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      • Trusted Partner
        Literature & Literary Studies
        October 2017

        Extending ecocriticism

        Crisis, collaboration and challenges in the environmental humanities

        by Peter Barry, William Welstead

        This volume of essays explores the scope for a further extension of ecocriticism across the environmental humanities. Contributors, who include both established academics and early career researchers in the humanities, were given free rein to interpret the brief. The collection is unusual in that it considers collaboration between individuals both in the same discipline and across creative disciplines. Subjects include familiar environments close to home and those such as Iceland and Antarctica, where narratives of climate, geology and ecology provide a stark backdrop to creative output. A further innovation is the inclusion of essays on public art, natural heritage interpretation and the visualisation and aesthetic impact of wind farms. The book will be of interest to writers, artists, students and researchers in the environmental humanities and those with a general interest in the cultural response to the environment.

      • Trusted Partner
        The Arts
        December 2017

        High culture and tall chimneys

        Art institutions and urban society in Lancashire, 1780–1914

        by James Moore

        This new study examines how nineteenth-century industrial Lancashire became a leading national and international art centre. By the end of the century almost every major town possessed an art gallery, while Lancashire art schools and artists were recognised at home and abroad. The book documents the remarkable rise of visual art across the county, along with the rise of the commercial and professional classes who supported it. It examines how Lancashire looked to great civilisations of the past for inspiration while also embracing new industrial technologies and distinctively modern art movements. This volume will be essential reading for all those with an interest in the new industrial society of the nineteenth century, from art lovers and collectors to urban and social historians.

      • Trusted Partner
        The Arts
        December 2017

        High culture and tall chimneys

        Art institutions and urban society in Lancashire, 1780–1914

        by James Moore

        This new study examines how nineteenth-century industrial Lancashire became a leading national and international art centre. By the end of the century almost every major town possessed an art gallery, while Lancashire art schools and artists were recognised at home and abroad. The book documents the remarkable rise of visual art across the county, along with the rise of the commercial and professional classes who supported it. It examines how Lancashire looked to great civilisations of the past for inspiration while also embracing new industrial technologies and distinctively modern art movements. This volume will be essential reading for all those with an interest in the new industrial society of the nineteenth century, from art lovers and collectors to urban and social historians.

      • Trusted Partner
        The Arts
        December 2017

        High culture and tall chimneys

        Art institutions and urban society in Lancashire, 1780–1914

        by James Moore

        This new study examines how nineteenth-century industrial Lancashire became a leading national and international art centre. By the end of the century almost every major town possessed an art gallery, while Lancashire art schools and artists were recognised at home and abroad. The book documents the remarkable rise of visual art across the county, along with the rise of the commercial and professional classes who supported it. It examines how Lancashire looked to great civilisations of the past for inspiration while also embracing new industrial technologies and distinctively modern art movements. This volume will be essential reading for all those with an interest in the new industrial society of the nineteenth century, from art lovers and collectors to urban and social historians.

      • Trusted Partner
        Humanities & Social Sciences
        July 2016

        Women and museums 1850–1914

        Modernity and the gendering of knowledge

        by Pamela Sharpe, Penny Summerfield, Lynn Abrams, Cordelia Beattie, Kate Hill

        Introduction 1 Inside the museum: including or excluding women? 2 Outside the museum: women as donors and vendors 3 Outside the museum: women's donations, materiality and the museum object 4 Women visiting museums 5 Women as patrons: the limits of agency? 6 New disciplines: archaeology, anthropology and women in museums 7 Ruskin, women and museums: service and salvage Conclusion

      • Trusted Partner
        The Arts
        January 2019

        High culture and tall chimneys

        Art institutions and urban society in Lancashire, 1780–1914

        by James Moore

        This new study examines how nineteenth-century industrial Lancashire became a leading national and international art centre. By the end of the century almost every major town possessed an art gallery, while Lancashire art schools and artists were recognised at home and abroad. The book documents the remarkable rise of visual art across the county, along with the rise of the commercial and professional classes who supported it. It examines how Lancashire looked to great civilisations of the past for inspiration while also embracing new industrial technologies and distinctively modern art movements. This volume will be essential reading for all those with an interest in the new industrial society of the nineteenth century, from art lovers and collectors to urban and social historians.

      • Trusted Partner
        Teaching, Language & Reference
        June 2022

        Mummified

        The stories behind Egyptian mummies in museums

        by Angela Stienne

        Mummified explores the curious, unsettling and controversial cases of mummies held in French and British museums. From powdered mummies eaten as medicine to mummies unrolled in public, dissected for race studies and DNA-tested in modern laboratories, there is a lot more to these ancient remains than first meets the eye. This book takes you on a journey from Paris to London, Leicester and Manchester, from the apothecaries of the Middle Ages to the dissecting tables of the eighteenth century, and finally behind the screen of today's computers, to revisit the stories of these bodies that have fascinated Europeans for so long. Mummified investigates matters of life and death, of collecting and viewing, and of interactions - sometimes violent and sometimes emotional - that question the essence of what makes us human.

      • Trusted Partner
        Teaching, Language & Reference
        June 2022

        Mummified

        The stories behind Egyptian mummies in museums

        by Angela Stienne

        Mummified explores the curious, unsettling and controversial cases of mummies held in French and British museums. From powdered mummies eaten as medicine to mummies unrolled in public, dissected for race studies and DNA-tested in modern laboratories, there is a lot more to these ancient remains than first meets the eye. This book takes you on a journey from Paris to London, Leicester and Manchester, from the apothecaries of the Middle Ages to the dissecting tables of the eighteenth century, and finally behind the screen of today's computers, to revisit the stories of these bodies that have fascinated Europeans for so long. Mummified investigates matters of life and death, of collecting and viewing, and of interactions - sometimes violent and sometimes emotional - that question the essence of what makes us human.

      • Trusted Partner
        Teaching, Language & Reference
        June 2022

        Mummified

        The stories behind Egyptian mummies in museums

        by Angela Stienne

        Mummified explores the curious, unsettling and controversial cases of mummies held in French and British museums. From powdered mummies eaten as medicine to mummies unrolled in public, dissected for race studies and DNA-tested in modern laboratories, there is a lot more to these ancient remains than first meets the eye. This book takes you on a journey from Paris to London, Leicester and Manchester, from the apothecaries of the Middle Ages to the dissecting tables of the eighteenth century, and finally behind the screen of today's computers, to revisit the stories of these bodies that have fascinated Europeans for so long. Mummified investigates matters of life and death, of collecting and viewing, and of interactions - sometimes violent and sometimes emotional - that question the essence of what makes us human.

      • Trusted Partner
        The Arts
        September 2022

        High culture and tall chimneys

        Art institutions and urban society in Lancashire, 1780–1914

        by James Moore

        This study examines how nineteenth-century industrial Lancashire became a leading national and international art centre. By the end of the century almost every major town possessed an art gallery, while Lancashire art schools and artists were recognised at home and abroad. The book documents the remarkable rise of visual art across the county, along with the rise of the commercial and professional classes who supported it. It examines how Lancashire looked to great civilisations of the past for inspiration while also embracing new industrial technologies and distinctively modern art movements. This volume will be essential reading for all those with an interest in the new industrial society of the nineteenth century, from art lovers and collectors to urban and social historians.

      • Trusted Partner
        Literature & Literary Studies
        June 2020

        Extending ecocriticism

        Crisis, collaboration and challenges in the environmental humanities

        by Peter Barry, William Welstead

        This volume of essays explores the scope for a further extension of ecocriticism across the environmental humanities. Contributors, who include both established academics and early career researchers in the humanities, were given free rein to interpret the brief. The collection is unusual in that it considers collaboration between individuals both in the same discipline and across creative disciplines. Subjects include familiar environments close to home and those such as Iceland and Antarctica, where narratives of climate, geology and ecology provide a stark backdrop to creative output. A further innovation is the inclusion of essays on public art, natural heritage interpretation and the visualisation and aesthetic impact of wind farms. The book will be of interest to writers, artists, students and researchers in the environmental humanities and those with a general interest in the cultural response to the environment.

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