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Naxos Deutschland Musik & Video Vertriebs GmbH
About Naxos licensing service As the world's leading classical music label, we can offer you an unparalleled range of repertoire for licensing. Our continuously-expanding catalogue now contains over 750,000 tracks, all of the highest artistic standard, all in state-of-the-art digital sound and many critically-acclaimed. From Early music to Opera, from Medieval to Post-Modern, from Bach to Wagner, Naxos has it. And because we own our recordings outright we can clear the right overnight without involving third parties. Are you looking for unique music for your project? We are offering a complete service from your initial concept to the finished product. Julia Brunzlow eMail: jb@naxos.de Tel.: 0171-3312975 Julia Gärtner eMail: jg@naxos.de Tel.: 08121-2500747 Web: www.naxoslicensing.com
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Promoted Content
The ArtsFebruary 2012Transforming folk
Innovation and tradition in English folk-rock music
by Rob Burns
English folk-rock, a former progressive rock music style, remains a stimulus for further change in folk music and has enabled English folk-rock to become regarded as popular music by a new audience with diverse musical tastes. From musicological and historical perspectives, this book maintains that folk music performance continues to be influenced by rock and other popular music styles. From a cultural studies perspective, this book also demonstrates how the popularity of folk music presented at world music festivals has stimulated significant growth in folk music audiences since the mid-1990s and consequently the UK is experiencing a new phase of revivalism - the third folk revival. The book contains contributions from Martin Carthy (The Imagined Village), Simon Nicol (Fairport Convention), Ashley Hutchings (The Albion Band), Gerry Conway (Fairport Convention) and Rick Kemp (Steeleye Span). ;
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Humanities & Social SciencesJanuary 2017The souls of white folk
White settlers in Kenya, 1900s–1920s
by Brett Shadle, Andrew Thompson, John M. MacKenzie
Kenya's white settlers have been alternately celebrated and condemned, painted as romantic pioneers or hedonistic bed-hoppers or crude racists. The souls of white folk examines settlers not as caricatures, but as people inhabiting a unique historical moment. It takes seriously - though not uncritically - what settlers said, how they viewed themselves and their world. It argues that the settler soul was composed of a series of interlaced ideas: settlers equated civilisation with a (hard to define) whiteness; they were emotionally enriched through claims to paternalism and trusteeship over Africans; they felt themselves constantly threatened by Africans, by the state, and by the moral failures of other settlers; and they daily enacted their claims to supremacy through rituals of prestige, deference, humiliation and violence. The souls of white folk will appeal to those interested in the histories of Africa, colonialism, and race, and can be appreciated by scholars and students alike.
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Biography & True StoriesMarch 1905Chopin: The Man and His Music
by James Huneker
Chopin: The Man and His Music reflects the intimate, thorough knowledge of Chopin's music that Huneker acquired while studying to be a concert pianist and his unusually keen insight into the character of the great Polish composer whose music he adored.
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Humanities & Social SciencesMay 2009Crisis music
The cultural politics of Rock Against Racism
by Ian Goodyer
Marching to the beat of punk rock and reggae, Rock Against Racism was a mass movement built in opposition to racism and fascism in 1970s Britain. At a time of severe economic and social crises, RAR, alongside the Anti-Nazi League, organised one of the biggest and most effective political and cultural mobilisations of the post-war period. Expressing itself through spectacular carnivals, concerts, marches and innovative forms of design and communication, RAR combined hard-headed political organisation with the optimism and energy of radical youth culture. Drawing on interviews with activists, supporters and critics, and based on the latest research, Crisis music explores the nature of this ground-breaking politico-cultural phenomenon. The author explains why RAR seized upon the power and passion of punk and reggae, and how this has helped to shape the boundaries of modern popular music. He also offers, for the first time, a clear picture of the relationship between RAR and its main political sponsor, the Socialist Workers Party. Crisis music discusses RAR's place within the left's often-troubled encounters with popular culture, and draws comparisons with other music-based movements and campaigns, such as the post-war folk revival and Live 8. This book casts light on numerous current debates: about 'celebrity politics' and the role of musicians as political spokespeople, for instance, and the links between ethnicity, popular culture and politics. It will be of value to students and researchers in cultural studies, politics and labour history, and to anyone interested in the role of culture in political activity. ;
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Humanities & Social SciencesJune 2025Faith, folk and the far right
Racist and anti-racist Heathenry and Occultism in Britain
by Dominic Alessio, Robert J. Wallis
This book offers the first examination of extremist Heathenry and occultism in the UK and how anti-racist Heathens act to counter this discourse. It explores the spectrum of Heathen practice today and the historical origins of racist Heathenry in nineteenth century Germanic romanticism and twentieth century folkish nationalism. Treating each of the three main extremist Heathen organisations, the book extends the analysis to the neo-Nazi occult organization the Order of the Nine Angles (O9A), and the wider racist Heathen cultural scene in Black Metal and Dark Folk music. The authors balance this with discussion of how inclusivist Heathens are countering this discourse, from visible protests at far-right rallies to inter-faith forums and an active presence on social media platforms. The book makes an important contribution to the intersecting fields of new religious movements, nationalist history and racist politics.
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Literature & Literary StudiesDecember 2023Fantasies of music in nostalgic medievalism
by Helen Dell
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Humanities & Social SciencesMarch 2017Imperialism and music
by Andrew Thompson, John M. MacKenzie, Kim Latham
This study considers the relationship between British imperialism and music. With its unique ability to stimulate the emotions and to create mental images, music was used to dramatize, illustrate and reinforce the components of the ideological cluster that constituted British imperialism in its heyday: patriotism, monarchism, hero-worship, Protestantism, racialism and chivalry. It was also used to emphasise the inclusiveness of Britain by stressing the contributions of England, Scotland, Wales and Ireland to the imperial project.
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Biography & True StoriesMarch 2024She played and sang
Jane Austen and music
by Gillian Dooley
Like her much-loved heroine Emma Woodhouse, Jane Austen 'played and sang'. Music occupied a central role in her life, and she made brilliant use of it in her books to illuminate characters' personalities and highlight the contrasts between them. Until recently, our knowledge of Austen's musical inclinations was limited to the recollections of relatives who were still in their youth when she passed away. But with the digitisation of music books from her immediate family circle, a treasure trove of evidence has emerged. Delving into these books, alongside letters and other familial records, She played and sang unveils a previously unknown facet of Austen's world. This insightful work not only uncovers the music closely associated with Austen, but also unravels her musical connections with family and friends, revealing the intricate ties between her fiction and the melodies she performed. With these revelations, Austen's musical legacy comes to life, granting us a deeper understanding of her artistic prowess and the influences that shaped her literary masterpieces.
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Humanities & Social SciencesJune 2024The sound of difference
Race, class and the politics of 'diversity' in classical music
by Kristina Kolbe
What happens when the elitist space of 'Western' classical music seeks to diversify itself? And what are the social effects worked through diversity discourses in classical music institutions? Sounding difference addresses these concerns by critically examining how diversity work takes shape in a cultural sector so deeply implicated in hierarchies of class, structures of whiteness, and legacies of imperialism. The book draws from ethnographic and interview data to analyse how diversity discourses become constructed in the organisational and creative processes of music production. From rehearsal and performance practices to the impact of the Covid-19 pandemic on the sector's commitment to change, Kolbe reveals the institutional constraints and precarious labour relations that form around diversity work in classical music and skilfully considers what these processes can tell us about the remaking of class, race, and racism today.
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The ArtsMay 2025A new genre for television?
Creativity in historical drama documentary
by Justin Hardy
In A New Genre for Television?, filmmaker Justin Hardy argues the dramatised history documentaries broadcast by British public service channels in the 2000s constituted a distinct television genre. Offering a vital distinction between docudramas and drama documentaries, Hardy contributes to the field of television history through exclusive interviews with key figures from BBC and Channel 4 - many of whom have never been publicly interviewed before - and envisions a future model for the portrayal of national histories on screen.
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Business, Economics & LawJanuary 2024Welcome to the club
The life and lessons of a Black woman DJ
by DJ Paulette
In Welcome to the club, Manchester legend DJ Paulette shares the highs, lows and lessons of a thirty-year music career, with help from some famous friends. One of the Haçienda's first female DJs, Paulette has scaled the heights of the music industry, playing to crowds of thousands all around the world, and descended to the lows of being unceremoniously benched by COVID-19, with no chance of furlough and little support from the government. Here she tells her story, offering a remarkable view of the music industry from a Black woman's perspective. Behind the core values of peace, love, unity and respect, dance music is a world of exclusion, misogyny, racism and classism. But, as Paulette reveals, it is also a space bursting at the seams with powerful women. Part personal account, part call to arms, Welcome to the club exposes the exclusivity of the music industry while seeking to do justice to the often invisible women who keep the beat going.
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The ArtsJune 2021Contemporary Spanish cinema and genre
by Jay Beck, Vicente Rodríguez Ortega
This volume is the first English-language collection exclusively dedicated to the study of genre in relation to Spanish cinema. Providing a variety of critical perspectives, the collection gives the reader a thorough account of the relationship between Spanish cinema and genre, drawing on case studies of several of the most remarkable Spanish films in recent years. The book analyses the significant changes in the aesthetics, production and reception of Spanish film from 1990 onwards. It brings together European and North American scholars to establish a critical dialogue on the topics under discussion, while providing multiple perspectives on the concepts of national cinemas and genre theory. In recent years film scholarship has attempted to negotiate the tension between the nationally specific and the internationally ubiquitous, discussing how globalisation has influenced film making and surrounding cultural practice. These broader social concerns have prompted scholars to emphasise a redefinition of national cinemas beyond strict national boundaries and to pay attention to the transnational character of any national site of film production and reception. This collection provides a thorough investigation of contemporary Spanish cinema within a transnational framework, by positing cinematic genres as the meeting spaces between a variety of diverse forces that necessarily operate within but also across territorial spaces. Paying close attention to the specifics of the Spanish cinematic and social panorama, the essays investigate the transnational economic, cultural and aesthetic forces at play in shaping Spanish film genres today.
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The ArtsJanuary 2019Contemporary Spanish cinema and genre
by Jay Beck, Vicente Rodríguez Ortega
This volume is the first English-language collection exclusively dedicated to the study of genre in relation to Spanish cinema. Providing a variety of critical perspectives, the collection gives the reader a thorough account of the relationship between Spanish cinema and genre, drawing on case studies of several of the most remarkable Spanish films in recent years. The book analyses the significant changes in the aesthetics, production and reception of Spanish film from 1990 onwards. It brings together European and North American scholars to establish a critical dialogue on the topics under discussion, while providing multiple perspectives on the concepts of national cinemas and genre theory. In recent years film scholarship has attempted to negotiate the tension between the nationally specific and the internationally ubiquitous, discussing how globalisation has influenced film making and surrounding cultural practice. These broader social concerns have prompted scholars to emphasise a redefinition of national cinemas beyond strict national boundaries and to pay attention to the transnational character of any national site of film production and reception. This collection provides a thorough investigation of contemporary Spanish cinema within a transnational framework, by positing cinematic genres as the meeting spaces between a variety of diverse forces that necessarily operate within but also across territorial spaces. Paying close attention to the specifics of the Spanish cinematic and social panorama, the essays investigate the transnational economic, cultural and aesthetic forces at play in shaping Spanish film genres today.
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The ArtsMay 2003Scotland and the music hall, 1850–1914
by Paul Maloney, Jeffrey Richards
Music hall reflected the lifestyles and preoccupations of working people in a way that only television in the modern era has done since. While London dominated the wider British music hall, Glasgow was the centre of a vigorous Scottish performing culture developed in a Presbyterian society with a very different experience of industrial urbanisation. This book explores all aspects of the Scottish music hall industry, from the lives and professional culture of performers and impresarios to the place of music hall in Scottish life. It explores issues of national identity in terms of Scottish audiences' responses to the promotion of imperial themes in songs and performing material, and in the version of Scottish identity projected by Lauder and other kilted acts at home and abroad. ;
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Humanities & Social SciencesMarch 2019Managing diabetes, managing medicine
Chronic disease and clinical bureaucracy in post-war Britain
by Martin D. Moore, Keir Waddington, David Cantor
This book is available as an open access ebook under a CC-BY-NC-ND licence. Through its study of diabetes care in twentieth-century Britain, Managing diabetes, managing medicine offers the first historical monograph to explore how the decision-making and labour of medical professionals became subject to bureaucratic regulation and managerial oversight. Where much existing literature has cast health care management as either a political imposition or an assertion of medical control, this work positions managerial medicine as a co-constructed venture. Although driven by different motives, doctors, nurses, professional bodies, government agencies and international organisations were all integral to the creation of managerial systems, working within a context of considerable professional, political, technological, economic and cultural change.
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Humanities & Social SciencesMay 2015The souls of white folk
by Brett Shadle, Andrew Thompson, John Mackenzie
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Humanities & Social SciencesMay 2015The souls of white folk
by Brett Shadle, Andrew Thompson, John Mackenzie, Rebecca Mortimer
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