Your Search Results

      • Ailbert Cultural Company Limited

        Ailbert Cultural Company Limited was established in 2012 with the original purpose of promoting the works of Taiwanese writers to Mainland China, and then expanding the translation rights territory to Southeast Asia such as Thailand, Vietnam, and Indonesia, as well as the UK, US and European markets. Since 2018, we started to authorize TV/film rights across the world on behalf of our representative authors.   安伯文化事業有限公司成立於2012年,最初宗旨是將台灣作家的著作推向中國大陸,隨後拓展版權版圖至泰國、越南、印尼等東南亞地區,以及英美歐書市。我們授權代理的知名台灣導演和藝人作家包括:吳念真導演(《這些年,那些事》,中簡版在中國暢銷逾50萬冊)、小S(《國際廚娘的終極導師》)、陳昇(《9999滴眼淚》、《鹹魚的滋味》等共7本書)、曲家瑞(《誰說我沒有影響力》等共3本書)、黃子佼(《我還在》)、鄭華娟(《氣質卡小狗學堂》);以及台灣年度暢銷作家:肆一(《可不可以,你也剛好喜歡我?》等共4本書)、Peter Su(《夢想這條路踏上了,跪著也要走完》等共3本書;同時代理著作文學小說家,包括囊括多座文學獎項的張貴興(《野豬渡河》和《沙龍祖母》等3本小說)、香港知名小說家董啟章(《愛妻》和《命子》等2本小說);自2018年為旗下代理作家授權影視版權,包括董啟章的《體育時期》授權全球電影版權等。

        View Rights Portal
      • Little Newton Science Education Company

        Little Newton Science Education Company Ltd. Little Newton is one of the leading children and science publishing company in Taiwan. Began with publication of “Newton Magazine”in 1983, “Little Newton Magazine” in 1984, and “Little Newton for Kids and Toddlers” in 1990. Till now, we have created over 1,000 best seller publications. In 2003, we released our titles in China Mainaland via copyright licensing. They have been loved by many children, parents and teachers . Little Newton is taken as an important brand for children publication in China. Now, we will extend from paper books and eBooks to on-line courses,and from Chinese-speaking world to worldwide.

        View Rights Portal
      • Trusted Partner
        The Arts
        June 2017

        Popular television drama

        Critical perspectives

        by Jonathan Bignell, Stephen Lacey

        Popular television drama: critical perspectives' is a collection of essays examining landmark programmes of the last forty years, from 'Doctor Who' to 'The Office', and from 'The Demon Headmaster' to 'Queer As Folk'. Contributions from prominent academics focus on the full range of popular genres, from sitcoms to science fiction, gothic horror and children's drama, and challenge received wisdom by reconsidering how British television drama can be analysed. Each section is preceded by an introduction in which the editors discuss how the essays address existing problems in the field and also suggest new directions for study. The book is split into three sections, addressing the enduring appeal of popular genres, the notion of 'quality' in television drama, and analysing a range of programmes past and present. Popular television drama: critical perspectives will be of interest to students and researchers in many academic disciplines that study television drama. Its breadth and focus on popular programmes will also appeal to those interested in the shows themselves.

      • Trusted Partner
        The Arts
        February 2025

        Screening Sherlock

        A cultural history of the Great Detective on film and television

        by James Chapman

        Screening Sherlock is the first book-length academic study of the film and television career of the most famous detective in fiction. Chapman explores the contexts, adaptation strategies and critical reception of Sherlock Holmes (and Dr Watson) on film and television in Britain and the United States. The book includes case studies of such famous Holmes impersonators as William Gillette, Basil Rathbone, Peter Cushing, Jeremy Brett and Benedict Cumberbatch, as well as charting a path through many lesser-known productions. From early cinema to the Hollywood studio system, and from heritage drama to contemporary postmodern television, Screening Sherlock is an indispensible work for all aficionados of Arthur Conan Doyle's consulting detective of Baker Street.

      • Trusted Partner
        The Arts
        January 2019

        Popular cinema in Brazil, 1930–2001

        by Stephanie Dennison, Lisa Shaw

        Brazil has one of the most significant and productive film industries in Latin America. This ground-breaking study provides an entertaining insight into the Brazilian films that have most captured the imagination of domestic audiences over the years. The recent international success of films such as Central Station and City of God, has stimulated widespread interest in Brazilian film, but studies written in English focus on the 'auteur' cinema of the 1960s. This book focuses on individual films in their socio-historical context, drawing on extensive fieldwork in Brazil and Latin America. It argues that Brazilian cinema has almost always been grounded in intrinsically home-grown cultural forms, dating back to the nineteenth century, such as the Brazilian music-hall, the travelling circus, radio shows, carnival, and, later, comedy television. Combining a chronological structure with groundbreaking research and a lively approach, Popular cinema in Brazil is the ideal introduction to Brazilian cinema.

      • Trusted Partner
        Film theory & criticism
        August 2003

        Defining cult movies

        The cultural politics of oppositional taste

        by Susan Wiliams

        Concentrates on the analysis of cult movies, how they are defined, who defines them and the cultural politics of these definitions. Raises issues about the perception of it as an oppositional form of cinema, and of its strained relationships to mainstream cinema and the processes of institutionalisation and classification. Claims that the history of academic film studies and that of cult movie fandom are inextricably intertwined and raises fundamental questions about both cult movies themselves, and film studies as a discipline. Updates work on cult movies at a time when cult films and TV have become a central part of contemporary culture. Ranges over the full and entertaining gamut of cult films from Dario Argento, Spanish horror and Peter Jackson's New Zealand gorefests to sexploitation, kung fu and sci fi flicks, as well investigations of Sharon Stone, 'underground' and trivia.

      • Trusted Partner
        Humanities & Social Sciences
        February 2023

        Politics, performance and popular culture

        Theatre and society in nineteenth-century Britain

        by Peter Yeandle, Katherine Newey, Jeffrey Richards

        This collection brings together studies of popular performance and politics across the nineteenth century, offering a fresh perspective from an archivally grounded research base. It works with the concept that politics is performative and performance is political. The book is organised into three parts in dialogue regarding specific approaches to popular performance and politics. Part I offers a series of conceptual studies using popular culture as an analytical category for social and political history. Part II explores the ways that performance represents and constructs contemporary ideologies of race, nation and empire. Part III investigates the performance techniques of specific politicians - including Robert Peel, Keir Hardie and Henry Hyndman - and analyses the performative elements of collective movements.

      • Trusted Partner
        The Arts
        June 2017

        Gothic television

        by Helen Wheatley

        Gothic television is the first full length study of the Gothic released on British and US television. An historical account, the book combines detailed archival research with analyses of key programmes, from Mystery and Imagination and Dark Shadows, to The Woman in White and Twin Peaks, and uncovers an aspect of television drama history which has, until now, remained critically unexplored. While some have seen television as too literal or homely a medium to successfully present Gothic fictions, Gothic television argues that the genre, in its many guises, is, and has always been, well-suited to television as a domestic medium, given the genre's obsessions with haunted houses and troubled families. This book will be of interest to lecturers and students across a number of disciplines including television studies, Gothic studies, and adaptation studies, as well as to the general reader with an interest in the Gothic, and in the history of television drama.

      • Trusted Partner
        Literature & Literary Studies
        September 2017

        The Pianoplayers

        by Anthony Burgess

        by Will Carr, Paul Wake, Andrew Biswell

        This novel is one of Anthony Burgess's most accessible and entertaining works. By turns bawdy, raucous, tender and bittersweet, and full of music and songs, this is a warm and affectionate portrait of the working-class Lancashire of the 1920s and 1930s that he knew from his own early life. The Pianoplayers is a funny, moving, autobiographical novel that brings to life the world of silent cinemas and music-halls of 1920s Manchester and Blackpool. Fully annotated and with a new introduction, this is an authoritative text for a new generation of readers. Part of the forthcoming Irwell Edition of the Works of Anthony Burgess, this book offers an opportunity to reappraise an unjustly neglected novel important to our understanding of Burgess's wider oeuvre. The 2017 Burgess centenary makes this a key moment for reflection on the life and work of a major figure in twentieth century letters.

      • Trusted Partner
        Films, cinema
        December 2014

        Interpreting rock movies

        Pop Film and Its Critics in Britain

        by Andrew Caine

        Andrew Caine details the reaction to British and American pop films during the 1950s and 1960s. By examining the British reception of films such as Rock Around the Clock, Love Me Tender, A Hard Day's Night and Summer Holiday the book provides a valuable insight into British film criticism, teenage culture during the 1950s and 1960s and the generic status of rock films/teen movies and cultural hierarchies. Interpreting rock movies not only contains an extensive account of how the film and music press reacted to rock 'n roll films, but also fully explores issues about taste and distinction within reviewing practices. The movie output of Elvis Presley, the Beatles, and numerous others is located within the context of popular music during the 1950s and 1960s.

      • Trusted Partner
        Humanities & Social Sciences
        November 2007

        Public issue television

        World in Action' 1963–98

        by Peter Goddard, John Corner, Kay Richardson

        Public issue television is a major contribution to understanding the relationship between television, politics and society. Based on full access to the archives, it offers a fascinating historical account of how one television series, Granada's World in Action, celebrated for its tough journalism, visual directness and public impact, functioned and developed over its run across 35 years between 1963 and 1998. In a succession of chapters looking at different periods in the series' development and at key dimensions of its distinctive identity, it gets deep inside the making of factual television and examines how a particular culture of production works within broader conditions of possibility and constraint. In particular, it charts the interwoven processes of change - technological, professional, aesthetic, institutional, economic, social and political. As well as discussing achievement and success, it examines the tensions, the debates and open conflicts that formed part of the context within which the series was made and transmitted across four decades. ;

      • Trusted Partner
        The Arts
        May 2025

        A new genre for television?

        Creativity in historical drama documentary

        by Justin Hardy

        In A New Genre for Television?, filmmaker Justin Hardy argues the dramatised history documentaries broadcast by British public service channels in the 2000s constituted a distinct television genre. Offering a vital distinction between docudramas and drama documentaries, Hardy contributes to the field of television history through exclusive interviews with key figures from BBC and Channel 4 - many of whom have never been publicly interviewed before - and envisions a future model for the portrayal of national histories on screen.

      • Trusted Partner
        Literature & Literary Studies
        January 2014

        Court and civic society in the Burgundian Low Countries c.1420–1530

        by Andrew Brown, Graeme Small

        This volume is the first ever attempt to unite and translate some of the key texts which informed Johan Huizinga's famous study of the Burgundian court, The Waning of the Middle Ages, a work which has never gone out of print. It combines these texts with sources that Huizinga did not consider, those that illuminate the wider civic world that the Burgundian court inhabited and the dynamic interaction between court and city. Through these sources, and an introduction offering new perspectives on recent historiography, the book tests whether Huizinga's controversial vision of the period still stands. Covering subjects including ceremonial events, such as the spectacles and gargantuan banquets that made the Burgundian dukes the talk of Europe, the workings of the court, and jousting, archery and rhetoric competitions, the book will appeal to students of late medieval and early modern Europe and to those with wider interests in court culture, ritual and ceremony.

      • Trusted Partner
        Television
        September 2013

        Cult british TV comedy

        by Leon Hunt

      • Trusted Partner
        Biography & True Stories
        September 2024

        Bedsit land

        The strange worlds of Soft Cell

        by Patrick Clarke

        A rich and revealing examination of the legendary pop duo Soft Cell. Soft Cell are not your average pop band. Marc Almond and Dave Ball may be best known for the string of hits they released in 1981, but the powerful first phase of their collaboration embraced a staggering array of sounds, influences and innovations that would change the face of music to come. In Bedsit land, Patrick Clarke plunges into the archives and interviews more than sixty contributors, including the band members themselves, to follow Soft Cell through the many strange and sprawling worlds that shaped their extraordinary career. They lead him from the faded camp glamour of the British seaside to the dizzying thrills of the New York club scene. From transgressive student performance art to the sleaze and squalor of pre-gentrified Soho. From the glitz of British showbiz to the drug-addled chaos of post-Franco Spain. He emerges on the other side with the most in-depth, innovative and entertaining account of the duo ever written.

      • Trusted Partner
        Humanities & Social Sciences
        November 2024

        Culture is bad for you

        by Orian Brook, Dave O'Brien, Mark Taylor

      • Trusted Partner
        The Arts
        January 2019

        Patrice Leconte

        by Lisa Downing

        Lisa Downing's comprehensive study of the films of Patrice Leconte traces lines of continuity and revision through a body of apparently disparate films whose "messages" often appear both contradictory and controversial. Pursuing a close reading of the recurrent themes, styles, intertexts and techniques which structure Leconte's filmmaking, Downing re-evaluates Leconte's status as an enigmatic artist offering complex and paradoxical commentary on contemporary questions of sexuality, ethics and identity. This book is the first full-length critical work in English on Leconte's cinema. It provides essential reading for both enthusiasts of French cinema and for those fascinated by the relationship between popular culture and theory.

      • Trusted Partner
        February 2001

        Comic politics

        Gender in Hollywood Comedy

        by Mark Jancovich, Eric Schaefer

        Are Jim Carrey, Robin Williams, and Eddie Murphy the celluloid compatriots of Ronald Reagan, Margaret Thatcher and Tony Blair? This book argues that the rubber faces of '80s and '90s comedy films, helped to transform us into the flexible, self-managing citizens beloved of the new right—and its successors. Through its sustained look at the box-office comedies of the last two decades, Comic Politics provides a critical introduction to key approaches to comedy. It tests the usefulness and limits of psychoanalytics, Bakhtinian and postmodernist theory against comedians and comedies from Woody Allen to Wayne's World. The book includes a look at animation and computer enhanced comedies.

      • Trusted Partner
        The Arts
        November 2013

        Popular television in authoritarian Europe

        by Peter Goddard

        This lively and ground-breaking collection brings together work on forms of popular television within the authoritarian regimes of Europe after World War Two. Ten chapters based on new and original research examine approaches to programming and individual programmes in Spain, Greece, Czechoslovakia, Romania, the USSR and the GDR at a time when they were governed as dictatorships or one-party states. Drawing on surviving archives, scripts and production records, contemporary publications, YouTube clips and interviews with producers and performers, its chapters recover examples of television programming history unknown beyond national borders and often preserved largely in the memories of the audiences who lived with them. The introduction examines how television can be considered 'popular' in circumstances where audience appeal is often secondary to the need for state control. Published in English, Popular television in authoritarian Europe represents a significant intervention in transnational television studies, making these histories available to scholars for the first time, encouraging comparative enquiry and extending the reach - intellectually and geographically - of European television history. There is a foreword by John Corner and an informative timeline of events in the history of television in the countries covered. ;

      • Trusted Partner
        The Arts
        September 2008

        Entertaining television

        The BBC and popular television culture in the 1950s

        by Su Holmes

        Entertaining television challenges the idea that the BBC in the 1950s was elitist and 'staid', upholding Reithian values in a paternalistic, even patronising way. By focusing on a number of (often controversial) programme case studies - such as the soap opera, the quiz/ game show, the 'problem' show and programmes dealing with celebrity culture - Su Holmes demonstrates how BBC television surprisingly explored popular interests and desires. She also uncovers a number of remarkable connections with programmes and topics at the forefront of television today, ranging from talk shows, 'Reality TV', even to our contemporary obsession with celebrity. The book is iconclastic, percipient and grounded in archival research, and will be of use to anyone studying television history. ;

      Subscribe to our

      newsletter