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      • Bardon-Chinese Media Agency

        Bardon-Chinese Media Agency licenses European, USA, and Japanese copyrights including academic and trade titles and children books in Chinese language markets. The agency promotes, negotiates and licenses Chinese translation for publications, serializations, permissions, co-production and its derivative rights in form of exhibitions, performances and merchandising on behalf of its clients worldwide. The agency vice versa is handling foreign rights of Chinese original writings on behalf of some prominent Chinese authors or outstanding works. As a local agency specializing in Chinese speaking territories, the agency takes pride in matchmaking numerous translation titles to become million bestsellers in China. The agency facilitates an professional and well experienced crew to consistently monitor and collect the sales reports and following royalty payments of all deals. The agency is widely regarded as one of the Chinese leading literary agencies with its professional and objective knowledge of the market and publishing houses.

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      • Barbara E. Euler

        Hello, I am the author and publisher of a German police story situated in Bruges. Available in print and as e-book.   Look at the e-book here: https://www.neobooks.com/ebooks/barbara-e--euler-raphaels-rueckkehr-ebook-neobooks-AXGc1FyzA_UjA5yswzJR?toplistType=undefined   Look at the print and e-book here: https://www.amazon.de/Raphaels-R%C3%BCckkehr-Krimi-Barbara-Euler/dp/3752943653/ref=sr_1_1?__mk_de_DE=%C3%85M%C3%85%C5%BD%C3%95%C3%91&dchild=1&keywords=barbara+e.+euler&qid=1602840731&sr=8-1

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        Literature & Literary Studies
        March 2026

        What's in a name?

        How historians know Shakespeare was Shakespeare

        by Susan Dwyer Amussen

        A compelling tour of Shakespeare's England that makes a powerful contribution to the 'authorship question'. How do we know Shakespeare was Shakespeare? Could a glover's son who left school at fifteen really be the author behind such masterpieces as Hamlet, King Lear and The Tempest? Yes! says historian Susan Amussen. She transports readers back to early modern England, to travel the path that carried William Shakespeare from humble origins in Stratford to literary greatness on the London stage. This was a society undergoing rapid change. Grammar schools made education in Latin and Greek available to commoners, while touring players brought the latest dramatic productions to the masses. And in London, a metropolis filled with European visitors, ordinary people had the opportunity to see courtly life up close. No serious historian doubts that Shakespeare was the author of the plays that bear his name. Susan Amussen shares what they know: that Shakespeare's England was a complex and cosmopolitan place, with everything a talented young playwright needed to develop his craft and furnish his imagination.

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        Literature & Literary Studies
        June 2004

        Secret Shakespeare

        Studies in theatre, religion and resistance

        by Richard Wilson

        Shakespeare's Catholic context was the most important literary discovery of the last century. No biography of the Bard is now complete without chapters on the paranoia and persecution in which he was educated, or the treason which engulfed his family. Whether to suffer outrageous fortune or take up arms in suicidal resistance was, as Hamlet says, 'the question' that fired Shakespeare's stage. In 'Secret Shakespeare' Richard Wilson asks why the dramatist remained so enigmatic about his own beliefs, and so silent on the atrocities he survived. Shakespeare constructed a drama not of discovery, like his rivals, but of darkness, deferral, evasion and disguise, where, for all his hopes of a 'golden time' of future toleration, 'What's to come' is always unsure. Whether or not 'He died a papist', it is because we can never 'pluck out the heart' of his mystery that Shakespeare's plays retain their unique potential to resist. This is a fascinating work, which will be essential reading for all scholars of Shakespeare and Renaissance studies. ;

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        Literature & Literary Studies
        April 2020

        Interweaving myths in Shakespeare and his contemporaries

        by Janice Valls-Russell, Agnès Lafont, Charlotte Coffin

        This volume proposes new insights into the uses of classical mythology by Shakespeare and his contemporaries, focusing on interweaving processes in early modern appropriations of myth. Its 11 essays show how early modern writing intertwines diverse myths and plays with variant versions of individual myths that derive from multiple classical sources, as well as medieval, Tudor and early modern retellings and translations. Works discussed include poems and plays by William Shakespeare, Christopher Marlowe and others. Essays concentrate on specific plays including The Merchant of Venice and Dido Queen of Carthage, tracing interactions between myths, chronicles, the Bible and contemporary genres. Mythological figures are considered to demonstrate how the weaving together of sources deconstructs gendered representations. New meanings emerge from these readings, which open up methodological perspectives on multi-textuality, artistic appropriation and cultural hybridity.

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        Literature & Literary Studies
        September 2025

        Shakespeare the Reviser

        A Lover's Complaint

        by Marina Tarlinskaya

        The project researches the difference between a revision vs. a rewriting. The book explores the English poems and plays of the Early New English period, from the sixteenth to the beginning of seventeenth century, with over 50 entries examined. The main material is the poem A Lover's Complaint; the play Double Falsehood by Lewis Theobald; the revised and rewritten post-Restoration plays such as Richard II (revised by Lewis Theobald), and The Fatal Secret (rewritten Webster's The Duchess of Malfi) by Lewis Theobald. An example of authorial revision is Sonnets 2 and 138.

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        Till Stress Do Us Part

        Resilience in Relationships

        by Guy Bodenmann

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        September 1981

        Die großen Dramen, Tragödien, Historien und Komödien in zehn Bänden

        Ausgewählt, nach den Erstdrucken neu übersetzt und erläutert von Rudolf Schaller. Geschenkausgabe mit Dekorüberzug

        by William Shakespeare

        William Shakespeare wurde vermutlich am 23. April 1564 in Stratford-upon-Avon geboren. Seine schöpferische Sprachkraft und die meisterhafte psychologische Gestaltung seiner Charaktere begründen seine Bedeutung und seinen Ruhm als Dramatiker und Dichter. Werke wie König Johann, Ein Sommernachtstraum, Der Kaufmann von Venedig, oder seine Tragödien Hamlet, Romeo und Julia, Othello oder König Lear markieren Höhepunkte der Weltliteratur und sind von den großen internationalen Bühnen nicht mehr wegzudenken. William Shakespeare verstarb am 23. April 1616 in Stratford-upon-Avon.

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        Literature & Literary Studies
        November 2021

        Shakespeare and the denial of territory

        by Pascale Drouet

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        Literature & Literary Studies
        December 1998

        Shakespeare: the 'lost years'

        by E Honigmann

        This literary detective story throws light on the problem of what Shakespeare was doing between leaving school and appearing as an actor and playwright in London. Bringing forward historic and documentary evidence, this text argues that Shakespeare worked as a schoolmaster and player for a wealthy Catholic landowner in Lancashire and later for the Earl of Derby. One of the book's conclusions is that Shakespeare was probably a Roman Catholic. Step by step, this story of patronage, recusancy and aspiring talent is pursued through complex family relationships. ;

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        April 1998

        Die Sonette

        by William Shakespeare, Wolfgang Kaußen, Friedmar Apel

        William Shakespeare, getauft am 26. April 1564 in Stratford- upon-Avon, ist am 23. April 1616 dort gestorben. Kein lyrisches Werk der Weltliteratur hat den Spürsinn von Dichtern, Literaturwissenschaftlern und Übersetzern so angeregt wie Shakespeares Sonett-Zyklus, und nirgendwo ist die Rätselhaftigkeit Shakespeares so zu erfahren wie in diesen 154 Gedichten. Vierhundert Jahre nach der ersten Erwähnung von Sontten Shakespeares durch Francis Meres nach zweihundert Jahren heftiger und oft genug indezenter Liebesmühe einer weltweiten Armada von Forschern und Enthusiasten, erstrahlt das Werk mehr denn ja in ästethischer Schadenfreude: Es hat nichts preisgegeben, was die gemeine Neugier befriedigt. Shakespeares Sonette stellen die Frage nach Wahrheit, sie stellen sie dar, richten sie auf, richten sich als sie auf: Doch Wahrheit und Geltung, Schönheit und Schönschein, Obsession und Treue, Sinn und Widersinn, Lieb und Liebe, Tag und Nacht - in paradoxalen Konfigurationen werden sie der Magie des großen "Durcheinanderwerfers" ausgeliefert, und es erscheint nicht sogleich ausgemacht, wer als wessen Schatten zu gelten habe.

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        Humanities & Social Sciences
        June 2004

        Dress and globalisation

        by Margaret Maynard, Christopher Breward, Bill Sherman

        Dress and globalisation is the first work to survey dress around the world, drawing together issues of consumption, ethnicity, gender and the body, as well as anthropological accounts and studies of representation. It examines international western style dress, including jeans and business suits, headwear and hairdressing, ethnicity and so called 'ethnic chic', clothes for the tourist market, the politicisation of traditional dress, 'alternative' dressing, and T-shirts as temporary markers of identity. It also considers dress and environmental issues, touching on adventure gear, the 'green' consumer and the possible impact of 'smart' clothing. Dispelling the myth of universal 'world' attire, this book demonstrates that western-style clothing transcends geographical boundaries but along with other forms of dress, can form a montage of differing tastes, ethnic preferences and national and local imperatives. By discussing the nature of globalisation, this book shows that, if economics permit, all cultures are selective in their choice of what to wear. Dress and globalisation will be welcomed by students of dress history and cultural studies. ;

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        Material culture
        January 2002

        The study of dress history

        by Lou Taylor

        Over the past ten years the study of dress history has finally achieved academic respectability. This book shows how the fields of dress history and dress studies are now benefitting from the adoption of new multi-disciplinary approaches and outlines the full range of these approaches which draw on material culture, ethnography, and cultural studies. Raises a series of frank and fresh issues surrounding approaches to the history of dress, including analysis of the academic gender and subject divides that have riven it in the past. Comprehensive, engaging and trenchant, this will become the benchmark volume in the study of dress history.

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        September 2020

        »Ihr wißt ja, wie die Kleinen immer über Große reden«

        Shakespeare für Kinder

        by William Shakespeare, Peter Härtling, Hans Traxler

        Es mag sein, daß William Shakespeare der größte aller Dichter war – doch darüber wird gestritten, seit seine Theaterstücke gespielt und gelesen werden. Manche meinen, er habe gar nicht alle Stücke geschrieben, und andere nehmen an, es habe ihn gar nicht gegeben. Nicht wenige halten ihn tatsächlich für den Größten, für einen wunderbaren Geist, der mit Wörtern und Gestalten spielte. Von seinem Leben ist nicht allzu viel bekannt. Er wurde wahrscheinlich am 23. April 1564 in dem englischen Ort Stratford-upon-Avon geboren. Sein Vater, ein erfolgreicher Händler, amtierte eine Zeitlang als Bürgermeister des Ortes. Seine Mutter stammte aus einem alten Adelsgeschlecht. Er ging in seiner Stadt zur Schule, lernte Lesen, Schreiben, Rechnen, Latein. Wann er nach London ging, weiß man nicht. Er begann zu schreiben, Theater zu spielen und schloß sich bald einer Theatertruppe an, die mit Erfolg in London auftrat und das bekannteste und beste Theaterhaus gründete, das Globe Theatre. Er starb 1616. Peter Härtling hat einige der schönsten Szenen und Lieder aus Shakespeares Dramen zusammengestellt, aus den Tragödien, Komödien und Zauberspielen. Hans Traxler hat die Auswahl mit leiser Ironie illustriert.

      • September 1904

        Hamlet

        by William Shakespeare

        Hamlet is Shakespeare's longest play, and is considered among the most powerful and influential works of world literature, with a story capable of "seemingly endless retelling and adaptation by others". The play likely was one of Shakespeare's most popular works during his lifetime, and still ranks among his most performed, topping the performance list of the Royal Shakespeare Company and its predecessors in Stratford-upon-Avon since 1879. It has inspired many other writers—from Johann Wolfgang von Goethe and Charles Dickens to James Joyce and Iris Murdoch—and has been described as "the world's most filmed story after Cinderella"

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        January 2004

        Liebesgedichte

        Liebesszenen und Liebeslieder

        by William Shakespeare, Jutta Kaußen

        Shakespeare, der »Mann des Jahrtausends« (Time Magazine), hat die berühmtesten Liebespaare und die spannendsten Liebesgeschichten der Weltliteratur erfunden, die, obwohl schon 400 Jahre alt, selbst im heutigen Medienzeitalter ihr Publikum in den Bann ziehen.Wie kein anderer Dichter schildert Shakespeare die Verstrickungen der Liebe in all ihren erfahrbaren Aspekten und in allen Schattierungen. Ihm ist ihre seelenvolle und glückliche Seite ebenso nah wie ihre Nachtseite: die rein sexuelle und berechnende Liebe; der Betrug, Krankheit und Wahnsinn. In seinen Protagonisten oder dem lyrischen Ich der Sonette unterwirft er sich bedingungslos auch den leidvollen Folgen, nimmt sie als Prüfung an und wendet die Wunde: Die Liebe erfährt eine Wiederbelebung und Erneuerung durch Transformation der Gestalten oder durch Veränderung der Verhältnisse. Die Liebe überdauert den Tod. Der Band versammelt die Verserzählungen Venus und Adonis, Der Liebenden Klage, Der Phönix und die Taube, eine großzügige Auswahl der schönsten Sonette, einzelne Gedichte aus Der liebende Pilger und verstreut in den Stücken erschienene Lieder und Gedichte, ergänzt durch poetische Liebesszenen.

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