Stories Imagined was created to have a voice in woman's fiction. Writing about an age group of women who are on their second wind. Ready to take on the world how they see fit. The juggle and struggle of womanhood, sexuality, motherhood and coming back to self.
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The Island Book of Records brings the early years of this iconic record label to life. A fifteen-year labour of love, the volumes will fully document the analogue era of Island. Offering a comprehensive archive of album cover design and photography, together with the voices of the musicians, designers, photographers, producers, studio engineers and record company personnel that worked on each project, the volumes show in unique depth the workings of the label, covering every LP. Featuring material from recent interviews and from media interviews of the time, and each including a comprehensive discography of 45s, the books are lavishly illustrated with gig adverts (very many at venues which no longer exist), concert tickets, flyers, international LP variants, labels, LP and 45 adverts and other ephemera. These LP-sized editions are a collector's dream, offering a truly unparalleled resource for those interested in music history and a perfect gift for any music lover.
Neil ist zwei Jahre alt, als er mit seinem Vater eine Flugshow besucht. Von dem Spektakel ist er so begeistert, dass er anschließend nur noch einen Wunsch hat: Er will selbst fliegen. Zunächst schickt er Modellflugzeuge in die Luft, aber schon mit sechzehn erwirbt er seine Fluglizenz. Er studiert Flugzeugbau, wird Pilot bei der US-Marine und fliegt Einsätze im Koreakrieg. Als die NASA nach Testpiloten sucht, bewirbt er sich. Und schreibt als Astronaut und Kommandant der Apollo 11 Geschichte. Am 24. Juli 1969 setzt er als erster Mensch der Welt einen Fuß auf die Oberfläche des Mondes. Little People, Big Dreams erzählt von den beeindruckenden Lebensgeschichten großer Menschen: Jede dieser Persönlichkeiten, ob Philosophin, Forscherin oder Sportler, hat Unvorstellbares erreicht. Dabei begann alles, als sie noch klein waren: mit großen Träumen.
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»Das Buch der von Neil Young Getöteten« ist mehr als nur das schönste, klügste, verrückteste Buch, das je über Rockmusik geschrieben wurde – es ist eine Hymne auf das Leben. Mit den berüchtigten Dreimonatskoliken fängt es an – Abend für Abend windet sich die neugeborene Tochter des Erzählers in Krämpfen. Das einzige wirksame Gegenmittel: die Songs von Neil Young. Für Vater und Tochter beginnt eine Reise durch den Kosmos des kanadischen Musikers hin zu den verlorenen Illusionen und flüchtigen Augenblicken des Glücks. Mit leichter Hand verwebt Navid Kermani den Alltag einer jungen Familie mit den großen Lebensfragen, und wie nebenbei wird klar, wo noch Splitter vom Paradies zu finden wären: nicht nur in der Musik.
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This new edition will be essential reading for all students studying politics at A2 level, as it covers the important issues as required by the main examining boards, and has been specifically tailored to the brand new Edexcel Route A specification. Fully updated to include the global recession and other recent political developments, it looks at the important issues in British politics since 1945. It is also useful as an introductory reader for all those who are interested in the field. Neil McNaughton is a seasoned writer at this level. He examines, on a chapter by chapter basis, the key issues of British politics today; economic policy, the Welfare State, law and order, environment policy, Northern Ireland, issues concerning women, European integration and the European Union, and the impact of the European Union on Britain. In each case he describes the issues in detail and places them in their political context. Written in an accessible style, with helpful features such as summaries, definition, tables and boxes to illuminate the points made and suggestions for additional reading and research, this book is urgently needed as students grapple with the issues thrown up by the new examinations. ;
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Spannend, gruselig und voller fantastischer Ideen erzählt der preisgekrönte Neil Gaiman von Nobody Owens, der auf einem Friedhof von Geistern und Untoten aufgezogen wird - eine wahrlich schaurig-schöne Geschichte! Nobody Owens ist ein eher unauffälliger Junge. Er lebt auf dem Friedhof, liebevoll erzogen und behütet von den Geistern und Untoten, die dort zu Hause sind. Doch der tödliche Feind, vor dem der kleine Bod einst auf den Friedhof floh, ruht nicht. Er wartet auf den Tag, an dem Bod sein Zuhause verlassen wird, um zurückzukehren in die Welt der Lebenden. Wer wird Nobody dann noch beschützen? Gedruckt auf Umweltpapier und zertifiziert mit dem "Blauen Engel".
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The Simons of Manchester revives the history of one of Manchester's most influential families, the Simons. The book investigates the lives and public work of Henry and Emily Simon, and Ernest and Shena Simon. Through philanthropy and work in social reform, the two generations of the Simons greatly enriched Manchester's cultural and civic institutions, worked to improve the lives of its citizens, and helped to spearhead profound national reforms in health, housing, planning and education. While many people in Manchester are familiar with the Simon name through Shena Simon College, Simonsway, and the Simon Building at the University of Manchester, there is scant public knowledge of who the Simons were and their legacy. As such, this edited volume of collected essays aims to illuminate their fascinating lives and public service to rehabilitate the Simons and examine their local and national significance.
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Despite its enduring popularity as a national festival, Christmas has been largely neglected by English historians. Neil Armstrong offers the first study to examine both the experience and representation of Christmas during the formative period of the nineteenth and early twentieth centuries. This book explores the origins of our deeply held notions of the traditional nature of Christmas and demonstrates how they were shaped by English modernity. A study of both continuity and change, Christmas in nineteenth-Ccntury England makes an important contribution to cultural and social history, and is essential reading for anyone interested in the history of childhood, the family, philanthropy, work and consumerism. Scholarly yet accessible, it will be enjoyed by academics, students and the general public alike. ;
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Introducing novels by the Nobel Prize for Literature author, Claude Simon, this text gives emphasis to peaks in his literary achievement: "The Flanders Road" (1960), "The Georgics" (1981) and "The Acacia" (1989). Alastair Duncan traces the development and recurrence of major themes, such as war, time and memory, and the constantly renewed inventiveness of Simon's manner. Duncan illustrates and comments on the various critical approaches which have been made to the novels over the years, from phenomenological interpretations, through structuralism to the autobiographical and psychobiographical approaches of the 1980s and 1990s. The text includes a chapter on Simon's most recent works ("Le Jardin des Plantes" 1997 and "Le Tramway" 2001).
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This volume explores a range of premodern rulers and their depictions in historiography, literature, art and material culture to gain a broader understanding of their sexualities. It considers the methodologies and motivations of premodern writers and rulers when fashioning royal and elite sexualities and offers new analyses of an array of texts and artwork from across Europe and the wider Mediterranean.
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More than two years of pandemic is more than two years of corona clutter. Only a staggering level of helpfulness, improvisation and flexibility prevented the healthcare system from collapsing completely. In this highly topical book, pharmacist Simon Krivec tells of his incredible experiences and the stormy ups and downs of pandemic madness, missing masks and disinfectants, and the feeling of having been totally abandoned by a helpless state. We learn, for instance, of the short-term procurement of large quantities of ethanol and the transportation of the highly flammable substance, and just what lured the author – and 71,400 euros in cash – to visit the port of Neuss at night.
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Eva Moldenhauer, 1934 in Frankfurt am Main geboren, ist seit 1964 als Übersetzerin tätig. Sie übersetzt Literatur und wissenschaftliche Schriften französischsprachiger Autoren ins Deutsche, u.a. von Claude Simon, Jorge Semprún, Marcel Mauss, Mircea Eliade, Gilles Deleuze und Lévi-Strauss. Sie wurde mit zahlreichen Preisen ausgezeichnet: 1982 'Helmut-M.-Braem-Preis', 1991 'Celan-Preis'. Claude Simon, geboren am 10. Oktober 1913 auf Madagaskar, gilt als Vertreter des "Nouveau Roman". Er starb am 6. Juli 2005 in Paris. 1985 erhielt er den Nobelpreis für Literatur.
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Now back in print, this comprehensive collection of essays by Simon Adams brings to life the most enigmatic of Elizabethans--Robert Dudley, Earl of Leicester. Adams, famous for the unique depth and breadth of his research, has gathered here his most important essays looking at the Elizabethan Court, and the adventures and legacy of the Earl. Together with his edition of Leicester's accounts and his reconstruction of Leicester's papers, Adams has published much upon on Leicester's influence and activities. His work has reshaped our knowledge of Elizabeth and her Court, Parliament, and such subjects of recent debate as the power of the nobility and the noble affinity, the politics of faction and the role of patronage. Sixteen essays are found in this collection, organized into three groups: the Court, Leicester and his affinity, and Leicester and the regions. This volume will be essential reading for academics and students interested in the Elizabethan Court and in early modern British politics more generally. ;
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The issues of colonialism and imperialism have recently come to the forefront of thinking in the humanities. Disciplines such as history, literature and anthropology are taking stock of their extensive and usually unacknowledged legacy of Empire. At the same time, contemporary cultural theory has had to respond to post-colonial pressure, with its different registers and agendas. This volume ranges, geographically, from Brazil to India and South Africa, from the Andes to the Caribbean and the USA. This range is matched by a breadth of historical perspectives. Central to the whole volume is a critique of the very idea of the "postcolonial" itself. Contributors include Annie Coombes, Simon During, Peter Hulme, Neil Lazarus, David Lloyd, Anne McClintock, Zita Nunes, Benita Parry, Graham Pechey, Mary Louise Pratt, Renato Rosaldo and Gayatri Chakravorty Spivak. ;
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Eine kleine Bäckerei in Paris, mitten in den Wirren des Zweiten Weltkriegs. Ein unbekannter Soldat übergibt einer jungen Frau ein Neugeborenes ohne Namen und verschwindet. Mit sieben Jahren erfährt Martin von seinen Zieheltern, dass er ihnen in den Unruhen des Krieges von einem Fremden anvertraut wurde. Von nun an lässt ihn die Frage nach seiner Herkunft nicht mehr los. Er braucht Jahre, um sein Schicksal zu begreifen – und er braucht sein ganzes Leben, um dem Mann zu begegnen, der ihn einst gerettet hat. In einer wunderbar zarten, eleganten Prosa erzählt Simon Van Booy davon, wie unsere Leben untrennbar miteinander verbunden sind. Davon, dass die Welt nur scheinbar ein fremder Ort ist und die Menschen darin uns näher sind, als wir ahnen.
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Richard Lester is of the most significant yet misunderstood directors of the post-war era. Indelibly associated with the Beatles and the 'swinging Sixties' because of his direction of A Hard Day's Night and Help and his joyous sex comedy The Knack, Lester has tended to be categorised as a modish director whose heyday passed when that decade's optimism slid into disillusionment and violence. This book offers a critical appreciation and reappraisal of his work, arguing that it had much greater depth and variety than he has been given credit for. His versatility encompasses the Brechtian anti-heroics of How I Won the War; the surreal nuclear comedy of The Bed-Sitting Room and the swashbuckling adventure of The Musketeers films. He has even, in his instinctively iconoclastic manner, cut Superman down to size. The book should win new admirers for a director with a gift of making movies whose visual wit and imaginative imagery reveal an intelligent and enquiring scepticism about heroes and society. Including comments from Lester himself and illustrations from his own private collection, the book is a must for film scholars and enthusiasts alike. ;
