Somos una congregación de mujeres consagradas a Dios de la Iglesia Católica, para la evangelización con los medios de comunicación social.Sobre las huellas de Pablo, y con su mismo espíritu dedicamos todas nuestras fuerzas para VIVIR y COMUNICAR a Jesucristo en el areópago de la comunicación.
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Educate, provoke, communicate and expand debates proposed by Sesc in its cultural centers. These are the ideals that define the work developed by Edições Sesc São Paulo. Exploring Sesc's socio-cultural programming - aimed at non-formal education - as one of its main references, the publisher has been expanding the themes of its books to diverse areas of knowledge. The titles comprise a wide thematic variety in culture: visual arts; anthropology; architecture and urbanism; biographies; mind and behavioral sciences; cinema; communication and journalism; design; education; sports and body practices; philosophy and politics; photography; cultural management; history; ageing, books and reading; environment and sustainability; music; sociology; theater and dance. Seeking to stimulate access to knowledge and reading, Edições Sesc São Paulo has added to its catalog an increasing number of e-books. This initiative includes books published exclusively in digital format, distributed worldwide.
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British rural landscapes on film offers insights into how rural areas in Britain have been represented on film, from the silent era, through both world wars, and on into the twenty-first century. It is the first book to exclusively deal with representations of the British countryside on film. The contributors demonstrate that the countryside has provided Britain (and its constituent nations and regions) with a dense range of spaces in which cultural identities have been (and continue to be) worked through. British rural landscapes on film demonstrates that British cinema provides numerous examples of how national identity and the identity of the countryside have been partly constructed through filmic representation, and how British rural films can allow us to further understand the relationship between the cultural identities of specific areas of Britain and the landscapes they inhabit.
One of the first books to put memory at the centre of analysis when exploring the relationship between film culture and the past. Provides a sustained, interdisciplinary perspective on memory and film from early cinema to the present, drawing from film studies, American studies and cultural studies. Adopts a resolutely cultural perspective and unlike psychoanalytic or formalist approaches to memory, explores questions of culture, power and identity. Contributes to the growing debate about the status and function of the past in cultural life and discourse, discussing issues of memory in film, and of film as memory. Considers such well known films as Forrest Gump, Pleasantville, and Jackie Brown.
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What does money really stand for? How can the abstractions of high finance be made visible? Show me the money documents how the financial world has been imagined in art, illustration, photography and other visual media over the last three centuries in Britain and the United States. It tells the story of how artists have grappled with the increasingly intangible and self-referential nature of money, from the South Sea Bubble to our current crisis. Show me the money sets out the history and politics of representations of finance through five essays by academic experts and curators, and is interspersed with provocative think pieces by notable public commentators on finance and art. The book, and the exhibition on which it is based, explore a wide range of images, from satirical eighteenth-century prints by William Hogarth and James Gillray to works by celebrated contemporary artists such as Andreas Gursky and Molly Crabapple. It also charts the development of an array of financial visualisations, including stock tickers and charts, newspaper illustrations, bank adverts and electronic trading systems.
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Thomas May's The Tragedy of Antigone (1631), edited by Matteo Pangallo, is the first English treatment of the story made famous by Sophocles. This edition contains a facsimile of the copy held at the Beinecke Library of Yale University, making the play commercially available for the first time since its original publication. The extensive introduction discusses, among other things, the ownership history of existing copies and their marginal annotations, and of the play's topical political implications in the light of May's wavering between royalist and republican sympathies. Writing during the contentious early years of Charles I's reign, May used Sophocles' Antigone to explore the problems of just rule and justified rebellion. He also went beyond the scope of the original, adding content from a wide range of other classical and contemporary plays, poems and other sources, including Shakespeare's Romeo and Juliet and Macbeth. This volume will be essential reading for advanced students, researchers and teachers of early English drama and seventeenth-century political history.
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This edited book, written by a collection of scholars with an interest in Northern Ireland, tracks its uneasy experience with devolution following the optimistic political period associated with the 1998 Belfast (Good Friday) Agreement. The volume brings together researchers from the Economic and Social Research Council's (ESRC) 'Devolution and Constitutional Change' Programme and other experts to record four key perspectives on Northern Ireland. First, it considers the inextricable link between devolution and constitutional developments. Second, it examines how the main political parties responded to devolution and the major challenges faced by society in moving beyond conflict (such as political symbolism, the role of women, equality and human rights issues). Third, it attempts to assess some of the workings of devolved government in its short-lived form or those seeded in devolution and carried on by direct rule ministers. Finally, Northern Irelands devolved government and associated institutions are located within the wider relationships with Westminster, the Republic of Ireland and Europe. This edited volume will be of interest to students of Irish politics and public policy, but more generally, from a comparative perspective, those with an interest in devolution and constitutional change. It may even assist politicians in Northern Ireland to reflect on the real potential to restore its devolved institutions and draw back from the brink of permanently copper-fastening 'direct rule' from Westminster.
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This book, the world's first biography of Paul Watzlawick, written by his great-niece, describes the life of this philosopher, therapist, and best-selling author. Paul Watzlawick had a talent for languages and he led an adventurous life, from his childhood in Villach to studying in Venice after the war, to analyst training under C. G. Jung in Zurich, an attempt at establishing himself in India and then in El Salvador as a therapist, and finally to the Mental Research Institute (MRI) in the United States, headed by Don D. Jackson, a venerable scientist. This marked the beginning of the second half of his life, his amazing career as a communication researcher, a pioneer of systemic therapy, a radical constructivist, and a great thinker regarding the divisions between East and West. With many letters, lectures, interviews, and statements from contemporary witnesses and family members, this book makes Paul Watzlawick accessible as a human being and as a spiritually inspired, leading 20th century thinker. It includes a variety of unpublished material from Watzlawick, and introduces a comprehensive and exciting picture of the scientist and cosmopolitan person, Paul Watzlawick. Target Group: For people interest in Paul Watzlawick, communication sciences, systemic therapy, and constructivism.
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Text und Kommentar in einem Band. In der Suhrkamp BasisBibliothek erscheinen literarische Hauptwerke aller Epochen und Gattungen als Arbeitstexte für Schule und Studium. Der vollständige Text wird ergänzt durch anschaulich geschriebene Kommentare.
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Die Fragilität der Dinge, die Bedrohtheit der Existenz und, als ihr Begrenzendes, das Unermeßliche, aus dem Alles aufsteigt, flüchtig aufglänzt, in dem es wieder versinkt – das ist die Erfahrung, aus der heraus Ungaretti nach dem Ersten Weltkrieg zu dichten begonnen hat. Sie ist der Grundriß seines Dichtens geblieben.« Mit dieser Ankündigung erschien 1968 Paul Celans übersetzung von Giuseppe Ungarettis La terra promessa (1950) und Il taccuino del vecchio (1960) in einer zweisprachigen Ausgabe im Insel Verlag. Nach Ingeborg Bachmanns nur wenige Jahre älterer übersetzung (1961) trug Paul Celans Engagement entscheidend zur besonderen Stellung Giuseppe Ungarettis in Deutschland bei. Celans Übertragung ist in Ungarettis Werk auf besondere Weise eingegangen. In die Originalausgaben der Zyklen hat er, mit Ausnahme weniger eigenständiger Seiten, seine übersetzung hineingeschrieben, den gedruckten Text mit seiner handschriftlichen Arbeit unmittelbar konfrontiert. Den Faksimiles folgen Celans Übertragung nach dem Text der Erstausgabe, sein Briefwechsel mit der Lektorin des Insel Verlages, Anneliese Botond, die ganz unterschiedlich akzentuierten Pressestimmen und ein Nachwort, in dem die Geschichte der Übertragung dokumentiert und Celans übersetzungskonzept analysiert und bewertet wird. Die Genese der Übertragung, die »tangentiale« Berührung von übersetzung und Original, wird in der neuen Ausgabe vollständig als Faksimile abgebildet. »Diese Dichtung hatte das Glück, von Ihnen meisterhaft gedeutet zu werden.« Giuseppe Ungaretti über Paul Celans Übertragungen seiner Lyrik
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Der Materialienband wird eröffnet durch eine Einführung des Herausgebers, Interviews mit Paul Nizon und Äußerungen des Autors über Selbstverständnis und Grundfragen seiner Kunst: ihr Verhältnis zu staatlicher Ordnung, ihr Verhältnis zur Wirklichkeit. Ein zweiter Teil enthält Rezensionen und Analysen einzelner Werke und eine Reihe von Dokumenten. Der dritte Teil setzt sich mit Aspekten des Gesamtwerks auseinander: so mit dem modernen Begriff der Revolte in Nizons Werk, mit schamanistischen Elementen in Nizons Auffassung von der dichterischen Arbeit, mit dem Verhältnis von Körper und Sprache. Der Anhang bringt eine ausführliche Vita und je eine Bibliographie der Primär- und der Sekundärliteratur.
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