Publishers’ Exchange is your window to ‘Publishing in India’. The exchange welcomes publishers, authors, editors, translators, graphic designers and service providers who work closely with the publishing industry, especially those working with Indian languages, including–but not limited to–Hindi, Marathi, Malayalam, Tamil, Telugu, Kannada, Odia, Assamese and Bengali. This is a space for exchanging ideas, rights, resources and networking.
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FILI, founded in 1977, is a centre for the export of literature. FILI promotes the export of literature from Finland by facilitating professional contacts and serving as a “home base” for translators of Finnish literature. We deal with fiction, children’s and young adult books, non-fiction, poetry, comics and graphic novels written in Finnish, Finland-Swedish and Sámi. FILI serves as a support organisation for the export of literature, while publishers and literary agencies handle the sale of translation rights. FILI is a department of the Finnish Literature Society, and around 80% of our funding comes from public sources. FILI distributes approx. €700,000 in translation grants, travel grants and promotional grants for over 400 different projects annually organises Editors’ Week events for publishers to visit Finland from abroad participates in publishing trade fairs abroad acts as a focal point for translators of Finnish literature maintains a database of translations of Finnish literature published in other languages and collects data on translation rights sold abroad. You are welcome to contact us: if you want more information about our grants programmes (Grants Wizard) to let us know about a publisher abroad that’s interested in Finnish literature if you are a translator from Finnish/Finland-Swedish/Sámi and you’re not in our records yet to tell us about a new translation of a Finnish book that’s not in our database if you have questions about literary exports. Networks FILI constitutes part of the NordLit network, along with similar organisations from the other Nordic countries. We hold regular meetings together where we plan our future operations and joint projects. We have a shared Nordic presence at some publishing trade events, such as the London Book Fair. In 2015 NordLit had a joint Nordic stand at the Beijing International Book Fair and the Shanghai International Children’s Book Fair. In Finland, FILI is a member of the TAIVE network of arts information centres. Unlike Finnish information centres for many other artistic genres, FILI does not have a mandate or specific duties to perform here in Finland; instead, our focus is on activities outside Finland. Thus we refer to ourselves in Finnish as a literary export organisation.
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Culture and diversity are both challenge and opportunity. This volume looks at what psychologists are and can be doing to help society meet the challenges and grasp the opportunities in education, at work, and in clinical practice. The increasingly international and globalized nature of modern societies means that psychologists in particular face new challenges and have new opportunities in all areas of practice and research. The contributions from leading European experts cover relevant intercultural issues and topics in areas as diverse as personality, education and training, work and organizational psychology, clinical and counselling psychology, migration and international youth exchanges. As well as looking at the new challenges and opportunities that psychologists face in dealing with people from increasingly varied cultural backgrounds, perhaps more importantly they also explain and discuss how psychologists can deepen and acquire the intercultural competencies that are now needed in our professional lives. Target Group: psychotherapists / clinical psychologists / mental health professionals
The first comprehensive account of the public and cultural diplomacy campaigns carried out by the US in Yugoslavia during the height of the Cold War, this book examines the political role of culture in US-Yugoslav bilateral relations and the fluid links between information and propaganda. Tito allowed the US Information Agency and the State Department's cultural programmes to enter Yugoslavia, liberated from Soviet control. The exchange of intellectual and political personnel helped foster the US-Yugoslav relationship, yet it posed severe ideological challenges for both sides. By providing new insights into porous borders between freedom and coercion in Tito's regime, this book shows how public diplomacy acted as an external input for Yugoslav liberalisation and dissident movements. Using extensive archival research and interviews, Konta analyses the links between information and propaganda, and the unintended effects of propaganda beyond the control of producers and receivers.
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Courteous Exchanges explores the significant overlap between Edmund Spenser's Faerie Queene and Shakespeare's plays, showing how both facilitate the critique of Renaissance aristocratic identity. Moving from a consideration of Castiglione's Book of the Courtier as a text that encouraged reader engagement, the book offers new readings of Shakespeare's plays in conjunction with Spenser. It pairs Love's Labour's Lost, Much Ado About Nothing, The Merchant of Venice, and The Winter's Tale with The Faerie Queene in order to explore how topics such as education, gender, religion, race, and aristocratic identity are offered up to reader and audience interpretation.
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This study of the British colonial administrator James Tod (1782-1835), who spent five years in north-western India (1818-22) collecting every conceivable type of material of historical or cultural interest on the Rajputs and the Gujaratis, gives special attention to his role as a mediator of knowledge about this little-known region of the British Empire in the early nineteenth century to British and European audiences. The book aims to illustrate that British officers did not spend all their time oppressing and inferiorising the indigenous peoples under their colonial authority, but also contributed to propagating cultural and scientific information about them, and that they did not react only negatively to the various types of human difference they encountered in the field.
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British culture after Empire is the first collection of its kind to explore the intertwined social, cultural and political aftermath of empire in Britain from 1945 up to and beyond the Brexit referendum of 2016, combining approaches from the fields of history, English and cultural studies. Against those who would deny, downplay or attempt to forget Britain's imperial legacy, the various contributions expose and explore how the British Empire and the consequences of its end continue to shape Britain at the local, national and international level. As an important and urgent intervention in a field of increasing relevance within and beyond the academy, the book offers fresh perspectives on the colonial hangovers in post-colonial Britain from up-and-coming as well as established scholars.
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This collection of essays addresses research trends in the history of British leisure while also presenting a wide range of articles on cultural conflict and leisure in the twentieth century. It includes innovative research on a number of topics, including television, cinema, the circus, women's leisure, dance, football and drug culture. It provides an excellent entry to leisure studies and history, while addressing the contributions of other disciplines and exploring key historiographical trends. Three broad topics structure the collection; cultural contestation and social conflict in leisure; regulation and standardisation; and national identity embodied in leisure and popular culture. The book will be useful to students and educators of twentieth-century and British history, as it offers accessible and topical studies that pique historical curiosity. In addition, historians, sociologists and cultural analysts of the twentieth century will find it essential for understanding pleasure and recreation in twentieth-century British society.
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This collection of essays addresses research trends in the history of British leisure while also presenting a wide range of articles on cultural conflict and leisure in the twentieth century. It includes innovative research on a number of topics, including television, cinema, the circus, women's leisure, dance, football and drug culture. It provides an excellent entry to leisure studies and history, while addressing the contributions of other disciplines and exploring key historiographical trends. Three broad topics structure the collection; cultural contestation and social conflict in leisure; regulation and standardisation; and national identity embodied in leisure and popular culture. The book will be useful to students and educators of twentieth-century and British history, as it offers accessible and topical studies that pique historical curiosity. In addition, historians, sociologists and cultural analysts of the twentieth century will find it essential for understanding pleasure and recreation in twentieth-century British society. ;
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Recent scholarship in political thought has closely examined the relationship between European political ideas and colonialism, particularly the ways in which canonical thinkers supported or opposed colonial practices. But little attention has been given to the engagement of colonized political and intellectual actors with European ideas. The essays in this volume demonstrate that a full reckoning of colonialism's effects requires attention to the ways in which colonized intellectuals reacted to, adopted, and transformed these ideas, and to the political projects that their reactions helped to shape. Across nine chapters, a mix of political theorists and intellectual historians grapple with specific thinkers and contexts to show in detail the unpredictable, complex and sometimes paradoxical impact of European ideas in an array of colonial settings.
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This book brings together studies of cultural institutions in Manchester from 1850 to the present day, giving an unprecedented account of the city's cultural evolution. These bring to light the remarkable range of Manchester's contribution to modern cultural life, including the role of art education, popular theatre, religion, pleasure gardens, clubs and societies. The chapters show the resilience and creativity of Manchester's cultural institutions since 1850, challenging any simple narrative of urban decline following the erosion of Lancashire's industrial base, at the same time illustrating the range of activities across the social classes. This book will appeal to everyone interested in the cultural life of the city of Manchester, including cultural historians, sociologists and urban geographers, as well as general readers with interests in the city. It is written by leading international authorities, including Viv Gardner, Stephen Milner, Mike Savage, Bill Williams and Janet Wolff.
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Brazil has one of the most significant and productive film industries in Latin America. This ground-breaking study provides an entertaining insight into the Brazilian films that have most captured the imagination of domestic audiences over the years. The recent international success of films such as Central Station and City of God, has stimulated widespread interest in Brazilian film, but studies written in English focus on the 'auteur' cinema of the 1960s. This book focuses on individual films in their socio-historical context, drawing on extensive fieldwork in Brazil and Latin America. It argues that Brazilian cinema has almost always been grounded in intrinsically home-grown cultural forms, dating back to the nineteenth century, such as the Brazilian music-hall, the travelling circus, radio shows, carnival, and, later, comedy television. Combining a chronological structure with groundbreaking research and a lively approach, Popular cinema in Brazil is the ideal introduction to Brazilian cinema.
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What happens when the elitist space of 'Western' classical music seeks to diversify itself? And what are the social effects worked through diversity discourses in classical music institutions? Sounding difference addresses these concerns by critically examining how diversity work takes shape in a cultural sector so deeply implicated in hierarchies of class, structures of whiteness, and legacies of imperialism. The book draws from ethnographic and interview data to analyse how diversity discourses become constructed in the organisational and creative processes of music production. From rehearsal and performance practices to the impact of the Covid-19 pandemic on the sector's commitment to change, Kolbe reveals the institutional constraints and precarious labour relations that form around diversity work in classical music and skilfully considers what these processes can tell us about the remaking of class, race, and racism today.
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This important book reassesses a defining historical, political and ideological moment in contemporary history: the 1989 revolutions in central and eastern Europe. Adopting a multi-disciplinary approach, the authors reconsider such crucial themes as the broader historical significance of the 1989 events, the complex interaction between external and internal factors in the origins and outcomes of the revolutions, the impact of the 'Gorbachev phenomenon', the West and the end of the Cold War, the political and socio-economic determinants of the revolutionary processes in Poland, Hungary, the German Democratic Republic, Czechoslovakia, Romania and Bulgaria, and the competing academic, cultural and ideological perceptions of the year 1989 as communism gave way to post-communist pluralism in the 1990s and beyond. Concluding that the contentious term 'revolution' is indeed apt for the momentous developments in eastern Europe in 1989, this book will be essential reading for undergraduates, postgraduates and specialists alike. ;
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This book analyses the use of the past and the production of heritage through architectural design in the developmental context of Iran, a country that has endured radical cultural and political shifts in the past five decades. Offering a trans-disciplinary approach toward complex relationship between architecture, development, and heritage, Mozaffari and Westbrook suggest that transformations in developmental contexts like Iran must be seen in relation to global political and historical exchanges, as well as the specificities of localities. The premise of the book is that development has been a globalizing project that originated in the West. Transposed into other contexts, this project instigates a renewed historical consciousness and imagination of the past. The authors explore the rise of this consciousness in architecture, examining the theoretical context to the debates, international exchanges made in architectural congresses in the 1970s, the use of housing as the vehicle for everyday heritage, and forms of symbolic public architecture that reflect monumental time.
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English folk-rock, a former progressive rock music style, remains a stimulus for further change in folk music and has enabled English folk-rock to become regarded as popular music by a new audience with diverse musical tastes. From musicological and historical perspectives, this book maintains that folk music performance continues to be influenced by rock and other popular music styles. From a cultural studies perspective, this book also demonstrates how the popularity of folk music presented at world music festivals has stimulated significant growth in folk music audiences since the mid-1990s and consequently the UK is experiencing a new phase of revivalism - the third folk revival. The book contains contributions from Martin Carthy (The Imagined Village), Simon Nicol (Fairport Convention), Ashley Hutchings (The Albion Band), Gerry Conway (Fairport Convention) and Rick Kemp (Steeleye Span). ;
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What we associate with sleep is shaped by the culture we live in. Whereas the God of the Bible never sleeps, the sinful human falls asleep every night and is thus marked as an inferior being. In the Age of Enlightenment, (too much) sleep was considered a waste of strength, which could otherwise be used to change the world. These days, sleep seems to be subject to the same tenets of usefulness as everything else and is seen to assist with the optimization of one’s self. However, culture and technology also influence how we sleep: for example, the constant availability of light, the modern conditions of work and all sorts of distractions have meant that we no longer follow our natural rhythm – a first sleep before midnight and a second sleep after a longer period of wakefulness, during which we may be active. In “Good Evening, Good Night”, Karoline Walter uses numerous examples from history, literature and research to illustrate how sleep and sleeping have changed across cultures and eras – an entertaining read, certainly nothing to put you to sleep.
