Rachel Amphlett
USA Today bestselling author Rachel Amphlett is the creator of over 25 crime thrillers. Rachel’s titles are available for consideration to all parties interested in licensing IP.
View Rights PortalUSA Today bestselling author Rachel Amphlett is the creator of over 25 crime thrillers. Rachel’s titles are available for consideration to all parties interested in licensing IP.
View Rights PortalAmid renewed anti-racist resistance to violent policing, The racial politics of police warfare unpacks the racisms that rationalise militarised policing in contemporary Britain. Jasbinder S. Nijjar shatters prevailing myths about British police as an impartial public service, by revealing it as an institution where racism and war reinforce one another. In examining flagship anti-gang and counter-terrorism policies and practices, the book offers a unique analysis of the relationship between anti-black and anti-Muslim racisms, to demonstrate how racialised populations are institutionalised as common enemies of modernity. Combining perspectives from sociology, history, criminology and social policy, Nijjar illustrates how British policing defends law and order and national security from the perceived threat of race through hyper-intrusive, pre-emptive and deathly measures. Accordingly, he gives a fresh take on resisting racial police warfare, calling for strategies that are at once political, collective, anti-militaristic and abolitionist.
This study focuses on the 1670-71 season in the Restoration playhouses, an exciting and formative moment in theatrical and political history. The year proved to be difficult and damaging to King Charles II, as political, religious, and personal matters provoked controversy and disquiet, and the country teetered on the brink of major constitutional problems. My research sets drama against this backdrop. Theatrical records for this period are patchy and, for the most part, frustratingly incomplete: this book does not attempt to reconstruct the day-to-day operations of the playhouses, but rather it uses the available evidence of the extant new and revived plays we know (or believe) to have been performed in the 1670-71 theatrical season, and argues that this was the period in which serious and far-reaching political and dramatic questions began to be seriously asked and (tentatively) answered.
This collection brings together studies of popular performance and politics across the nineteenth century, offering a fresh perspective from an archivally grounded research base. It works with the concept that politics is performative and performance is political. The book is organised into three parts in dialogue regarding specific approaches to popular performance and politics. Part I offers a series of conceptual studies using popular culture as an analytical category for social and political history. Part II explores the ways that performance represents and constructs contemporary ideologies of race, nation and empire. Part III investigates the performance techniques of specific politicians - including Robert Peel, Keir Hardie and Henry Hyndman - and analyses the performative elements of collective movements.
Most texts on sexual violence treat capitalism as backdrop or afterthought. In contrast, political economy is the core of this book. Phipps explores the centrality of sexual violence to racial capitalist processes: the enclosure of bodies, the extraction of labour, the expropriation of land and resources, and the disposal of unwanted populations. Importantly, she argues that both sexual violence and sexual fear create social control and surplus value. Through a framework called the coloniality of sexual violence, Phipps conjoins acts of sexual violence and ideas of sexual threat in an analysis of gendered and raced property relations and the split colonial/modern psyche. She argues that fantasies of sexual danger represent the infolded violence of racial capitalism, which is why fear of revolution is often fear of rape. Revolution, however, is always imminent: violence is necessary because power is incomplete.
Do dogs belong with humans? Scientific accounts of dogs' 'species story,' in which contemporary dog-human relations are naturalised with reference to dogs' evolutionary becoming, suggest that they do. Dog politics dissects this story. This book offers a rich empirical analysis and critique of the development and consolidation of dogs' species story in science, asking what evidence exists to support it, and what practical consequences, for dogs, follow from it. It explores how this story is woven into broader scientific shifts in understandings of species, animals, and animal behaviours, and how such shifts were informed by and informed transformative political events, including slavery and colonialism, the Second World War and its aftermath, and the emergence of anti-racist movements in the twentieth and twenty-first centuries. The book pays particular attention to how species-thinking bears on 'race,' racism, and individuals.
This important book provides new understandings of how the politics of memory impacts peace in societies transitioning from a violent past. It does so by developing a theoretical approach focusing on the intersection of sites, agency, narratives, and events in memory-making. Drawing on rich empirical studies of mnemonic formations in Cyprus, Bosnia and Herzegovina, Rwanda, South Africa and Cambodia, the book speaks to a broad audience. The in-depth, cross-case analysis shows that inclusivity, pluralism, and dignity in memory politics are key to the construction of a just peace. The book contributes crucial and timely knowledge about societies that grapple with the painful legacies of the past and advances the study of memory and peace.
From author: This is a cutting-edge exploration of black urban politics in Parisian racialized working class and working poor districts, the formation of abolition geography, and the possibilities of new forms of political blackness. In Black Socialities. Urban resistance and the struggle beyond recognition in Paris, Vanessa E. Thompson argues that black urban politics in the French banlieues are multi-racial and spatially grounded towards abolition. Based on a close engagement with urban black activist practices against racial imagery in the city, policing and state racism, and housing insecurity, she shows how radical anti-racism goes beyond struggles for recognition and unfolds alongside new formations of political blackness that is based on urban conviviality. This form of black politics has much to teach us in this current conjuncture of liberal anti-racism and state recognition politics.
This book examines British imperialism in late colonial Burma to study how imperialists attempted to protect their strategic and economic interests after decolonisation: they did so by supporting ethnonationalism. This process resembles the Cold War tactic of "containment," and the book makes a crucial contribution to the study of modern imperialism by demonstrating the continuity between "containment's" late- and "neo"-colonial manifestations. For Burma/Myanmar, it also explores the origin of the present-day military junta's racial regime: it emphasizes the protection of the ethnoreligious majority from ethnic minority insurgency. The Rohingya people are currently suffering a genocide because of this racial regime. As the country endures civil war against the junta, this book highlights how ethnonationalists in the late colonial period first promoted this racial regime to seize power and prevent revolution, a process supported by British imperialists for their own ends.
The politics of Middle English parables examines the dynamic intersection of fiction, theology and social practice in late-medieval England. Parables occupy a prominent place in Middle English literature, appearing in dream visions and story collections as well as in lives of Christ and devotional treatises. While most scholarship approaches the translated stories as stable vehicles of Christian teaching, this book highlights the many variations and points of conflict across Middle English renditions of the same story. In parables related to labour, social inequality, charity and penance, the book locates a creative theological discourse through which writers attempted to re-construct Christian belief and practice. Analysis of these diverse retellings reveals not what a given parable meant in a definitive sense but rather how Middle English parables inscribe the ideologies, power structures and cultural debates of late-medieval Christianity.
A short but comprehensive textbook for students of British politics which interprets changes over the last thirty years and analyses institutions within the context of British society and economics. ;
This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. This book is about science in theatre and performance. It explores how theatre and performance engage with emerging scientific themes from artificial intelligence to genetics and climate change. The book covers a wide range of performance forms from Broadway musicals to educational theatre, from Somali drama to grime videos. It features work by pioneering companies including Gob Squad, Headlong Theatre and Theatre of Debate as well as offering fresh analysis of global blockbusters such as Wicked and Urinetown. The book offers detailed description and analysis of theatre and performance practices as well as broader commentary on the politics of theatre as public engagement with science. Science in performance is essential reading for researchers, students and practitioners working between science and the arts within fields such as theatre and performance studies, science communication, interdisciplinary arts and health humanities.
This introductory text, written by an established authority on communist and post-communist politics, describes how Vladimir Putin has turned to those with backgrounds in the military and security structures to provide stability in today's Russian Federation, following the democratising reforms of Gorbachev and the ensuing instability of the Yeltsin presidency. Against the background of an increasing authoritarianism, which has restored features of the Soviet political system, it examines the attempts by social and economic groups to assert themselves against the state using embryonic democratic forms that fall far short of pluralism. The book's fourteen chapters offer an exceptionally broad coverage. It will appeal to first- and second-year students in higher education, but its deliberately accessible style will also make it attractive to sixth-form students and the general reader. ;
This book writes a performance history of Antony and Cleopatra, Shakespeare's most ambiguous play, from 1606 to the present. It observes the choices that actors, directors, designers, musicians and adapters have made each time they have brought the play's thoughts on power, race, masculinity, regime change, exoticism, love, dotage and delinquency into alignment with a new present. Informed by close attention to theatre records - promptbooks, stage managers' reports, reviews - it offers in-depth analyses of fifteen international productions by (among others) the Royal Shakespeare Company, Citizens Theatre Glasgow, Northern Broadsides, Berliner Ensemble and Toneelgroep Amsterdam. It ends seeing Shakespeare's black Egyptian Queen Cleopatra - whited-out in performance for centuries - restored to the contemporary stage. Written in a lively and accessible style, this book will be of interest to students, academics, actors, directors and general readers alike.
Provides a comprehensive introduction to the political system and processes of western Europe. Demonstrates clearly that political decisions are made in the context of specific historical developments, geographical constraints and social demands. Fully updated to take account of the recent French, British and Italian general elections as well as the momentous changes that have taken place in global politics as a result of the September 11 terrorist attacks, and the preparations for EU enlargement. Chapters on the European Union and democracy in western Europe have been substantially revised to take account of globalisation and recent political corruption issues. ;
This book offers a comprehensive study of racialisation of Romani communities in Europe (and beyond). Drawing on the idea of unbelonging it demonstrates how Romani communities are placed in a position of visceral visibility by local, national and international institutions as well as public media discourses. It shows how such positionality impacts the ability of Roma to self-represent politically and build capacity for change. From the position of unbelonging the book offers an account of Romani agency which both challenges the mainstream representations of Roma but also develops an alternative none-nation-state sense of belonging. In doing so the book outlines an account of Romani alternative expressions in order to take control of their relationship with their own history, future, knowledge, and identity, and the rest of the society.
Penny politics offers a new way to read early Victorian popular fiction such as Jack Sheppard, Sweeney Todd, and The Mysteries of London. It locates forms of radical discourse in the popular literature that emerged simultaneously with Brittan's longest and most significant people's movement. It listens for echoes of Chartist fiction in popular fiction. The book rethinks the relationship between the popular and political, understanding that radical politics had popular appeal and that the lines separating a genuine radicalism from commercial success are complicated and never absolute. With archival work into Newgate calendars and Chartist periodicals, as well as media history and culture, it brings together histories of the popular and political so as to rewrite the radical canon.