Folklore Publishing
Livres Canada Books
View Rights PortalWomen and madness in the early Romantic novel returns madness to a central role in feminist literary criticism through an updated exploration of hysteria, melancholia, and love-madness in novels by Mary Wollstonecraft, Eliza Fenwick, Mary Hays, Maria Edgeworth, and Amelia Opie. This book argues that these early Romantic-period novelists revised medical and popular sentimental models for female madness that made inherent female weakness and the aberrant female body responsible for women's mental afflictions. The book explores how the more radical authors-Wollstonecraft, Fenwick and Hays-blamed men and patriarchal structures of control for their characters' hysteria and melancholia, while the more mainstream writers-Edgeworth and Opie-located causality in less gendered and less victimized accounts. Taken as a whole, the book makes a powerful case for focusing on women's mental health in eighteenth- and nineteenth- century literary criticism.
The students and teachers at Blue Reef High are worried sick. It’s not just because recently there’s been an influx of reptile and python shapeshifters who are causing chaos. Now there’s a powerful hurricane building up off the coast of Florida. Tiago, the shark shapeshifter, the dolphin girl Shari and all their friends decide to escape by swimming out to the open sea. But will they really be safe there? And will Blue Reef High still be standing when they return? Quite apart from the hurricane, Tiago has heard some unpleasant rumours – that some unscrupulous business people are going to organize fights between divers and sharks. Is this true, and if so, will the Seawalker friends be able to defend themselves?
One of Germany's best-known restaurant critics, Jürgen Dollase knowledgeably traces the ups and downs of our love of food. Following the historical-theological classification of the 'mortal sin' that is gluttony, he illuminates not only the physical and medical but also the so important psychological aspects of food. We learn just why his weight loss self-experiment was not successful in the long term as well as various enlightening facts regarding the fateful role of the discounters. This book is not an appeal for moderation, but a plea for moderate indulgence.
While diving offshore, Logan, Charlotte and Jack discover a shipwreck. Very interesting – but extremely dangerous. Because while the friends are examining it, they are attacked by a shark! Then more and more sharks approach and circle the wreck, as if they are watching over it. What lies inside the sunken ship, and what secret is being concealed by the underwater explorer Thornton, who is staying as a guest at the Wild Claws sanctuary? When Logan dives again, the sharks attack and Logan is trapped in the wreck. His air supply is running short, and time is racing by. Can Jack and Charlotte rescue him in time?
Liebe ist für Thomas Brasch (1945–2001) eine Haltung, die sich jeder Festlegung verweigert. Eine Haltung, die ihre Träume fürchtend und sehnend der Wirklichkeit aussetzt und das Mögliche stets in den Horizont des Unmöglichen stellt. Braschs dichterische Leidenschaft hofft und verzweifelt, vertraut und betrügt, preist und vernichtet. Und sie belehrt: Wann, wem und wie schreibt man ein erotisches Gedicht? In dem Band stehen Gedichte, die Brasch eigenständig und zu Lebzeiten publiziert hat, neben literarischen Hinterlassenschaften. Texte aus den frühen Jahren(»Anna, komm …«) sind ebenso vertreten wie Arbeiten aus jüngerer Zeit, etwa eine Gruppe mit Brunke-Gedichten, die in den 1990er Jahren entstanden sind.
Insanity, identity and empire examines the formation of colonial social identities inside the institutions for the insane in Australia and New Zealand. Taking a large sample of patient records, it pays particular attention to gender, ethnicity and class as categories of analysis, reminding us of the varied journeys of immigrants to the colonies and of how and where they stopped, for different reasons, inside the social institutions of the period. It is about their stories of mobility, how these were told and produced inside institutions for the insane, and how, in the telling, colonial identities were asserted and formed. Having engaged with the structural imperatives of empire and with the varied imperial meanings of gender, sexuality and medicine, historians have considered the movements of travellers, migrants, military bodies and medical personnel, and 'transnational lives'. This book examines an empire-wide discourse of 'madness' as part of this inquiry.