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        The Arts
        January 2019

        Negotiating the auteur

        Dominique Cabrera, Noémie Lvovsky, Laetitia Masson and Marion Vernoux

        by Julia Dobson

        This book provides the first detailed analysis of the work of four important contemporary directors whose work falls between the reductive labels of 'auteur cinema' and 'popular cinema'. Their work is contextualised within this timely investigation into the shifting relationship between the privileged status of the auteur and questions of genre, gender and cinematic production in France today. This important contribution to understanding the shifting landscapes of contemporary French film identifies an essential intermediacy in the films of these directors, which works to undo a series of dominant oppositions, generic template and contestation, public collectivity and personal intimacy, to offer a new perspective on the location of the political in contemporary French cinema. The four chapters provide detailed critical analysis of films by Dominique Cabrera, Laetitia Masson, Noémie Lvovsky and Marion Vernoux, and present common thread including the possible construction of social intimacy, the political demystification of romance narratives and the role of nostalgia, to argue that their work uses popular genres in order to challenge dominant cultural representation that resonates beyond the immediate parameters of contemporary French cinema. This book will be of interest to researchers working in French and European cinema, to students of Film Studies and French and Francophone Studies, and to film enthusiasts.

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        The Arts
        July 2012

        Negotiating the auteur

        Dominique Cabrera, Noémie Lvovsky, Laetitia Masson and Marion Vernoux

        by Julia Dobson, Diana Holmes, Robert Ingram

        This book provides the first detailed analysis of the work of four important contemporary directors whose work falls between the reductive labels of 'auteur cinema' and 'popular cinema'. Their work is contextualised within this timely investigation into the shifting relationship between the privileged status of the auteur and questions of genre, gender and cinematic production in France today. This important contribution to understanding the shifting landscapes of contemporary French film identifies an essential intermediacy in the films of these directors, which works to undo a series of dominant oppositions, generic template and contestation, public collectivity and personal intimacy, to offer a new perspective on the location of the political in contemporary French cinema. The four chapters provide detailed critical analysis of films by Dominique Cabrera, Laetitia Masson, Noémie Lvovsky and Marion Vernoux, and present common thread including the possible construction of social intimacy, the political demystification of romance narratives and the role of nostalgia, to argue that their work uses popular genres in order to challenge dominant cultural representation that resonates beyond the immediate parameters of contemporary French cinema. This book will be of interest to researchers working in French and European cinema, to students of Film Studies and French and Francophone Studies, and to film enthusiasts. ;

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        1997

        Wer war Eleanor Rigby?

        909 Fragen und Antworten rund um die Beatles

        by Toropov, Brandon

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        August 2008

        Berühmte Frauen. Kalender 2009

        by Luise F. Pusch

        Der Kalender Berühmte Frauen 2009 erinnert nicht nur an große Frauen der Geschichte wie Bettine von Arnim, Frieda von Bülow, Bertha Pappenheim, Eleanor Roosevelt und Margarethe Steiff, sondern würdigt auch Zeitgenossinnen wie Angela Davis, Judi Dench, Joan Didion, Steffi Graf, Rebecca Horn, Annie Leibowitz und Doris Lessing. Woche für Woche, Tag für Tag werden bemerkenswerte Frauen vorgestellt, und eine ausführliche Literaturliste lädt zum Weiterschmökern ein.

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        1980

        Vielleicht bin ich zu nah

        Notizen bei der Entstehung von "Apocalypse Now"

        by Coppola, Eleanor

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        Humanities & Social Sciences
        July 1997

        The new woman

        by Sally Ledger

        Sexually transgressive, politically astute and determined to claim educational and employment rights equal to those enjoyed by men, the new woman took centre stage in the cultural landscape of late-Victorian Britain. By comparing the fictional representations with the lived experience of the new woman, Ledger's book makes a major contribution to an understanding of the 'woman question' at the fin de siecle. She alights on such disparate figures as Eleanor Marx, Gertrude Dix, Dracula, Oscar Wilde, Olive Schreiner and Radclyffe Hall. Focusing mainly on the last two decades of the nineteenth century, the book's later chapters project forward into the twentieth century, considering the relationship between new woman fiction and early modernism as well as the socio-sexual inheritance of the 'second generation' new woman writers. ;

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