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      • Smart English Company Limited

        Smart English Company Limited is committed to developing a line of fun and educational products, which currently includes Inspirational English and Robin Education, to help young learners acquire the four skills in the English language. With 'Baby Animals', 'Dinosaurs in my Garden', and 'Mirabelle and Milo', Robin Education aims to develop young learners’ ability to use authentic English language in line with the Cambridge English Qualifications syllabus, as they explore the fascinating stories in each series.

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      • Castle Quay Books

        Castle Quay Books is dedicated to the growthof the Canadian Christian writing community in order todevelop and publish high quality titles thatpromote an uplifting message.

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      • Trusted Partner
        July 2021

        Kate in Waiting

        Roman

        by Albertalli, Becky

        Aus dem amerikanischen Englisch von Hannah Brosch

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        January 1998

        Bagger, Jumbos, Monstertrucks

        Ein Riesenbuch der Riesenfahrzeuge

        by Bingham, Caroline / Englisch Emmert, Anne

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        January 2002

        Was ist Gentechnik?

        Vom Klonschaf bis zur Gentomate

        by Jefferis, David / Englisch Emmert, Anne

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        March 2021

        Meersalzküsse

        by Tanja Janz

        Dank einer Fünf in Englisch verbringt Emma die Sommerferien in St. Peter-Ording an der nordfriesischen Küste, um Englisch zu pauken und den Babysitter für ihre kleine Schwester zu spielen. Der Horror, findet Emma. Bis sie Jannis kennenlernt, einen Jungen aus ihrem Kurs. Doch Emma wird aus dem geheimnisvollen Musiker einfach nicht schlau, er ist so wechselhaft wie Ebbe und Flut. Mal sucht er ihre Nähe, dann stößt er sie wieder von sich. Es ist zum Verrücktwerden! Doch dann kommt Emma Jannis' tragischem Geheimnis auf die Spur, das alles in ein neues Licht taucht.

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        Literature & Literary Studies
        November 2022

        Kate Atkinson

        by Armelle Parey

        This timely in-depth study of award-winning Kate Atkinson's work provides a welcome comprehensive overview of the novels, play and short stories. It explores the major themes and aesthetic concerns in her fiction. Combining close analysis and literary contextualisation, it situates her multi-faceted work in terms of a hybridisation of genres and innovative narrative strategies to evoke contemporary issues and well as the past. Chapters offer insights into each major publication (from Behind the Scenes at the Museum to Big Sky, the latest instalment in the Brodie sequence, through the celebrated Life After Life and subsequent re-imaginings of the war) in relation to the key concerns of Atkinson's fiction, including self-narrativisation, history, memory and women's lives.

      • Trusted Partner
        June 2007

        Warten auf Kate

        Roman

        by John Mendelssohn, Silvia Morawetz, Werner Schmitz

        Leslie Herskovitz wartet sehnsüchtig auf das neue Album seiner angebeteten Kate Bush. Aus Kalifornien zieht er nach England, um ihr näher zu sein, und schickt ihr Geschenke und Unmengen von E-Mails – vergeblich. Leslie lebt ein Leben in der Warteschleife und verkürzt sich die Zeit mit diversen Frauen, die ihre eigenen Gelüste haben. Eine intelligente Reality-Soap über Sucht und Abhängigkeit, Beziehungen, Mobbing, Schönheitswahn, Eßstörungen, Musik – und eine Hommage an eine große Künstlerin.

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        The Arts
        October 2013

        Placing faces

        The portrait and the English country house in the long eighteenth century

        by Gill Perry, Kate Retford, Jordan Vibert

        This book explores the rich but understudied relationship between English country houses and the portraits they contain. It features essays by well-known scholars such as Alison Yarrington, Gill Perry, Kate Retford, Harriet Guest, Emma Barker and Desmond Shawe-Taylor. Works discussed include grand portraits, intimate pastels and imposing sculptures. Moving between residences as diverse as Stowe, Althorp Park, the Vache, Chatsworth, Knole and Windsor Castle, it unpicks the significance of various spaces - the closet, the gallery, the library - and the ways in which portraiture interacted with those environments. It explores questions around gender, investigating narratives of family and kinship in portraits of women as wives and daughters, but also as mistresses and celebrities. It also interrogates representations of military heroes in order to explore the wider, complex ties between these families, their houses, and imperial conflict. This book will be essential reading for all those interested in eighteenth-century studies, especially for those studying portraiture and country houses. ;

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        October 2007

        Billy

        Ein Künstlerbuch

        by Käte Steinitz, Käte Steinitz, Stefan Soltek, Francis Wood, Stefan Soltek

        Die Malerin und Typographin Käte Steinitz hat zusammen mit Kurt Schwitters und Theo van Doesburg avantgardistische Kinderbücher gestaltet. Dafür wurde sogar ein eigener Verlag gegründet, der Aposs-Verlag (ein Akronym von: "aktiv", "paradox", "ohne Sentimentalität", "sensibel"). Einer der herausragendsten unter Käte Steinitz’ Entwürfen ist der für das Kinderbuch Billy, vermutlich kurz nach ihrer Immigration in die USA 1936 entstanden.

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        The Arts
        January 2019

        French cinema in the 1970s

        The echoes of May

        by Alison Smith

        This book re-examines French cinema of the 1970s. It focuses on the debates which shook French cinema, and the calls for film-makers to rethink their manner of filming, subject matter and ideals in the immediate aftermath of the student revolution of May 1968. Alison Smith examines the effect of this re-thinking across the spectrum of French production, the rise of new genres and re-formulation of older ones. Chapters investigate political thrillers, historical films, new naturalism and Utopian fantasies, dealing with a wide variety of films. A particular concern is the extent to which film-makers' ideas and intentions are contained in or contradicted by their finished work, and the gradual change in these ideas over the decade. The final chapter is a detailed study of two directors who were deeply involved in the debates and events of the 70s, William Klein and Alain Tanner, here taken as exemplary spokesmen for those changing debates as their echoes reached the cinema.

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