Caramel specializes in the creation and packaging of children’s books destined for the mass-market. We are based in Brussels and have been serving as an international book packager since 1993. Caramel continues to innovate with new concepts, while also expanding its editorial program. We possess a wide range of eductional products from board books to activity books, that can easily be translated into more than 60 languages!
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Established in 1944,the University of South Carolina Press is one of the oldest and most distinguished publishing houses in the South. With well over 1,000 books available in print and digital formats, and publishing approximately fifty new books annually, the Press enhances and expands the scholarly reputation and worldwide visibility of the University of South Carolina.In helping the University fulfill its mission of research and teaching and outreach, the Press publishes a wide range of critically acclaimed works in the following subjects: Southern History, African American Studies, Civil Rights, and South Carolina. In addition, the Press publishes long-running scholarly series in Literary Studies and Rhetoric/Communication. Our editorial profile aligns with several of the institutional strengths of the University and underscores the Press’s mission to serve teachers and learners and readers in the academy and the broader culture, both in North America and around the globe.
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Mit Cape und Propeller-Helm: Käpten Kiwi, der kleine Angstbezwinger Angst vor der Dunkelheit, Monstern oder Fahrradfahren: Der kleine Kiwi weiß genau, wie es ist, wenn Sorgen die Stimmung verdüstern. Eines Tages hat er genug davon, Trübsal zu blasen, und beschließt, stattdessen ein Held zu werden! Mit Cape und Propellerhelm macht sich Kapitän Kiwi auf den Weg, anderen Tieren zu helfen: dem Strauß, der Angst im Dunkeln hat, dem Pfau, der die Schattenmonster fürchtet, dem Flamingo, der sich vor dem Gewitter versteckt. Das klappt auch ganz wunderbar – bis er wieder mit seinen eigenen Ängsten konfrontiert wird. Aber: Freundschaft ist das beste Sicherheitsnetz (nicht nur) für ängstliche Vögel. Neuer, ungewöhnlicher Protagonist: ein kleiner Piepmatz im Superhelden-Look Schöne Reime und niedliche Tiere von Kiwi über Pinguin bis Flamingo Ein Mutmach-Bilderbuch für Kinder ab 4 Jahren Wichtige Themen: Kinderangst, Anderssein und Mut finden
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This is a clearly written, comprehensive and topical textbook on UK government and politics for AS and A Level students. It is suitable for the A Level Edexcel, OCR and AQA exam boards. The content of the book is structured according to the boards' specifications. It covers: political power, participation and democracy; the UK constitution; elections and referenda; MPs, parties and pressure groups; Parliament and government; the courts, judges and civil liberties; local government and devolution; and the European Union. All key terms and concepts are highlighted and succinctly defined. The book has an accessible style and very user-friendly format. It includes sample exam questions with answers, and fun quizzes with answers, plus features such as 'Talking Point' and 'Analyse This' to encourage class discussion and exploration of core topics. Each chapter begins with a summary of contents and ends with sample exam questions and useful websites.
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This book charts the building of 1 Angel Square, the remarkable new head office for The Co-operative Group in Manchester's new NOMA district. Combining text and photographs to illustrate the building from commissioning to completion, Len Grant has interviewed the whole project team - clients, architects, engineers, project managers and builders - and has had unreserved access to document the creation of this already award-winning structure. The design of 1 Angel Square by the architects 3DReid, is currently the UK's highest BREEAM (Building Research Establishment's Environmental Assessment Method) rated office building to date, and it is set to be one of the most sustainable buildings in Europe. 1 Angel Square, the book, is an intimate record of this fascinating building. Some of the impressive facts include: 3,157 internal and external window panels make up the façade; there are 10,500 data and power outlets; it sits on 539 foundation piles, with an average depth of 18 metres below ground; and there are approximately 22km of power cables. This book will be required reading for students of architecture and construction, sustainability studies and urban planning, and for those with an interest in the history of one of the world's great businesses. ;
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Public issue television is a major contribution to understanding the relationship between television, politics and society. Based on full access to the archives, it offers a fascinating historical account of how one television series, Granada's World in Action, celebrated for its tough journalism, visual directness and public impact, functioned and developed over its run across 35 years between 1963 and 1998. In a succession of chapters looking at different periods in the series' development and at key dimensions of its distinctive identity, it gets deep inside the making of factual television and examines how a particular culture of production works within broader conditions of possibility and constraint. In particular, it charts the interwoven processes of change - technological, professional, aesthetic, institutional, economic, social and political. As well as discussing achievement and success, it examines the tensions, the debates and open conflicts that formed part of the context within which the series was made and transmitted across four decades. ;
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Hoggs the bear would love to be brave. But he is afraid of spiders and ghosts. And so Hoggs and his best friend Poki the skunk decide to go on an adventure in order to practise being brave. They head for the abandoned witch’s house behind the bee field. Ugh, it’s certainly ghostly! In fact there’s a kettle bubbling quite scarily…”Anybody there?” asks Hoggs cautiously. Yes! Fips the rabbit urgently needs help. And – whoosh! – suddenly the friends find themselves right in the middle of a stormy but magical adventure…
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An illuminating look at the world of cleanfluencers that asks why the burden of housework still falls on women. Housework is good for you. Housework sparks joy. Housework is beautiful. Housework is glamorous. Housework is key to a happy family. Housework shows that you care. Housework is women's work. Social media is flooded with images of the perfect home. TikTok and Instagram 'cleanfluencers' produce endless photos and videos of women cleaning, tidying and putting things right. Figures such as Marie Kondo and Mrs Hinch have placed housework, with its promise of a life of love and contentment, at the centre of self-care and positive thinking. And yet housework remains one of the world's most unequal institutions. Women, especially poorer women and women of colour, do most low-paid and unpaid domestic labour. In The return of the housewife, Emma Casey asks why these inequalities matter and why they persist after a century of dramatic advances in women's rights. She offers a powerful call to challenge the prevailing myths around housework and the 'naturally competent' woman homemaker.
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Emigrant Homecomings addresses the significant but neglected issue of return migration to Britain and Europe since 1600. While emigration studies have become prominent in both scholarly and popular circles in recent years, return migration has remained comparatively under-researched, despite evidence that in the nineteenth and twentieth centuries between a quarter and a third of all emigrants from many parts of Britain and Europe ultimately returned to their countries of origin. Emigrant Homecomings analyses the motives, experiences and impact of these returning migrants in a wide range of locations over four hundred years, as well as examining the mechanisms and technologies which enabled their return. The book examines the multiple identities that migrants adopted and the huge range and complexity of homecomers' motives and experiences. It also dissects migrants' perception of 'home' and the social, economic, cultural and political change that their return engendered.
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Mit schönem Farbschnitt in der Erstauflage – Lieferung je nach Verfügbarkeit Bronwyn und Nick – Es ist kompliziert. Was denkst du über Friends with Benefits, über Freundschaft plus? Kann klappen, ja, aber nur, wenn die Liebe nicht dazwischen funkt. Das genau scheint bei Bronwyn und Nick das (ziemlich knisternde) Problem zu sein. Die beiden sind seit ihren Kindertagen in Louisiana befreundet, nun sind sie mit ihrer gemeinsamen Freundin Claire nach New York gezogen, raus aus den beengten Verhältnissen in den Südstaaten. Heimlich schlägt Bronwyns Herz schon lange für ihren Freund, den attraktiven Stuntman Nick. Doch ein vor Jahren geschlossener Pakt macht ihre Liebe unmöglich: als Vierzehnjährige schwören sich Bronwyn, Nick und Claire für immer Freunde zu bleiben, ohne andere Gefühle. Nachdem Claire New York wieder verlassen hat und nach Louisiana zurückgegangen ist, bekommen Bronwyn und Nick überraschend eine Einladung zu ihrer Hochzeit. Zurück in der Kleinstadt, in der alles begann, müssen die beiden sich endlich ihren Gefühlen und der Frage stellen: Wagen sie den gefährlichen Sprung von der Freundschaft in die Liebe? Room for Love 2. Three with a Key: Kann aus Freundschaft Liebe werden? Für Fans der New Adult Romane Room for Love von Laura Labas Three with a Key (Band 2) als Fortsetzung von Two in a Room (Band 1) Neue Gefühle zwischen alten Freunden – eine Lovestory, in die du dich verlieben wirst. Deine Lieblings-Tropes Slow Burn, Liebe gegen alle Widerstände und Forbidden Love. Andere Leser*innen liebten die authentischen Figuren der Young Adult Bücher und die intensive Spannung zwischen den Protagonist*innen. Traum-Setting zwischen dem coolen New York und Amerikas schwülen Südstaaten.
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What happens when the elitist space of 'Western' classical music seeks to diversify itself? And what are the social effects worked through diversity discourses in classical music institutions? Sounding difference addresses these concerns by critically examining how diversity work takes shape in a cultural sector so deeply implicated in hierarchies of class, structures of whiteness, and legacies of imperialism. The book draws from ethnographic and interview data to analyse how diversity discourses become constructed in the organisational and creative processes of music production. From rehearsal and performance practices to the impact of the Covid-19 pandemic on the sector's commitment to change, Kolbe reveals the institutional constraints and precarious labour relations that form around diversity work in classical music and skilfully considers what these processes can tell us about the remaking of class, race, and racism today.
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This collection offers a new lens through which to examine Spain's cinema production following the isolation imposed by the Franco regime. The seventeen key films analysed in the volume span a period of 35 years that have been crucial in the development of Spain, Spanish democracy and Spanish cinema. They encompass different genres (horror, thriller, melodrama, social realism, documentary), both popular (Los abrazos rotos/Broken Embraces, Vicky Cristina Barcelona) and more select art house fare (En la ciudad de Sylvia/In the City of Sylvia, El espíritu de la colmena/Spirit of the Beehive) and are made in English (as both first and second language), Basque, Castilian, Catalan and French. Offering an expanded understanding of 'national' cinemas, the volume explores key works by Guillermo del Toro and Lucrecia Martel alongside an examination of the ways in which established auteurs (Almodóvar, José Garci, Carlos Saura) and younger generations of filmmakers (Cesc Gay, Amenábar, Bollaín) have harnessed cinematic language towards a commentary on the nation-state. The result is a bold new study of the ways in which film has created new prisms that have determined how Spain is positioned in the global marketplace.
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Interactions between medicines and foodstuffs may be just as clinically relevant as interactions between individual drugs. A single meal contains several hundred potentially interacting compounds that, in an individual patient, may be the deciding factor as to whether a treatment is successful or not. The resulting, sometimes serious risks are not known to most patients – nor to many physicians and pharmacists. This practical handbook enables anyone interested in applied pharmacotherapy to keep abreast of the complex field of drug interactions. The authors – proven experts in clinical pharmacology and pharmaconutrition – describe the most important interactions and give concrete recommendations for action. Tables and overviews permit fast access to potentially problematic combinations. This completely updated edition now also includes information about fruit juices and curcumin as well as a new chapter on food interactions in oncology.
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This volume is the first English-language collection exclusively dedicated to the study of genre in relation to Spanish cinema. Providing a variety of critical perspectives, the collection gives the reader a thorough account of the relationship between Spanish cinema and genre, drawing on case studies of several of the most remarkable Spanish films in recent years. The book analyses the significant changes in the aesthetics, production and reception of Spanish film from 1990 onwards. It brings together European and North American scholars to establish a critical dialogue on the topics under discussion, while providing multiple perspectives on the concepts of national cinemas and genre theory. In recent years film scholarship has attempted to negotiate the tension between the nationally specific and the internationally ubiquitous, discussing how globalisation has influenced film making and surrounding cultural practice. These broader social concerns have prompted scholars to emphasise a redefinition of national cinemas beyond strict national boundaries and to pay attention to the transnational character of any national site of film production and reception. This collection provides a thorough investigation of contemporary Spanish cinema within a transnational framework, by positing cinematic genres as the meeting spaces between a variety of diverse forces that necessarily operate within but also across territorial spaces. Paying close attention to the specifics of the Spanish cinematic and social panorama, the essays investigate the transnational economic, cultural and aesthetic forces at play in shaping Spanish film genres today.
