Caribbean eco-aesthetics
Strategies of survival through contemporary art
by Kate Keohane, Daniella Rose King, Giulia Smith
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Albania, Algeria, Angola, Argentina, Armenia, Australia, Austria, Bahrain, Belgium, Belize, Benin, Bolivia, Bosnia and Herzegovina, Botswana, Brazil, Bulgaria, Burkina Faso, Burundi, Cameroon, Canada, Cape Verde, Central African Republic, Chad, Chile, China, Colombia, Comoros, Congo [DRC], Congo, Republic of the, Costa Rica, Ivory Coast, Croatia, Czech Republic, Denmark, Djibouti, Ecuador, Egypt, El Salvador, Equatorial Guinea, Eritrea, Estonia, Ethiopia, Faroe Islands, Finland, France, French Guiana, Gabon, Gambia, Georgia, Germany, Ghana, Greece, Guatemala, Guinea, Guinea-Bissau, Guyana, Honduras, Hongkong, Hungary, Iceland, India, Indonesia, Iran, Iraq, Ireland, Israel, Italy, Japan, Jordan, Kazakhstan, Kenya, Kuwait, Latvia, Lebanon, Lesotho, Liberia, Libya, Lithuania, Luxembourg, Macau, China, Macedonia [FYROM], Madagascar, Malawi, Malaysia, Mali, Malta, Mauritania, Mauritius, Mayotte, Mexico, Mongolia, Montenegro, Morocco, Mozambique, Namibia, Netherlands, New Zealand, Nicaragua, Niger, Nigeria, Norway, Oman, Pakistan, Panama, Paraguay, Peru, Philippines, Poland, Portugal, Puerto Rico, Qatar, Reunion, Romania, Russia, Rwanda, Saint Helena, Sao Tome and Principe, Saudi Arabia, Senegal, Serbia, Seychelles, Sierra Leone, Singapore, Slovakia, Slovenia, Somalia, South Africa, South Korea, Spain, Sri Lanka, Sudan, Suriname, Swaziland, Sweden, Switzerland, Syria, Taiwan, Tanzania, Thailand, Timor-Leste, Togo, Tokelau, Tunisia, Turkey, Uganda, Ukraine, United Arab Emirates, United Kingdom, United States, Uruguay, Venezuela, Vietnam, Western Sahara, Yemen, Zambia, Zimbabwe, South Sudan, Cyprus, Palestine, Bangladesh, Cambodia, Liechtenstein, Azerbaijan, Jamaica, Kyrgyzstan, Dominican Republic, Myanmar, Monaco
Endorsements
Caribbean eco-aesthetics considers the ways in which contemporary artists with Caribbean heritage are working to redress the ecological damage inflicted during centuries of colonial and neo-colonial exploitation by appealing to cultural lineages that trouble capitalist conceptions of progress and sustainability. In offering these grassroots models of ecological action as an entry point into the intersecting fields of Caribbean and environmental studies, this edited volume redefines the terms of a largely catastrophic discourse through the lens of hope, resilience, and creativity. By privileging the work of artists and activists who are confronting the environmental violence of empire, whilst also engaging anti-colonial forms of ecological insurgence, we seek to reposition the transnational Caribbean as a zone from which to imagine and actualise planetary futures beyond the ecocide logic of capitalist accumulation.
Reviews
Caribbean eco-aesthetics considers the ways in which contemporary artists with Caribbean heritage are working to redress the ecological damage inflicted during centuries of colonial and neo-colonial exploitation by appealing to cultural lineages that trouble capitalist conceptions of progress and sustainability. In offering these grassroots models of ecological action as an entry point into the intersecting fields of Caribbean and environmental studies, this edited volume redefines the terms of a largely catastrophic discourse through the lens of hope, resilience, and creativity. By privileging the work of artists and activists who are confronting the environmental violence of empire, whilst also engaging anti-colonial forms of ecological insurgence, we seek to reposition the transnational Caribbean as a zone from which to imagine and actualise planetary futures beyond the ecocide logic of capitalist accumulation.
Author Biography
Kate Keohane is Career Development Fellow in Art History and Wellbeing, St Edmund Hall, University of Oxford Daniella Rose King is a curator, writer and Lead Curator, Collections Galleries at Wellcome Collection Giulia Smith is an art historian, curator and Senior Tutor in Contemporary Art History and Theory at the Ruskin School of Art, University of Oxford
Manchester University Press
Manchester University Press is a leading UK publisher known for excellent research in the humanities and social sciences.
View all titlesBibliographic Information
- Publisher Manchester University Press
- Publication Date February 2026
- Orginal LanguageEnglish
- ISBN/Identifier 9781526179890 / 152617989X
- Publication Country or regionUnited Kingdom
- FormatPrint PDF
- Pages312
- ReadershipGeneral/trade; College/higher education; Professional and scholarly
- Publish StatusPublished
- Dimensions234 X 156 mm
- Biblio NotesDerived from Proprietary 6233
- SeriesRethinking Art's Histories
- Reference Code16514
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