Textofilia Ediciones
Literary publisher. It has received several awards. It has the stamp Libros del Marqués, dedicated to social relevant topics of this time.
View Rights PortalLiterary publisher. It has received several awards. It has the stamp Libros del Marqués, dedicated to social relevant topics of this time.
View Rights PortalAt Text we want to publish books that make a difference to people’s lives. We believe that reading should be a marvellous experience, that every book you read should somehow change your life if only by a fraction. We love the phrase ‘lost in a book’—that’s where we want our readers to be. You can’t get lost in a newspaper or a magazine or even a movie. But people get lost in books every day—on the tram, on the beach, in bed. Reading is what keeps the imagination supple and challenges preconceptions and prejudices. You read at your own speed, and the world you enter courtesy of the writer is yours and yours only, even if the person next to you on the bus is reading exactly the same book. We publish a very broad range of fiction and non-fiction, international and local, books for adults and young adults.
View Rights PortalThis collection of essays focuses attention on the broad issue of Renaissance textuality. It explores such topics as the position of the reader relative to the text; the impact of editorial strategies and modes of presentation on our understanding of the text; the complexities of extended textual histories; and the relevance of gender to the process of textual retrieval and preservation. The essays, whilst informed by contemporary theory, are not dominated by a single programmatic viewpoint. Reflecting the multiplicitous nature of Renaissance textuality, the collection provides space for a variety of different positions and lines of analysis and enquiry. The Renaissance text will be of interest to those with specialist concerns in editing, textuality and bibliography, and will also be of interest to those more generally concerned with Renaissance literature or with textual or literary history. ;
This book is the first full-length study of contemporary American fiction of passing. Its takes as its point of departure the return of racial and gender passing in the 1990s in order to make claims about wider trends in contemporary American fiction. The book accounts for the return of tropes of passing in fiction by Phillip Roth, Percival Everett, Louise Erdrich, Danzy Senna, Jeffrey Eugenides and Paul Beatty, by arguing meta-critical and meta-fictional tool. These writers are attracted to the trope of passing because passing narratives have always foregrounded the notion of textuality in relation to the (il)legibility of "black" subjects passing as white. The central argument of this book, then, is that contemporary narratives of passing are concerned with articulating and unpacking an analogy between passing and authorship. The title promises to inaugurate dialogue on the relationships between passing, postmodernism and authorship in contemporary American fiction.
Text has always been the chief vehicle for the inscription and dissemination of knowledge and culture. As more and more of our textual communication moves into the digital realm we have reached a crucial moment in the history of textual transmission. In many respects digital text looks deceptively like print. But beneath the surface of the screen, digital textuality obeys very different rules than printed text. The digital textual universe offers a wealth of new and exciting possibilities - but it also sets new rules for the writer's and reader's engagement with text. Changing our textual minds analyses the continuities and discontinuities in textual transmission as we move from a print paradigm into an increasingly digital world. It conceptualises the epochal transition from analogue to digital both in factual terms and in terms of its social significance. Centuries of reading and writing practice have made us Homo typographicus. Our entire way of disseminating knowledge and culture is firmly based on print culture. The need to come to grips with the shift to digital textuality in the early twenty-first century will literally change our minds. ;