Our passion is to show kids, how colourful and fascinating the world is. There is not only one way to live but so many. We love curious children and we do the books they need to explore the world. So we do travel books for kids and novels for the journey in a hammock.
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A brazilian publishing house focused on selfhelp literature, esoterism and masonry and children's books. Our mission is to offer through words moments of unwinding and tranquility attached to a philosophical and esoteric learning experience. In this special edition of the Frankfurt Book Fair we will be displaying our new releases in the children's literature section, such as The Dreamy Dragon and The crystal Egg, by the brazillian actress and writer Norma Blum.
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In an age when engraving and photography were making artistic images available to a much wider public, artists were able to influence public attitudes more powerfully than ever before. This book examines works of art on military themes in relation to ruling-class ideologies about the army, war and the empire. The first part of the book is devoted to a chronological survey of battle painting, integrated with a study of contemporary military and political history. The chapters link the debate over the status and importance of battle painting to contemporary debates over the role of the army and its function at home and abroad. The second part discusses the intersection of ideologies about the army and military art, but is concerned with an examination of genre representations of soldiers. Another important theme which runs through the book is the relation of English to French military art. During the first eighty years of the period under review France was the cynosure of military artists, the school against which British critics measured their own, and the place from which innovations were imported and modified. In every generation after Waterloo battle painters visited France and often trained there. The book shows that military art, or the 'absence' of it, was one of the ways in which nationalist commentators articulated Britain's moral superiority. The final theme which underlies much of the book is the shifts which took place in the perception of heroes and hero-worship.
For ordinary people, the impact of the Reformation would have centred around local parish churches, rather than the theological debates of the Reformers. Focusing on the Calvinists, this volume explores how the architecture, appearance and arrangement of places of worship were transformed by new theology and religious practice. Based on original research and site visits, this book charts the impact of the Reformed faith across Europe, concentrating in particular on France, the Netherlands and Scotland. While in some areas a Calvinist Reformation led to the adaptation of existing buildings, elsewhere it resulted in the construction of new places of worship to innovative new designs. Reformed places of worship also reflected local considerations, vested interests and civic aspirations, often employing the latest styles and forms of decoration, and here provide a lens through which to examine not only the impact of the Reformation at a local level but also the character of the different religious settlements across Europe during the late sixteenth and seventeenth centuries. ;
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For ordinary people, the impact of the Reformation would have centred around local parish churches, rather than the theological debates of the Reformers. Focusing on the Calvinists, this volume explores how the architecture, appearance and arrangement of places of worship were transformed by new theology and religious practice. Based on original research and site visits, this book charts the impact of the Reformed faith across Europe, concentrating in particular on France, the Netherlands and Scotland. While in some areas a Calvinist Reformation led to the adaptation of existing buildings, elsewhere it resulted in the construction of new places of worship to innovative new designs. Reformed places of worship also reflected local considerations, vested interests and civic aspirations, often employing the latest styles and forms of decoration, and here provide a lens through which to examine not only the impact of the Reformation at a local level but also the character of the different religious settlements across Europe during the late sixteenth and seventeenth centuries.
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This study considers the relationship between British imperialism and music. With its unique ability to stimulate the emotions and to create mental images, music was used to dramatize, illustrate and reinforce the components of the ideological cluster that constituted British imperialism in its heyday: patriotism, monarchism, hero-worship, Protestantism, racialism and chivalry. It was also used to emphasise the inclusiveness of Britain by stressing the contributions of England, Scotland, Wales and Ireland to the imperial project.
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During the sixteenth century, England underwent a religious revolution. This book examines the reverberations of this Protestant Reformation, which continued to be felt until at least the end of the seventeenth century. Brings together twelve essays by Nicholas Tyacke about English Protestantism, which range from the Reformation itself, and the new market-place of ideas opened up, to the establishment of freedom of worship for Protestant nonconformists in 1689. For this collection the author has written a substantial introduction, and updated the essays by incorporating new research. ;
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In this study, Kathryn Walls challenges the standard identification of Una with the post-Reformation English Church, arguing that she is, rather, Augustine's City of God - the invisible Church, whose membership is known only to God. Una's story (its Tudor resonances notwithstanding) therefore embraces that of the Synagogue before the Incarnation as well as that of the Church in the time of Christ and thereafter. It also allegorises the redemptive process that sustains the true Church. Una is fallible in canto I. Subsequently, however, she comes to embody divine perfection. Her transformation depends upon the intervention of the lion as Christ. Convinced of the consistency and coherence of Spenser's allegory, Walls offers fresh interpretations of Abessa (as Synagoga), of the fauns and satyrs (the Gentiles), and of Una's dwarf (adiaphoric forms of worship). She also reinterprets Spenser's marriage metaphor, clarifying the significance of Red Cross as Una's spouse in the final canto.
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Offering a complete reading of English Literature throughout 1558-1689, this book demonstrates the continuity of Roman Catholicism in English Literature from the accession of Elizabeth I to the deposing of James II. Rist shows that poetry and plays promoted Roman Catholic ideas in a Biblicist age which established the Church of England through the Book of Common Prayer. From the very idea of literary works to chapters on the Eucharist, Purgatory, Christian worship and the Virgin Mary, Rist joins together major and minor authors of the era to present English Literature afresh. Important literary figures include William Shakespeare, Ben Jonson, Thomas Middleton, Queen Henrietta Maria, John Donne, John Dryden, Robert Herrick, Margaret Cavendish and Aphra Behn.
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This book offers a collection of essays tightly focused around the issue of religion in England between 1640 and 1660, a time of upheaval and civil war in England. Edited by well-known scholars of the subject, topics include the toleration controversy, women's theological writing, observance of the Lord's Day and prayer books. To aid understanding, the essays are divided into three sections examining theology in revolutionary England, inside and outside the revolutionary National Church and local impacts of religious revolution. Carefully and thoughtfully presented, this book will be of great use for those seeking to better understand the practices and patterns of religious life in England in this important and fascinating period. ;
Chopin: The Man and His Music reflects the intimate, thorough knowledge of Chopin's music that Huneker acquired while studying to be a concert pianist and his unusually keen insight into the character of the great Polish composer whose music he adored.
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Das große Finale des einzigartigen Fantasy-Abenteuers von Starautor John August Nach einem alles verändernden Sommer kehrt Arlo Finch zu seiner Familie nach Pine Mountain zurück. Doch statt auf den anstehenden Schulwechsel kann Arlo sich nur auf eins konzentrieren: Mithilfe seiner magischen Fähigkeiten endlich seinen Vater aus China zurückzuholen. Doch damit das gelingt, muss er den mysteriösen Eldtrich entgegentreten und die stellen Arlo vor eine unlösbare Aufgabe: Entweder er rettet seine Familie und Freunde oder die Long Woods. Egal wie er sich entscheidet, am Ende werden beide Welten nie mehr dieselben sein. Das Finale der einzigartig fesselnden, mysteriös-spannenden Abenteuer-Trilogie ab 10 Jahren enthüllt die Geheimnisse der magischen Long Woods und führt die Leser ins mysteriöse Königreich der Schatten. Ein großartiges Abenteuer für Mädchen und Jungen, das seinen Protagonisten erleben lässt, wovon Kinder träumen. „Mysteriös wie „Stranger Things“, magisch wie „Charlie und die Schokoladenfabrik“, fesselnd wie „Percy Jackson“. Vom Drehbuchautor von „Big Fish“, „Corpse Bride und „Frankenweenie“ John August. Mit stimmungsvollen Gänsehautillustrationen des Fantasy-Experten Helge Vogt. Weitere Informationen zu Arlo Finch und John August: johnaugust.com In der Reihe sind erschienen: Arlo Finch. Im Tal des Feuers (Band 1) Arlo Finch. Im Bann des Mondsees (Band 2) Arlo Finch. Im Königreich der Schatten (Band 3)
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Fantastisch, fesselnd, filmreif: Die Kinderbuchtrilogie von Publikumsliebling Arlo Finch geht weiter! Arlo freut sich auf einen Sommer voller Abenteuer mit Indra und Wu im Camp Rote Feder. Doch schon vor den Ferien geraten die Freunde in Gefahr: Mächte von außerhalb der Long Woods lauern auf einen mysteriösen Gegenstand, den nur Arlo finden kann. Ein lang gehütetes Geheimnis führt ihn schließlich auf die andere Seite des Mondsees. Und dort ist nichts mehr wie es war ... Endlich ist das erste Schuljahr in Pine Mountain zu Ende und vor Arlo, Indra und Henry Wu liegen lange Sommerferien. Doch wer wie Arlo in der Nähe der Long Woods lebt, für den bedeutet Sommer nicht nur Kanufahren, Wandern und Zelten. In den Bergen zu Füßen des Mondsees lernen die Kinder auch die Spuren der Wälder lesen und den Umgang mit Elementargeistern und Schutzzaubern. Denn so magisch und voller Wunder die Natur rund um Pine Mountain auch ist, so unberechenbar und geheimnisvoll sind auch die Mächte, die dort schlummern. Und die haben es ganz besonders auf Arlo Finch abgesehen. Ob er dem Geheimnis des Mondsees und seiner eigenen Familie auf die Schliche kommt, ehe es zu spät ist? Geheimnisvolle Schauplätze und faszinierende Landschaften halten große Abenteuer bereit: Sowohl im mysteriösen Gänsehautort Pine Mountain als auch in den magischen „Long Woods“ scheint alles möglich! Und das weiß Arlo auch! Irgendetwas wird kommen. Da ist Arlo sich sicher. Band 2 der einzigartig fesselnden, mysteriös-spannenden Abenteuer-Trilogie ab 10 Jahren führt die Leser noch tiefer in die magischen Long Woods. Ein großartiges Abenteuer für Mädchen und Jungen, das seinen Protagonisten erleben lässt, wovon Kinder träumen. „Mysteriös wie „Stranger Things“, magisch wie „Charlie und die Schokoladenfabrik“, fesselnd wie „Percy Jackson“. Vom Drehbuchautor von „Big Fish“, „Corpse Bride und „Frankenweenie“ John August. Mit stimmungsvollen Gänsehautillustrationen von Fantasy-Experten Helge Vogt. Weitere Informationen zu Arlo Finch und John August: johnaugust.com Weitere Titel der Reihe: Arlo Finch. Im Tal des Feuers
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There he stands, the man the whole of Spain cheered, before whom the most catholic regents Isabella and Ferdinand rose to their feet, his eyes on his ship Capitana, devoured by shipworm, stranded off Jamaica. Some of the crew mutiny, the locals can no longer be fobbed off with glass beads, the Spanish on the nearby island of Hispaniola do not help, the world doesn‘t want anything to do with him, the demanding whinger. He, Christopher Columbus, is a John Lackland, a king without land, a conqueror without conquest. Between fiction and historical truth, Wolfgang Wissler recounts the legendary sailor‘s last expedition in an entirely new way – and what a story it is!
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StoryWorld – Amulet of a Thousand Waters (Vol. 1) A theme park like you've never seen before ... This is where stories come true! • Gripping adventure quests and a tribute to reading and storytelling• Westworld for children: Attractive setting in an amusement park, a new adventurous theme world in each volume• Realistically anchored in children's lives – with a fantastic twist• Opulent b/w illustrationsWhat happens in Volume 1:Apart from their love of books and their pets, arch-enemies Sascha and Chloe have nothing in common - Sascha, the unappreciated loner, and Chloe, idolized by her classmates. Of all people, these two rivals win the main prize at the reading competition: a ticket to the brand-new adventure park StoryWorld.The park is surrounded by all sorts of rumors, and no one really knows what awaits visitors there. Their journey takes Sascha and Chloe by seaplane to a secluded island. At the heart of the park is a huge library, from which the girls can look down on seven fantastic theme worlds. The library is filled with spotless white books, each of which stands for a story to be experienced in the worlds - that's the only way to fill the pages.Sascha and Chloe choose The Realm of Thousand Waters and are to have their own adventure there under the spell of the sea dragon. This park has nothing in common with an ordinary amusement park - in this park, between fantasy and reality, a dark secret is guarded, which is to be explored in the further volumes.
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"Rescue” has two fundamentally different “existential” dimensions. One is aimed at “saving” individual lives that are in danger. Firefighters, for instance, rescue people from fires, while the sea rescue services rescue shipwrecked people from the Mediterranean. The second dimension of “rescue”, on the other hand, concerns systems – think of the bailing out of banks, the euro or the climate disaster – and so points to a larger context that creates the conditions for “life” to even be possible, or at least to be preserved. The complex subject of this stringent essay is just to what extent politics enable or prevent “rescue attempts”, to what extent it understands its actions as “rescue actions”, and how decisively the “narrative”, i.e. the “talk of rescue”, ultimately dominates our entire understanding of politics.
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