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We present during this event a handful of authors who appeared on our show, and who have expressed an interest in selling the international rights to their work.
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Charlie’s fi rst day at her new school is total chaos – but shefi nds her way through it! This lively story helps childrenface the big step to secondary school with less fear andmore confi dence. With exercises and tips, it supports kidsin understanding and managing their worries about change. • Eases fears about switching schools• Encourages confi dence through storytelling• Includes exercises for kids and professionals
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The turn of the twenty-first century has witnessed the striking advance of pornography into the Western cultural mainstream. Symptomatic of this development has been the use by writers, artists, and film-makers of the imagery and aesthetics of pornography, in works which have, often on this basis, achieved considerable international success. Amongst these artists are a number of French authors and directors - such as Michel Houellebecq, Catherine Breillat, Virginie Despentes, or Catherine Millet - whose work has often been dismissed as trashy or exploitative, but whose use of pornographic material may in fact be indicative of important contemporary concerns. In this study of a very significant trend, the authors explore how the reference to pornography encodes diverse political, cultural, and existential questions, including relations between the sexes, the collapse of avant-garde politics, gay sexualities in the time of AIDS, the anti-feminist backlash, the relation to the body and illness, the place of fantasy, and the sexualisation of children. It will be of interest to undergraduates, graduates, and researchers in the fields of French culture, gender, film and media studies.
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The turn of the twenty-first century has witnessed the striking advance of pornography into the Western cultural mainstream. Symptomatic of this development has been the use by writers, artists, and film-makers of the imagery and aesthetics of pornography, in works which have, often on this basis, achieved considerable international success. Amongst these artists are a number of French authors and directors - such as Michel Houellebecq, Catherine Breillat, Virginie Despentes, or Catherine Millet - whose work has often been dismissed as trashy or exploitative, but whose use of pornographic material may in fact be indicative of important contemporary concerns. In this, the first study of this significant trend, the authors explore how the reference to pornography encodes diverse political, cultural, and existential questions, including relations between the sexes, the collapse of avant-garde politics, gay sexualities in the time of AIDS, the anti-feminist backlash, the relation to the body and illness, the place of fantasy, and the sexualisation of children. It will be of interest to undergraduates, graduates, and researchers in the fields of French culture, gender, film and media studies.
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Sexually transgressive, politically astute and determined to claim educational and employment rights equal to those enjoyed by men, the new woman took centre stage in the cultural landscape of late-Victorian Britain. By comparing the fictional representations with the lived experience of the new woman, Ledger's book makes a major contribution to an understanding of the 'woman question' at the fin de siecle. She alights on such disparate figures as Eleanor Marx, Gertrude Dix, Dracula, Oscar Wilde, Olive Schreiner and Radclyffe Hall. Focusing mainly on the last two decades of the nineteenth century, the book's later chapters project forward into the twentieth century, considering the relationship between new woman fiction and early modernism as well as the socio-sexual inheritance of the 'second generation' new woman writers. ;
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The dream of the ideal city is as old as the city itself. Since real cities often develop chaotically, the idea of perfecting them, even tearing them down if necessary, and rebuilding them according to the prevailing patterns of thought is an obvious one. The latest manifestation of this utopia is the smart city - the intelligent city, packed with the latest technology and extensively digitised. But will air taxis and hyperloops, ubiquitous sensors, access control systems and data-driven management really make the city of the future a better place to live? Are they the answer to the enormous challenges facing today's fast-growing metropolises? Or will the supposed administrative paradise ultimately mutate into a digital juggernaut?
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A bold and balanced re-appraisal of New Labour in power. Rewriting the story of New Labour, Glen O'Hara challenges the prevailing narrative to present a more balanced and positive assessment. New Labour, new Britain is the first book to examine both the intentions behind New Labour's domestic policies and their real-world effects, moving beyond the entrenched left-right debates that have dominated the party's legacy. The period from 1997 to 2007 marked a pivotal moment in modern British history, as New Labour sought to reshape Britain into a more cohesive and forward-thinking society. It saw the rise of socially liberal attitudes and flourishing public services under a government committed to rebuilding and investing in them. Yet New Labour's track record was far from flawless and its legacy remains complicated and contested. Through interviews with key players and rigorous archival research, O'Hara offers a new perspective on Tony Blair's years in power. Painting a fuller picture of New Labour's successes and challenges, he highlights its lasting impact on Britain and offers a thoughtful reassessment of its place in history.
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Since the mid-2000s, the harsh reality of call centre employment for a generation of young workers in Portugal has been impossible to ignore. With its endless rows of small cubicles, where human agents endure repetitive telephone conversations with abusive clients under invasive modes of technological surveillance, discipline and control, call centre work remains a striking symbol of labour precarity, a condition particularly associated with the neoliberal generational disenchantment that 'each generation does better than its predecessor'. This book describes the emergence of a regime of disciplined agency in the Portuguese call centre sector. Examining the ascendancy of call centres as icons of precarity in contemporary Portugal, this book argues that call centre labour constitutes a new form of commodification of the labouring subject. De Matos argues that call centres represent an advanced system of non-manual labour power exploitation, due to the underestimation of human creativity that lies at the centre of the regimented structures of call centre labour. Call centres can only guarantee profit maintenance, de Matos argues, through the commodification of the human agency arising from the operators' moral, relational and social embedded agentive linguistic interventions of creative improvisation, decision-making, problem-solving and ethical evaluation.
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Objects in late medieval Europe were a means for lay people and clergy to negotiate their access to powers beyond the everyday, in folk practice as well as religious observance. As has been noted by scholars, this period is marked by a profusion of objects granted special importance, imaginary as well as material. These objects prompt reconsideration of cultural and intellectual frameworks, for example of superstition, reform, and heresy, that never quite successfully contain them. Essays in this volume center attention on these things themselves, from puppets to rosaries, as indeed do the written accounts through which they are often mediated. With a focus on England, contributors re-evaluate our understanding of works and authors including Geoffrey Chaucer, Walter Hilton, Nicholas Love, Julian of Norwich, miracles of the Virgin, Edward Hall's Chronicle, the Wycliffite Glossed Gospels, and the Croxton Play of the Sacrament.
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This book is the first edited collection to focus on the work of contemporary author Hari Kunzru. It contains major new essays on each of his novels - The Impressionist, Transmission, My Revolutions, Gods Without Men, White Tears and Red Pill - as well as his short fiction and non-fiction writings. The collection situates Kunzru's work within current debates regarding postmodernism, postcolonialism, and post-postmodernism, and examines how Kunzru's work is central to major thematic concerns of contemporary writing including whiteness, national identity, Britishness, cosmopolitanism, music, space, memory, art practice, trauma, Brexit, immigration, covid-19, and populist politics. The book engages with current debates regarding the politics of publishing of ethnic writers, examining how Kunzru has managed to shape a career in resistance of narrow labelling where many other writers have struggled to achieve long-term recognition.
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In the new world order mapped out by Japanese and Western imperialism in East Asia after the mid-nineteenth century opium wars, communities of merchants and settlers took root in China and Korea. New identities were constructed, new modes of collaboration formed and new boundaries between the indigenous and foreign communities were literally and figuratively established. Newly available in paperback, this pioneering and comparative study of Western and Japanese imperialism examines European, American and Japanese communities in China and Korea, and challenges received notions of agency and collaboration by also looking at the roles in China of British and Japanese colonial subjects from Korea, Taiwan and India, and at Chinese Christians and White Russian refugees. This volume will be of interest to students and scholars of the history and anthropology of imperialism, colonialism's culture and East Asian history, as well as contemporary Asian affairs.
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Henri Bergson, central to European philosophy at the beginning of the C20th, is returning to that position at the beginning of the C21st. Bergson's legacy reaches across the disciplines of philosophy, humanities and the arts, and has especial relevance for recent film and video studies (in the area of time, change and difference). This collection includes an original essay by Gilles Deleuze, translated into English for the first time. Hugely impressive international cast including not only Deleuze, but also Worms, Gunter, Ansell Pearson and Timothy S. Murphy. The first in the acclaimed Angelaki Humanities series. ;
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A New Naval History brings together the most significant and interdisciplinary approaches to contemporary naval history. The last few decades have witnessed a transformation in how this field is researched and understood and this volume captures the state of a field that continues to develop apace. It examines - through the prism of naval affairs - issues of nationhood and imperialism; the legacy of Nelson; the socio-cultural realities of life in ships and naval bases; and the processes of commemoration, journalism and stage-managed pageantry that plotted the interrelationship of ship and shore. This bold and original publication will be essential for undergraduate and postgraduate students of naval and maritime history. Beyond that, though, it marks an important intervention into wider historiographies that will be read by scholars from across the spectrum of social history, cultural studies and the analysis of national identity.
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Approximately 30 to 50 new active ingredients are approved in Germany each year. Keeping track and forming a well- informed opinion can be time-consuming and challenging in the daily routine of pharmacy practice. This resource provides comprehensive information on all 41 new pharmaceuticals introduced between December 2023 and November 2024, clearly organised and professionally evaluated. Active ingredient profiles give a clear overview, while detailed graphics illustrate complex modes of action and pathological mechanisms. The author also examines authorisation- relevant studies as well as economic aspects. Each article concludes with an assessment of the thera- peutic relevance and discusses the underlying disease, including its symptoms and previous treatment options, and compares the new active ingredient with its strongest competitors. This allows you to quickly determine whether the new medicinal product represents a groundbreaking innovation or merely an analogue preparation. Target group: Pharmacists in dispensaries and hospitals, physicians in hospitals and practices
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The moral problem of authority is the challenge of reconciling legitimate authority (the right to rule) with the demands of freedom and rationality. In this book, I argue that authority can have legitimacy, but when it does it generates a moral dilemma, where the obligation to obey comes at some cost to freedom and reason. Hence, not only do I depart from the views of those who insist that authority can never have legitimacy, but also those who maintain that insofar as authority is legitimate it simply satisfies the demands of freedom or rationality. My focus here will be on both what it is that justifies authority (in particular focusing on membership, and the goods of membership) as well what type of reason an authoritative directive is, how it can come into conflict with others reasons, and how those conflicts are resolved.
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Migrant architects of the NHS draws on forty-five oral history interviews and extensive archival research to offer a radical reappraisal of how the National Health Service was made. It tells the story of migrant South Asian doctors who became general practitioners in the NHS. Imperial legacies, professional discrimination and an exodus of UK-trained doctors combined to direct these doctors towards work as GPs in some of the most deprived parts of the UK. In some areas, they made up over half of the general practitioner workforce. The NHS was structurally dependent on them and they shaped British society and medicine through their agency. Aimed at students and academics with interests in the history of immigration, immigration studies, the history of medicine, South Asian studies and oral history. It will also be of interest to anyone who wants to know more about how Empire and migration have contributed to making Britain what it is today.
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Rereading Chaucer and Spenser is a much-needed volume that brings together established and early career scholars to provide new critical approaches to the relationship between Geoffrey Chaucer and Edmund Spenser. By reading one of the greatest poets of the Middle Ages alongside one of the greatest poets of the English Renaissance, this collection poses questions about poetic authority, influence, and the nature of intertextual relations in a more wide-ranging manner than ever before. With its dual focus on authors from periods often conceived as radically separate, the collection also responds to current interests in periodisation. This approach will engage academics, researchers and students of Medieval and Early Modern culture.
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In A New Genre for Television?, filmmaker Justin Hardy argues the dramatised history documentaries broadcast by British public service channels in the 2000s constituted a distinct television genre. Offering a vital distinction between docudramas and drama documentaries, Hardy contributes to the field of television history through exclusive interviews with key figures from BBC and Channel 4 - many of whom have never been publicly interviewed before - and envisions a future model for the portrayal of national histories on screen.
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This volume has emerged to fulfill two main purposes: Primarily, to constitute the first collaborative work that traces the relationship between the Gothic and Women in Spain and the Americas, but also, to surpass the term 'Female Gothic,' coined by Ellen Moers, by transferring the focus towards women and their agency as writers, readers and characters. This volume functions as a manifesto per se to open new avenues into understanding how women have interacted with the Gothic between the nineteenth and twenty-first centuries in Spain and the Americas. The question, we determine, is not simply about identity, but rather about agency. We define women's agency as the total capacity of characters, authors and readers to act freely within a social framework in relation to gothic texts. In our exploration of authorship, we reject the claim that the Gothic is a simplistic literary genre, instead sustaining that the plasticity of the Gothic has enabled it to survive for centuries; by shifting from a genre to a mode, it has surpassed literary forms and invaded all kinds of media: from film to music and merchandise such as clothing and pop culture collectables, fostering an authentic goth fandom.
