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      • Cinosargo

        Cinosargo Editions is a Chilean publishing label based in Mexico. We are a cross-border project with a catalog of one hundred titles by Latin American authors. Cinosargo is a multimedia project that was born on the northern border of Chile (Arica), bordering Peru and Bolivia in 2003. Since 2010 we have become one of the Chilean independent publishers with the greatest projection and continuity.Cinosargo covers the digital dissemination of art through its magazine, and the production and distribution of the printed book thanks to our publishing house and the organization of Fairs, Festivals and Congresses. You can visit our sites www.cinosargo.cl and www.cinosargoediciones.comOur editorial team is led by Daniel Rojas Pachas, Milvia Alata and Gonzalo Geraldo.

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      • Trusted Partner
        Contemporary French cinema
        The Arts
        January 2019

        Contemporary French cinema

        An introduction (revised edition)

        by Guy Austin

        Contemporary French cinema is an essential introduction to popular French film of the last 35 years. It charts recent developments in all genres of French cinema with analyses of over 120 movies, from Les Valseuses to Caché. Reflecting the diversity of French film production since the New Wave, this clear and perceptive study includes chapters on the heritage film, the thriller and the war movie, alongside the 'cinéma du look', representations of sexuality, comedies, the work of women film makers and le jeune cinéma. Each chapter introduces the public reception and critical debates surrounding a given genre, interwoven with detailed accounts of relevant films. Confirmed as a major contribution to both Film Studies and French Studies, this book is a fascinating volume for students and fans of French film alike.

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        Contemporary French cinema
        The Arts
        December 2008

        Contemporary French cinema

        An introduction (revised edition)

        by Guy Austin

        Contemporary French cinema is an essential introduction to popular French film of the last 35 years. It charts recent developments in all genres of French cinema with analyses of over 120 movies, from Les Valseuses to Caché. Reflecting the diversity of French film production since the New Wave, this clear and perceptive study includes chapters on the heritage film, the thriller and the war movie, alongside the 'cinéma du look', representations of sexuality, comedies, the work of women film makers and le jeune cinéma. Each chapter introduces the public reception and critical debates surrounding a given genre, interwoven with detailed accounts of relevant films. Confirmed as a major contribution to both Film Studies and French Studies, this book is a fascinating volume for students and fans of French film alike. ;

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        Leos Carax
        The Arts
        January 2019

        Leos Carax

        by Fergus Daly, Garin Dowd

        The first book in any language to study the films of this enfant terrible of contemporary French cinema, best known for his film Les Amants du Pont Neuf. Examines key ingredients in the worlds of Carax's films - Paris, pop music, 'flânerie' and 'amour fou', 'mannerist' and 'neo-baroque' aesthetics, the Nouvelle Vague and contemporary 'naturalist' cinema - making the book a good primer of contemporary French film and culture. Draws on a variety of intellectual sources, such as the philosophy of Deleuze, film criticism, theory of art, and literary monographs. Argues that the recent history of maverick mannerist and baroque auteurs, from Ruiz & Rivette to Garrel and Techine, and their explorations of the 'powers of the false' are key to Carax's cinema. Examines Carax's contribution to the strand of cinema which is focused on chance and destiny, from Wong Kar-Wai and David Lynch to films such as Serendipity and Sliding doors.

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        Histoire(s) du cinéma
        October 2009

        Histoire(s) du cinéma

        Geschichte(n) des Kinos

        by Jean-Luc Godard

        Godard erfindet hier die Gattung des Essays im Medium des Videos neu: Er nimmt Schlüsselbilder der Filmgeschichte aus ihrem Zusammenhang, konfrontiert sie mit Werken der bildenden Kunst, überblendet, spult vor und zurück und kommentiert – nicht nur mit Worten, sondern auch mit Musik. Godard benutzt den Schneidetisch als Zeitmaschine, in acht Kapiteln erzählt er die Geschichte des 20. Jahrhunderts und die des Kinos, eine Geschichte, die für ihn mit der Videotechnik an ihr Ende gekommen ist.

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        Zauberhaftes Cornwall
        April 2014

        Zauberhaftes Cornwall

        by Daphne du Maurier, Brigitte Heinrich

        Daphne du Maurier war erst 19 Jahre alt, als sie sich 1926 dazu entschloss, das Feriendomizil ihrer Eltern im cornischen Bodinnick nicht mehr zu verlassen. Denn dort in Cornwall hatte sie ihre neue Heimat gefunden, wo sie nicht nur die Freiheit spürte, ihr Leben zu verbringen und die Natur zu genießen, sondern auch die Inspiration, zu schreiben. In Zauberhaftes Cornwall setzt sie ihrem Herzort ein Denkmal. Sie erzählt von der wunderbaren cornischen Landschaft, ihren Menschen und ihrer Lebensart. Ebenso Reiseliteratur wie Roman und Memoire, ist dieses Buch Daphne du Mauriers ganz persönliche Hommage an eine der reizvollsten Gegenden Englands, ein Buch voller Geschichten und Legenden, von geheimnisvollen Schlössern, verwunschenen Spelunken, Schmugglern und legendären Königen.

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        Montage
        The Arts
        January 2019

        Montage

        by Sam Rohdie

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        Die Vögel und Wenn die Gondeln Trauer tragen
        January 2018

        Die Vögel und Wenn die Gondeln Trauer tragen

        Zwei Novellen in einem Band

        by Daphne du Maurier, Brigitte Heinrich, Christel Dormagen

        Lautlos versammeln sich Möwen, Raben und Krähen an der Küste Cornwalls und werden für die Menschen zu einer tödlichen Bedrohung. – Und in Venedig, wo ein Massenmörder sein Unwesen treibt, erlebt ein englisches Ehepaar einen Albtraum zwischen Wahnsinn und Realität. Daphne du Mauriers berühmteste Erzählungen Die Vögel und Wenn die Gondeln Trauer tragen in einem Band. Das ist Horror vom Feinsten. Die englische Bestsellerautorin versteht es meisterhaft, hinter der Maske des Unscheinbaren und Alltäglichen den Schauer des Ungewissen und Rätselhaften zu entfalten.

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        Rebecca
        March 2016

        Rebecca

        Roman

        by Daphne du Maurier, Brigitte Heinrich, Christel Dormagen

        In einem Hotel an der Côte d’Azur lernt Maxim de Winter eine junge Frau aus einfachen Verhältnissen kennen. Die beiden verlieben sich, und schon nach kurzer Zeit nimmt sie seinen Heiratsantrag an und folgt dem Witwer nach Cornwall auf seinen prachtvollen Landsitz Manderley. Doch das Glück der Frischvermählten währt nicht lange: Der Geist von Maxims toter Ehefrau Rebecca ist allgegenwärtig, und die ihr ergebene Haushälterin macht der neuen Herrin das Leben zur Hölle, sie droht nicht nur die Liebe des Paares zu zerstören. Als ein Jahr später plötzlich doch noch Rebeccas Leiche gefunden wird, gerät Maxim de Winter unter Mordverdacht … Rebecca, Daphne du Mauriers berühmtester Roman, war bereits bei seinem Erscheinen 1938 ein Bestseller. Er wurde mehrfach verfilmt: 1940 entstand unter der Regie von Alfred Hitchcock die bekannteste Adaption, die mit zwei Oscars prämiert wurde.

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        Algerian national cinema
        The Arts
        June 2021

        Algerian national cinema

        by Guy Austin

        This topical and innovative study is the first book on Algerian cinema to be published in English since the 1970s. At a time when North African and Islamic cultures are of increasing political significance, Algerian National Cinema presents a dynamic, detailed and up to date analysis of how film has represented this often misunderstood nation. Algerian National Cinema explores key films from The Battle of Algiers (1966) to Mascarades (2007). Introductions to Algerian history and to the national film industry are followed by chapters on the essential genres and themes of filmmaking in Algeria, including films of anti-colonial struggle, representations of gender, Berber cinema, and filming the 'black decade' of the 1990s. This thoughtful and timely book will appeal to all interested in world cinemas, in North African and Islamic cultures, and in the role of cinema as a vehicle for the expression of contested identities. By the author of the critically-acclaimed Contemporary French Cinema.

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        Algerian national cinema
        The Arts
        January 2019

        Algerian national cinema

        by Guy Austin

        This topical and innovative study is the first book on Algerian cinema to be published in English since the 1970s. At a time when North African and Islamic cultures are of increasing political significance, Algerian National Cinema presents a dynamic, detailed and up to date analysis of how film has represented this often misunderstood nation. Algerian National Cinema explores key films from The Battle of Algiers (1966) to Mascarades (2007). Introductions to Algerian history and to the national film industry are followed by chapters on the essential genres and themes of filmmaking in Algeria, including films of anti-colonial struggle, representations of gender, Berber cinema, and filming the 'black decade' of the 1990s. This thoughtful and timely book will appeal to all interested in world cinemas, in North African and Islamic cultures, and in the role of cinema as a vehicle for the expression of contested identities. By the author of the critically-acclaimed Contemporary French Cinema.

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        Lukácsian film theory and cinema
        The Arts
        June 2021

        Lukácsian film theory and cinema

        A study of Georg Lukács' writing on film 1913–1971

        by Ian Aitken

        Lukácsian film theory and cinema explores Georg Lukács' writings on film. The Hungarian Marxist critic Georg Lukács is primarily known as a literary theorist, but he also wrote extensively on the cinema. These writings have remained little known in the English-speaking world because the great majority of them have never actually been translated into English - until now. Aitken has gathered together the most important essays and the translations appear here, often for the first time. This book thus makes a decisive contribution to understandings of Lukács within the field of film studies, and, in doing so, also challenges many existing preconceptions concerning his theoretical position. For example, whilst Lukács' literary theory is well known for its repudiation of naturalism, in his writings on film Lukács appears to advance a theory and practice of film that can best be described as naturalist. Lukácsian film theory and cinema is divided into two parts. In part one, Lukács' writings on film are explored, and placed within relevant historical and intellectual contexts, whilst part two consists of the essays themselves. This book will be of considerable interest to scholars and students working within the fields of film studies, literary studies, intellectual history, media and cultural studies. It is also intended to be the final volume in a trilogy of works on cinematic realism, which includes the author's earlier European film theory and cinema (2001), and Realist film theory and cinema (2006).

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        Reframing difference
        The Arts
        January 2019

        Reframing difference

        Beur and banlieue filmmaking in France

        by Carrie Tarr

        Reframing difference is the first major study of two overlapping strands of contemporary French cinema, cinema beur (films by young directors of Maghrebi immigrant origin) and cinema de banlieue (films set in France's disadvantaged outer-city estates). Carrie Tarr's insightful account draws on a wide range of films, from directors such as Mehdi Charef, Mathieu Kassovitz and Djamel Bensalah. Her analyses compare the work of male and female, majority and minority film-makers, and emphasise the significance of authorship in the representation of gender and ethnicity. Foregrounding such issues as the quest for identity, the negotiation of space and the recourse to memory and history, she argues that these films challenge and reframe the symbolic spaces of French culture, addressing issues of ethnicity and difference which are central to today's debates about what it means to be French. This timely book is essential reading for anyone interested in the relationship between cinema and citizenship in a multicultural society.

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        Früchte des Vertrauens
        November 2009

        Früchte des Vertrauens

        by Alexander Kluge

        Godard sagte über seinen Videoessay Histoire(s) du cinéma, mit dem Medium DVD seien noch ganz andere Dinge möglich. Was man mit den Silberscheiben anstellen kann, demonstrierte Alexander Kluge, nach eigener Auskunft Godards »jüngerer Cousin«, mit seinen Nachrichten aus der ideologischen Antike. Andreas Platthaus schrieb damals in der Frankfurter Allgemeinen Zeitung, die DVD sei genau das richtige Medium für sein Werk, Kluge selbst sieht darin die Möglichkeit einer »extensiven Landwirtschaft des Films«. Mit diesen Mitteln setzt er sich nun in seinem neuen Projekt mit den Kollateralschäden der Wirtschaftskrise auseinander. Es geht um den Gegenpol der Krise – das Vertrauen: Was läßt sich für Geld nicht kaufen? Warum ist Vertrauen, das durch Werbung und Geld allein nicht erkauft werden kann, ein Rohstoff notwendiger als Beton oder Öl? Unterstützt wird er dabei vom Nobelpreisträger Joseph E. Stiglitz, von Peter Berling in der Rolle des Tiermehlfabrikanten Fred Eicke, von Dirk Baecker, Helge Schneider, Josph Vogl und vielen anderen.

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        Patrice Leconte
        The Arts
        January 2019

        Patrice Leconte

        by Lisa Downing

        Lisa Downing's comprehensive study of the films of Patrice Leconte traces lines of continuity and revision through a body of apparently disparate films whose "messages" often appear both contradictory and controversial. Pursuing a close reading of the recurrent themes, styles, intertexts and techniques which structure Leconte's filmmaking, Downing re-evaluates Leconte's status as an enigmatic artist offering complex and paradoxical commentary on contemporary questions of sexuality, ethics and identity. This book is the first full-length critical work in English on Leconte's cinema. It provides essential reading for both enthusiasts of French cinema and for those fascinated by the relationship between popular culture and theory.

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        Hast du das schon gesehen?
        April 2024

        Hast du das schon gesehen?

        Mit dem ABC durch die Welt der Kunst. Ein Kunstführer für Kinder

        by Gloria Köpnick, Rainer Stamm

        Bist du bereit für ein kunterbuntes Abenteuer in der Welt der Kunst? »Hast du das schon gesehen?« ist der ideale Begleiter, um Kinder spielerisch in die faszinierende Welt der Bilder einzuführen. Von A wie »Ameise« über C wie »Clown« und T wie »Tiger« bis Z wie »Zitrone« werden kunstvolle Meisterwerke für jeden Buchstaben des Alphabets vorgestellt. Spielend leicht erfahren Kinder etwas über Werke von berühmten Künstlerinnen und Künstlern, über Epochen, Stile und Techniken. Und auf jeder Seite gibt es Spannendes zu jedem Kunstwerk zu entdecken!

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        Formulation Plausibility Check
        2022

        Formulation Plausibility Check

        In accordance with § 7 German Ordinanceon the Operation of a Pharmacy

        by Dr. Andreas S. Ziegler

        The Ordinance on the Operation of a Pharmacy states that a plausibility check must be undertaken for each new formulation. The tabular compilations of this book help pharmacists to complete this task quickly and reliably. All the information required for the check is clearly laid out and easy to find. New in the 6th edition: Many new active substance – ointment base combinations with demonstrated compatibility | more than 50 new ointment bases | 30 new active substances Bonus: The information about standard doses for paediatric dermatology enables pharmacists to also prepare paediatric formulations. | References to the Ziegler Rezepturbibliothek® (Ziegler Formulation Library), where completely formulated manufacturing instructions for the named active substance – ointment base – combinations can be found. This makes it even easier to supply patients with tested standard preparations. The set includes 50-sheet pads of the complementary form Plausibility Check. The form makes documentation easier and enables rapid and reliable navigation through the tables. This allows both the prescriber’s treatment concept and also possible incompatibilities to be checked in less than no time.

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        »Wenn du einen Schneck behauchst«
        October 2006

        »Wenn du einen Schneck behauchst«

        Ringelnatz für Kinder

        by Joachim Ringelnatz, Peter Härtling, Hans Traxler

        Am 7. August 1883 wurde er als Hans Böttcher in Wurzen an der Elster, einem sächsischen Städtchen, geboren. In ganz jungen Jahren heuerte er, der sich jetzt Kuttel Daddeldu nannte, als Leichtmatrose auf einem Frachter an. Später setzte er eine kaufmännische Lehre in Hamburg fort, arbeitete in Leipzig, ging auf Reisen und landete, die eigenen Verse vortragend, in der Münchner Künstlerkneipe »Simplicissimus«, wo er schnell bekannt wurde. 1910 erschien sein erster Gedichtband. Unrast und Neugier plagten ihn, er reiste in Europa umher, sammelte Freunde und Freundinnen, arbeitete für kurze Zeit als Bibliothekar auf Schlössern und wurde im Ersten Weltkrieg zur Marine eingezogen. Nach dem Krieg fand er sich schlecht zurecht, schüttelte die Alpträume aus dem Kopf, spielte wieder und dichtete. Und verwandelte sich in Joachim Ringelnatz. Doch die vielen Reisen brachten ihm nichts ein. Er wurde krank, geriet in Not und die Freunde riefen seine Leser öffentlich auf, Ringelnatz zu helfen. Am 17. November 1934 starb er in Berlin. Wenn du einen Schneck behauchst, Schrumpft er ins Gehäuse. Wenn du ihn in Kognak tauchst, Sieht er weiße Mäuse.

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        The illusion of the Burgundian state
        Humanities & Social Sciences
        October 2023

        The illusion of the Burgundian state

        by Élodie Lecuppre-Desjardin, Christopher Fletcher

        On 25 January 1474, Charles the Bold, duke of Burgundy, appeared before his subjects in Dijon. Robed in silk, gold and precious jewels and wearing a headpiece that gave the illusion of a crown, he made a speech in which he cryptically expressed his desire to become a king. Three years later, Charles was killed at the battle of Nancy, an event that plunged the Great Principality of Burgundy into chaos. This book, innovative and essential, not only explores Burgundian history and historiography but offers a complete synthesis about the nature of politics in this region, considered both from the north and the south. Focusing on political ideologies, a number of important issues are raised relating to the medieval state, the signification of the nation under the 'Ancien Regime', the role of warfare in the creation of political power and the impact of political loyalties in the exercise of government. In doing so, the book challenges a number of existing ideas about the Burgundian state.

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