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Art of Crow
ART OF CROW is a brand that specializes in creating, featuring and publishing the Art of Books by the artist and writer CROW, and his curator and publisher Susanne M. Matz. The books are precious editions of prose or lyrics illustrated by artworks of paintings and photographic art. Titles are available as limited hardcover-editions, eBooks, and Audiobooks, designed by combining the spoken word and music. Order at artofcrow@outlook.com
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The ArtsJuly 2025The Fairy Tales of Jim Henson
Keeping the best place by the fire
by Andrea Wright
The Fairy Tales of Jim Henson: The best place by the fire is the first book to specifically consider Henson, best known for the immensely popular The Muppet Show, as an important creator of screen fairy tales. In a chronological overview of Henson's career from the late 1950s to his death in 1990, it explores key themes, artistic practices and innovations that make his contribution to the genre unique. Drawing upon a range of fairy tale scholarship, it also situates Henson's work within the wider context of the genre, specifically its conventions, themes and inherent intertextuality.
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Humanities & Social SciencesAugust 2018Flight MH17, Ukraine and the new Cold War
by Kees van der Pijl, Radhika Desai, Alan Freeman
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2024Brave new city
Smart Cities - a survaillance-nightmare?
by Peter Schaar
The dream of the ideal city is as old as the city itself. Since real cities often develop chaotically, the idea of perfecting them, even tearing them down if necessary, and rebuilding them according to the prevailing patterns of thought is an obvious one. The latest manifestation of this utopia is the smart city - the intelligent city, packed with the latest technology and extensively digitised. But will air taxis and hyperloops, ubiquitous sensors, access control systems and data-driven management really make the city of the future a better place to live? Are they the answer to the enormous challenges facing today's fast-growing metropolises? Or will the supposed administrative paradise ultimately mutate into a digital juggernaut?
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Teaching, Language & ReferenceNovember 2023David Bowie, Enid Blyton and the sun machine
by Nicholas Royle
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The ArtsJanuary 2019The new pornographies
Explicit sex in recent French fiction and film
by Victoria Best, Martin Crowley
The turn of the twenty-first century has witnessed the striking advance of pornography into the Western cultural mainstream. Symptomatic of this development has been the use by writers, artists, and film-makers of the imagery and aesthetics of pornography, in works which have, often on this basis, achieved considerable international success. Amongst these artists are a number of French authors and directors - such as Michel Houellebecq, Catherine Breillat, Virginie Despentes, or Catherine Millet - whose work has often been dismissed as trashy or exploitative, but whose use of pornographic material may in fact be indicative of important contemporary concerns. In this, the first study of this significant trend, the authors explore how the reference to pornography encodes diverse political, cultural, and existential questions, including relations between the sexes, the collapse of avant-garde politics, gay sexualities in the time of AIDS, the anti-feminist backlash, the relation to the body and illness, the place of fantasy, and the sexualisation of children. It will be of interest to undergraduates, graduates, and researchers in the fields of French culture, gender, film and media studies.
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The ArtsJune 2021The new pornographies
Explicit sex in recent French fiction and film
by Victoria Best, Martin Crowley
The turn of the twenty-first century has witnessed the striking advance of pornography into the Western cultural mainstream. Symptomatic of this development has been the use by writers, artists, and film-makers of the imagery and aesthetics of pornography, in works which have, often on this basis, achieved considerable international success. Amongst these artists are a number of French authors and directors - such as Michel Houellebecq, Catherine Breillat, Virginie Despentes, or Catherine Millet - whose work has often been dismissed as trashy or exploitative, but whose use of pornographic material may in fact be indicative of important contemporary concerns. In this study of a very significant trend, the authors explore how the reference to pornography encodes diverse political, cultural, and existential questions, including relations between the sexes, the collapse of avant-garde politics, gay sexualities in the time of AIDS, the anti-feminist backlash, the relation to the body and illness, the place of fantasy, and the sexualisation of children. It will be of interest to undergraduates, graduates, and researchers in the fields of French culture, gender, film and media studies.
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March 2022Love in the Big City
Roman
by Sang Young Park, Jan Henrik Dirks
Young flippert zwischen Bude, Hörsaal und den Betten seiner letzten Tinder-Matches hin und her. Er studiert in Seoul, zusammen mit Jaehee, seiner BFF und Mitbewohnerin, zieht er durch die glitzernden Bars und queeren Clubs der Stadt. Mit noch einem Glas Soju in der Hand und eisgekühlten Marlboro Reds zwischen den Lippen beschwören sie die Euphorie, jede Nacht. Gegen die Ängste, gegen die Liebe, gegen die Ansprüche der Familie und die Not mit dem Geld. Doch als auch Jaehee endlich ankommen will, bleibt Young allein zurück im Partymodus. Mit seiner altgewordenen Mutter, mit dutzenden Liebhabern, von denen kaum einer seinen Namen kennt, mit der Leidenschaft fürs Schreiben und einer Frage: Ist in diesem Land für einen wie mich überhaupt eine Zukunft vorgesehen? Kann ich sie erreichen? Love in the Big City ist eine Heldengeschichte von gewaltiger Zärtlichkeit und Lässigkeit. Sang Young Park erzählt von Chaos, Freude, Leichtigkeit des Jungseins, und seinen schmerzhaften Grenzen, in einer Gesellschaft, deren Vergangenheit trotz allem Blitzen, Blinken, Träumen seltsam mächtig bleibt … Das Kultbuch aus Südkorea, Porträt einer Generation, Psychogramm eines faszinierenden Landes.
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The ArtsJanuary 2019Realist film theory and cinema
The nineteenth-century Lukácsian and intuitionist realist traditions
by Ian Aitken
'Realist film theory and cinema' embraces studies of cinematic realism and 19th century tradition, the realist film theories of Lukács, Grierson, Bazin and Kracauer, and the relationship of realist film theory to the general field of film theory and philosophy. This is the first book to attempt a rigorous and systematic application of realist film theory to the analysis of particular films. The book suggests new ways forward for a new series of studies in cinematic realism, and for a new form of film theory based on realism. It stresses the importance of the question of realism both in film studies and in contemporary life. Aitken's work will be of interest to scholars and advanced students of film studies, literary studies, media studies, cultural studies and philosophy.
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The ArtsDecember 2019Screening the Paris suburbs
From the silent era to the 1990s
by Philippe Met, Annie Fourcaut, Roland-François Lack, Jean-Louis Pautrot, Keith Reader, Margaret Flinn, Eric Bullot, Tristan Jean, Malcolm Turvey, Elisabeth Cardonne-Arlyck, Térésa Faucon, Philippe Met, Camille Canteux, Derek Schilling, Guillaume Soulez, David Vasse, Derek Schilling
Decades before the emergence of a French self-styled 'hood' film around 1995, French filmmakers looked beyond the gates of the capital for inspiration and content. In the Paris suburbs they found an inexhaustible reservoir of forms, landscapes and social types in which to anchor their fictions, from bourgeois villas and bucolic riverside cafés to post-war housing estates and postmodern new towns. For the first time in English, contributors to this volume address key aspects of this long film history, marked by such towering figures as Jean Renoir, Jacques Tati and Jean-Luc Godard. Idyllic or menacing, expansive or claustrophobic, the suburb served divergent aesthetic and ideological programmes across the better part of a century. Themes central to French cultural modernity - class conflict, leisure, boredom and anti-authoritarianism - cut across the fifteen chapters.
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The ArtsJanuary 2019Contemporary French cinema
An introduction (revised edition)
by Guy Austin
Contemporary French cinema is an essential introduction to popular French film of the last 35 years. It charts recent developments in all genres of French cinema with analyses of over 120 movies, from Les Valseuses to Caché. Reflecting the diversity of French film production since the New Wave, this clear and perceptive study includes chapters on the heritage film, the thriller and the war movie, alongside the 'cinéma du look', representations of sexuality, comedies, the work of women film makers and le jeune cinéma. Each chapter introduces the public reception and critical debates surrounding a given genre, interwoven with detailed accounts of relevant films. Confirmed as a major contribution to both Film Studies and French Studies, this book is a fascinating volume for students and fans of French film alike.
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The ArtsJune 2021Contemporary French cinema
An introduction (revised edition)
by Guy Austin
Contemporary French cinema is an essential introduction to popular French film of the last 35 years. It charts recent developments in all genres of French cinema with analyses of over 120 movies, from Les Valseuses to Caché. Reflecting the diversity of French film production since the New Wave, this clear and perceptive study includes chapters on the heritage film, the thriller and the war movie, alongside the 'cinéma du look', representations of sexuality, comedies, the work of women film makers and le jeune cinéma. Each chapter introduces the public reception and critical debates surrounding a given genre, interwoven with detailed accounts of relevant films. Confirmed as a major contribution to both Film Studies and French Studies, this book is a fascinating volume for students and fans of French film alike.
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The ArtsJune 2025Toronto New Wave cinema and the anarchist-apocalypse
by David Christopher
The Toronto New Wave (TNW) comprises a group of avant-garde filmmakers working in Canada from the 1980s and into the new millennium whose innovative film works share significant affinities with anarchist themes and aesthetics. Several of the TNW filmmakers openly identify as anarchists and/or acknowledge a debt to anarchism in their production of highly apocalyptic narratives as part of their cinematic political projects. However, recognition of anarchism's progressive apocalyptic theoretical relevance has yet to be substantially taken up by scholarship in cinema analysis. This analysis introduces an anarchist-inflected analytical methodology to understand the apocalyptic-revelatory political work these films attempt to accomplish in the perceptual space between the filmic texts and both their auteurs and potential viewers, and to re-locate the TNW within cinema history as an ongoing phenomenon with new significance in an apocalyptic era of digital distribution.
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January 2022Jules und Jim
by Henri-Pierre Roché, Patricia Klobusiczky, François Truffaut
»Es war um 1907.« In Paris lernen sich der Deutsche Jules und der Franzose Jim kennen, eine enge Freundschaft entsteht. Sie teilen die Liebe zur Literatur, zur Kunst und zu den Frauen, von denen nicht wenige durch ihr Leben gehen. Doch als Kathe auftaucht, eine abenteuerlustige Berlinerin mit dem Lächeln einer griechischen Statue, von der beide gleichermaßen fasziniert sind, bittet Jules: »Die da nicht? … ja, Jim?« Jules und Kathe ziehen nach Deutschland, heiraten und bekommen zwei Kinder … erst nach dem Ersten Weltkrieg sehen die Freunde sich wieder – und es entwickelt sich eine leidenschaftliche Dreiecksbeziehung. Doch bald wird die Amour fou zwischen Kathe und Jim zu einem tragischen Spiel, bei dem es keinen Gewinner geben kann ... Eine zeitlose Geschichte über Freundschaft, Liebe und Freiheit.
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The ArtsMay 2025A new genre for television?
Creativity in historical drama documentary
by Justin Hardy
In A New Genre for Television?, filmmaker Justin Hardy argues the dramatised history documentaries broadcast by British public service channels in the 2000s constituted a distinct television genre. Offering a vital distinction between docudramas and drama documentaries, Hardy contributes to the field of television history through exclusive interviews with key figures from BBC and Channel 4 - many of whom have never been publicly interviewed before - and envisions a future model for the portrayal of national histories on screen.
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Humanities & Social SciencesFebruary 2026New Labour, new Britain
How the Blair governments reshaped the country
by Glen O’Hara
A bold and balanced re-appraisal of New Labour in power. Rewriting the story of New Labour, Glen O'Hara challenges the prevailing narrative to present a more balanced and positive assessment. New Labour, new Britain is the first book to examine both the intentions behind New Labour's domestic policies and their real-world effects, moving beyond the entrenched left-right debates that have dominated the party's legacy. The period from 1997 to 2007 marked a pivotal moment in modern British history, as New Labour sought to reshape Britain into a more cohesive and forward-thinking society. It saw the rise of socially liberal attitudes and flourishing public services under a government committed to rebuilding and investing in them. Yet New Labour's track record was far from flawless and its legacy remains complicated and contested. Through interviews with key players and rigorous archival research, O'Hara offers a new perspective on Tony Blair's years in power. Painting a fuller picture of New Labour's successes and challenges, he highlights its lasting impact on Britain and offers a thoughtful reassessment of its place in history.
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February 2023Sind wir endlich da, Jim?
Die perfekte Reiselektüre als handliches Pappbilderbuch zu den Jim-Bestsellern ab 2 Jahren
by Suzanne Lang, Max Lang, Pia Jüngert
Kaum haben sich Jim und Schildkröte auf den Weg zur Ananas gemacht, da fragt Schildkröte: „Wie lange noch?“– einmal, zweimal, dreimal … und Jims Laune wird mit jedem Mal schlechter. „Noch nicht!“, brüllt er. Doch dann hat Gorilla Nick eine gute Idee für ein Spiel: Wer findet die meisten Käfer und Insekten? Und ganz plötzlich … sind sie schon da! Die ewige Frage nach der Ankunft, die alle Familien umtreibt – und wie man diese Wartezeit überbrücken kann.
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March 2023Jim war's nicht!
Comic-Buch über das Fehlermachen und Sich-Entschuldigen - Humorvolle Geschichte für Kinder ab 6 Jahren
by Suzanne Lang, , Max Lang, Pia Jüngert
Jim ist mies drauf: Erst interessieren sich die anderen Tiere nicht für seinen Zaubertrick, dann wird er aus dem Dschungel verbannt. Und das nur, weil er Madenhacker angeblich mit einer Bananenschale beworfen hat! Dabei war Jim das gar nicht – behauptet er zumindest. Und auch wenn es Jim in der Wüste gut gefällt: Nick zuliebe beschließt er doch, sein Verhalten einzugestehen und sich bei Madenhacker zu entschuldigen. Zurück im Dschungel treffen sie kein einziges Tier – haben die anderen etwa auch einen Fehler gemacht und sind verbannt worden? Gewohnt humorvoll erzählen Suzanne und Max Lang von Jims Abenteuern: hier vom Fehlermachen und vom Lügen. Und davon, dass man diese eingestehen und sich entschuldigen sollte, damit die anderen einem verzeihen – perfekt ist schließlich niemand.
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Humanities & Social SciencesJuly 1997The new woman
by Sally Ledger
Sexually transgressive, politically astute and determined to claim educational and employment rights equal to those enjoyed by men, the new woman took centre stage in the cultural landscape of late-Victorian Britain. By comparing the fictional representations with the lived experience of the new woman, Ledger's book makes a major contribution to an understanding of the 'woman question' at the fin de siecle. She alights on such disparate figures as Eleanor Marx, Gertrude Dix, Dracula, Oscar Wilde, Olive Schreiner and Radclyffe Hall. Focusing mainly on the last two decades of the nineteenth century, the book's later chapters project forward into the twentieth century, considering the relationship between new woman fiction and early modernism as well as the socio-sexual inheritance of the 'second generation' new woman writers. ;
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