House of Anansi Press
Livres Canada Books
View Rights PortalIMF’s print and digital publications present the research, policy advice, and data on economic and financial sector issues at the global, regional, and country levels.
View Rights PortalDer Versuch über Kafka Beschreibung einer Form ist Martin Walsers Dissertation, sie erschien erstmals 1961 und ist eine bemerkenswerte Einführung in das Werk Franz Kafkas, das eine so tiefe und nicht nachlassende Wirkung ausübt.
This book offers the first comprehensive history of white workers from the end of the First World War to Zimbabwean independence in 1980. It reveals how white worker identity was constituted, examines the white labouring class as an ethnically and nationally heterogeneous formation comprised of both men and women, and emphasises the active participation of white workers in the ongoing and contested production of race. White wage labourers' experiences, both as exploited workers and as part of the privileged white minority, offer insight into how race and class co-produced one another and how boundaries fundamental to settler colonialism were regulated and policed. Based on original research conducted in Zimbabwe, South Africa and the UK, this book offers a unique theoretical synthesis of work on gender, whiteness studies, labour histories, settler colonialism, Marxism, emotions and the New African Economic History.
In this bold and exhilarating mix of memoir and writing guide, Melissa Febos tackles the emotional, psychological, and physical work of writing intimately while offering an utterly fresh examination of the storyteller's life and the challenges it presents. How do we write about the relationships that have formed us? How do we describe our bodies, their desires and traumas? What does it mean to have your writing, or living, dismissed as "navel-gazing"-or else hailed as "so brave, so raw"? And to whom, in the end, do our most intimate stories belong? Drawing on her journey from aspiring writer to acclaimed author and writing professor-via addiction and recovery, sex work and academia-Melissa Febos has created a captivating guide to the writing life, and a brilliantly unusual exploration of subjectivity, privacy, and the power of divulgence. Candid and inspiring, Body Work will empower readers and writers alike, offering ideas-and occasional notes of caution-to anyone who has ever hoped to see their true self reflecting back from the open page.
In this bold and exhilarating mix of memoir and writing guide, Melissa Febos tackles the emotional, psychological, and physical work of writing intimately while offering an utterly fresh examination of the storyteller's life and the challenges it presents. How do we write about the relationships that have formed us? How do we describe our bodies, their desires and traumas? What does it mean to have your writing, or living, dismissed as "navel-gazing"-or else hailed as "so brave, so raw"? And to whom, in the end, do our most intimate stories belong? Drawing on her journey from aspiring writer to acclaimed author and writing professor-via addiction and recovery, sex work and academia-Melissa Febos has created a captivating guide to the writing life, and a brilliantly unusual exploration of subjectivity, privacy, and the power of divulgence. Candid and inspiring, Body Work will empower readers and writers alike, offering ideas-and occasional notes of caution-to anyone who has ever hoped to see their true self reflecting back from the open page.
In this bold and exhilarating mix of memoir and writing guide, Melissa Febos tackles the emotional, psychological, and physical work of writing intimately while offering an utterly fresh examination of the storyteller's life and the challenges it presents. How do we write about the relationships that have formed us? How do we describe our bodies, their desires and traumas? What does it mean to have your writing, or living, dismissed as "navel-gazing"-or else hailed as "so brave, so raw"? And to whom, in the end, do our most intimate stories belong? Drawing on her journey from aspiring writer to acclaimed author and writing professor-via addiction and recovery, sex work and academia-Melissa Febos has created a captivating guide to the writing life, and a brilliantly unusual exploration of subjectivity, privacy, and the power of divulgence. Candid and inspiring, Body Work will empower readers and writers alike, offering ideas-and occasional notes of caution-to anyone who has ever hoped to see their true self reflecting back from the open page.
Child, nation, race and empire is an innovative, inter-disciplinary, cross cultural study that contributes to understandings of both contemporary child welfare practices and the complex dynamics of empire. It analyses the construction and transmission of nineteenth-century British child rescue ideology. Locating the origins of contemporary practice in the publications of the prominent English Child rescuers, Dr Barnardo, Thomas Bowman Stephenson, Benjamin Waugh, Edward de Montjoie Rudolf and their colonial disciples and literature written for children, it shows how the vulnerable body of the child at risk came to be reconstituted as central to the survival of nation, race and empire. Yet, as the shocking testimony before the many official enquiries into the past treatment of children in out-of-home 'care' held in Britain, Ireland, Australia and Canada make clear, there was no guarantee that the rescued child would be protected from further harm.
Examining the popular discourse of nerves and stress, this book provides a historical account of how ordinary Britons understood, explained and coped with the pressures and strains of daily life during the twentieth century. It traces the popular, vernacular discourse of stress, illuminating not just how stress was known, but the ways in which that knowledge was produced. Taking a cultural approach, the book focuses on contemporary popular understandings, revealing continuity of ideas about work, mental health, status, gender and individual weakness, as well as the changing socio-economic contexts that enabled stress to become a ubiquitous condition of everyday life by the end of the century. With accounts from sufferers, families and colleagues it also offers insight into self-help literature, the meanings of work and changing dynamics of domestic life, delivering a complementary perspective to medical histories of stress.
After the fall of the Ben Ali regime in 2011, Tunisia swiftly began dealing with its authoritarian past and initiated a comprehensive transitional justice process, with the Truth and Dignity Commission as its central institution. However, instead of bringing about peace and justice, transitional justice soon became an arena of contention. Through a process lens, the book explores why and how the process evolved, and explains how it relates to the country's political transition. Based on extensive field research in Tunisia and the US, and interviews with a broad range of international stakeholders and decision-makers, this is the first book to comprehensively study the Tunisian transitional justice process. It provides an in-depth analysis of a crucial period, examining the role of justice professionals in different stages, as well as the alliances and frictions between different actor groups that cut across the often-assumed local-international divide.
From dating dilemmas to long-term love, this Q&A-styleguide offers clear, practical answers to real relationshipquestions. Grounded in therapy and daily life, it helps readersnavigate common challenges, strengthen connection,and build lasting relational skills – one insightful questionat a time. • Real-life answers from a seasoned couples therapist• Practical tools for every phase of a relationship• Easy to dip into – no cover-to-cover reading required
This book examines the working lives of musicians over the past 120 years via the history of the Musicians' Union. The union has been at the centre of all major agreements covering the employment of musicians across the UK's music industries for this period and its role to date has largely been ignored by historians of the music profession, the music industries and trade unions. This book remedies that oversight, providing fresh insight to musicians' working lives, the industries in which they work and wider British social life. It explores a history of confrontation, coercion and compromise played out across the nation's studios, performance spaces and airwaves.
Nurses encounter patients whose body image reality has been changed by disease, injuries or traumas on a daily basis. In a world where a flawless body is so highly valued, these patients may struggle to adapt to and accept these changes which can lead to body image disturbances. This handbook provides all those professionals caring for people with amputations, skin disorders, stoma, breast cancer and other diseases with information on the concept of body image and how to assess it, as well as describe possible symptoms and causes of body image disturbances and offers interventions to improve patients’ body image. Target Group: health scientists, geographers, doctors (epidemiologists).
The book focuses on people who, in addition to their gainful employment, are also responsible for caring for sick, impaired, or very old relatives - in other words, “work & care”. This topic is at the intersection of two scarce resources - the private unpaid care potential for loved ones on the one hand and the employment potential of family members on the other. The author examines what the professional, operational, and political consequences are for nursing science and practice as well as for service providers and payers. She makes suggestions for the development of personal, family, and organizational compatibility competence on the levels of action time-out and regeneration, knowledge and empowerment, coordination and organization, exchange and accompaniment. Finally, she offers options for action for nursing science and sheds light on the field of activity of scientific policy advice.
Der oder das Kalkül? Der Titel dieses Buches läßt die Frage bewußt offen. Der Kalkül stellt auf das von der Logik bereitgestellte Instrument zur Durchführung von Berechnungen ab. Das Kalkül meint die Berechnung selbst im Hinblick auf ein anderes, im Kalkül selbst nicht Erfaßtes. In den Beiträgen dieses Bandes geht es um G. Spencer Browns »Gesetze der Form« im doppelten Sinne der Form eines Kalküls, der eingesetzt wird und Berechnungen ermöglicht, in denen er selbst noch einmal vorkommt als das, was er nicht erfaßt. Der Band enthält die allererste Besprechung der »Gesetze der Form«, die Heinz von Foerster für die kalifornische Ökofibel »Whole Earth Catalog« geschrieben hat, sowie Beiträge, die Spencer Brown im Kontext des optionalen Konstruktivismus, der modernen sowohl zwei- wie mehrwertigen Logik und einer Theorie des Paradoxen lesen.
This book offers the first systematic critical appraisal of the uses of work and work therapy in psychiatric institutions across the globe, from the late eighteenth to the end of the twentieth century. Contributors explore the daily routine in psychiatric institutions and ask whether work was therapy, part of a regime of punishment or a means of exploiting free labour. By focusing on mental patients' day-to-day life in closed institutions, the authors fill a gap in the history of psychiatric regimes. The geographical scope is wide, ranging from Northern America to Japan, India and Western as well as Eastern Europe, and the authors engage with broad historical questions, such as the impact of colonialism and communism and the effect of the World Wars. The book presents an alternative history of the emergence of occupational therapy and will be of interest not only to academics in the fields of history and sociology but also to health professionals.
Gibt es also doch etwas wie »Gesetze der Form«? Die Interpretation, die G. Spencer Brown seinem Kalkül der Form mit auf den Weg gibt, tut ihr Bestes, um diesen Eindruck zu erwecken. Freilich tut sie auch alles, um diesen Eindruck, kaum ist man bereit, ihm zu folgen, wieder zu dementieren. Beides zusammen macht Spencer Browns Formbegriff für eine Soziologie interessant, die aus der Vermutung, daß noch die Aufhebung der Gesetze Gesetzen folgt, eine Wissenschaft macht. Der Band versammelt Beiträge, die die Möglichkeiten des Formen- und Indikationskalküls zur Beobachtung der Dynamik von Bezeichnungen in Abhängigkeit von Unterscheidungen nutzen. Das reicht von frühen Entdeckungen des Formproblems im Roman und im Drama, in der Logik und in der Sprache über Rekonstruktionen des Zeichen-, Latenz- und Spielverständnisses bis zu Beschreibungen des Geldes, der Universität, des Staates, der sozialen Bewegungen, der Karriere und der Krankheit.