Self-Counsel Press
Livres Canada Books
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View Rights PortalRecent years have witnessed an explosion of interest in the 'spatialities of cinema' across the social sciences and humanities, yet to date critical inquiry has tended to explore this issue as a question of the 'city' and the 'urban'. For the first time, leading scholars in geography, film and cultural studies have been drawn together to explore the multiple ways in ideas of cinema and countryside are co-produced: how 'film makes rural' and 'rural makes film'. From the expanse of the American great west to the mountainous landscapes of North Korea, Cinematic countrysides draws on a range of popular and alternative film genres to demonstrate how film texts come to prefigure expectations of rural social space, and how these representations come to shape, and be shaped by, the material and embodied circumstances of 'lived' rural experience. At the heart of this volume's varied apprehensions of the 'cinematic countryside' is a concern to argue that ideas of rurality in film are central to wider questions of 'modernity' and 'tradition', 'self' and 'other', 'nationhood' and 'globalisation', and crucially, ones that are central to an account of the 'cinematic city'.
A fresh anthropological look at a central but neglected topic: the profound changes in rural life throughout Western Europe today. As locals leave for jobs in cities they are replaced by neo-hippies, lifestyle-seekers, eco-activists, and labour migrants from beyond the EU. With detailed ethnographic examples, contributors analyse new modes of living rurally and emerging forms of social organisation. As incomers' dreams come up against residents' realities, they detail the clashes and the cooperations between old and new residents. They make us rethink the rural/urban divide, investigate regionalists' politicisation of rural life and heritage, and reveal how locals use EU monies to prop up or challenge existing hierarchies. They expose the consequences of and reactions to grand EU-restructuring policies, which at times threaten to turn the countryside into a manicured playground for escapee urbanites. This book will appeal to anyone seriously interested in the realities of rural life today.
A considered investigation of a long-standing army base's impact on the British countryside. What is it like to live next door to a British Army base? Beyond the barracks provides an eye-opening account of the sprawling military presence on Salisbury Plain, drawing on a wide range of voices from both sides of the divide. Targeted for expansion under government plans to reorganise the UK's global defence estate, the Salisbury 'super garrison' offers a unique opportunity to explore the impact of the military footprint in a particular place. But this is no ordinary environment: as well as being the world-famous site of Stonehenge, the grasslands of Salisbury Plain are home to rare plants and wildlife. How does the army take responsibility for conserving this unique landscape as it trains young men and women to use lethal weapons? Are its claims that its presence is a positive for the environment anything more than propaganda? Beyond the barracks investigates these questions against the backdrop of a historic landscape inscribed with the legacy of perpetual war.
British rural landscapes on film offers insights into how rural areas in Britain have been represented on film, from the silent era, through both world wars, and on into the twenty-first century. It is the first book to exclusively deal with representations of the British countryside on film. The contributors demonstrate that the countryside has provided Britain (and its constituent nations and regions) with a dense range of spaces in which cultural identities have been (and continue to be) worked through. British rural landscapes on film demonstrates that British cinema provides numerous examples of how national identity and the identity of the countryside have been partly constructed through filmic representation, and how British rural films can allow us to further understand the relationship between the cultural identities of specific areas of Britain and the landscapes they inhabit.
The landscape of pre-Conquest England can often be reconstructed in minute detail. Yet this is one of the first attempts at such a project. Here the evidence is examined for the West Midlands - the counties of Worcestershire, Warwickshire and Gloucestershire, much of which formed the Anglo-Saxon kingdom of the Hwicce. Della Hooke reveals the intimate local landscape through the medium of place names, contemporary documents and archaeological evidence. Her detailed picture brings the Anglo-Saxon countryside very much to life. The patterns which emerge in this period go far to explain the nature of later medieval patterns of settlement and field systems, and provide the key to understanding territorial organisation in the region. ;
What is it like to live next door to a British Army base? England's military heartland provides an eye-opening account of the sprawling military presence on Salisbury Plain, drawing on a wide range of voices from both sides of the divide. Targeted for expansion under government plans to reorganise the UK's global defence estate, the Salisbury 'super garrison' offers a unique opportunity to explore the impact of the military footprint in a particular place. But this is no ordinary environment: as well as being the world-famous site of Stonehenge, the grasslands of Salisbury Plain are home to rare plants and wildlife. How does the army take responsibility for conserving this unique landscape as it trains young men and women to use lethal weapons? Are its claims that its presence is a positive for the environment anything more than propaganda? This book investigates these questions against the backdrop of a historic landscape inscribed with the legacy of perpetual war.
Shipwrecks, gory battle scenes, cross-dressing, toxic relationships, abduction, torture (psychological and physical), comical country bumpkins, and, of course, love and poetry -Sir Philip Sidney's witty pastoral romance The Countess of Pembroke's Arcadia is the classic that has it all in terms of entertainment factors. Modern readers mostly know Arcadia in its complete 'old' version, but it is the New Arcadia (published in 1590) that was the most influential and most widely imitated literary text of the sixteenth century. While preserving the basic plot - a ruler attempts to escape an alarming oracle by moving his family to the countryside and engaging in shepherd-cosplay until the arrival of two foreign princes triggers a chain of events leading to the fulfilment of the oracle - this version adds further narrative strands and introduces ambitious revisions that showcase Sidney's stylistic brilliance as a prose writer.
Little Grey Rabbit and Sam Pig are just two of the inspired characters created by Alison Uttley, loved by millions and still very popular today. But who was the real woman spinning enchanting tales of country life and lore, magic and friendship? Alison Uttley gathered much of the inspiration for her stories from the fond memories of her Derbyshire childhood and her love of the countryside. A talented and prolific writer, she was still producing stories in her late eighties. Yet she was often plagued by self-doubt, and extremely possessive over her close friends, family and work. Tragically, Alison's husband committed suicide before her writing successes. She soon developed a smothering relationship with her only child John, even convincing him to jilt his first fiancée and escape to Scotland - the honeymoon destination. With exclusive and unrestricted access to her personal diaries and private letters, Denis Judd paints an intriguing portrait of one of the most successful, creative and troubled children's authors of modern times. ;
After a terrible blow of fate throws her life into confusion, Seanna needs desperately to get away from it all. She’s come to the village of Castledunn in the hope of getting her life back in order. The wild countryside of Ireland’s west coast and the slow pace of rural life give her new energy. Her job behind the bar in the village’s only pub provides a comforting sense of routine. Then the pub changes hands, bought by the attractive, but stubborn Neall Kennan, who throws Seanna’s feelings into turmoil. Not only is she attracted to him, she’s also reminded of her own past. It’s more than Seanna can bear. 16+ years The second volume of a unique romance trilogy about three young women, a lighthouse and love. All titles can be read separately! Rousing characters and a fine dry humor For all fans of Mona Kasten, Laura Kneidl and Colleen Hoover! More than 60.000 copies of this series were sold!
Die Grafschaften Norfolk und Suffolk gelten als Inbegriff der englischen Countryside: sanfte Hügel, rauhe Küsten, Salzmarsch und Lavendel; Knollengemüse und Blumenzwiebeln als einzige Bodenschätze. Peter Sager erzählt von kuriosen Entdeckungen und Begegnungen, von skurrilen Landpfarrern und mordlüsternen Damen wie P. D. James und Dorothy L. Sayers, von einem elitären Jockey-Club, in dem kein einziger Jockey Mitglied ist, und von vielem anderen mehr. »Peter Sagers Reisefeuilletons sind das reine Lesevergnügen.« (Frankfurter Allgemeine Zeitung).
Something smells of adventure: summer holidays in the country can be like a whodunnit – where else can you find a missing Granny together with a real treasure and eight bare feet? Jörg Steinleitner brings his readers a true sense of well-being, in a world full of adventure. With varied and powerful illustrations by bestselling illustrator Daniela Kohl. Whoever thinks that summer holidays in the village are boring is mistaken: on the very first day of the holidays, Tanne’s Granny Schnitzel disappears without trace. It’s a good job that Corvin (9), Kiki (10), Ben (10) and Tanne (11) were just about to form a gang: the Barefoot Crew. And soon they have more than just bare feet and a kidnapped Granny to contend with – there’s also a real treasure! A hugely exciting criminal case with a breathtaking natural backdrop, together with varied feel-good factors that prompt readers to dream, discover and share in the story’s thrills. Best-suited for boys and girls aged 8+.
The author reveals structural problems and offers solutions – an urgently necessary book, not least with a view to the acute shortage of skilled workers 450,000 migrant workers toll on German construction sites, work in sometimes inhumane conditions in meat factories or as truck drivers, and let’s not forget the hordes of cleaners in German hotels and companies. They are systematically exploited and cheated out of their wages. Sascha Lübbe exposes the octopus-like network of partly criminal companies in a shadowy world where the boundary between the legal and the illegal is blurred. In his evocative book with interviews with those aff ected, he reveals how a parallel system has established itself in the German working world, but also how those affected resist.
Summer 1940. Nazi Germany annexes Alsace, but not without resistance: in the Catholic parish of St. Jean, very close to the Great Synagogue, six French Girl Guides opened an underground border crossing for opponents of the regime, Jews, Communists and the military. They explored and found secret routes across the Vosges to the west, and south to Switzerland. By the time the Gestapo picked them up in 1942, they had brought around 500 people to safety. Freisler tried them in 1943 and sentenced six of them to death by guillotine. Pope Pius XII demanded that the women be spared. And Hitler did indeed pardon them – with the proviso that they were not allowed to know. They all survived.