Editorial Drakul, S.L.
Editorial Drakul is an independent, privately owned company, founded in June 2006 and dedicated mainly to the publication of novels and comics, but also children's literature.
View Rights PortalEditorial Drakul is an independent, privately owned company, founded in June 2006 and dedicated mainly to the publication of novels and comics, but also children's literature.
View Rights PortalWe are an independent publisher, founded at the beginning of 2009 in the city of Montevideo, the southernmost capital of America. Throughout the years, we have been publishing fictional and non-fictional narratives, children’s books, political essays as well as photography books, under the collections named: Us (Nosotros), Stone like You (Piedra como tú), Walter’s Library (Biblioteca de Walter) and About Narratives (De Narrativa). Our titles are issued in printed and digital versions, which can be found at digital stores such as Amazon and Bajalibros, among digital libraries and the main bookstores in Uruguay, Argentina and Chile. In addition, some of our books were translated into Italian and Portuguese. In the last few years, we have applied new technologies to develop products for the publishing sector. We created the webBook Digital Educational Contents (Contenidos educativos digitales) and the appbook Professions’ Factory (Fábrica de oficios), among other projects that are currently underway in this area. All our production is self-managed and strongly independent. The books we make are carefully thought through. In every release, the aesthetic care put in the edition, its narrative, illustrations, and photographs, seek to create an attractive object, aimed to inspire the desire to be included in every library.
View Rights Portal— Who is behind the big platforms, what are their alternatives and why do algorithms contribute to polarisation? — A contribution to the discussion on current media policy in the EU It's a paradox: thanks to the countless platforms and channels that are around today, it has never been so easy to express your opinion. And yet never before have so few people decided on the rules of these platforms. Never before has the free formation of opinion, which is essential for our democracies, been in so much danger. And never before have the signs of recognising this been so obvious. So what needs to be done? In a controversial discourse on the effects of TikTok, Facebook, Instagram, Twitter and the rest, Björn Staschen reveals how we are slowly losing our freedom – and how we can get it back again.
The Irish tower house examines the social role of castles in late-medieval and early modern Ireland. It uses a multidisciplinary methodology to uncover the lived experience of this historic culture, demonstrating the interconnectedness of society, economics and the environment. Of particular interest is the revelation of how concerned pre-modern people were with participation in the economy and the exploitation of the natural environment for economic gain. Material culture can shed light on how individuals shaped spaces around themselves, and tower houses, thanks to their pervasiveness in medieval and modern landscapes, represent a unique resource. Castles are the definitive building of the European Middle Ages, meaning that this book will be of great interest to scholars of both history and archaeology.
Looking at the newspaper clipping from 1870 to 1930 in art and science, this study examines knowledge production and its visual and material background, combining the perspectives of media history with art history and the history of science. It traces the biography of a newspaper clipping in different fields, ranging from highly sophisticated ordering systems in the sciences, to bureaucratic archives, to their appearance in the collages of the Dadaists. Te Heesen emphasises the materiality of paper and analyses the practices connected with it, placing them and their instruments and tools within a theoretical framework. This history also sheds light on the handling of information, information overload and the generation of knowledge, drawing parallels with the internet. Te Heesen offers a counterpoint to existing works on the iconographic meaning of materials by opening up an interdisciplinary framework through the use of different case studies. ;
‘We will not stop demonstrating,’ writes Franziska Wessel in a guest column in the Berliner Zeitung. Franziska is pursuing a goal. Decisive measures must finally be taken to protect the climate. While that is not happening she spends every Friday on the streets, gives interviews and puts pressure on politicians. But climate change isn’t the only thing threatening our future. There is so much suffering, injustice and destruction in the world. Something must be done about it. And as a climate activist, Franziska knows exactly how to be active. Together with her father, the journalist and author, Günther Wessel, she explains: How do I start a petition? How do I organise a campaign? How does lobbying work? So that everyone knows how they can make things happen.