Theart Press
Theart Press is a South African publisher specialisingin inspirational books - including poetry, children's books and biography.
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Poplar Publishing Co., Ltd
POPLAR Publishing Co., Ltd., a leading independent publisher of children's books in Japan, has been in business for more than 70 years. As it started as a children's books publisher, it has always tried to provide children with enjoyable and exciting books. Today, the company's goals remain unchanged: everything it publishes should be enjoyable and enrich people's lives.
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Promoted Content
The ArtsJune 2025Death in modern theatre
Stages of mortality
by Adrian Curtin
Death in modern theatre offers a unique account of modern Western theatre, focusing on the ways in which dramatists and theatre-makers have explored historically informed ideas about death and dying in their work. It investigates the opportunities theatre affords to reflect on the end of life in a compelling and socially meaningful fashion. In a series of interrelated, mostly chronological, micronarratives beginning in the late nineteenth century and ending in the early twenty-first century, this book considers how and why death and dying are represented at certain historical moments using dramaturgy and aesthetics that challenge audiences' conceptions, sensibilities, and sense-making faculties. It includes a mix of well-known and lesser-known plays from an international range of dramatists and theatre-makers, and offers original interpretations through close reading and performance analysis.
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The ArtsJuly 2025An idea for a theatre ecology
Methods, theories, histories and practices
by Carl Lavery
An Idea for a Theatre Ecology is the first book in the discipline of Theatre and Performance Studies to provide a rigorous and coherent theory of the ecology that is immanent to the theatrical medium. Over six clearly written chapters, the book provides a genealogy, outlines a method, provides a lexicon and demonstrates an alternative practice of ecoperformance analysis grounded in the figure of the archipelago. Focusing on Antonin Artaud's theatre of cruelty, the book argues that theatre has no need to provide ecological messages nor to transform itself into a platform for the narration of ecological stories. Instead, more is to be gained, environmentally and politically, by concentrating on the power of images, gestures and voices to create corporeal affects and sensations that implicate the spectators in a terrestrial event.
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Lifestyle, Sport & LeisureAugust 2016Culture in Manchester
Institutions and urban change since 1850
by Janet Wolff, Mike Savage
This book brings together studies of cultural institutions in Manchester from 1850 to the present day, giving an unprecedented account of the city's cultural evolution. These bring to light the remarkable range of Manchester's contribution to modern cultural life, including the role of art education, popular theatre, religion, pleasure gardens, clubs and societies. The chapters show the resilience and creativity of Manchester's cultural institutions since 1850, challenging any simple narrative of urban decline following the erosion of Lancashire's industrial base, at the same time illustrating the range of activities across the social classes. This book will appeal to everyone interested in the cultural life of the city of Manchester, including cultural historians, sociologists and urban geographers, as well as general readers with interests in the city. It is written by leading international authorities, including Viv Gardner, Stephen Milner, Mike Savage, Bill Williams and Janet Wolff.
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Literature & Literary StudiesNovember 2019Transnational connections in early modern theatre
by Pavel Drábek, M. A. Katritzky
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Literature & Literary StudiesApril 2001Women, theatre and performance
New histories, new historiographies
by Kate Dorney, Maggie B. Gale, Susan Williams
The first in a new annual series, Women, Theatre and Performance that will consist of themed volumes on diverse aspects of women's engagement with theatre and performance. Ranging across three hundred years the essays in this volume address key questions in women's theatre history and retrieve a number of hitherto 'hidden' histories of women performers. Resituates women's, largely neglected, creative contribution within theatre and cultural history and seeks to challenge orthodox readings of both history and text. Topics include: Susanna Centlivre and the notion of intertheatricality; gender and theatrical space; the repositioning of women performers such as Wagner's Muse, Willhelmina Schröder-Devrient, the Comédie Français' 'Mademoiselle Mars', Mme Arnould-Plessey, and the actresses of the Russian serf theatre. ;
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Literature & Literary StudiesOctober 1997Arguments for a theatre
by Howard Barker
There is no-one else in theatre who takes this position There is a lack of books on serious theatre theory Written in a particularly accessible form. ;
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The ArtsSeptember 2020Science in performance
Theatre and the politics of engagement
by Simon Parry
This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. This book is about science in theatre and performance. It explores how theatre and performance engage with emerging scientific themes from artificial intelligence to genetics and climate change. The book covers a wide range of performance forms from Broadway musicals to educational theatre, from Somali drama to grime videos. It features work by pioneering companies including Gob Squad, Headlong Theatre and Theatre of Debate as well as offering fresh analysis of global blockbusters such as Wicked and Urinetown. The book offers detailed description and analysis of theatre and performance practices as well as broader commentary on the politics of theatre as public engagement with science. Science in performance is essential reading for researchers, students and practitioners working between science and the arts within fields such as theatre and performance studies, science communication, interdisciplinary arts and health humanities.
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The ArtsJanuary 2019Popular cinema in Brazil, 1930–2001
by Stephanie Dennison, Lisa Shaw
Brazil has one of the most significant and productive film industries in Latin America. This ground-breaking study provides an entertaining insight into the Brazilian films that have most captured the imagination of domestic audiences over the years. The recent international success of films such as Central Station and City of God, has stimulated widespread interest in Brazilian film, but studies written in English focus on the 'auteur' cinema of the 1960s. This book focuses on individual films in their socio-historical context, drawing on extensive fieldwork in Brazil and Latin America. It argues that Brazilian cinema has almost always been grounded in intrinsically home-grown cultural forms, dating back to the nineteenth century, such as the Brazilian music-hall, the travelling circus, radio shows, carnival, and, later, comedy television. Combining a chronological structure with groundbreaking research and a lively approach, Popular cinema in Brazil is the ideal introduction to Brazilian cinema.
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The ArtsNovember 2011The limits of performance in the French Romantic theatre
by Susan McCready, Mike Thompson
This volume analyses major French plays of the 1830s, focusing on their theatricality, and on the ways in which they expose the workings of the theatre rather than conceal them. Through an examination of performance within these plays, the study posits that the stage is a privileged site of demonstration, a literal 'proving ground' that lends a physical reality to abstract values announced in the text and shared or questioned by the audience. Negotiating between the literary study of drama and performance theory, this work breaks new ground in nineteenth-century theatre scholarship while proposing a fresh direction in the study of text and performance. The limits of performance 'challenges conventional wisdom', offering 'a novel take on the mal du siècle, that thematic hardy perennial of French Romanticism and the nineteenth century in general', combined with 'eminently readable and, therefore, compelling' analysis of plays - 'a thought-provoking addition to work in the field' (Glyn Hambrook, Modern and Contemporary France, November 2008). ;
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The ArtsJune 2017Popular television drama
Critical perspectives
by Jonathan Bignell, Stephen Lacey
Popular television drama: critical perspectives' is a collection of essays examining landmark programmes of the last forty years, from 'Doctor Who' to 'The Office', and from 'The Demon Headmaster' to 'Queer As Folk'. Contributions from prominent academics focus on the full range of popular genres, from sitcoms to science fiction, gothic horror and children's drama, and challenge received wisdom by reconsidering how British television drama can be analysed. Each section is preceded by an introduction in which the editors discuss how the essays address existing problems in the field and also suggest new directions for study. The book is split into three sections, addressing the enduring appeal of popular genres, the notion of 'quality' in television drama, and analysing a range of programmes past and present. Popular television drama: critical perspectives will be of interest to students and researchers in many academic disciplines that study television drama. Its breadth and focus on popular programmes will also appeal to those interested in the shows themselves.
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July 1982Erwin Piscator. Die Eröffnung des politischen Zeitalters auf dem Theater
Aus dem Englischen von Peter Keller
by John Willett, Peter Keller
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The ArtsMay 2026Ecology and feminism in performance
Composting histories 1962–2020
by Cara Berger
This book provides a vital new history of feminist performance through an ecological lens. It argues that from the 1960s to the present, artists have used performance to challenge the linked oppression of women and nature. Proposing 'composting' as a new method for writing feminist history, the study moves beyond linear narratives to trace regenerative connections between generations of practitioners. It provides sustained analysis of genres from land art to postdramatic theatre, re-evaluating the work of canonical figures while examining how contemporary artists continue to address these urgent themes. By placing ecofeminism in dialogue with feminist new materialism, queer ecology, and transecological thought, this study demonstrates how performance has been a crucial site for imagining more just and sustainable futures in an age of environmental crisis.
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Literature & Literary StudiesOctober 2002Theatre in crisis?
Performance manifestoes for a new century
by Maria M. Delgado, Maria M. Delgado, Caridad Svich, Maggie B. Gale, Peter Lichtenfels
A wide-ranging look at the state of contemporary theatre practice, economics, and issues related to identity, politics, and technology. Contains a snapshot dissection of where theatre is, where it has been and where it might be going through the voices of established and emerging theatre artists and scholars from the UK, US and elsewhere. Offers an examination of how to make theatre in a time of crisis and why it is a vital form of communication are at the heart of the book's mission. Asks questions such as: where is theatre now taking place?; what is the relationship between play and performance?; how does funding work?; what states does theatre flourish under?; and if there is a current 'crisis of theatre' should it not be seen as a welcome opportunity to develop a vigorous 'theatre of crisis'?. The international list of contributors includes Jim Carmody, Phyllis Nagy, Michael Billington, Max Stafford-Clark, Peter Sellars, Dragan Klaic, Goat Island, Erik Ehn and many others, making up a vast array of practising artists, thinkers, and scholars. ;
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Humanities & Social SciencesFebruary 2023Politics, performance and popular culture
Theatre and society in nineteenth-century Britain
by Peter Yeandle, Katherine Newey, Jeffrey Richards
This collection brings together studies of popular performance and politics across the nineteenth century, offering a fresh perspective from an archivally grounded research base. It works with the concept that politics is performative and performance is political. The book is organised into three parts in dialogue regarding specific approaches to popular performance and politics. Part I offers a series of conceptual studies using popular culture as an analytical category for social and political history. Part II explores the ways that performance represents and constructs contemporary ideologies of race, nation and empire. Part III investigates the performance techniques of specific politicians - including Robert Peel, Keir Hardie and Henry Hyndman - and analyses the performative elements of collective movements.
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The ArtsDecember 2000Theatre under the Nazis
by John London
This is the first book to appear in English about theatre from the entire Nazi period (1933-45). It is based on detailed statistical analysis, contemporary press reports, research in German archives and interviews with surviving playwrights, actors and musicians. The volume has an extensive bibliography and is fully illustrated. It forms a much needed guide to this neglected area of European culture and will be of interest to historians, Germanists and theatre specialists. The international contributors are William J. Niven, Glen Gadberry, Erik Levi, Rebecca Rovit, William Abbey and Katharina Havekamp. ;
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The ArtsSeptember 2025Do It Yourself
Making political theatre
by Common Wealth
A unique guide to creating political theatre, produced by one of the UK's most exciting companies. Do It Yourself is a vital resource for anyone interested in exploring theatre culture grounded in and produced by working-class, multi-racial communities. Designed for artists, activists and community organisers, the book offers a step-by-step guide to creating political theatre that is relevant, impactful and rooted in the lives of everyday people. Common Wealth have spent fifteen years working at the cutting edge of political theatre. In Do It Yourself, they share their experimental and activist approach to performance-making, based on DIY principles and the belief that ground-breaking theatre can be made with anyone, anywhere, in ways that truly resonate with the communities it serves. Do It Yourself introduces Common Wealth's artistic and political ethos, provides unique insights into their most significant performances and offers practical exercises for creating your own work. But this is not just a manual. It is a celebration of culture as a collective endeavour, one that can challenge the status quo and inspire change.
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The ArtsNovember 2020Stage rights!
The Actresses’ Franchise League, activism and politics 1908–58
by Naomi Paxton
Stage rights! explores the work and legacy of the first feminist political theatre group of the twentieth century, the Actresses' Franchise League. Formed in 1908 to support the suffrage movement through theatre, the League and its membership opened up new roles for women on stage and off, challenged stereotypes of suffragists and actresses, created new work inspired by the movement and was an integral part of the performative propaganda of the campaign. Introducing new archival material to both suffrage and theatre histories, this book is the first to focus in detail on the Actresses' Franchise League, its membership and its work. The volume is formulated as a historiographically innovative critical biography of the organisation over the fifty years of its activities, and invites a total reassessment of the League within the accepted narratives of the development of political theatre in the UK.
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April 1985Theater der Unterdrückten
Herausgegeben und aus dem Brasilianischen übersetzt von Marina Spinu und Henry Thorau
by Augusto Boal, Henry Thorau, Marina Spinu, Marina Spinu
Augusto Boal, geboren 1931 in Rio de Janeiro, Brasilien, studierte Chemie und Theaterwissenschaften an der Columbia University, New York. Von 1956 bis 1971 war er Leiter des Teatro de Arena de São Paulo. Von 1971 bis 1976 lebte er in Buenos Aires, Argentinien, im Exil, von 1976 bis 19178 in Lisboa, Portugal, seit Herbst 1978 ist er Dozent an der Université de la Sorbonne Nouvelle in Paris. Wichtige Stücke: Revolução na América do Sul; Arena conta Zumbi; Arena conta Tiradentes; Torquemada; Murro em ponta da faca. Theoretische Arbeiten: Teatro do Oprimido e outras poéticas políticas; Técnicas Latinoamericanas de Teatro Popular; Duzentos exercícios e jogos para o actor e o não actor com ganas de dizer algo através do teatro. Ende der fünfziger, Anfang der sechziger Jahre wurde am Teatro de Arena in São Paulo ein neues Volkstheater-Konzept entwickelt, das alsbald in ganz Lateinamerika von sich reden machte. Dieses Konzept ist eng verbunden mit dem Namen Augusto Boal. In der von ihm gegründeten Theaterschule wurden in Kollektivarbeit Stücke geschrieben und geprobt, die sich an diejenigen richteten, die im Elend lebten. Boal spielte diese Stücke in den Dörfern, vor Analphabeten, in den Slums der Städte. Und er erfand neue Darstellungstechniken, die die Zuschauer aus ihrer passiven Haltung befreiten und sie selber zu Handelnden machten. 1971 wurde Boal verhaftet, in der Untersuchungshaft gefoltert. Nach seiner Entlassung mußte er Brasilien verlassen. Unser Band gibt Einblick in die Arbeit dieses wichtigen »Theatermachers« Lateinamerikas. Er enthält Texte zur Theorie und Praxis, Protokolle, Erfahrungsberichte.
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Literature & Literary StudiesApril 2002‘Love me or kill me’
Sarah Kane and the theatre of extremes
by Graham Saunders, Maria M. Delgado, Maggie B. Gale, Peter Lichtenfels, Kim Latham
Blasted brought Sarah Kane to the theatre pages of the broadsheets, the front pages of the tabloids, and to the notice of the nation. Covers all Kane's major plays and productions, contains hitherto unpublished material and reviews, and looks at her continuing influence after her tragic early death. A chapter-by-chapter analysis looks at each play in detail and the appendices carry transcripts of interviews with colleagues and leading theatre practitioners involved with her productions. This book is the first study of the most significant British dramatist in post-war theatre and includes unpublished interview material with Sarah Kane herself. ;
