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      • LeftWord Books

        LeftWord Books is a New Delhi-based publishing house that seeks to reflect the views of the left in India and South Asia. We publish critical and analytical works on a range of subjects, and pay special attention to works on Marxist theory. We project the interests of the working people and movements for social transformation. Set up in 1999, LeftWord runs and manages May Day Bookstore, which is next door to a theatre space, Studio Safdar. LeftWord Books is the publishing division of Naya Rasta Publishers Pvt Ltd.

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      • Left Bank Literary

        Left Bank Literary is a Sydney-based literary agency specialising in quality fiction and non-fiction.    Our name references the creative environment that blossomed in 'the city of light' nearly a century ago. These writers were a vital force in an era of rising conservatism and facism. We have created Left Bank Literary to provide a home for the fertile ideas of our clients and to ensure literature continues to contribute to the most important conversations of the world.

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        Humanities & Social Sciences
        January 2012

        The Left and the European Constitution

        From Laeken to Lisbon

        by Michael Holmes, Knut Roder

        This book examines how the Left is affected by European integration. It starts from the rejection of the European Constitution in France and the Netherlands in 2005, in which left-wing parties played key roles. The book explores the level of pro- and anti-EU sentiment among left-wing parties. It discusses the left's reaction to the EU's neo-liberal policies such as Laval, the Lisbon Agenda and the Bolkestein Directive. It examines the extent to which parties are Europeanised or remain nationally-oriented. The book looks at parties from all three left-wing families -social democrats, left-socialists and left-greens. It contains case-studies of eleven EU member states, and also examines the left in the European Parliament. It provides a unique cross-national, cross-party evaluation of contemporary events. ;

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        Politics & government
        February 2014

        Fighting fascism: the British Left and the rise of fascism, 1919–39

        by Keith Hodgson

        In the years between the two world wars, fascism triumphed in Italy, Germany, Spain and elsewhere, coming to power after intense struggles with the labour movements of those countries. This book, available in paperback for the first time, analyses the way in which the British left responded to this new challenge. How did socialists and communists in Britain explain what fascism was? What did they do to oppose it, and how successful were they? In examining the theories and actions of the Labour Party, the TUC, the Communist Party and other, smaller left-wing groups, the book explains their different approaches, while at the same time highlighting the common thread that ran through all their interpretations of fascism. The author argues that the British left has been largely overlooked in the few specific studies of anti-fascism that exist, with the focus being disproportionately applied to its European counterparts. He also takes issue with recent developments in the study of fascism, and argues that the views of the left, often derided by modern historians, are still relevant today.

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        Humanities & Social Sciences
        September 2018

        Young lives on the Left

        by Celia Hughes

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        Humanities & Social Sciences
        December 2019

        The European Left Party

        by Luke March, Richard Dunphy

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        July 2022

        Nothing Left for Us

        Die deutsche Ausgabe von Radio Silence

        by Alice Oseman

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        Postwar 20th century history, from c 1945 to c 2000
        July 2013

        Gay men and the Left in post-war Britain

        by Lucy Robinson

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        Humanities & Social Sciences
        March 2022

        The British left and the defence economy

        by Keith Mc Loughlin

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        The Arts
        September 2019

        Queer Objects

        by Chris Brickell, Judith Collard

        Queer lives give rise to a vast array of objects: the things we fill our houses with, the gifts we share with our friends, the commodities we consume at work and at play, the clothes and accessories we wear, and the analogue and digital technologies we use to communicate with one another. But what makes an object queer? The sixty-three chapters in Queer Objects consider this question in relation to lesbian, gay and transgender communities across time, cultures and space. In this unique international collaboration, well-known and newer writers traverse world history to write about items ranging from ancient Egyptian tomb paintings and Roman artefacts to political placards, snapshots, sex toys and the smartphone. Fabulous, captivating, transgressive.

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        October 2013

        Transfiguring Transcendence in Harry Potter, His Dark Materials and Left Behind

        Fantasy Rhetorics and Contemporary Visions of Religious Identity

        by Gray, Mike

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        Humanities & Social Sciences
        September 2022

        Odd men out

        by John-Pierre Joyce, Simon Callow

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        The Arts
        March 2021

        Queer exceptions

        Solo performance in neoliberal times

        by Stephen Greer

        Queer exceptions is a study of contemporary solo performance in the UK and Western Europe that explores the contentious relationship between identity, individuality and neoliberalism. With diverse case studies featuring the work of La Ribot, David Hoyle, Oreet Ashery, Bridget Christie, Tanja Ostojic, Adrian Howells and Nassim Soleimanpour, the book examines the role of singular or 'exceptional' subjects in constructing and challenging assumed notions of communal sociability and togetherness, while drawing fresh insight from the fields of sociology, gender studies and political philosophy to reconsider theatre's attachment to singular lives and experiences. Framed by a detailed exploration of arts festivals as encapsulating the material, entrepreneurial circumstances of contemporary performance-making, this is the first major critical study of solo work since the millennium.

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