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Humanities & Social SciencesNaguib Mahfouz Annuals: About Youth and Freedom
by Naguib Mahfouz
Religion is taught in schools as if a branch of science consisting of some Koranic verses, prophetic tradition (Hadith), creed, worships, and biography! Pupils usually study such items by heart, then they go to exam and forget all. Religion is neither a branch of science nor a branch of material knowledge. Religion is a spiritual education that had to be applied in society. It is felt in the way people behave or conduct. Sometimes we meet a clever pupil but he has bad manners! Another, may get high marks in religion but dismissed out of the school for his ill behaviors and bad manners. I believe that religion must be taught as a spiritual education surrounded by a sphere of sympathy and affection. It is something felt by heart, not studied by heart. Teachers have to adress minds to make pupils convinced. They have to teach them biography of the prophet and also of the orthodox Caliphs. They have to select Koran verses according to “the age and the need”. For example Koranic verses dealing with” prayers”, must be studied in an early stage. Then Koranic verses dealing with “fasting”. After that comes verses dealing with moral conducts. In an advanced stage or secondary school, students can study views, ideas, conceptions, visions and philosophy of Islamic eminent characters, as well as eminent characters of other religions. There is a sort of a deflagrated competition between different religions, though they are similar in concepts and attitudes. Also, rivalary between Islam and Western civilization, and communism, is considered. Western civilization has its own entity. It is an integral doctrine having its theories and applications. Western civilization admits human rights and free economy. It could achieve marvellous progress in different fields of life. At the other hand communism also has its own integral doctrine with a private philosophy, economy and ruling systems. It aspires equality between all people, regardless to their colour or race. As a matter of fact it could achieve marevellous progress in different fields of life. Islam stands in between those two different civilizations, trying to get up and rise after a long sleep in the darkness of stagnancy and retardation. Lately, Islam did not achieve adequate progress in fields like modern science, technology, and material power. But it didn’t surrender, because it is till standing as a civilization having its own historical dignity and tradition. But now it is working hard to compensate what it did lose and indemnify what has gone, without contradicting its message and entity.
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Literature & Literary StudiesJanuary 2013The world of El Cid
Chronicles of the Spanish Reconquest
by Simon Barton, Richard Fletcher
Makes available, for the first time in English translation, four of the principal narrative sources for the history of the Spanish kingdom of León-Castile during the eleventh and twelfth centuries. Three chronicles focus primarily upon the activities of the kings of León-Castile as leaders of the Reconquest of Spain from the forces of Islam, and especially upon Fernando I (1037-65), his son Alfonso VI (1065-1109) and the latter's grandson Alfonso VII (1126-57). The fourth chronicle is a biography of the hero Rodrigo Díaz, better remembered as El Cid, and is the main source of information about his extraordinary career as a mercenary soldier who fought for Christian and Muslim alike. Covers the fascinating interaction of the Muslim and Christian worlds, each at the height of their power. Each text is prefaced by its own introduction and accompanied by explanatory notes.
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October 2002Die geraubte Mona Lisa
Spektakuläre Kunstdiebstähle von der Antike bis zur Gegenwart
by Manfred Reitz
Um das geheimnisvolle Lächeln der »Mona Lisa« ranken sich zahlreiche Gerüchte und Legenden. Das Gemälde war Anfang des vergangenen Jahrhunderts einmal gestohlen worden, und seitdem wird immer wieder behauptet, im Louvre würden sich beachtliche Besucherströme um eine Kopie und nicht um das Original versammeln.Die Pferde von San Marco in Venedig gelten noch heute als Diebesgut; und um den Verbleib des Bernsteinzimmers ranken sich noch immer zahlreiche Rätsel.Von solchen und anderen dramatischen und spektakulären Fällen von Kunstraub weiß Manfred Reitz spannend zu berichten.Kunst bereichert nicht nur den Menschen, sondern verkörpert häufig auch einen beträchtlichen finanziellen Wert. Der Kunstdiebstahl ist heute neben dem Rauschgift- und dem Waffenhandel das lukrativste kriminelle Geschäft. Von der Antike bis zur Gegenwart wurden deshalb Kunstwerke gestohlen, um die eigene Habgier zu befriedigen, um finanzielle Gewinne zu machen oder um einen Gegner zu demütigen.Manfred Reitz führt den Leser zu den Grabräubern der Antike, zu plündernden Söldnern des Mittelalters und zu den zahlreichen Kunsträubern der jüngeren Vergangenheit. Von Manfred Reitz sind im Insel Verlag außerdem erschienen: Leben jenseits der Lichtjahre. Die Wissenschaften auf der Suche nach außerirdischen Intelligenzen (1996 und it 2186); Große Kunstfälschungen. Falsche Kunst und echte Fälscher (it 1534)
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February 2018Mira, Oskar und die Buchstaben-Magie
Der Bücherbär. Eine Geschichte für Erstleser:
by Seltmann, Christian; Renger, Nikolai
Unglaublich! Mira malt zwei Monster und die hüpfen plötzlich quicklebendig durchs Klassenzimmer. „Das sind Geheuer und Getüm!“, ruft Oskar. Im Nu verbreiten die beiden nichts als Unsinn. Doch sie suchen auch etwas ganz Bestimmtes - etwas, das sie zu richtigen Monstern werden lässt. Zum Glück haben Mira und Oskar eine unheimlich gute Idee … Eine Geschichte über den Zauber von Wörtern und Buchstaben
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November 2021Die Hydra des Dschihadismus
Entstehung, Ausbreitung und Abwehr einer globalen Gefahr
by Asiem El Difraoui
Nachdem der »IS« in Trümmern lag und »Kalif« al-Baghdadi im Oktober 2019 von US-Truppen getötet wurde, schien der »Krieg gegen den Terror« einmal mehr beendet. Aber der Dschihadismus ist längst eine globale Bewegung geworden, der Dutzende von Organisationen angehören – und mit Gewalt allein ist ihr nicht beizukommen.Seit drei Jahrzehnten verfolgt Asiem El Difraoui als Filmemacher, Journalist und Wissenschaftler diese Entwicklung. Er traf Kampfgefährten bin Ladens in Khartum und PR-Strategen, die in Berlin-Charlottenburg Propagandavideos produzierten. In Kriegsgebieten wie Bosnien, dem Irak oder in Afghanistan hat er selbst den Terror gegen die Bevölkerung miterlebt. Und immer wieder kam der Terror auch zu ihm, wie in Gestalt der Anschläge 1995 und 2015 in Paris, die sich in seiner unmittelbaren Nachbarschaft ereigneten. Kenntnisreich und anschaulich schildert Difraoui, wie der Dschihadismus entstanden ist, wie seine Denkmuster und PR-Strategien sich gewandelt haben und woraus die Hydra ihre Kraft bezieht. Was macht die todbringende Ideologie gerade auch für junge Menschen in Europa attraktiv? Welchen Anteil hat der Westen, haben die Medien an ihrem Erfolg? Und wie kann es gelingen, ihre Macht zu brechen? Ein aufrüttelnder Appell, sich einer der größten Gefahren der Gegenwart zu stellen.
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Literature & Literary StudiesNovember 2000The world of El Cid
Chronicles of the Spanish Reconquest
by Rosemary Horrox, Simon Maclean
Makes available, for the first time in English translation, four of the principal narrative sources for the history of the Spanish kingdom of León-Castile during the eleventh and twelfth centuries. Three chronicles focus primarily upon the activities of the kings of León-Castile as leaders of the Reconquest of Spain from the forces of Islam, and especially upon Fernando I (1037-65), his son Alfonso VI (1065-1109) and the latter's grandson Alfonso VII (1126-57). The fourth chronicle is a biography of the hero Rodrigo Díaz, better remembered as El Cid, and is the main source of information about his extraordinary career as a mercenary soldier who fought for Christian and Muslim alike. Covers the fasincating interaction of the Muslim and Christian worlds, each at the height of their power. Each text is prefaced by its own introduction and accompanied by explanatory notes. ;
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Teaching, Language & ReferenceNovember 2010El Camino by Miguel Delibes
by Catherine Davies, Jeremy Squires
Upon entering the Royal Spanish Academy in 1975, Miguel Delibes delivered an address which reclaimed El camino (1950) for the emerging Green movement. With a blend of hilarity, satire, pathos and tragedy, Delibes artfully explores the process of crossing boundaries in pursuit of maturity and social advancement, whilst also implying that real education is the unfolding of the human heart among friends and sweethearts within a shared social and natural space. This new annotated version of the text comprises an introductory essay discussing green issues, attitudes towards the Spanish peasantry under Franco, and the function of the novel's subtly orchestrated comedy. It also contains explanatory notes on the text, discussion topics and an extensive Spanish-English glossary. This edition is intended primarily for English-speaking students of Spanish literature and culture at school and university. ;
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Literature & Literary StudiesOctober 2006El Caballero de Olmedo by Lope de Vega Carpio
by Catherine Davies, Anthony Lappin
El Caballero de Olmedo is a history play, a retelling of a folk talk, a celebrated piece of Golden Age drama, and also an intense mediation upon the power of desire, the deceits of eroticism and literary convention, the injustice of a world obsessed with appearance, and the tragic potential inherent in the courting of beautiful women. The introduction sets this play within the context of Baroque eroticism and sexual mores as well as dramatic practice. The text is presented with glosses to words unfamiliar to undergraduate students; the notes comprise summaries of acts and scenes from a dramatic point of view, and in-depth notes to problematic passages in the text, written with an undergraduate readership in mind. ;
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Literature & Literary StudiesApril 2008El laberinto de la soledad by Octavio Paz
by Catherine Davies, Anthony Stanton
If one had to identify one central, defining text from modern Mexican culture, it would be Octavio Paz´s famous essay, El laberinto de la soledad. This fully annotated edition includes the complete text in Spanish (with the author's final revisions), and notes and additional material in English. The editor's introduction contextualizes the essay and discusses central features: autobiographical and textual origins, intellectual sources, reception and canonization, generic ambiguity, structure, and governing symbols. The intellectual sources identified range from Marx, Nietzsche and Freud to the more contemporary ones of the French College of Sociology (Caillois), the Surrealist movement, the ideas of D. H. Lawrence, previous essays from writers in Mexico (such as Samuel Ramos) and Latin America. Several lines of interpretation are examined to show how the work can be read as a psycho-historical essay, an autobiographical construct or a modern literary myth. Transdisciplinary by nature, this literary essay is both an imaginative construction of personal and national identity, and also a critical deconstruction of dominant stereotypes. It seeks to redefine the complex relationships that exist between psychology, myth, history and Mexican culture. This edition also includes excerpts of the author's opinions on his essay, a time-line of Mexican history, a selected vocabulary, and themes for discussion and debate. Paz's first full-length prose work remains his most well-known and widely read text, and this edition will appeal to sixth-form and university students, teachers, researchers and general readers with a knowledge of Spanish. ;
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September 2020It was always love
by Hotel, Nikola
She’s had enough of men, but he can’t get enough of her... Away. Just get out of here. That's all Aubree thinks about when she gets kicked out of college after a party. She buys an incredibly old car, throws the few things she owns into the trunk and flees to her best friend Ivy in New Hampshire. There, all she wants is to pull the blanket over her head and think of nothing else. Not about that night. Not about the party. And most of all, not that picture that's been circulating on the Internet ever since. But it doesn't work. Because instead of her friend, she meets Noah, Ivy's stepbrother. With his impulsive but surprisingly sensitive nature, Noah evokes feelings in her that she doesn't need right now. And which, nevertheless, sweep her away like a storm... Second volume of a romantic and exciting dilogy with 20 lavishly illustrated hand-lettered pages by Carolin Magunia. Including a playlist that can be found on Spotify and contains songs which match perfectly with the story! It was always you (Vol. 1) entered the Spiegel bestseller list immediately after its publication. Both titles can be read separately. For all fans of Mona Kasten, Laura Kneidl and Kelly Moran! 30.000 copies of vol. 1 + 2 were sold since June 2020!
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Literature & Literary StudiesNovember 2015El castigo sin venganza
Lope de Vega Carpio
by Jonathan Thacker, Catherine Davies, Jonathan Thacker
El castigo sin venganza (1631) is Lope de Vega's greatest tragedy. The play dramatises the story of the adulterous relationship between the beautiful Casandra, Duchess of Ferrara, and her step-son, Federico, and the reaction of her husband, the Duke, himself a flawed and ambiguous figure. The dramatist, at the height of his powers, re-works an earlier Italian short story to explore the complexities of human desire and the grim consequences of giving in to temptation. Aimed principally at undergraduates who are new to Spanish Golden Age drama, this edition includes a substantial commentary on the text, explanatory footnotes and a selected vocabulary. The introduction sets the play in its contexts - historical and dramatic - and focuses too on elements of the genre with which new readers might be unfamiliar: performance norms, the poetry of the play and the linguistic differences in Golden Age Spanish. It is informed by up-to-date scholarship on the play from Spain and the Anglophone world. ;
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Literature & Literary StudiesJune 1981El coronel no tiene quien le escriba
by Gabriel Garcia Marquez, Giovanni Pontiero
Gabriel García Márquez has been described as the greatest writer in Spanish since Cervantes, and El coronel no tiene quien le escriba is considered to be one of his best works. This reflective and atmospheric novel is set in a small Colombian town where the frustrated and stubborn Colonel, a veteran of the 'War of a Thousand Days', is still, after thirty years, waiting for the letter authorising payment of his war pension. The old soldier and his wife mourn the brutal killing of their only son, and the story of their struggle against poverty and sickness culminates in the Colonel's defiant refusal to part with his cherished fighting cock, however serious the consequences. The moving narrative pays tribute to the resilience of human nature and man's will to survive in the face of heavy odds. The novel also throws light on the turbulent religious and political troubles in Latin America. Now revised to include an updated chronology and bibliography, Giovanni Pontiero's acclaimed critical edition provides English-speaking students with an introduction to, and notes on the text, and a selected vocabulary. ;
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February 2008Die Mona-Lisa-Strategie
Weiblich, magisch, mächtig
by Rubin, Harriet / Übersetzt von Dahmann, Susanne
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