Deutscher Apotheker Verlag
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Children's & YATerra (4). Afterglow
by Jennifer Alice Jager
Humankind’s battle against Nature is entering its decisive stage. Once more the explosive showdown of the apocalyptic TERRA series keeps the reader in breathless suspense. Humanity appears to be on the brink of destruction. Vast areas of land have been wiped off the face of the Earth, vegetation has reconquered its living space, but Terra Mater has by no means finished with the human bacillus. The hate-filled spirit of Nature that is claiming Younes’ body for itself, and wants to see all humans destroyed, gives him undreamt-of powers, but it also threatens to set him, his little sister and Chloe against one another. But there is even more at stake: if Younes and the other children from his visions (he had dreams about the other kids) do not stop Terra Mater soon from fulfilling her plans, every single human being will disappear from the planet. In order to prevent that from happening, they must come face to face with raging Mother Earth, and must not only conquer their fear but must also look Death in the eye.
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The ArtsJune 2025Toronto New Wave cinema and the anarchist-apocalypse
by David Christopher
The Toronto New Wave (TNW) comprises a group of avant-garde filmmakers working in Canada from the 1980s and into the new millennium whose innovative film works share significant affinities with anarchist themes and aesthetics. Several of the TNW filmmakers openly identify as anarchists and/or acknowledge a debt to anarchism in their production of highly apocalyptic narratives as part of their cinematic political projects. However, recognition of anarchism's progressive apocalyptic theoretical relevance has yet to be substantially taken up by scholarship in cinema analysis. This analysis introduces an anarchist-inflected analytical methodology to understand the apocalyptic-revelatory political work these films attempt to accomplish in the perceptual space between the filmic texts and both their auteurs and potential viewers, and to re-locate the TNW within cinema history as an ongoing phenomenon with new significance in an apocalyptic era of digital distribution.
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April 2021Among Fellow Primates
Views of a monkey researcher
by Volker Sommer
Man brings apocalyptic plagues to the world and his fellow primates – from global warming to the destruction of forests. While millions of monkeys and apes lived on Earth only a few decades ago, today many species are strongly endangered. In this book the anthropologist and monkey researcher Volker Sommer calls on us to finally protect the fundamental rights such as the right to life, freedom and physical integrity of the great apes. For all his seriousness, Sommer is also a great storyteller who deals with his own profession with humour, sympathy and in a highly instructive way.
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February 2004Der Schwarm
Roman
by Schätzing, Frank
Whales begin sinking ships. Toxic, eyeless crabs poison Long Island’s water supply. The North Sea shelf collapses, killing thousands in Europe. Around the world, countries are beginning to feel the effects of the ocean’s revenge as the seas and their inhabitants begin a violent revolution against mankind. At stake is the survival of the Earth’s fragile ecology – and ultimately, the survival of the human race itself. The apocalyptic catastrophes of The Day After Tomorrow meet the watery menace of The Abyss in this gripping, scientifically realistic, and utterly imaginative thriller.
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Humanities & Social SciencesJune 2024Passages
On Geo-Analysis and the aesthetics of precarity
by Sam Okoth Opondo, Michael J. Shapiro
Passages: On geo-analysis and the aesthetics of precarity is a multi-genre and transdisciplinary text addressing themes such as colonialism, nuclear zones of abandonment, migration control regimes, transnational domestic work, the biocolonial hostilities of the hospitality industry, legal precarities behind the international criminal justice regime, the shadow-worlds of the African soccerscape, and immunity regimes related to the COVID-19 pandemic. This book invites inquiry into today's apocalyptic narratives, humanitarian reason, and international criminal justice regimes, as well as the precarity generated by citizen time and 'consulate time'. The aesthetic breaks emerging from the book's image-text montage draw attention to the ethics of encounter and passage that challenges colonial, domestic, and nation-statist sovereignty regimes of inattention.
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Humanities & Social SciencesApril 2026Christ’s war
Holiness, heroism and horror in Carolingian poetry, c.730-c.900 CE
by Matthew Bryan Gillis
Christ's war examines Carolingian holy war from the forging of their empire in the eighth century to its dissolution in the late ninth century during the Northmen's attacks. It argues that the Franks understood their wars to be holy when their soldiers were without sin and, therefore, were holy themselves. God heard their prayers as they begged for divine aid, and he helped them overcome and slaughter their foes. Therefore, the Carolingian vision of holy war differed from the pious, apocalyptic military pilgrimages of the subsequent Crusades. Latin poetry serves as an important source in this study for understanding holy war, including how poets dramatized glorious victories or horrifying defeats for their audiences. The book offers important insights into the religious nature of Frankish warfare, while also contributing a fresh and innovative perspective on medieval holy war overall.
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The ArtsMay 2026Reframing Margaret Thatcher
Genre, form, and the making of post-Thatcherism in British film and TV
by Felipe Espinoza Garrido
Against the backdrop of Britain's historically anti-Thatcherite films of the 1980s and 1990s, Reframing Margaret Thatcher outlines a decisive shift in the collective imagination of Thatcher. Drawing on genre, trauma, and queer studies, it demonstrates how post-Thatcherite films reflect upon their own entanglement in the polarization of the Thatcher years but also rewrite the clichéd Iron Lady. Chapters on The Iron Lady, This is England, Doomsday, 9 Dead Gay Guys, and the Sherlock TV series investigate various Thatcher imaginations, ranging from Thatcher as a lesbian mob boss, as prime minister in apocalyptic England, to Thatcher as an empty bust. This innovative study shows how the apparent depoliticization of British film makes visible new relations between genre, cinematic form, and imaginations of the past and offers fresh perspectives that both critique and reinterpret Thatcher's enduring impact.
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FictionSeptember 2018Puma
By Anthony Burgess
by Paul Wake, Andrew Biswell
Puma - disentangled from the three-part structure of The End of the World News and published here for the first time in its intended format - is Anthony Burgess's lost science fiction novel. Set some way into the future, the story details the crushing of the planet Earth by a heavyweight intruder from a distant galaxy - the dreaded Puma. It is a visceral book about the end of history as man has known it. Despite its apocalyptic theme, its earthquakes and tidal waves, murder and madness, Puma is a gloriously-comic novel, steeped in the rich literary heritage of a world soon to be extinguished and celebrating humanity in all its squalid glory. In Burgess's hands this meditation on destruction, mitigated by the hope of salvation for a select few, becomes powerful exploration of friendship, violence, literature and science at the end of the world.
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TelevisionSeptember 2004Terry Nation
by Jonathan Bignell, Andrew O'Day
This is the first in-depth study of the science fiction television devised and written by Terry Nation. Terry Nation was the inventor of the Daleks and wrote other serials for 'Doctor Who'; he also wrote the BBC's 1970s post-apocalyptic drama 'Survivors' and created the space adventure series 'Blake's 7'. Previously television science fiction in Britain has received little critical attention. This book fills that gap and places Nation's work in the context of its production. Using Terry Nation's science fiction work as a case study, the boundaries around the authorship and authority of the television writer are explored in detail. The authors make use of BBC's archival research and specially conducted interviews with television producers and other production staff, to discuss how the programmes that Terry Nation created and wrote were commissioned, produced and brought to the screen. The book makes an important contribution to the study of British television history and will be of interest to enthusiasts of Terry Nation's landmark drama series as well as students of Television Studies.
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Biography & True StoriesApril 2026Manchester must dance
A life of music, madness and moving on up
by Mike Pickering, Paul Morley
From Manchester's backstreets to global dancefloors - the untold story of a musical pioneer. Beginning on the night in November 1963 when his mum took him to see the Beatles live at Manchester's ABC Cinema, Mike Pickering takes the reader through sixty years of clubs, clothes, gigs, record labels, football matches and politics. Pickering has lived through decades of rapid change in popular music. As an influential DJ he introduced house music into the legendary Haçienda. He signed Happy Mondays and James to Factory Records before working with Kasabian, Gossip and Calvin Harris at Sony. His Mercury Prize-winning, multi-million-selling group M People transformed the music industry's attitude to dance music. As he tells his remarkable story he introduces an array of friends and collaborators, many of whom would become important - and sometimes notorious - figures in music history. Manchester must dance is a revelatory insider's account that moves from the cramped back streets of 1950s north Manchester on a journey deep into music, the city and the wider world. It features forewords from some of those Pickering inspired: Martin Fry, Johnny Marr, Noel Gallagher and Calvin Harris.
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Business, Economics & LawMarch 2009Global justice networks
Geographies of transnational solidarity
by Paul Routledge, Andrew Cumbers
This book provides a critical investigation of what has been termed the 'global justice movement'. Through a detailed study of a grassroots peasants' network in Asia (People's Global Action), an international trade union network (the International Federation of Chemical, Energy, Mining and General Workers) and the Social Forum process, it analyses some of the global justice movement's component parts, operational networks and their respective dynamics, strategies and practices. The authors argue that the emergence of new globally-connected forms of collective action against neoliberal globalisation are indicative of a range of place-specific forms of political agency that coalesce across geographic space at particular times, in specific places, and in a variety of ways. Rather than being indicative of a coherent 'movement', the authors argue that such forms of political agency contain many political and geographical fissures and fault-lines, and are best conceived of as 'global justice networks': overlapping, interacting, competing, and differentially-placed and resourced networks that articulate demands for social, economic and environmental justice. Such networks, and the social movements that comprise them, characterise emergent forms of trans-national political agency. The authors argue that the role of key geographical concepts of space, place and scale are crucial to an understanding of the operational dynamics of such networks. Such an analysis challenges key current assumptions in the literature about the emergence of a global civil society. ;
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March 1995Bambusregen
Haiku und Holzschnitte aus dem »Kagebôshishû«
by Claudia Waltermann, Ekkehard May, Claudia Waltermann, Ekkehard May
Von der vormodernen Literatur Japans erfreuen sich die Verse des Haiku im Westen besonderer Beliebtheit: Die mit 17 Silben wohl kürzeste Form der Dichtkunst überhaupt fasziniert durch ihre große Ausdruckskraft auf kleinstem Raum, und sie erschließt sich über alle Barrieren von Sprache und Übersetzung hinweg erstaunlich problemlos durch die suggestive Kraft ihrer jahreszeitenbezogenen Momentbeschreibungen. Ein besonders eindrucksvolles Zeugnis der heiterpointierten Poesie dieser Gattung ist das 1754 in Ôsaka erschienene Kagebôshishû, eine Sammlung von Haiku und Tuschzeichnungen bzw. Holzschnitten. Aus ihm werden erstmals 26 Bild-Text-Paare bekannt gemacht.
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March 2003Tempestad
Roman
by Roberto Cotroneo, Karin Krieger
Roberto Cotroneo wurde 1961 in der norditalienischen Stadt Alessandria geboren. Er studierte Philosophie und einige Jahre Klavier. Seit 1983 war er u.a. für L'Europeo, L'Espresso, der renommierten Wochenzeitschrift, und Sole 24 Ore als Literaturkritiker tätig. Seit 1994 zeichnet er für den Kulturteil von L'Espresso verantwortlich. Er gilt als der angesehenste und zugleich gefürchtetste Kritiker Italiens. Sein erstes Buch, Wenn ein Kind an einem Sommermorgen. Briefe an meinen Sohn über die Liebe zu Büchern, erschien 1996 in deutscher Übersetzung im Marion von Schroeder Verlag in Düsseldorf und 2002 im Insel Verlag Frankfurt. Diese unterschwellige Autobiographie und Autopoetik ist eine suggestive Einführung in die Kunst des kritischen Lesens. Umberto Eco, in dessen Nachfolge Cotroneo erzählerisch ganz offensichtlich steht, urteilte über dieses Buch: "Roberto Cotroneo zeigt, daß er wirklich weiß, wie Bücher gelesen werden sollten."
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August 1997Die verlorene Partitur
Roman. Aus dem Italienischen von Burkhart Kroeber
by Roberto Cotroneo, Burkhart Kroeber
Roberto Cotroneo wurde 1961 in der norditalienischen Stadt Alessandria geboren. Er studierte Philosophie und einige Jahre Klavier. Seit 1983 war er u.a. für L'Europeo, L'Espresso, der renommierten Wochenzeitschrift, und Sole 24 Ore als Literaturkritiker tätig. Seit 1994 zeichnet er für den Kulturteil von L'Espresso verantwortlich. Er gilt als der angesehenste und zugleich gefürchtetste Kritiker Italiens. Sein erstes Buch, Wenn ein Kind an einem Sommermorgen. Briefe an meinen Sohn über die Liebe zu Büchern, erschien 1996 in deutscher Übersetzung im Marion von Schroeder Verlag in Düsseldorf und 2002 im Insel Verlag Frankfurt. Diese unterschwellige Autobiographie und Autopoetik ist eine suggestive Einführung in die Kunst des kritischen Lesens. Umberto Eco, in dessen Nachfolge Cotroneo erzählerisch ganz offensichtlich steht, urteilte über dieses Buch: "Roberto Cotroneo zeigt, daß er wirklich weiß, wie Bücher gelesen werden sollten."
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February 2021Zufällige Erfindungen
by Elena Ferrante, Andrea Ucini, Karin Krieger
Elena Ferrante hat ein literarisches Spiel gespielt. Sie hat sich ein Jahr lang, Woche für Woche, vom britischen Guardian eine Liste mit allen erdenklichen Themen schicken lassen, sie hat sich dann eines ausgesucht und spontan darüber geschrieben. Zufällige Erfindungen versammelt die 52 erstaunlichen Kolumnen, die auf diese Weise entstanden sind: Es geht um erste Liebe, um Klimawandel, es geht darum, wie misslich es ist, fotografiert zu werden, was es bedeutet, wenn die eigenen Bücher verfilmt werden, es geht um die Frage, warum man Partys eigentlich immer als Letzte verlässt – und ob es eine Formel für Lebensglück gibt. Elena Ferrante ist »eine der größten Romanschriftstellerinnen unserer Zeit« (New York Times), und sie beherrscht auch die kurzen Formen meisterhaft. Zufällige Erfindungen, das sind suggestive Stücke voller Witz, Hintersinn und beiläufiger Erleuchtungen – wunderbar illustriert von Andrea Ucini.
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Literature & Literary StudiesFebruary 1994Italian women writing
by Sharon Wood
How has it happened that from being politely ignored or marginalized just half a century ago, women writers in Italy are now at the centre of literary activity? To what extent does writing by women reflect the successes and failures of Italy in the post-war period? What form did the feminist movement in Italy take, and how did this affect what - and how - women wrote? And how are women who write responding to a more fragmented post-modern age? These are just some of the questions asked of the relationship between women and fiction in post-war Italy in this anthology. It includes stories by Cialente, Ginzburg, Ortese, Morante, Romano, Maraini and Duranti as well as Bompiani, Sanvitale, Mizzau, Scaramuzzino, Capriolo and Petrignani. The thirteen stories presented offer a range of style and content indicative of the wealth and diversity of writing by women, and their reading is supported by critical notes and an extensive vocabulary. This is a clear and challenging introduction to the rich field of women and fiction in Italy. ;
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The ArtsJune 2021The new pornographies
Explicit sex in recent French fiction and film
by Victoria Best, Martin Crowley
The turn of the twenty-first century has witnessed the striking advance of pornography into the Western cultural mainstream. Symptomatic of this development has been the use by writers, artists, and film-makers of the imagery and aesthetics of pornography, in works which have, often on this basis, achieved considerable international success. Amongst these artists are a number of French authors and directors - such as Michel Houellebecq, Catherine Breillat, Virginie Despentes, or Catherine Millet - whose work has often been dismissed as trashy or exploitative, but whose use of pornographic material may in fact be indicative of important contemporary concerns. In this study of a very significant trend, the authors explore how the reference to pornography encodes diverse political, cultural, and existential questions, including relations between the sexes, the collapse of avant-garde politics, gay sexualities in the time of AIDS, the anti-feminist backlash, the relation to the body and illness, the place of fantasy, and the sexualisation of children. It will be of interest to undergraduates, graduates, and researchers in the fields of French culture, gender, film and media studies.
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The ArtsJanuary 2019The new pornographies
Explicit sex in recent French fiction and film
by Victoria Best, Martin Crowley
The turn of the twenty-first century has witnessed the striking advance of pornography into the Western cultural mainstream. Symptomatic of this development has been the use by writers, artists, and film-makers of the imagery and aesthetics of pornography, in works which have, often on this basis, achieved considerable international success. Amongst these artists are a number of French authors and directors - such as Michel Houellebecq, Catherine Breillat, Virginie Despentes, or Catherine Millet - whose work has often been dismissed as trashy or exploitative, but whose use of pornographic material may in fact be indicative of important contemporary concerns. In this, the first study of this significant trend, the authors explore how the reference to pornography encodes diverse political, cultural, and existential questions, including relations between the sexes, the collapse of avant-garde politics, gay sexualities in the time of AIDS, the anti-feminist backlash, the relation to the body and illness, the place of fantasy, and the sexualisation of children. It will be of interest to undergraduates, graduates, and researchers in the fields of French culture, gender, film and media studies.
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October 2024Renunciation and Freedom
Survivial in the future
by Jean-Pierre Wils
The situation in our society is precarious. The ecological shocks are omnipresent. The mere continuation of our lifestyles fixated on expansion and self-development has long since reached its limits. As if intoxicated by ourselves, we consume our world voraciously and without restraint. We need moderation and frugality that lead us out of the ecological and social dead ends and hold both the individual and Politics to account. We are by no means powerless and are perfectly capable of leading a life that offers prospects for a humane future. However, our idea of freedom needs urgent correction. For this endeavour to succeed, we need the courage to face reality and the willingness, in a spirit of solidarity, to say goodbye to a false life and join the alliance of renunciation and freedom. Then we will be free – differently and better.
