Agriculture & International Development
Textbooks, research and professional titles in Agriculture and International Development
View Rights PortalTextbooks, research and professional titles in Agriculture and International Development
View Rights PortalParkstone International is a cosmopolitan publishing house that specialises in fine art books.
View Rights PortalIn der damals üblichen Weise wird ein Kriegszug gerechtfertigt, bei dem eine Kultur zerstört wurde, die das Interesse der Europäer anders verdient hätte.
Representing Renaissance art, c.1500-c.1600 is a study of change and continuity in the iconographies of art and the visual representation of artists during the sixteenth century, especially in Italy and the Netherlands. The issue of how, and how far, artists obtained higher status for their profession during the Renaissance is a key question for the study of the early modern period. This book considers the maintenance of well-established traditions for the visual representation of artists, and also examines the new iconographies that emerged in the sixteenth century. By highlighting art and architecture that artists designed for their personal use, including the decoration of their houses, this study provides insight into the tastes and 'ways of looking' specific to artists. By examining the visual evidence we see the opinions both of artists who expressed their views in literary texts, and additionally those of artists who did not publish their ideas in written form.
This volume of essays from a selection of distinguished international scholars is the first of its kind to explore in depth the emotional dimensions of liberal writing in Britain over the long nineteenth century. Addressing liberal writing in the public sphere rather than high political or parliamentary liberalism, it comprises a clear, context-setting introduction and eleven substantive chapters. The chapters analyse key texts and figures from the 1790s through to the 1920s and offer several different approaches to the central concern with the emotions and liberalism. These include examining the place of the emotions in the 'good life'; the social and political function of the emotions; emotional rhetoric in liberal writing; and liberal theories of the emotions. Both individually and as a collection, the essays provide an essential foundation for further scholarly work in this emerging field.
In the Middle Ages, hell was useful because it was vaguely defined. Canonical scriptures scarcely mention hell, leaving much to the imaginations of early Christians, who used it to sort out who belonged within the faith. This book explores how hell became a place for literary experiments with local challenges in theology and identity. Following the reception and transformations of two popular hell apocrypha, it argues that they served as this role because of their liminal textual authority. As noncanonical scriptures, apocrypha afforded medieval writers space to revise their hells (since they were not actually scripture), while also encouraging readers to revere those experiments as valid (since they seemed like scripture). The book brings together adaptations from early medieval England, Iceland, Ireland, and Wales, placing the early vernacular theologies of the North Sea in comparative conversation.
The eleventh-century papal reform transformed western European Church and society and permanently altered the relations of Church and State in the west. The reform was inaugurated by Pope Leo IX (1048-54) and given a controversial change of direction by Pope Gregory VII (1073-85). This book contains the earliest biographies of both popes, presented here for the first time in English translation with detailed commentaries. The biographers of Leo IX were inspired by his universally acknowledged sanctity, whereas the biographers of Gregory VII wrote to defend his reputation against the hostility generated by his reforming methods and his conflict with King Henry IV. Also included is a translation of Book to a Friend, written by Bishop Bonizo of Sutri soon after the death of Gregory VII, as well as an extract from the violently anti-Gregorian polemic of Bishop Benzo of Alba (1085) and the short biography of Leo IX composed in the papal curia in the 1090s by Bishop Bruno of Segni. These fascinating narrative sources bear witness to the startling impact of the papal reform and of the 'Investiture Contest', the conflict of empire and papacy that was one of its consequences. An essential collection of translated texts for students of medieval history.
The rule of law, an ideology of equality and universality that justified Britain's eighteenth-century imperial claims, was the product not of abstract principles but imperial contact. As the Empire expanded, encompassing greater religious, ethnic and racial diversity, the law paradoxically contained and maintained these very differences. This book revisits six notorious incidents that occasioned vigorous debate in London's courtrooms, streets and presses: the Jewish Naturalization Act and the Elizabeth Canning case (1753-54); the Somerset Case (1771-72); the Gordon Riots (1780); the mutinies of 1797; and Union with Ireland (1800). Each of these cases adjudicated the presence of outsiders in London - from Jews and Gypsies to Africans and Catholics. The demands of these internal others to equality before the law drew them into the legal system, challenging longstanding notions of English identity and exposing contradictions in the rule of law.
Provides a comprehensive introduction and essential guide to one of the most important institutions in medieval England and to its substantial archive. This is the first book to offer a detailed explanation of the form, structure and evolution of the manor and its records. Offers translations of, and commentaries upon, each category of document to illustrate their main features. Examples of each category of record are provided in translation, followed by shorter extracts selected to illustrate interesting, commonly occurring, or complex features. A valuable source of reference for undergraduates wishing to understand the sources which underpin the majority of research on the medieval economy and society.
More than two years of pandemic is more than two years of corona clutter. Only a staggering level of helpfulness, improvisation and flexibility prevented the healthcare system from collapsing completely. In this highly topical book, pharmacist Simon Krivec tells of his incredible experiences and the stormy ups and downs of pandemic madness, missing masks and disinfectants, and the feeling of having been totally abandoned by a helpless state. We learn, for instance, of the short-term procurement of large quantities of ethanol and the transportation of the highly flammable substance, and just what lured the author – and 71,400 euros in cash – to visit the port of Neuss at night.
Love and anti-Judaism is a new examination of medieval romance for the questions it poses of the most significant events in Christian history. Providing new readings of Sir Gawain and the Green Knight, Sir Orfeo, Sir Gowther and Sir Amadace, the book argues that romance explores depictions of love-and the sacrifices it may necessitate-in the Hebrew Bible, especially where they do not easily fit into interpretations asserting that this history must prefigure Christ and the crucifixion. An examination of anti-Judaism as a discourse of violence and desire that could be turned inwardly to expose the irresolution in Christianity, this book will provoke new investigations into the religious crises of medieval romance.
Von allen deutschen Autoren, die nach 1945 zu schreiben begannen, ist Artmann ohne jeden Zweifel der vielseitigste, originellste und erfinderischste. So wie Artmann in fast allen Gattungen gearbeitet hat, auch den angeblich antiquierten, und ohne sich um die Tagesparolen der mal reine Dichtung betreibenden, mal engagierten, mal die Literatur totsagenden Kollegen zu kümmern, so hat er seine Quellen, seine Herkunft überall: in der Artusepik, in barocker Schäferpoesie, in den Wörterbüchern und Grammatiken von gut zwei Dutzend Sprachen, in Irland und im England des Sherlock Holmes, bei Villon und dem Wiener Vorstadtdialekt, Lorca, Gomez de la Serna, den Surrealisten und Dadaisten, in den Detektivheftchen der 20er Jahre und den Comic strips von damals bis heute. Unsere Auswahl versucht, nicht nur einen repräsentativen Querschnitt durch das Werk Artmanns zu geben, sondern gleichzeitig Verstreutes, an entlegensten Orten Publiziertes zu sammeln.