Buttercup Publishing, a UK-based publishing company, is a distinguished and prominent name in the publishing industry. We work towards our mission of 'cultivating reading habits' in children, with our distinctive and exceptional range of books, available for different age groups.
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Sounds True was founded in 1985 by Tami Simon with a clear mission: to disseminate spiritual wisdom. Since starting out as a project with one woman and her tape recorder, we have grown into a multimedia publishing company with more than 110 employees, a library of more than 3000 titles featuring some of the leading teachers and visionaries of our time, and an ever-expanding family of customers from across the world. From bestselling authors to new voices in spiritual wisdom, our products represent a variety of popular topics, including meditation, mindfulness, yoga, shamanism, psychology, health and healing, along with a line of children’s books.
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This book, newly available in paperback, reveals the Conservative Party's relationship with the extreme right between 1945 and 1975. For the first time, this book shows how the Conservative Party, realising that its well known pre-Second World War connections with the extreme right were now embarrassing, used its bureaucracy to implement a policy of investigating extreme right groups and taking action to minimise their chances of success. The book focuses on the Conservative Party's investigation of right-wing groups, and shows how its perception of their nature determined the party bureaucracy's response. The book draws a comparison between the Conservative Party machine's negative attitude towards the extreme right and its support for progressive groups. It concludes that the Conservative Party acted as a persistent block to the external extreme right in a number of ways, and that the Party bureaucracy persistently denied the extreme right within the party assistance access to funds and representation within party organisations. It reaches a climax with the formulation of a 'plan' threatening its own candidate if he failed to remove the extreme right from the Conservative Monday Club.
The debate about the Empire dealt in idealism and morality, and both sides employed the language of feeling, and frequently argued their case in dramatic terms. This book opposes two sides of the Empire, first, as it was presented to the public in Britain, and second, as it was experienced or imagined by its subjects abroad. British imperialism was nurtured by such upper middle-class institutions as the public schools, the wardrooms and officers' messes, and the conservative press. The attitudes of 1916 can best be recovered through a reconstruction of a poetics of popular imperialism. The case-study of Rhodesia demonstrates the almost instant application of myth and sign to a contemporary imperial crisis. Rudyard Kipling was acknowledged throughout the English-speaking world not only as a wonderful teller of stories but as the 'singer of Greater Britain', or, as 'the Laureate of Empire'. In the last two decades of the nineteenth century, the Empire gained a beachhead in the classroom, particularly in the coupling of geography and history. The Island Story underlined that stories of heroic soldiers and 'fights for the flag' were easier for teachers to present to children than lessons in morality, or abstractions about liberty and responsible government. The Education Act of 1870 had created a need for standard readers in schools; readers designed to teach boys and girls to be useful citizens. The Indian Mutiny was the supreme test of the imperial conscience, a measure of the morality of the 'master-nation'.
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Democratising Conservative leadership selection traces the effects of democracy on the British Conservative Party, specifically looking at how changes in the ways the Conservatives elect their leaders have altered their mandate to lead. The book includes analysis of the original undemocratic 'system' whereby a leader 'emerged' from a shadowy process of consultation, and of the six elections between 1965 and 1997 where the parliamentary Conservative Party alone chose the Party leader. This historical perspective is followed by in-depth analysis of the three contests since 2001 that have taken place under the 'Hague rules', according to which ordinary Party members have the final say. This is the most comprehensive account yet published of the operation of those rules on the Conservative Party and the legitimacy of its leadership, and of the 2005 election of David Cameron. This book will be essential reading for students, academic specialists and anyone interested in the recent history and contemporary practice of British Conservatism. ;
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This book outlines and evaluates the political thought of the Conservative Party through a detailed examination of its principal thinkers from Harold Macmillan to the present. Traditionally, the Conservative Party has been regarded as a vote-gathering machine rather than a vehicle for ideas. This book redresses the balance through a series of biographical essays examining the thought of those who have contributed most to the development of ideas within the party. The chapters benefit from archival research and interviews with leading Conservatives. The recent revival of Conservative fortunes makes the book particularly timely. The book begins with an introductory chapter explaining the role of ideology in the Conservative Party. It then traces the political thought of the Conservative Party through its principal theorists since the 1930s. These are Harold Macmillan, R. A. Butler, Quintin Hogg, Enoch Powell, Angus Maude, Keith Joseph, the 'traditionalists' (Maurice Cowling, T. E. 'Peter' Utley, Peregrine Worsthorne, Shirley Letwin and Roger Scruton), Ian Gilmour, John Redwood and David Willetts. The book concludes with an overall assessment of the political thought of the Conservative Party and the relevance of past debates for contemporary Conservatism. The book will be of considerable interest to academics and non-academics alike; for those who have a special interest in the Conservative Party but also for any student of contemporary British Politics. ;
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The second volume of this highly collectable series, covering the pivotal years of 1969-70. The Island Book of Records Volume II documents the years 1969-70, during which Island sought to build on its success with the Spencer Davis Group by seeking out new British rock talent. By the end of the period, Island was emerging as a major British label, one that could boast releases from Jethro Tull, Nick Drake, King Crimson, John and Beverley Martyn, Fairport Convention and Cat Stevens. Featuring material from recent interviews and from media interviews of the time, and including a comprehensive discography of 45s, The Island Book of Records Volume II is lavishly illustrated with gig adverts (very many at venues that no longer exist), concert tickets, flyers, international LP variants, labels, LP and 45 adverts and other ephemera collector's dream.
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Mörderische Machtspiele im Elite-Internat. Back to "Night School" Wenn du an einen der sichersten Orte der Welt gebracht wirst und sie dich trotzdem finden… Gray, die Tochter der Premierministerin, wird zu ihrem Schutz nach Cimmeria, einem Eliteinternat, gebracht. Es dauert jedoch nicht lange, bis ihre Feinde sie aufgespürt haben. Wird Gray fliehen oder sich der Gefahr stellen? Ungekürzt gelesen von Leonie Landa
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What happens when the elitist space of 'Western' classical music seeks to diversify itself? And what are the social effects worked through diversity discourses in classical music institutions? Sounding difference addresses these concerns by critically examining how diversity work takes shape in a cultural sector so deeply implicated in hierarchies of class, structures of whiteness, and legacies of imperialism. The book draws from ethnographic and interview data to analyse how diversity discourses become constructed in the organisational and creative processes of music production. From rehearsal and performance practices to the impact of the Covid-19 pandemic on the sector's commitment to change, Kolbe reveals the institutional constraints and precarious labour relations that form around diversity work in classical music and skilfully considers what these processes can tell us about the remaking of class, race, and racism today.
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Adequate nutrition and a healthy lifestyle – before and during pregnancy - are of great importance for a trouble-free pregnancy, birth, and the subsequent development of the child. Since the nutritional status before the onset of pregnancy influences both fertility and the course of pregnancy, including complications, the birth and breastfeeding, close attention should be paid to a healthy diet and adequate supply of essential (micro)nutrients well in advance and not only at the family planning stage. Poor micronutrient status prior to conception is often carried over into pregnancy, and can significantly increase the risk of pregnancy complications and, for example, lead to the dreaded spina bifida in the child. This patient guide tells you what you need to know! Various micronutrients are described in detail. Special emphasis is placed on the latest study results concerning pregnancy and nutrition.
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Cinesonica: sounding film and video explores previously neglected and under-theorised aspects of film and video sound, drawing on detailed case study analyses of Hollywood cinema, art cinema, animated cartoons, and avant-garde film and video. Adopting an interdisciplinary approach to the study of the soundtrack, and breaking away from the focus on narrative and signification that has tended to dominate the study of film sound, the book examines the way in which sound's materiality figures within audiovisual experience. Through a close examination of sound-image relations in a range of film and video forms and genres - including Warner Bros. cartoons, scratch video, and artist's film and video - Cinesonica recasts the film and video text as the meeting point of audio and visual materialities, cultural practices and perceptual activity. The interdisciplinary approach adopted by the book makes its discussion of sound of interest to those studying and working in a range of subject disciplines, including film studies, sound studies, sonic arts, cultural studies, music and art history.
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Bitte überprüfen Sie bei Ihrer Anfrage, ob die gewählte Übersetzung von dem/der hier genannten Übersetzer/in erstellt worden ist.
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We all know that audio engineering is more than just acronyms. But what do they all mean? This practical textbook is designed to meet the special needs of events technicians. The textbook stands out from the crowd because it is designed specifically with the university curriculum and professional needs in mind, making it not only an excellent companion in the classroom, but a useful reference for on the job as well. The author, himself an instructor for special events technicians, covers the ground from physical fundamentals of acoustics and electronics to setting up mixing consoles and sound systems, providing a multitude of useful tips without confusing the reader with extraneous details. A chapter on video technology rounds off the book. Sample calculations put the material in a practical context, and sample problems at the end of each chapter (with solutions in the appendix) help review what has been learned and inspire further thought. Entertaining guest essays provide a broader perspective.
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Richard Haass and Mitchell Reiss, as autonomous diplomats in the George W. Bush State Department, were able to alter US intervention in Northern Ireland and play critical roles in the post-1998 peace process. Their contributions have not been fully appreciated or understood. The restoration of Northern Ireland's power-sharing government in 2007 was made possible by State Department-led intervention in the peace process. There are few references to Northern Ireland in work examining the foreign policy legacy of the George W. Bush presidency. Moreover, the ability to control US foreign policy towards the region brought one of George W. Bush's Northern Ireland special envoys into direct diplomatic conflict with the most senior actors inside the British government. This book will uncover the extent of this fall-out and provide original accounts on how diplomatic relations between these old allies became so fraught.
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The Island Book of Records brings the early years of this iconic record label to life. A fifteen-year labour of love, the volumes will fully document the analogue era of Island. Offering a comprehensive archive of album cover design and photography, together with the voices of the musicians, designers, photographers, producers, studio engineers and record company personnel that worked on each project, the volumes show in unique depth the workings of the label, covering every LP. Featuring material from recent interviews and from media interviews of the time, and each including a comprehensive discography of 45s, the books are lavishly illustrated with gig adverts (very many at venues which no longer exist), concert tickets, flyers, international LP variants, labels, LP and 45 adverts and other ephemera. These LP-sized editions are a collector's dream, offering a truly unparalleled resource for those interested in music history and a perfect gift for any music lover.
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Hamburg, 1954: Greta Bergström has spent almost her entire life with her grandmother in Stockholm. Now she stands in front of a run-down house in St. Pauli, where her father lives with his new family. He greets his daughter icily, and in buttoned-up Hamburg Greta searches in vain for a job as a beautician. Until she meets Marieke, who does her neighbours' hair in the prefab barracks on the outskirts of the city. Together they decide to tour the city in a mobile beauty shop – with great success. After the dark years of the war, women want to look pretty again. Marieke does hair, Greta cosmetics, and Trixie, the third in the group, gives fashion advice. Suddenly Greta's life is so brightly eventful, she almost forgets the reason for her return to Hamburg: to find out what had happened to her mother, who had disappeared without a trace during the war.
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Olchis vor, noch ein Tor! Was ist denn das? Als die Olchi-Kinder auf dem Müllberg einen alten Fußball finden, wissen sie nicht, was sie damit anfangen sollen. Vielleicht mit einer leckeren Soße verspeisen? Nur der Olchi-Opa kennt sich aus und weiß, wofür so ein Ball gut ist. Schließlich war er früher selbst mal Fußballspieler! Er schlägt den Olchis ein Freundschaftsspiel gegen den 1.FC Schmuddelfing vor. Aber haben die Olchis überhaupt eine Chance gegen diese Profis? Ein Hörspiel mit den beliebten Olchi-Sprechern
