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      • Tango Sin Fin

        “Método de Tango” is the first fundamental book series that teaches how to play tango music, published in English and Spanish since 2014 by Tango Sin Fin in Buenos Aires. This book series is the only collection which provides any musician, arranger, composer or ethnomusicologist from around the world a methodological and pedagogical approach to tango language, using academic terms, exercises and musical studies. Each volume is focused on one instrument: violin, bass, bandoneon, piano, flute and guitar. So far, the collection has only been published in Argentina and worldwide rights belong to Tango Sin Fin.

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      • Grupo sin Fronteras SAS

        Grupo Editorial Sin Fronteras nace de la necesidad del mercado colombiano por encontrar una oferta de libros diferenciales en géneros de literatura juvenil, infantil, gerencia y buen vivir a precios competitivos, combinado con la experiencia en el sector de su fundador y director Mauricio Duque.

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        Literature & Literary Studies
        August 2021

        The Massacre at Paris

        By Christopher Marlowe

        by Martin White, Mathew R. Martin

        This volume presents a modernised edition of Christopher Marlowe's critical engagement with one of the bloodiest and traumatic episodes of the French Wars of Religion, the wholesale massacre of French Huguenots in Paris in August, 1572. Sensorily shocking and intellectually gripping, the play's dramatic action spans a tumultuous two decades in French history to unfold for its audience the tragic consequences of religious fanaticism, power politics, and dynastic rivalry. Comprehensively introduced and containing full commentary notes, this edition opens up this frequently neglected but historically significant and dramatically powerful play to student and scholar alike. The introduction examines such topics as the history of the massacre, the play's treatment of its sources, the play's dramatisation of trauma, and the play's exploration of notions of religious toleration.

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        The Arts
        June 2021

        Contemporary French cinema

        An introduction (revised edition)

        by Guy Austin

        Contemporary French cinema is an essential introduction to popular French film of the last 35 years. It charts recent developments in all genres of French cinema with analyses of over 120 movies, from Les Valseuses to Caché. Reflecting the diversity of French film production since the New Wave, this clear and perceptive study includes chapters on the heritage film, the thriller and the war movie, alongside the 'cinéma du look', representations of sexuality, comedies, the work of women film makers and le jeune cinéma. Each chapter introduces the public reception and critical debates surrounding a given genre, interwoven with detailed accounts of relevant films. Confirmed as a major contribution to both Film Studies and French Studies, this book is a fascinating volume for students and fans of French film alike.

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        The Arts
        January 2019

        Contemporary French cinema

        An introduction (revised edition)

        by Guy Austin

        Contemporary French cinema is an essential introduction to popular French film of the last 35 years. It charts recent developments in all genres of French cinema with analyses of over 120 movies, from Les Valseuses to Caché. Reflecting the diversity of French film production since the New Wave, this clear and perceptive study includes chapters on the heritage film, the thriller and the war movie, alongside the 'cinéma du look', representations of sexuality, comedies, the work of women film makers and le jeune cinéma. Each chapter introduces the public reception and critical debates surrounding a given genre, interwoven with detailed accounts of relevant films. Confirmed as a major contribution to both Film Studies and French Studies, this book is a fascinating volume for students and fans of French film alike.

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        Humanities & Social Sciences
        March 2017

        The French empire at War, 1940–1945

        by Martin Thomas

        The French empire at war draws on original research in France and Britain to investigate the history of the divided French empire - the Vichy and the Free French empires - during the Second World War. What emerges is a fascinating story. While it is clear that both the Vichy and Free French colonial authorities were only rarely masters of their own destiny during the war, preservation of limited imperial control served them both in different ways. The Vichy government exploited the empire in an effort to withstand German-Italian pressure for concessions in metropolitan France and it was key to its claim to be more than the mouthpiece of a defeated nation. For Free France too, the empire acquired a political and symbolic importance which far outweighed its material significance to the Gaullist war effort. As the war progressed, the Vichy empire lost ground to that of the Free French, something which has often been attributed to the attraction of the Gaullist mystique and the spirit of resistance in the colonies. In this radical new interpretation, Thomas argues that it was neither of these. The course of the war itself, and the initiatives of the major combatant powers, played the greatest part in the rise of the Gaullist empire and the demise of Vichy colonial control.

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        Humanities & Social Sciences
        March 2017

        The French empire between the wars

        Imperialism, politics and society

        by Martin Thomas

        By considering the distinctiveness of the inter-war years as a discrete period of colonial change, this book addresses several larger issues, such as tracing the origins of decolonization in the rise of colonial nationalism, and a re-assessment of the impact of inter-war colonial rebellions in Africa, Syria and Indochina. The book also connects French theories of colonial governance to the lived experience of colonial rule in a period scarred by war and economic dislocation.

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        The Arts
        January 2019

        Reframing difference

        Beur and banlieue filmmaking in France

        by Carrie Tarr

        Reframing difference is the first major study of two overlapping strands of contemporary French cinema, cinema beur (films by young directors of Maghrebi immigrant origin) and cinema de banlieue (films set in France's disadvantaged outer-city estates). Carrie Tarr's insightful account draws on a wide range of films, from directors such as Mehdi Charef, Mathieu Kassovitz and Djamel Bensalah. Her analyses compare the work of male and female, majority and minority film-makers, and emphasise the significance of authorship in the representation of gender and ethnicity. Foregrounding such issues as the quest for identity, the negotiation of space and the recourse to memory and history, she argues that these films challenge and reframe the symbolic spaces of French culture, addressing issues of ethnicity and difference which are central to today's debates about what it means to be French. This timely book is essential reading for anyone interested in the relationship between cinema and citizenship in a multicultural society.

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        The Arts
        January 2019

        French cinema in the 1970s

        The echoes of May

        by Alison Smith

        This book re-examines French cinema of the 1970s. It focuses on the debates which shook French cinema, and the calls for film-makers to rethink their manner of filming, subject matter and ideals in the immediate aftermath of the student revolution of May 1968. Alison Smith examines the effect of this re-thinking across the spectrum of French production, the rise of new genres and re-formulation of older ones. Chapters investigate political thrillers, historical films, new naturalism and Utopian fantasies, dealing with a wide variety of films. A particular concern is the extent to which film-makers' ideas and intentions are contained in or contradicted by their finished work, and the gradual change in these ideas over the decade. The final chapter is a detailed study of two directors who were deeply involved in the debates and events of the 70s, William Klein and Alain Tanner, here taken as exemplary spokesmen for those changing debates as their echoes reached the cinema.

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        Humanities & Social Sciences
        May 2024

        Disrupting White Mindfulness

        by Cathy-Mae Karelse

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        Humanities & Social Sciences
        January 2017

        The souls of white folk

        White settlers in Kenya, 1900s–1920s

        by Brett Shadle, Andrew Thompson, John M. MacKenzie

        Kenya's white settlers have been alternately celebrated and condemned, painted as romantic pioneers or hedonistic bed-hoppers or crude racists. The souls of white folk examines settlers not as caricatures, but as people inhabiting a unique historical moment. It takes seriously - though not uncritically - what settlers said, how they viewed themselves and their world. It argues that the settler soul was composed of a series of interlaced ideas: settlers equated civilisation with a (hard to define) whiteness; they were emotionally enriched through claims to paternalism and trusteeship over Africans; they felt themselves constantly threatened by Africans, by the state, and by the moral failures of other settlers; and they daily enacted their claims to supremacy through rituals of prestige, deference, humiliation and violence. The souls of white folk will appeal to those interested in the histories of Africa, colonialism, and race, and can be appreciated by scholars and students alike.

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        July 2018

        White Maze

        Du bist längst mittendrin

        by Perry, June

        *** Eure schöne neue Welt ist tödlich! *** Mit einem Schlag endet Vivians sorgenfreies Leben: Ihre Mutter Sofia wurde ermordet! Die erfolgreiche Game-Entwicklerin stand kurz vor dem Release eines bahnbrechenden Computerspiels. „White Maze“ wird mit neuartigen Lucent-Kontaktlinsen gespielt - dank ihnen erleben die Spieler virtuelle Game-Welten mit allen Sinnen. Aber warum zerstörte Vivians Mutter kurz vor ihrem Tod die Prototypen der Linsen? Zusammen mit dem schulbekannten Hacker Tom will Viv den Mord an Sofia aufklären. Dazu muss Viv selbst Lucent-Linsen einsetzen und tief in die virtuelle Welt eintauchen. Doch dort ist es für den Mörder ein Leichtes, die falsche Realität nach seinen Spielregeln zu manipulieren. Kann Vivian ihren eigenen Gefühlen vertrauen, wenn alles, was sie sieht, hört, riecht und schmeckt, bloße Lüge ist?

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        The Arts
        April 2019

        Daniel Calparsoro

        by Nuria Triana-Toribio, Ann Davies, Andy Willis

        Daniel Calparsoro, a director who has made a crucial contribution to contemporary Spanish and Basque cinema, has provoked strong reactions from the critics. Reductively dismissed as a works of crude violence by those lamenting a 'lost golden age' of Spanish filmmaking, Calparsoro's films in fact reveal a more complex interaction with trends and traditions in both Spanish and Hollywood cinema. This book is the first full-length study of the director's work, from his early social-realist films set in the Basque Country to his later forays into the genres of the war and horror. It offers an in-depth film-by-film analysis while simultaneously exploring the director's position in the contemporary Spanish context, the tension between directors and critics and the question of national cinema in an area - the Basque Country - of heightened national and regional sensitivities.

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        The Arts
        February 2009

        Daniel Calparsoro

        by Ann Davies, Nuria Triana-Toribio, Andy Willis

        Daniel Calparsoro, a director who has provided a crucial contribution to the contemporary scene in Spanish and Basque cinema, has provoked strong reactions from the critics. Reductively dismissed as a purveyor of crude violence by those critics lamenting a 'lost golden age' of Spanish filmmaking, Calparsoro's films reveal in fact a more complex interaction with trends and traditions in both Spanish and Hollywood cinema. This book is the first full-length study of the director's work, from his early social realist films set in the Basque Country to his later forays into the genres of the war and horror film. It offers an in-depth film-by-film analysis, while simultaneously exploring the function of the director in the contemporary Spanish context, the tension between directors and critics, and the question of national cinema in an area - the Basque Country - of heightened national and regional sensitivities. ;

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        Humanities & Social Sciences
        January 2019

        Hermits and anchorites in England, 1200–1550

        by E. A. Jones

        This source book offers a comprehensive treatment of solitary religious lives in England in the late Middle Ages. It covers both enclosed recluses (anchorites) and free-wandering hermits, and explores the relationship between them. Although there has been a recent surge of interest in the solitary vocations, especially anchorites, this has focused almost exclusively on a small number of examples. The field is in need of reinvigoration, and this book provides it. Featuring translated extracts from a wide range of Latin, Middle English and Old French sources, as well as a scholarly introduction and commentary from one of the foremost experts in the field, Hermits and anchorites in England is an invaluable resource for students and lecturers alike.

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        Science & Mathematics
        November 2017

        Henry Dresser and Victorian ornithology

        by Henry A. McGhie

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