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Humanities & Social SciencesJune 2017Stained glass and the Victorian Gothic revival
by Christopher Breward, Jim Cheshire, Bill Sherman
Stained glass reached the height of its popularity in the Victorian period. But how did it become so popular and who was involved in this remarkable revival? The enthusiasm for these often exquisite pieces of artwork spread from specialist groups of antiquarians and architects to a much wider section of the Victorian public. By looking at stained glass from the perspective of both glass-painter and patron, and by considering how stained glass was priced, bought and sold, this enlightening study traces the emergence of the market for stained glass in Victorian England. Thus it contains new insights into the Gothic Revival and the relationship between architecture and the decorative arts. Beautifully illustrated with colour plates and black and white illustrations, this book will be valuable to those interested in stained glass and the wider world of Victorian art.
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Literature & Literary StudiesJuly 2024Reanimating grief
Waking the dead in literature, theatre and performance
by William McEvoy
Reanimating grief is a wide-ranging study of the poetics of bereavement in theatre, literature and song. It examines the way cultural works reanimate the dead in the form of ghosts, memories or scenes of mourning, and uses critical and creative writing to express grief's subjectivity and uniqueness. It cover classic texts from Greek tragedy and Shakespeare to works by Anton Chekhov, Samuel Beckett, Enda Walsh, Sally Rooney and Maggie O'Farrell. The book argues that the return of the dead in theatre and fiction is an act of memorial and an expression of love that illustrates the relationship between art, enchantment and impossibility.
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Humanities & Social SciencesJune 2021Na Fianna Éireann and the Irish Revolution, 1909–23
by Marnie Hay
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The ArtsOctober 2019The never-ending Brief Encounter
by Brian McFarlane
This is a book for all those who have been absorbed and moved by Brief Encounter in the seventy or so years since its first appearance. It explores the central relationship of the film, where two people who fall unexpectedly in love come to realise that there is more to life than self-gratification. Mores have undoubtedly changed, for better or worse, but that essential moral choice has never lost its power. While acknowledging this, the book goes further in an effort to account for the way the film has passed into the wider culture. People born decades after its first appearance are now adept at picking up references to it, whether a black-and-white scene in a much later film or a passing joke about a bald man in a barber's shop.
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The ArtsOctober 2009Journeyman
An autobiography
by Ewan Maccoll, Peggy Seeger
This new edition of Journeyman, Ewan MacColl's vivid and entertaining autobiography, has been re-edited from the original manuscript, and includes a new introduction by Peggy Seeger, for whom he wrote the unforgettable 'The First Time Ever I Saw Your Face'. MacColl, a singer, songwriter, actor, playwright and broadcaster, begins this fascinating account with his working class Salford childhood, traces the founding and life of Theatre Workshop, one of Britain's most innovative theatre companies, then moves on to his work with folksingers, the Radio Ballads and his ascent into old age. Ewan MacColl and Peggy Seeger were among the main leaders of the UK folksong revival. Journeyman documents their struggle to secure the integrity of that revival as the popular media appropriated and re-created traditional music for commercial gain. An entertaining and thought-provoking slice of British history, it will appeal to those interested in the histories of folk music, theatre, radio, left-wing politics and the Manchester area. ;
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The ArtsSeptember 2009Journeyman
An autobiography
by Ewan Maccoll, Peggy Seeger, Peggy Seeger
This new edition of Journeyman, Ewan MacColl's vivid and entertaining autobiography, has been re-edited from the original manuscript, and includes a new introduction by Peggy Seeger, for whom he wrote the unforgettable 'The First Time Ever I Saw Your Face'. MacColl, a singer, songwriter, actor, playwright and broadcaster, begins this fascinating account with his working class Salford childhood, traces the founding and life of Theatre Workshop, one of Britain's most innovative theatre companies, then moves on to his work with folksingers, the Radio Ballads and his ascent into old age. Ewan MacColl and Peggy Seeger were among the main leaders of the UK folksong revival. Journeyman documents their struggle to secure the integrity of that revival as the popular media appropriated and re-created traditional music for commercial gain. An entertaining and thought-provoking slice of British history, it will appeal to those interested in the histories of folk music, theatre, radio, left-wing politics and the Manchester area. ;
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September 2023Die Kunst der Meeting-Navigation
Mehr Erfolg in analogen, hybriden und digitalen Besprechungen
by Schönborn, Tim; Sieben, Beatrix
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Humanities & Social SciencesJanuary 2013Tyrants of Sicily by Hugo Falcandus
by Graham Loud, Thomas Wiedemann
This book is our principal source for the history of the Kingdom of Sicily in the troubled years between the death of its founder, King Roger, in February 1154 and the spring of 1169. It covers the reign of Roger's son, King William I, known to later centuries as 'the Bad', and the minority of the latter's son, William II 'the Good'. The book illustrates the revival of classical learning during the twelfth-century renaissance. It presents a vivid and compelling picture of royal tyranny, rebellion and factional dispute at court. Sicily had historically been ruled by tyrants, and that the rule of the new Norman kings could be seen, for a variety of reasons, as a revival of that classical tyranny. A more balanced view of Sicilian history of the period 1153-1169 has been provided as an appendix to the translation in the section of the contemporary world chronicle ascribed to Archbishop Romuald II of Salerno, who died in April 1181. In particular the chronicle of Romuald enables us to see how the papal schism of 1159 and the simultaneous dispute between the German Emperor Frederick Barbarossa and the north Italian cities affected the destiny of the kingdom of Sicily. In contrast to the shadowy figure of Hugo Falcandus, the putative author of the principal narrative of mid-twelfth-century Sicilian history, Romuald II, Archbishop of Salerno 1153-1181, is well-documented.
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Humanities & Social SciencesAugust 2024Ireland and the Renaissance court
by David Edwards, Brendan Kane
Ireland and the Renaissance court is an interdisciplinary collection of essays exploring Irish and English courts, courtiers and politics in the early modern period, c. 1450-1650. Chapters are contributed by both established and emergent scholars working in the fields of history, literary studies, and philology. They focus on Gaelic cúirteanna, the indigenous centres of aristocratic life throughout the medieval period; on the regnal court of the emergent British empire based in London at Whitehall; and on Irish participation in the wider world of European elite life and letters. Collectively, they expand the chronological limits of 'early modern' Ireland to include the fifteenth century and recreate its multi-lingual character through exploration of its English, Irish and Latin archives. This volume is an innovative effort at moving beyond binary approaches to English-Irish history by demonstrating points of contact as well as contention.
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Humanities & Social SciencesApril 2015Performing Englishness
Identity and politics in a contemporary folk resurgence
by Trish Winter, Alexander Smith, Simon Keegan-Phipps
Now available in paperback, Performing Englishness examines the growth in popularity and profile of the English folk arts in the first decade of the twenty-first century. In the only study of its kind, the authors explore how the folk resurgence speaks to a broader explosion of interest in the subject of English national and cultural identity. Combining approaches from British cultural studies and ethnomusicology, the book draws on ethnographic fieldwork, interviews with central figures of the resurgence and close analysis of music and dance as well as visual and discursive sources. Its presentation of the English case study calls for a rethinking of concepts such as revival and indigeneity. It will be of interest to students and scholars in cultural studies, ethnomusicology and related disciplines. ;
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The ArtsDecember 2000Contemporary Australian cinema
An introduction
by Jonathan Rayner
Provides an introduction to the products and context of the new Australian film industry which arose toward the end of the 1960s. Traces the development of Australian film, in terms of prominent directors and stars, consistent themes, styles and evolving genres. The evolution of the film genres peculiar to Australia, and the adaptation of conventional Hollywood forms (such as the musical and the road movie) are examined in detail through textual readings of landmark films. Films and trends discussed include: the period film and Picnic at Hanging Rock; the Gothic film and the Mad Max trilogy; camp and kitsch comedy and the Adventures of Pricilla, Queen of the Desert. The key issue of the revival (the definition, representation and propagation of a national image) is woven through analysis of the new Australian cinema. ;
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The ArtsJune 2017Contemporary Australian cinema
An introduction
by Jonathan Rayner
Provides an introduction to the products and context of the new Australian film industry which arose toward the end of the 1960s. Traces the development of Australian film, in terms of prominent directors and stars, consistent themes, styles and evolving genres. The evolution of the film genres peculiar to Australia, and the adaptation of conventional Hollywood forms (such as the musical and the road movie) are examined in detail through textual readings of landmark films. Films and trends discussed include: the period film and Picnic at Hanging Rock; the Gothic film and the Mad Max trilogy; camp and kitsch comedy and the Adventures of Pricilla, Queen of the Desert. The key issue of the revival (the definition, representation and propagation of a national image) is woven through analysis of the new Australian cinema.
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Business, Economics & LawSeptember 2004Trade unions and democracy
Strategies and perspectives
by Mark Harcourt, Geoffrey Wood
This book explores the changing role of trade unions as products of, and agents for, democracy. Despite conventionally being portrayed as politically marginalised and in terminal decline, trade unions continue to represent a significant component of society within most industrialised countries and have demonstrated a capacity for revival and renewal in the face of difficult corcumstances. It brings together a distinguished panel of leading and emerging scholars in the field, and provides a critical assessment of the current role of trade unions in society, their capacity to impact on state policies in such a manner as to ensure greater accountability and fairness, and the nature and extent of internal representative democracy within the labour movement. This volume will be of interest to students and academics in industrial relations, critical management studies, political studies and sociology. ;
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The ArtsFebruary 2012Transforming folk
Innovation and tradition in English folk-rock music
by Rob Burns
English folk-rock, a former progressive rock music style, remains a stimulus for further change in folk music and has enabled English folk-rock to become regarded as popular music by a new audience with diverse musical tastes. From musicological and historical perspectives, this book maintains that folk music performance continues to be influenced by rock and other popular music styles. From a cultural studies perspective, this book also demonstrates how the popularity of folk music presented at world music festivals has stimulated significant growth in folk music audiences since the mid-1990s and consequently the UK is experiencing a new phase of revivalism - the third folk revival. The book contains contributions from Martin Carthy (The Imagined Village), Simon Nicol (Fairport Convention), Ashley Hutchings (The Albion Band), Gerry Conway (Fairport Convention) and Rick Kemp (Steeleye Span). ;
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March 2024Today Is a Good Day to Abolish the Patriarchy
by Bettina Schulte (ed.)
Do we still need feminism in Europe? Equality or difference feminism? A new generation of feminists has now broken away from the feminism of the 1960s. The old white Cis man has been discredited, by the "#MeToo" movement at the latest. Sexualised violence against women has been outlawed, perpetrators taken to court. So everything’s good? No, of course not. Men still dominate public discourse; men are unchallenged in leadership positions in politics, society and business; male power still prevails in the domestic environment as well. The extent to which men fight back when they feel threatened by feminism is also evident in the revival of authoritarian nationalist politicians in Europe and around the world. The seven authors shed light on feminist struggles in different areas of life, and illustrate the range of feminism today.
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Humanities & Social SciencesMay 2013Conservatism for the democratic age
Conservative cultures and the challenge of mass politics in early twentieth century England
by David Thackeray
This book offers a new interpretation of the Conservative party's revival and adaptation to democratic politics in the early twentieth century. We cannot appreciate the Conservatives' unique success in British politics without exploring the dramatic cultural transformation which occurred within the party during the early decades of the century. This was a seminal period in which key features of the modern Conservative party emerged: a mass women's organisation, a focus on addressing the voter as a consumer, targeted electioneering strategies, and the use of modern media to speak to a mass audience. This book provides the first substantial attempt to assess the Conservatives' adaptation to democracy across the early twentieth century from a cultural perspective and will appeal to academics and students with an interest in the history of political communication, gender and class in modern Britain. ;
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Humanities & Social SciencesJuly 2017Recognition theory and contemporary French moral and political philosophy
Reopening the dialogue
by Simon Tormey, Miriam Bankovsky, Jon Simons, Alice Le Goff
The revival of recognition theory has brought new energy to critical theory. In general terms, recognition theory aims to critically evaluate social structures against a standard of social freedom identified with norms of interaction which are freely recognised by all parties. Until now, attention has primarily focused on the categories and forms of recognition theory. However, the influence of contemporary French theory upon the development of theories of recognition has not yet received the consideration it merits. This collection outlines the current state of recognition theory, studies the impact of French theory, and uses French thought to identity aspects of the recognitive process which are often overlooked. Exploring French accounts of agonistic identity construction, vulnerability, power, ethical obligation and reflexive theory construction, this book supports the intentions of critical theory with heightened attentiveness to oppression in all of its forms.
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The ArtsJuly 2024Pasticcio opera in Britain
History and context
by Peter Morgan Barnes
This study overturns twentieth-century thinking about pasticcio opera. This radical way of creating opera formed a counterweight, even a relief, to the trenchant masculinity of literate culture in the seventeenth century. It undermined the narrowing of nationalism in the eighteenth century, and was an act of gross sacrilege against the cult of Romantic genius in the nineteenth century. In the twentieth century, it found itself on the wrong side of copyright law. However, in the twenty-first century it is enjoying a tentative revival. This book redefines pasticcio as a method rather than a genre of opera and aligns it with other art forms which also created their works from pre-existing parts, including sculpture. A pasticcio opera is created from pre-existing music and text, thus flying in face of insistence on originality and creation by a solo genius.
