischen Diaspora in aller Welt.
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Teaching, Language & ReferenceNovember 2022Stories from small museums
by Fiona Candlin, Toby Butler, Jake Watts
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November 2017Von Ata bis Zentralkomitee
DDR-Alltag in Objekten
by Herausgegeben von Kulturhistorisches Museum Rostock
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July 2017
Das Netz des neuen Glaubens
Rostock, Mecklenburg und die Reformation im Ostseeraum
by Herausgegeben von Kulturhistorisches Museum Rostock
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1983Heil Hitler, Herr Lehrer
Volksschule 1933-1945
by Herausgegeben von Arbeitsgruppe Pädagogisches Museum
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The ArtsSeptember 2009Nature and culture
Objects, disciplines and the Manchester Museum
by Samuel J. M. M. Alberti
This is a vital new work; the first to take the University of Manchester's Museum as its subject. By setting the museum in its cultural and intellectual contexts, Nature and culture explores twentieth-century collecting and display, and the status of the object in the modern world. Beginning with the origins of the Manchester Museum, accounting for its development as an internationally renowned university museum, and concluding at its major expansion at the turn of the millennium, this book casts new light on the history of museums. How did objects become knowledge? Who encountered museum objects on their way to museums? What happened to collections within the museum? How did visitors use and respond to objects? In answering these questions, Nature and culture illuminates not only the history of one institution, but also contributes to wider discussions in the history of science, cultural history and museology. ;
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December 2001"Ich schlug meiner Mutter die brennenden Funken ab"
Berliner Schulaufsätze aus dem Jahr 1946
by Herausgegeben von Prenzlauer Berg Museum, ; Herausgegeben von Gröschner, Annett
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December 2012
Frischer Fisch und Heidekraut
Walther Herwig - Präsident der Klosterkammer Hannover und "Vater der Fischer"
by Herausgegeben von Klosterkammer Hannover; Herausgegeben von Altonaer Museum für Kunst und Kulturgeschichte
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The ArtsSeptember 2012Performing heritage
Research, practice and innovation in museum theatre and live interpretation
by Anthony Jackson, Jenny Kidd
Performing Heritage is the first book to bring together the range of voices, debates and practices that constitute the fields of museum theatre and live interpretation. Inspiring and challenging in its scope and level of debate, Performing Heritage crosses the disciplines of performance and museum/heritage studies and offers remarkable and timely insights into the processes, outcomes and potential of this rich and rapidly developing practice - and in a variety of international contexts. The book productively brings together academic research and professional practice, and will be essential reading for all those interested in, and concerned with the future of, 'heritage' and its interpretation. ;
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January 1963Jahrbuch der Sammlung Kippenberg. Neue Folge. Herausgegeben vom Vorstand der Anton und Katharina Kippenberg-Stiftung. Goethe-Museum Düsseldorf
Erster Band:
by Hellmuth Maltzahn
Vorwort / Hellmuth von Maltzahn: Vierzehn Briefe Goethes an Kräuter / Jörn Göres: Zwei unveröffentlichte Goethe-Bildnisse / Edwin Redslob, Carl Holdermann / Walter Salmen: Goethe und Reichardt / Irmgard Kräupl, Zelter-Bildnisse / Dora Wahl, Goethe und Zelter / Ernst Schulte Strathaus: Der Sokratische Philolog / Dorothea Streller: Achim von Arnim und ›Auch ein Faust‹ / Jörn Göres: Jacob und Wilhelm Grimms Brief vom 9. Mai 1816 an Bettina von Arnim / Elisabeth Genton: Ein Brief Ludwig Tiecks über die nachgelassenen Schriften von Lenz / Maria Gräfin Lanckoronska, ›Das Landleben‹ von Christian Cay Lorenz Hirschfeld / Hans Herbert Möller: Jagd um Weimar / Lothar Frede: Münzbelustigungen im Düsseldorfer Goethe-Museum / Irene Markowitz: Die Baugeschichte des Hofgärtnerhauses und Goethe-Museums Düsseldorf Tafel I – XXX
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Humanities & Social SciencesJune 2016Curating empire
Museums and the British imperial experience
by Sarah Longair, Andrew Thompson, John McAleer, John Mackenzie
Curating empire explores the diverse roles played by museums and their curators in moulding and representing the British imperial experience. This collection demonstrates how individuals, their curatorial practices, and intellectual and political agendas influenced the development of a variety of museums across the globe. Taken together, these contributions suggest that museums are not just sites for accessing history but need to be considered as historical sites of significance in themselves. Individual essays examine the work of curators in museums in Britain and the colonies, the historical display and interpretation of empire in Britain, and the establishment of 'museum networks' in the British imperial context. Curating empire sheds new light on the relationship between museums, as repositories for objects and cultural institutions for conveying knowledge, and the politics of culture and the formation of identities throughout the British Empire. ;
