K2 Literary
A literary agency in Toronto, Canada, representing authors and rights sales for several independent Canadian publishers.
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BookEnds Literary
Since opening its doors in 1999, BookEnds Literary Agency has never strayed from our original goal: Achieving dreams and doing what we love. Representing fiction and nonfiction for adults and children alike, BookEnds agents continue to live their dreams while helping authors achieve theirs.
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Humanities & Social SciencesHOMECOMING
by Wolfgang Büscher
In the middle of the woods, in the middle of Germany: Wolfgang Büscher‘s fascinating journey into its very core. Night after night, a boy stands at the window of his parents’ house and watches the sun as it disappears from view behind the rolling hills in the west. He roams through the woods with his friends, building wooden shacks which the foresters destroy. It’s the early sixties. Decades later, Wolfgang Büscher makes his childhood dream come true. He moves to the woods and experiences spring, summer and autumn there. An aristocratic family on the border of Hessen and Westphalia where Büscher grew up allows him to stay in a hunting lodge in the middle of the woods, in the middle of Germany. This is where he puts up his camp bed. He has no electricity or running water. He prepares himself for quiet times alone, chopping wood and making fires, the odd hunting expedition, hiking, a marksmen’s festival, extreme loneliness and a nighttime blackness never seen in the city. The year takes an unexpectedly dramatic turn as storms, heat and plagues of beetles kill half of the woods. And something else happens which turns everything on its head: Büscher’s mother dies that summer, meaning the house he grew up in is left empty, but full of memories. This is a homecoming more existential than he could have imagined. A book far removed from the deafening din of today‘s world. An exploration of a nation, floods of memories and a “sentimental education” all rolled into one - literary, perceptive and overwhelming.
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Literature & Literary StudiesJune 2022Medieval literary voices
by Louise D’Arcens, Sif Ríkharðsdóttir
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March 2021Columbus, the Discarded Explorer
Disaster of the legendary sailor
by Wolfgang Wissler
There he stands, the man the whole of Spain cheered, before whom the most catholic regents Isabella and Ferdinand rose to their feet, his eyes on his ship Capitana, devoured by shipworm, stranded off Jamaica. Some of the crew mutiny, the locals can no longer be fobbed off with glass beads, the Spanish on the nearby island of Hispaniola do not help, the world doesn‘t want anything to do with him, the demanding whinger. He, Christopher Columbus, is a John Lackland, a king without land, a conqueror without conquest. Between fiction and historical truth, Wolfgang Wissler recounts the legendary sailor‘s last expedition in an entirely new way – and what a story it is!
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Literature & Literary StudiesMay 2023Counterfactual Romanticism
by Damian Walford Davies
Innovatively extending counterfactual thought experiments from history and the social sciences to literary historiography, criticism and theory, Counterfactual Romanticism reveals the ways in which the shapes of Romanticism are conditioned by that which did not come to pass. Exploring various modalities of counterfactual speculation and inquiry across a range of Romantic-period authors, genres and concerns, this collection offers a radical new purchase on literary history, on the relationship between history and fiction, and on our historicist methods to date - and thus on the Romanticisms we (think we) have inherited. Counterfactual Romanticism provides a ground-breaking method of re-reading literary pasts and our own reading presents; in the process, literary production, texts and reading practices are unfossilised and defamiliarised.
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February 2024The Wigmaker of Königsberg
A difficult friendship with Immanuel Kant
by Michael Lichtwarck-Aschoff
It is said that all the ladies in Königsberg had a crush on Kant. How one coifs one’s intellectual giants, one’s occidental luminaries. Although at the time, Kant employed a Huguenot wigmaker to style his hair. Of whom not much is known. Except that he would have liked to get rid of the wigs and replace them with a short back and sides. And that he tried to comply practically with the idea of enlightenment. But with Kant’s sentences the great philosopher only ever addressed the enlightenment-driven rulers of Europe, and never the people of Africa, whose diff erent skin colour alone proved to Kant that they could not reach a higher level of civilisation on their own. But he and Kant only really fell out seriously over Esther, the pleasing and seductive maid...
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Literature & Literary StudiesJanuary 2026
Thomas Nashe and literary performance
by Chloe Kathleen Preedy, Rachel Willie
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Literature & Literary StudiesJune 2025Critical games
On play and seriousness in academia, literature and life
by Tim Beasley-Murray
Critical Games is about the games we play (whether we know it or not), the ways we play them (for fun, but also to win, and to gain approval from others), and what happens when they get out of hand. The book interrogates the theory of play and gaming, with a particular focus on the games played by literary authors and literary critics. Drawing on (often self-critical) autobiography, as well as readings in texts across a range of languages, Tim Beasley-Murray plays with academic conventions to highlight what is at stake in them, turning to the Game of Literature, from Kafka to Carrère, to seek models and warnings of the outcomes of taking games too seriously, or not taking them seriously enough.
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Literature & Literary StudiesFebruary 2015Biblical women in early modern literary culture, 1550–1700
1550–1700
by Edited by Victoria Brownlee and Laura Gallagher
At once pervasive and marginal, appealing and repellent, exemplary and atypical, the women of the Bible provoke an assortment of readings across early modern literature. Biblical women in early modern literary culture, 1550-1700 draws attention to the complex ways in which biblical women's narratives could be reimagined for a variety of rhetorical and religious purposes. Considering a confessionally diverse range of writers, working across a variety of genres, this volume reveals how women from the Old and New Testaments exhibit an ideological power that frequently exceeds, both in scope and substance, their associated scriptural records. The essays explore how the Bible's women are fluidly negotiated and diversely redeployed to offer (conflicting) comment on issues including female authority, speech and sexuality, and in discussions of doctrine, confessional politics, exploration and grief. As it explores the rich ideological currency of the Bible's women in early modern culture, this volume demonstrates that the Bible's women are persistently difficult to evade. ;
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The ArtsJune 2021Lukácsian film theory and cinema
A study of Georg Lukács' writing on film 1913–1971
by Ian Aitken
Lukácsian film theory and cinema explores Georg Lukács' writings on film. The Hungarian Marxist critic Georg Lukács is primarily known as a literary theorist, but he also wrote extensively on the cinema. These writings have remained little known in the English-speaking world because the great majority of them have never actually been translated into English - until now. Aitken has gathered together the most important essays and the translations appear here, often for the first time. This book thus makes a decisive contribution to understandings of Lukács within the field of film studies, and, in doing so, also challenges many existing preconceptions concerning his theoretical position. For example, whilst Lukács' literary theory is well known for its repudiation of naturalism, in his writings on film Lukács appears to advance a theory and practice of film that can best be described as naturalist. Lukácsian film theory and cinema is divided into two parts. In part one, Lukács' writings on film are explored, and placed within relevant historical and intellectual contexts, whilst part two consists of the essays themselves. This book will be of considerable interest to scholars and students working within the fields of film studies, literary studies, intellectual history, media and cultural studies. It is also intended to be the final volume in a trilogy of works on cinematic realism, which includes the author's earlier European film theory and cinema (2001), and Realist film theory and cinema (2006).
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Literature & Literary StudiesDecember 2019English literary afterlives
by Elisabeth Chaghafi, Tamsin Badcoe
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Literature & Literary StudiesOctober 2010Writing for Art
The aesthetics of ekphrasis
by Stephen Cheeke
Writing for art is a concise introduction to the subject of ekphrasis, and the first study to offer a useful general survey of the larger philosophical and theoretical questions arising from the encounter of literary texts and artworks. Stephen Cheeke offers close readings of poems and prose from the nineteenth and twentieth centuries alongside a generous amount of illustrations, covering a broad range of writing and theory about the relation of literary texts to the visual arts, and extending the subject of ekphrasis to include literary works on photography, as well as celebrated prose descriptions of artworks. ;
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The ArtsMay 2025A new genre for television?
Creativity in historical drama documentary
by Justin Hardy
In A New Genre for Television?, filmmaker Justin Hardy argues the dramatised history documentaries broadcast by British public service channels in the 2000s constituted a distinct television genre. Offering a vital distinction between docudramas and drama documentaries, Hardy contributes to the field of television history through exclusive interviews with key figures from BBC and Channel 4 - many of whom have never been publicly interviewed before - and envisions a future model for the portrayal of national histories on screen.
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The ArtsJanuary 2019Contemporary Spanish cinema and genre
by Jay Beck, Vicente Rodríguez Ortega
This volume is the first English-language collection exclusively dedicated to the study of genre in relation to Spanish cinema. Providing a variety of critical perspectives, the collection gives the reader a thorough account of the relationship between Spanish cinema and genre, drawing on case studies of several of the most remarkable Spanish films in recent years. The book analyses the significant changes in the aesthetics, production and reception of Spanish film from 1990 onwards. It brings together European and North American scholars to establish a critical dialogue on the topics under discussion, while providing multiple perspectives on the concepts of national cinemas and genre theory. In recent years film scholarship has attempted to negotiate the tension between the nationally specific and the internationally ubiquitous, discussing how globalisation has influenced film making and surrounding cultural practice. These broader social concerns have prompted scholars to emphasise a redefinition of national cinemas beyond strict national boundaries and to pay attention to the transnational character of any national site of film production and reception. This collection provides a thorough investigation of contemporary Spanish cinema within a transnational framework, by positing cinematic genres as the meeting spaces between a variety of diverse forces that necessarily operate within but also across territorial spaces. Paying close attention to the specifics of the Spanish cinematic and social panorama, the essays investigate the transnational economic, cultural and aesthetic forces at play in shaping Spanish film genres today.
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The ArtsJune 2021Contemporary Spanish cinema and genre
by Jay Beck, Vicente Rodríguez Ortega
This volume is the first English-language collection exclusively dedicated to the study of genre in relation to Spanish cinema. Providing a variety of critical perspectives, the collection gives the reader a thorough account of the relationship between Spanish cinema and genre, drawing on case studies of several of the most remarkable Spanish films in recent years. The book analyses the significant changes in the aesthetics, production and reception of Spanish film from 1990 onwards. It brings together European and North American scholars to establish a critical dialogue on the topics under discussion, while providing multiple perspectives on the concepts of national cinemas and genre theory. In recent years film scholarship has attempted to negotiate the tension between the nationally specific and the internationally ubiquitous, discussing how globalisation has influenced film making and surrounding cultural practice. These broader social concerns have prompted scholars to emphasise a redefinition of national cinemas beyond strict national boundaries and to pay attention to the transnational character of any national site of film production and reception. This collection provides a thorough investigation of contemporary Spanish cinema within a transnational framework, by positing cinematic genres as the meeting spaces between a variety of diverse forces that necessarily operate within but also across territorial spaces. Paying close attention to the specifics of the Spanish cinematic and social panorama, the essays investigate the transnational economic, cultural and aesthetic forces at play in shaping Spanish film genres today.
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The ArtsJune 2021Genre and performance: film and television
by Christine Cornea
Looking at contemporary film and television, this book explores how popular genres frame our understanding of on-screen performance. Previous studies of screen performance have tended to fix upon star actors, directors, or programme makers, or they have concentrated upon particular training and acting styles. Moving outside of these confines, this book provides a truly interdisciplinary account of performance in film and television and examines a much neglected area in our understanding of how popular genres and performance intersect on screen. Each chapter concentrates upon a particular genre or draws upon generic case studies in examining the significance of screen performance. Individual chapters examine contemporary film noir, horror, the biopic, drama-documentary, the western, science fiction, comedy performance in 'spoof news' programmes and the television 'sit com' and popular Bollywood films.
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Literature & Literary StudiesMarch 2007On the uses of history in recent Irish writing
by Bernhard Klein
This book offers a critical reassessment of the uses of history in contemporary Irish literature and culture. It argues that in much recent Irish writing, history is approached not as the proverbial 'nightmare' from which Joyce's Stephen Dedalus tried to awake, but as a rich, imaginative resource. Drawing on recent debates in Irish literary and cultural criticism, On the uses of history in recent Irish writing explores the varied, creative, and often critically challenging forms of rewriting Ireland's troubled past in contemporary prose, drama and poetry. Individual chapters focus on literary treatments of the Tudor reconquest, the Famine, the Northern Irish Troubles and other key events in Irish history, highlighting in a series of close readings the unique forms of historical thought enabled by different literary forms and genres. Canonical works by authors such as Seamus Heaney, Derek Mahon, Tom Paulin, Brian Friel, Stewart Parker and Frank McGuinness are considered alongside lesser known writers and texts, placing each in their wider social, cultural and historical contexts. ;
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Literature & Literary StudiesJanuary 2017Literary and visual Ralegh
by J. B. Lethbridge, Christopher Armitage
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Literature & Literary StudiesOctober 2018Clive Barker
Dark imaginer
by Sorcha Ní Fhlainn
Clive Barker: Dark imaginer explores the diverse literary, film and visionary creations of the polymathic and influential British artist Clive Barker. In this necessary and timely collection, innovative essays by leading scholars in the fields of literature, film and popular culture explore Barker's contribution to gothic, fantasy and horror studies, interrogating his creative legacy. The volume consists of an extensive introduction and twelve groundbreaking essays that critically reevaluate Barker's oeuvre. These include in-depth analyses of his celebrated and lesser known novels, short stories, theme park designs, screen and comic book adaptations, film direction and production, sketches and book illustrations, as well as responses to his material from critics and fan communities. Clive Barker: Dark imaginer reveals the breadth and depth of Barker's distinctive dark vision, which continues to fascinate and flourish.
