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      • Trusted Partner
        The BBC and national identity in Britain, 1922–53
        Folk & traditional music
        July 2013

        The BBC and national identity in Britain, 1922–53

        by Thomas Hajkowski

        Examining the ways in which the BBC constructed and disseminated British national identity during the second quarter of the twentieth century, this book is the first study that focuses in a comprehensive way on how the BBC, through its radio programs, tried to represent what it meant to be British. The BBC and national identity in Britain offers a revision of histories of regional broadcasting in Britain that interpret it as a form of cultural imperialism. The regional organization of the BBC, and the news and creative programming designed specifically for regional listeners, reinforced the cultural and historical distinctiveness of Scotland, Wales, and Northern Ireland. The BBC anticipated, and perhaps encouraged, the development of the hybrid "dual identities" characteristic of contemporary Britain. This book will be of interest to scholars and students of nationalism and national identity, British imperialism, mass media and media history, and the "four nations" approach to British history.

        More
      • Trusted Partner
        The BBC and national identity in Britain, 1922–53
        Folk & traditional music
        July 2013

        The BBC and national identity in Britain, 1922–53

        by Thomas Hajkowski

        Examining the ways in which the BBC constructed and disseminated British national identity during the second quarter of the twentieth century, this book is the first study that focuses in a comprehensive way on how the BBC, through its radio programs, tried to represent what it meant to be British. The BBC and national identity in Britain offers a revision of histories of regional broadcasting in Britain that interpret it as a form of cultural imperialism. The regional organization of the BBC, and the news and creative programming designed specifically for regional listeners, reinforced the cultural and historical distinctiveness of Scotland, Wales, and Northern Ireland. The BBC anticipated, and perhaps encouraged, the development of the hybrid "dual identities" characteristic of contemporary Britain. This book will be of interest to scholars and students of nationalism and national identity, British imperialism, mass media and media history, and the "four nations" approach to British history.

        More
      • Trusted Partner
        The BBC and national identity in Britain, 1922–53
        Folk & traditional music
        July 2012

        The BBC and national identity in Britain, 1922–53

        by Thomas Hajkowski

        Examining the ways in which the BBC constructed and disseminated British national identity during the second quarter of the twentieth century, this book is the first study that focuses in a comprehensive way on how the BBC, through its radio programs, tried to represent what it meant to be British. The BBC and national identity in Britain offers a revision of histories of regional broadcasting in Britain that interpret it as a form of cultural imperialism. The regional organization of the BBC, and the news and creative programming designed specifically for regional listeners, reinforced the cultural and historical distinctiveness of Scotland, Wales, and Northern Ireland. The BBC anticipated, and perhaps encouraged, the development of the hybrid "dual identities" characteristic of contemporary Britain. This book will be of interest to scholars and students of nationalism and national identity, British imperialism, mass media and media history, and the "four nations" approach to British history.

        More
      • Trusted Partner
        Networks of sound, style and subversion
        Punk, New Wave & Indie
        March 2015

        Networks of sound, style and subversion

        The punk and post–punk worlds of Manchester, London, Liverpool and Sheffield, 1975–80

        by Nick Crossley

        This book examines the birth of punk in the UK and its transformation, within a short period of time, into post-punk. Deploying innovative concepts of 'critical mass', 'social networks' and 'music worlds', and using sophisticated techniques of 'social network analysis', it teases out the events and mechanisms involved in punk's 'micro-mobilisation', its diffusion across the UK and its transformation in certain city-based strongholds into a variety of interlocking post-punk forms. Nick Crossley offers a detailed review of prior work in this area, a rich exploration of new empirical data and a highly innovative and robust approach to the study of 'music worlds'. Written in an accessible style, this book is essential reading for anybody with an interest in either UK punk and post-punk or the impact of social networks on cultural life and the potential of social network analysis to explore this impact.

        More
      • Trusted Partner
        Networks of sound, style and subversion
        The Arts
        February 2015

        Networks of sound, style and subversion

        The punk and post–punk worlds of Manchester, London, Liverpool and Sheffield, 1975–80

        by Nick Crossley, Peter Martin

        This book examines the birth of punk in the UK and its transformation, within a short period of time, into post-punk. Deploying innovative concepts of 'critical mass', 'social networks' and 'music worlds', and using sophisticated techniques of 'social network analysis', it teases out the events and mechanisms involved in punk's 'micro-mobilisation', its diffusion across the UK and its transformation in certain city-based strongholds into a variety of interlocking post-punk forms. Nick Crossley offers a detailed review of prior work in this area, a rich exploration of new empirical data and a highly innovative and robust approach to the study of 'music worlds'. Written in an accessible style, this book is essential reading for anybody with an interest in either UK punk and post-punk or the impact of social networks on cultural life and the potential of social network analysis to explore this impact. ;

        More
      • Trusted Partner
        Networks of sound, style and subversion
        Punk, New Wave & Indie
        February 2015

        Networks of sound, style and subversion

        The punk and post–punk worlds of Manchester, London, Liverpool and Sheffield, 1975–80

        by Nick Crossley

        This book examines the birth of punk in the UK and its transformation, within a short period of time, into post-punk. Deploying innovative concepts of 'critical mass', 'social networks' and 'music worlds', and using sophisticated techniques of 'social network analysis', it teases out the events and mechanisms involved in punk's 'micro-mobilisation', its diffusion across the UK and its transformation in certain city-based strongholds into a variety of interlocking post-punk forms. Nick Crossley offers a detailed review of prior work in this area, a rich exploration of new empirical data and a highly innovative and robust approach to the study of 'music worlds'. Written in an accessible style, this book is essential reading for anybody with an interest in either UK punk and post-punk or the impact of social networks on cultural life and the potential of social network analysis to explore this impact.

        More
      • Trusted Partner
        Journeyman
        The Arts
        October 2009

        Journeyman

        An autobiography

        by Ewan Maccoll, Peggy Seeger

        This new edition of Journeyman, Ewan MacColl's vivid and entertaining autobiography, has been re-edited from the original manuscript, and includes a new introduction by Peggy Seeger, for whom he wrote the unforgettable 'The First Time Ever I Saw Your Face'. MacColl, a singer, songwriter, actor, playwright and broadcaster, begins this fascinating account with his working class Salford childhood, traces the founding and life of Theatre Workshop, one of Britain's most innovative theatre companies, then moves on to his work with folksingers, the Radio Ballads and his ascent into old age. Ewan MacColl and Peggy Seeger were among the main leaders of the UK folksong revival. Journeyman documents their struggle to secure the integrity of that revival as the popular media appropriated and re-created traditional music for commercial gain. An entertaining and thought-provoking slice of British history, it will appeal to those interested in the histories of folk music, theatre, radio, left-wing politics and the Manchester area. ;

        More
      • Trusted Partner
        Journeyman
        The Arts
        September 2009

        Journeyman

        An autobiography

        by Ewan Maccoll, Peggy Seeger, Peggy Seeger

        This new edition of Journeyman, Ewan MacColl's vivid and entertaining autobiography, has been re-edited from the original manuscript, and includes a new introduction by Peggy Seeger, for whom he wrote the unforgettable 'The First Time Ever I Saw Your Face'. MacColl, a singer, songwriter, actor, playwright and broadcaster, begins this fascinating account with his working class Salford childhood, traces the founding and life of Theatre Workshop, one of Britain's most innovative theatre companies, then moves on to his work with folksingers, the Radio Ballads and his ascent into old age. Ewan MacColl and Peggy Seeger were among the main leaders of the UK folksong revival. Journeyman documents their struggle to secure the integrity of that revival as the popular media appropriated and re-created traditional music for commercial gain. An entertaining and thought-provoking slice of British history, it will appeal to those interested in the histories of folk music, theatre, radio, left-wing politics and the Manchester area. ;

        More
      • Trusted Partner
        Beat sound, Beat vision
        Blues
        July 2013

        Beat sound, Beat vision

        The Beat spirit and popular song

        by Laurence Coupe

        This book reveals the ideas behind the Beat vision which influenced the Beat sound of the songwriters who followed on from them. Having explored the thinking of Alan Watts, who coined the term 'Beat Zen', and who influenced the counterculture which emerged out of the Beat movement, it celebrates Jack Kerouac as a writer in pursuit of a 'beatific' vision. On this basis, the book goes on to explain the relevance of Kerouac and his friends Allen Ginsberg and Gary Snyder to songwriters who emerged in the 1960s. Not only are new, detailed readings of the lyrics of the Beatles and of Dylan given, but the range and depth of the Beat legacy within popular song is indicated by way of an overview of some important innovators: Jim Morrison, Joni Mitchell, Leonard Cohen, Donovan, the Incredible String Band, Van Morrison and Nick Drake.

        More
      • Trusted Partner
        Beat sound, Beat vision
        Blues
        July 2013

        Beat sound, Beat vision

        The Beat spirit and popular song

        by Laurence Coupe

        This book reveals the ideas behind the Beat vision which influenced the Beat sound of the songwriters who followed on from them. Having explored the thinking of Alan Watts, who coined the term 'Beat Zen', and who influenced the counterculture which emerged out of the Beat movement, it celebrates Jack Kerouac as a writer in pursuit of a 'beatific' vision. On this basis, the book goes on to explain the relevance of Kerouac and his friends Allen Ginsberg and Gary Snyder to songwriters who emerged in the 1960s. Not only are new, detailed readings of the lyrics of the Beatles and of Dylan given, but the range and depth of the Beat legacy within popular song is indicated by way of an overview of some important innovators: Jim Morrison, Joni Mitchell, Leonard Cohen, Donovan, the Incredible String Band, Van Morrison and Nick Drake.

        More
      • Trusted Partner
        Beat sound, Beat vision
        Blues
        July 2012

        Beat sound, Beat vision

        The Beat spirit and popular song

        by Laurence Coupe

        This book reveals the ideas behind the Beat vision which influenced the Beat sound of the songwriters who followed on from them. Having explored the thinking of Alan Watts, who coined the term 'Beat Zen', and who influenced the counterculture which emerged out of the Beat movement, it celebrates Jack Kerouac as a writer in pursuit of a 'beatific' vision. On this basis, the book goes on to explain the relevance of Kerouac and his friends Allen Ginsberg and Gary Snyder to songwriters who emerged in the 1960s. Not only are new, detailed readings of the lyrics of the Beatles and of Dylan given, but the range and depth of the Beat legacy within popular song is indicated by way of an overview of some important innovators: Jim Morrison, Joni Mitchell, Leonard Cohen, Donovan, the Incredible String Band, Van Morrison and Nick Drake.

        More
      • Trusted Partner
        Beat sound, Beat vision
        The Arts
        January 2011

        Beat sound, Beat vision

        The Beat spirit and popular song

        by Laurence Coupe

        This book reveals the ideas behind the Beat vision which influenced the Beat sound of the songwriters who followed on from them. Having explored the thinking of Alan Watts, who coined the term 'Beat Zen', and who influenced the counterculture which emerged out of the Beat movement, it celebrates Jack Kerouac as a writer in pursuit of a 'beatific' vision. On this basis, the book goes on to explain the relevance of Kerouac and his friends Allen Ginsberg and Gary Snyder to songwriters who emerged in the 1960s. Not only are new, detailed readings of the lyrics of the Beatles and of Dylan given, but the range and depth of the Beat legacy within popular song is indicated by way of an overview of some important innovators: Jim Morrison, Joni Mitchell, Leonard Cohen, Donovan, the Incredible String Band, Van Morrison and Nick Drake. ;

        More
      • Trusted Partner
        Films and British national identity
        The Arts
        July 1997

        Films and British national identity

        From Dickens to Dad'

        by Jeffrey Richards

        Jeffrey Richards is a regular radio and television commentator on popular culture. Covers the period from Ealing Studios to Dad's Army. A great read. ;

        More
      • Trusted Partner
        The BBC and national identity in Britain, 1922–53
        The Arts
        April 2017

        The BBC and national identity in Britain, 1922–53

        by Jeffrey Richards, Thomas Hajkowski

        Examining the ways in which the BBC constructed and disseminated British national identity during the second quarter of the twentieth century, this book is the first study that focuses in a comprehensive way on how the BBC, through its radio programs, tried to represent what it meant to be British. The BBC and national identity in Britain offers a revision of histories of regional broadcasting in Britain that interpret it as a form of cultural imperialism. The regional organization of the BBC, and the news and creative programming designed specifically for regional listeners, reinforced the cultural and historical distinctiveness of Scotland, Wales, and Northern Ireland. The BBC anticipated, and perhaps encouraged, the development of the hybrid "dual identities" characteristic of contemporary Britain.

        More
      • Trusted Partner
        The public culture of the Victorian middle class
        The Arts
        August 2007

        The public culture of the Victorian middle class

        Ritual and authority in the English industrial city 1840–1914

        by Simon Gunn

        The public culture of the Victorian middle class looks at the creation of a distinctive 'high' culture in the industrial cities of Birmingham, Leeds and Manchester in the mid-nineteenth century and its incipient decline from the 1880s. The history of urban bourgeois culture has been relatively unexplored and under-theorised compared to popular culture. This volume therefore represents a significant contribution both to the study of middle-class cultural forms and to an understanding of the relationship between culture and power. In particular, it argues for the importance of ritualised modes of social behaviour in understanding the construction of authority in the nineteenth-century city. As well as many original arguments, the book provides a clear and useful overview of the public cultures of Victorian 'respectability'. The book will be of interest to scholars and students in the areas of social history, cultural history, urban history, cultural studies, urban studies and the sociology of culture. ;

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      • Trusted Partner
        Mourning becomes...
        The Arts
        June 2006

        Mourning becomes...

        Post/memory and commemoration of the concentration camps of the South African War 1899–1902

        by Elizabeth Stanley, Bertrand Taithe, Roger Cooter, Carolyn Steedman

        This fascinating work challenges many of the accepted facts about the concentration camps run by the British during the South African War. The author demonstrates that much of what we have traditionally understood about these camps originates the testimony which was solicited, selected and published by key women activists within Boer proto-nationalist circles. Using detailed archival evidence, she shows that much of the history of the camps results from a deliberate imposition of 'post/memory' - a process by which what was 'remembered' was shaped and reshaped to support the development of a racialised nationalist framework. Many of the camps' occupants died from successive epidemics of measles, typhoid, enteritis and pneumonia rather than deliberate ill-treatment, yet the book shows how mourning for those who died was overridden by state commemorative activities concerned with promoting pan-Boer nationalist aspirations. The innovative and groundbreaking approach of the author invites the reader to step into and explore with her the commemorative sites passed by nationalist land acts, which still powerfully mark the South African landscape. ;

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      • Trusted Partner
        Songs of protest, songs of love
        The Arts
        December 2009

        Songs of protest, songs of love

        Popular ballads in eighteenth-century Britain

        by Robin Ganev, Jeffrey Richards

        Songs of Protest, Songs of Love shows how songs can bring back voices from the past in a new way. The focus of the book is on rural Britain in a time of crisis. As the traditional rights of peasants were being jettisoned to enforce a new system of enclosure, rural labourers chanted out their concerns in songs of protest. These songs became increasingly strident and popular after the 1770s as rural life became even more precarious with fluctuating grain prices and uncertain employment opportunities. Many ballads in the eighteenth century were love songs. But these are also rich in social meaning. Many of these love songs celebrated the free and easy sexuality of rural workers, especially milkmaids and ploughmen, which was contrasted with the tepid and flaccid sex life attributed to urban aristocrats. The book will be of interest to scholars, advanced students and readers with an interest in cultural history and popular ballads. ;

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      • Trusted Partner
        Looking North
        The Arts
        July 2004

        Looking North

        Northern England and the national imagination

        by David Russell, Jeffrey Richards, Martin Hargreaves

        Investigating areas as diverse as travel literature, fiction, dialect, the stage, radio, and television, feature film, music and sport, this fascinating book assesses the attitudes and portrayal of the North of England within the national culture and how this has impacted upon attitudes to the region and its place within notions of 'Englishness'. ;

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