Harvard Square Editions
An Independent US publisher cooperating with publishers all over the world to bring books of multicultural, environmental, and social value to light in new markets.
View Rights PortalAn Independent US publisher cooperating with publishers all over the world to bring books of multicultural, environmental, and social value to light in new markets.
View Rights PortalWriters have previously placed the action of kissing into categories: kisses of love, affection, peace, respect and friendship. Each of the essays in this fascinating book take a single kind of kiss and uses it as an index to the past. For rather than offering a simple history of the kiss, this book is about the kiss in history. In this collection, an eminent group of cultural historians have explored this subject using an exceptionally wide range of evidence. They explore the kiss through sources as diverse as canonical religious texts, popular prints, court depositions, periodicals, diaries and poetry. In casting the net so wide, these authors demonstrate how cultural history has been shaped by a broad concept of culture, encompassing more than simply the canons of art and literature, and integrating apparently 'historical' and 'non-historical' sources. Furthermore, this collections shows that by analyzing the kiss and its position - embedded as it is as part of our culture - history can use small gestures to take us to big issues concerning ourselves and others, the past and the present. With an afterword by Sir Keith Thomas, this book will be fascinating reading for cultural historians working on a wide range of different societies and periods.
The work of Karl Polanyi has gained in influence in recent years to become a point of reference to a wide range of leading authors in the fields of economics, politics, sociology and social policy. Newly available in paperback, this volume is a combination of reflections on, and assessment of, the nature of Polanyi's contribution and new strands of work, both theoretical and empirical, that has been inspired by Polanyi's insights. It gathers together the key contributions to the first ever workshop on the work of Karl Polanyi held in the United Kingdom. Several of the contributions develop Polanyian ideas in relation to contemporary capitalism. However, in a critical spirit, other contributions in the volume substantially transform his concept 'instituted economic process' in considering a broad range of contemporary socio-economic change: markets for mobile telephony, call centre operations and European labour markets.
Zwanzig »Jahrhundertfrauen« erzählen die Geschichte ihres Lebens: Was hat ihnen die Kraft gegeben, in schweren Zeiten durchzuhalten und immer wieder das Glück zu suchen? Ute Karen Seggelke stellt in Text- und Bildporträts charakterstarke Frauen und deren erstaunliche Lebensgeschichten vor. Ob prominent oder unbekannt, was uns die Bildhauerin, Gärtnerin, Schauspielerin, Dramaturgin, Übersetzerin, Kauffrau, Politikerin, Restauratorin, Karikaturistin oder Äbtissin in diesem Buch erzählen, lesen wir mit Bewunderung, denn die Lebenswege dieser »Jahrhundertfrauen« machen uns Mut, alt zu werden.
Mit ihrem Konzept des »Agentialen Realismus« findet Karen Barad seit einigen Jahren große Aufmerksamkeit, insbesondere unter Wissenschaftlerinnen und Wissenschaftlern, die sich mit Diskursanalyse, Techniksoziologie und Gender Studies beschäftigten. Barads Anliegen besteht darin, das Denken über Sprache, Diskurse und Dinge auf eine radikal neue Grundlage zu stellen. In ihrem vielbeachteten Essay, mit dem nun erstmals ein Text Barads auf Deutsch vorliegt, plädiert sie ausgehend von epistemologischen Überlegungen des dänischen Physikers Niels Bohr dafür, die Grenzen zwischen den Objekten, unseren Instrumenten, der Sprache und den menschlichen Beobachtern neu zu vermessen.
Drawing on a wide range of archival sources, Karen Garner documents international women's history through the lens of the long-established Western-led international organisations that defined and dominated women's involvement in global politics from the 1925 founding of the Joint Standing Committee of Women's International Organisations up through the UN Decade for Women (1976-85). Documenting specific global campaigns in episodes that span the twentieth century, Garner includes biographical information about lesser known international leaders as she discusses important historic debates regarding feminist goals and strategies among women from the East and West, North and South. This interdisciplinary study addresses questions of interest to historians, political scientists, international relations scholars, sociologists, and feminist scholars and activists whose work promotes women's and human rights. ;
The first anthology of its kind, this timely collection brings together a diverse range of black British literatures, essays and documents from across the post-war period within a single volume.. Spanning half a century, this rich archive of representations includes South Asian, African and Caribbean cultural production by both leading and lesser-known artists, critics and commentators:. Sam Selvon Salman Rushdie George Lamming Hanif Kureishi Stuart Hall Linton Kwesi Johnson Caryl Phillips Paul Gilroy Meera Syal Kobena Mercer James Berry E. R. Braithwaite Wilson Harris Farrukh Dhondy V. S. Naipaul Ben Okri Wole Soyinka Hazel Carby Kamau Braithwaite Isaac Julien C. L. R. James Dick Hebdige A. Sivanandan Buchi Emecheta Louise Bennett Grace Nichols Jackie Kay. Directed at a truly interdisciplinary market, accommodating popular and 'high' cultural materials from across the disciplines of literature, film, photography, history, sociology, politics, Marxism, feminism, cultural and communications studies.. Situated and contextualised within accessible historical and cultural frameworks and incorporating lucid introductions, a detailed chronology and extensive bibliography.
Thomas May's The Tragedy of Antigone (1631), edited by Matteo Pangallo, is the first English treatment of the story made famous by Sophocles. This edition contains a facsimile of the copy held at the Beinecke Library of Yale University, making the play commercially available for the first time since its original publication. The extensive introduction discusses, among other things, the ownership history of existing copies and their marginal annotations, and of the play's topical political implications in the light of May's wavering between royalist and republican sympathies. Writing during the contentious early years of Charles I's reign, May used Sophocles' Antigone to explore the problems of just rule and justified rebellion. He also went beyond the scope of the original, adding content from a wide range of other classical and contemporary plays, poems and other sources, including Shakespeare's Romeo and Juliet and Macbeth. This volume will be essential reading for advanced students, researchers and teachers of early English drama and seventeenth-century political history.
Hurray! Moritz can look after Grandma’s dog Charly because she’s going on holiday. So at last Moritz has a pet of his own, even if it’s only for a few days. Milo, Moritz’s new friend, is also wild about Charly. There’s only one creature who is not at all pleased, and that’s the Moody Monster. Until Charly suddenly disappears…
»Defoe hat mit seinem Robinson eines der schönsten Bücher der Welt geschrieben.« Hermann Hesse Illustrierte Ausgabe mit gekürzten Auszügen aus Daniel Defoes weltberühmtem Roman über einen Schiffbrüchigen, der sich auf einer Insel gegen die Natur behaupten muss.
Daniel Defoe, geboren 1660 in London, arbeitete als Kaufmann, Journalist und Publizist. Mit seinem Roman Robinson Crusoe wurde er weltberühmt. Er gilt als Begründer des modernen englischen Romans. Defoe starb 1731 in London.
This book of essays on British social and cultural history since the eighteenth century draws attention to relatively neglected topics including personal and collective identities, the meanings of place, especially locality, and the significance of cultures of association. Themes range from rural England in the eighteenth century to the urbanizing society of the nineteenth century; from the Home Front in the First World War to voluntary action in the welfare state; from post 1945 civic culture to the advice columns of teenage magazines and the national press. Various aspects of civil society connect these themes notably: the different identities of place, locality and association that emerged with the growth of an urban environment during the nineteenth century and the shifting landscape of twentieth-century public discourse on social welfare and personal morality. It is of interest that several of the essays take Manchester or Lancashire as their focus.
Klassiker für starke Kids Robinson Crusoe landet als Schiffbrüchiger ganz alleine auf einer unbewohnten Insel. Zunächst ist keine Rettung in Sicht. Doch Schritt für Schritt richtet er mit viel Einfallsreichtum sein Leben auf der Insel ein - bis er eines Tages eine unbekannte Spur im Sand entdeckt … Nach dem berühmten Roman von Daniel Defoe - kindgerecht geschrieben und leicht zu lesen für Kinder ab 7/8 Jahren. Abenteuer auf einer einsamen Insel - Klassiker einfach lesen Der Titel ist auf Antolin.de gelistet.
Viewers of contemporary art are often invited to involve themselves actively in artworks, by entering installations, touching objects, performing instructions or clicking on interactive websites. Why have artists sought to engage spectators in these new forms of participation? In what ways does active participation affect the viewer's experience and the status of the artwork? Spanning a range of practices including kinetic art, happenings, environments, performance, installations, relational and new media art from the 1950s to the present, this critical anthology sheds light on the history and specificity of artworks that only come to life when you - the viewer - are invited to 'do it yourself.' Rather than a specialist topic in the history of twentieth- and twenty-first century art, the 'do-it-yourself' artwork raises broader issues concerning the role of the viewer in art, the status of the artwork and the socio-political relations between art and its contexts.